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Comments
Pam? I used to hate her, but she doesn't bother me so much any more. Not bad looking either. One of less annoying American Bond girls, who for some reason tend to be not the best.
http://www.rogerebert.com/reviews/licence-to-kill-1989
No here, and in 1989, Roger Ebert ruled.
1. TLD : credibly (for me) ushered in a new Bond, contemporized the Bond universe, featured an absolutely outstanding score, and retained enough traditional Bond elements (and annoying quirks) that I found it very entertaining. I've already commented on its weak spots in my mind (villains, casting, main girl - although this is deeply personal)
2. LTK : for being the first genuine attempt to shake up the Bond universe, and for being a bloody good standalone movie as well. It had arguably the most unpredictable flow to it (and that was probably its problem) and it featured one of the most dangerous (even to this day) villains JB has encountered. It also, sadly, had Talisa Soto, poor sets, and very little traditional Bond elements. So whether it's a good 'Bond' movie is a different question, and one where I think the jury is out, because it is forced to sit with 50 years of movie tradition. But there's no doubting it's a damn good standalone movie....and gets better with each viewing for me.
So Tim must be congratulated for providing us with 2 completely different but yet credible Bond entries out of the 2 he made. I'm deeply disappointed that he did not get the chance to do a 3rd, as I'm pretty sure it would have been his TSWLM or GF or SF. Some have said that GE was initially designed for him. He would have nailed it, so what a complete shame that was!
IT was, and at that point Miami VIce was so much more stylish that LTK felt small an underwhelming.
Like Timothy 'Nails' Dalton.
Very true!
I suppose TLD, but only JUST. LTK has great moments, but suffers from a weaker plot & i don't think the stunts (other than the SeaCrest escape, which is superb) were on a par with TLD. Dalton was better in LTK, and obviously that one has the far superior nemesis.
TLD starts strongly but the plot fizzles out a bit.
LTK for me.
*Ash voice*
You know, your shoelace is untied...
Sorry...was not meant to denigrate either film, Dalton, or the plot lines. It was just bad production design. But in the case of LTK, such production worked.
LTK is one of my faves.
Babes: Tie
Villains: LTK
Humour: TLD
Sadism: LTK, although the Pushkin on his knees scene in TLD is more appropriate for a Bond movie. LTK is a bit too realistic in the violence department
Snobbery: TLD
Action: TLD
Locations: TLD
Gadgets: TLD
Music: TLD
TLD: 6
LTK: 4
The reality is that TLD is easily top 5 for me, maybe even number 1 at the moment. LTK rated highly before but now its slipped to near the middle.
What really elevates TLD for me is the action, stunts, and the pacing. Not to mention my favourite John Barry score. We're treated with two scores really - "The Living Daylights" and "Where has everybody gone" - I get a good shiver down my spine when I hear the melody and it really puts me in the mood for Bond
It is indeed.
Babes: LTK
Villains: LTK
Humour: TLD
Sadism: LTK
Snobbery: TLD
Action: TLD
Locations: TLD
Gadgets: LTK
Music: TLD
TLD: 5
LTK: 4
Bond: LTK
Babes: TLD
Villains: LTK
Humour: TLD
Sadism: LTK
Snobbery: TLD
Action: LTK
Locations: TLD
Gadgets: TLD
Music: TLD
TLD: 6
LTK: 4
Anyway, in general I'll take TLD over LTK by a wide margin any day.
Superior for me in many ways, though I love Dalton's performance in both.
Babes: LTK
Villains: LTK
Humour: TLD
Sadism: LTK
Snobbery: TLD
Action: LTK
Locations: TLD
Gadgets: TLD
Music: TLD
TLD 6
LTK 4