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Comments
Yes but that bit the dust didn't it?
I thought GE was a totally different script that was written originally with Dalts in mind?
Much of the M scene makes a lot more sense with Dalts in the part.
Yes, but did he have any choice with LTK? The subject matter and script don't leave him a huge amount of leeway. When the opportunity for humour does arise, he seizes it with both hands. The Q sequences are amongst the most enjoyable in the series. TLD is a much superior film in my opinion and I think it better represents the kind of Bond Dalton wanted to portray. I mean, if they'd made a third, it was inevitably going to be very different from LTK, for all kinds of reasons - commercial ones primarily.
I'm not a Fleming expert, but Bond's relationship with Kara in TLD is one of the most convincing in the film series. I don't know if Bond has those kinds of connections with the female leads in the books, but it feels like something previously unseen, apart from perhaps in OHMSS. The lightness that their relationship brings to TLD is one of the things that makes it a really enjoyable movie. I think DC and EG came close in CR, but obviously the ending puts a bit of a downer on things compared to TLD.
True, he is lucky to miss out on a movie with the "I am invincible" computer idiot.
I've changed my mind a bit this week. I don't think Dalton would have tolerated such an awful performance from Cummings, who is by all accounts a decent actor. Cummings - like everyone else - would have raised their game with the Daltonator on set. Frankly (and this is evident in all of Brosnan's outings), the rest of the cast don't really seem to take him very seriously, and what comes across is very limp drama. Rarely any tension and no one is really invested in the moment. I think Dench was an acception - she had that mummsie-ish affection for Brosnan.
Compare that to when Dalton is on set and everyone is really acting their backsides off - it just comes across as more compelling. I think that's the secret of Bond and any good thriller/fantasy/action movie - selling the story (no matter how silly) with conviction.
:)>-
Yes, it would be a bit like SF in that regard, with an older Bond at 50 or so returning after six years, and it might even reference the previous film(s) more directly.
It would have been a smash hit for sure, maybe less so than with Brosnan. OTOH maybe more. Who knows?
I've changed my mind a bit this week. I don't think Dalton would have tolerated such an awful performance from Cummings, who is by all accounts a decent actor. Cummings - like everyone else - would have raised their game with the Daltonator on set. Frankly (and this is evident in all of Brosnan's outings), the rest of the cast don't really seem to take him very seriously, and what comes across is very limp drama. Rarely any tension and no one is really invested in the moment. I think Dench was an acception - she had that mummsie-ish affection for Brosnan.
Compare that to when Dalton is on set and everyone is really acting their backsides off - it just comes across as more compelling. I think that's the secret of Bond and any good thriller/fantasy/action movie - selling the story (no matter how silly) with conviction. [/quote]
Yeah because Caroline Bliss, John Terry, David Hedison and Everitt McGill ("wooahhh") really acted their socks off didn't they? :)) McGill in particular is laughable. You can't take him seriously. Shame as he's meant to be the one who betrayed one of Bond's only friends.
Don't kid yourself. Dalton is a good actor but he didn't always make people around him look better. He worked with his share of good actors (Robert Davi, Robert Brown, John Rys Davis and Benico Del Toro) but also a few bad ones (the above) who were still bad (perhaps worse) alongside him.
The problem with that is Dalton hated John Glen and said he didn't want him directing a 3rd film. I think Campbell was the best choice for GE, I like Glen, he's probably my favourite Bond director, but we'd already had loads of films from him, it was time for a change, and Campbell did brilliantly (look at the Dam shot before the bungee jump we'd have never got that with Glen).
I do think GE would've been better with Dalton, I think every Bond film without him would be better with Dalton, but I'm pretty happy with what we got. I like Brosnan's Bond.
Why's that?
I always noticed that, as well. Why does he, his lines? That does irritate me. Granted, no film out there is perfect, and every film (Bond or not) I would change things about, but at the same time, I've loved this film for so many years. It's always been my favorite. I'd probably tweak tiny things here and there, but nothing game-changing.
There are moments of that scene I like such as the line you mentioned and the bit when the bloke in the phone box is being wheeled away.
I personally think that if Dalton did Goldeneye, him and Bean would actually be a pretty good pair - both of them brilliant actors, and as Getafix said, the actors (including Bean) would have raised their game for Dalton.
Dalton made the actors who ranged from good to alright go better. You can't make a wooden actor any less wooden, save from teaching them the whole principle of acting, which I do believe takes more than a few months.
And I didn't think Caroline Bliss was that bad, and David Hedison was wonderful. Terry and McGill were the worst things about the Dalton era, I'll grant you that...
In TLD you get the impression her and Dalton met a few minutes before the cameras started rolling. She does the most obvious line readings possible: looks lovingly at Bond, takes off her glasses and sighs deeply when he goes (Ms Smallbone did the same thing in OP). Her actual delivery of dialogue is poor too.
I think the fact she had a single proper appearance as Moneypenny (I don't count the ten seconds or so in LTK) didn't help. Of course, she's no Lois Maxwell, but I think had she been given a few more films she could have become much, much better.
Hedison is the second best Felix IMO (Jeffrey Wright is my number one), but my problem with him in LTK is his age - he was getting a bit Moore-esque, especially paired with the much younger Bond. Hedison's performance is maybe the only thing I would say is better in the Moore era than the Dalton era.