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The pair began collaborating on the track at Ronson’s studio in Henley, Oxfordshire, but their sessions soon deteriorated.
Winehouse's spokesman said: “Mark presented a track to Amy, but she had other ideas about the direction it should take. We’re sure they will continue to make great music together."
So it seems that Ronson had prepared a song that was rejected by Winehouse and she never came up with anything suitable. However, there was conflicting reports by Amy where she claimed the song had been recorded but rejected and added that she wants to “prove that [the producers] made a big mistake” by not choosing her song. "I do think they could have waited a bit. If they want a worldwide hit I have them all up here (pointing to her beehive),” she said.
“I guess they are going for clean-cut and boring. When I do release mine - and I am tempted to do it on the same day - this would be the bigger hit.”
Sadly her song failed to materialise which leads me to believe that maybe it remained in her beehive and never saw the light of a studio. It would be great if there was something though.
Interestingly a six-note riff composed by Arnold for the song can be heard in Quantum of Solace. Arnold liked it so much he turned it into a fully fledged song - 'No Good About Goodbye' - for Shirley Bassey.