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Comments
Mr. White back in the fold somehow.
Bond forced to do blow while undercover in a drug cartel.
Or simply an overcoat? He was wearing one of the roof in Skyfall and then walked into Moneypenny's office.. the perfect opportunity!
Well I tried doing that with my own coat once. Knocked the coat rack right over. :))
Yes! Bond wearing a hat/trilby in this day and age doesn't work at all. This isn't the 60s. However, Craig's Bond has some very nice overcoats and pea-coats and on too of that, he's always throwing/tossing things, wether they be car keys, hotel keys or even hard drive-free laptops! Bond expertly throwing his coat onto a coat stand or something wouldn't seem out of sorts, however, I can take it or leave it.
He could wear a hat if he was in his naval uniform. Just saying, Mendes.
My second wish would be Mark Strong as Blofeld. In my mind he's absolutely perfect for a modern re-envisioning of Blofeld in the Craig era and my thoughts were reaffirmed by the new Jaguar ads featuring him:
Really? I found the Inception score to be very Bondian. Honestly, I'm ready for a departure from a Barry-esque score. Time after time composers try to inject his style but I feel they'd be better off if they took their own path. I found in Skyfall especially that the best tracks were the most Newmanesque ones which didn't resemble Barry. It's a new chapter in the franchise and I think it's appropriate to have a fresh take on the music.
The score of Skyfall is the first Bond score to be nominated for an Academy Award since 1977, the first Bond score ever to win a BAFTA and the first Bond score ever to win a Grammy. I will be really suprised if Thomas Newman doesn't return, no matter what JamesPage says.
The return of David Arnold would be a joke.
I'd agree and like to know what the disagreements, if any, were over. Only then could we gauge if this affects his chances.
Have you ever noticed the similarities between the following...
Not the first time Zimmer has been pulled up for 'borrowing'.
They are more than popularity contests... Anyway, all I'm saying is that even of the producers didn't really like the score by Newman I'm sure they are more willing to let Mendes work with him again now after the score of Skyfall received this much acclaim.
I've actually seen that brought up in one of these threads before.
What is the world coming into? I was already fed up of all the bald actors people were bringing forward to play Blofeld. But a kid?
She is a great actress even in mediocre movies.
2. David Arnold as composer
3. Quantum/SPECTRE
4. Fleming unused elements or Live and Let Die FAITHFUL adaptation.
I am also happy if Newman returns (I think it likely) as long as he gives us more this time.
Skyfall is a rather lovely soundtrack, but for me middle of the road overall. What is truly outstanding or memorable? Where is the theme song woven in besides the gorgeous piece Komodo Dragon? Where is the full Bond theme during an action moment? There is no reason any composer could not have those very Bondian elements in a score and still make his or her (Rachel Portman, anyone?) impact and personal creative contributions. A composer could have these key elements, ones that for me as a lifelong Bond fan I really want (it is part of the uniqueness of a Bond film and adds to the Bond atmosphere/ambiance), and still be creative and not feel constrained to mimic Barry or Arnold or anyone else to a large extent.
I do love the score for Inception, but I feel that even there Zimmer hammers home a certain set of chords too much. He really overdoes that, like all the time.
If Newman has not burnt his bridges with EON, then he will probably return due to:
1) association with Mendes
2) Oscar nomination/BAFTA and Grammy wins
I want Newman to gives us more in his next Bond film, I really do. And I don't mean copying or aping Barry completely. He is obviously very talented with a long and varied scope of experience scoring films. But I want to feel that he loves (and respects) doing a Bond film; I want more exciting, haunting, and memorable pieces from him this time. If things got acrimonious like apparently they did, how could he feel real excitement/respect/love/desire to score another Bond film?
I hope not. He's a good actor, but far too young, IMO.
Philip Seymour Hoffman would make a great Blofeld.