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Take a look at the scene in TWINE when Brosnan confronts Elektra:
It's not just the "hand-waving" that people have mentioned; it's the vocal intonations and the body language as well. Everything about Brosnan's performance is "pushing too hard" to make the point (I mentioned in another thread that he also seemes to go for the most obvious line readings).
Now compare that to Dalton's performance. Some people call his performance "theatrical" but I wouldn't use that word. It's not pushed as far as Brosnan's and there's more...dare I say "conviction" to it. Dalton makes sure that you always know the exact meaning behind what he's saying, thinking, or feeling, and it's not necessarily a bad thing. A different style to be sure, but not one that rings false to me.
Brosnan isn't a "great" actor either but, like Connery he also has these 2 qualities (despite what George Lazenby said in 1995). In regard to "pushing it" TWINE is nothing comared to this:
About Brosnan. A lot of people I knew including my Dad and myself felt Brosnan certainly had the right look to him, and a few things pre-Bond I saw him in made me think he might have the acting chops as well. As it turned out, at least IMO, the subpar scripts did him no favors as far as him establishing an interpretation that he was entirely comfortable with. Still, the franchise did well enough at the box office with him aboard to keep people interested.
Daniel Craig was already a terrific actor and on his way to being an A-lister before he became Bond. I think he didn't need Bond as much as the franchise needed him. A billion in box office and another classic (the last being LTK) in Casino Royale certainly benefited everyone involved and proved the decision to hire him to be the correct one.
Roger Moore never being Bond? That's like Paul not being a part of the Beatles. I couldn't imagine having enjoyed the Bond series as much without Roger Moore starring in the title role. He was my first James Bond and ultimately my favorite in the role, as shocking a statement as that may be to some. He was charismatic, witty, serious... and he has one helluvan eyebrow to bring the mix all together. My Top 3 favorite Bond films naturally starred him in the role: A View to a Kill, Octopussy, and Moonraker.
I mean this in a totally positive way:
Comparing Moore to the likes of Dalton, Craig, or Connery is like comparing Adam West to Michael Keaton- they're both Batman, but one is serious and one is more for fun. But I love them both! To me, it's the same thing in a way- although Moore wasn't quite as wacky as Adam West... :-))
But with Lazer having fallen out of favour ( a tragedy that) Rog was probably the way to go. I'm not terribly impressed with any of the actors that have followed the Rog so in that light the Rog's work holds up well by comparison IMO. Even though he couldn't pull off the Sean/George toughness and intensity, I like that he didn't attempt to change the character in any meaningful way. Rog kept the train rolling along and ultimately made 7 very Bond worthy films. He did a pretty darn good job despite his lack of natural athleticism which Sean and George had in spades.
My only contention is that during the 70s - this was a golden era for cinema in general. I didn't see any of that clever writing in any of his outings during that period. Pity. Bond should have had a classic movie in that era.
SC - classic 60s with GF.
GL - classic 60s with OHMSS.
RM - never did or did he?
TD - classic 80s with TLD
PB - classic 90s with GE
DC - not yet
"keeping the British end up sir!"
This topic is redundant.
Criticized by hard core fans but Moore's pictures made a crap load of money. The fact that he hung on until well in his fifties is interesting. By FYEO he was old enough to be his leading ladies' father! Still he managed to endear himself to audiences and to many fans Roger Moore WAS James Bond. ...