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And his protectiveness when it comes to the leading ladies and allies. Think of Bond's reaction to Felix's predicament in LTK or of him comforting Vesper in CR.
Like others have said, he's 100% right.
to think that dr no first published a whole year before north by Northwest was the sixth bond novel. I suspect this line of thought of both characters wearing suits is as paper thin. perhaps bond wears a suit because grant wore one in His Girl Friday.
the images of bond where quite vividly sketched out by Fleming. if I see anything of a connection it is the battle with the chopper in frwl, if anything it was a dig at north by north west.
Mendes truly understands Bond, perhaps like few directors before him.
Come one, guys, this is the fourth time this evening I have to redirect threads to the appropriate sections... Have IQ's just dropped or something?
Admittedly, yes, it is different to the old forum in that respect, but really it's not that difficult to start a new thread in the relevant section, is it?
We are a community, after all, we should do things 'right' for everyone's sake; not just expect the mods to do it, shouldn't we...? ;)
Surely by 'the father figure' he means Grants portrayal in NBNW was the the template for Bond - particularly the 'classic' Bond of GF, TB etc.
I can see this as there are some superb Roger Moore-esq Bond moments in NBNW such as the auction scene or the bit when he breaks into that woman's room.
Now in terms of the 'classic' Bond film (ie in the publics mind) NBNW is certainly in that vein but whether it or said classic Bonds have much to do with Ian Flemings character is an entirely different debate altogether.
I would have liked to see some refs to The 39 Steps in SF. The perfunctory and under exploited trip up to Skyfall was an opportunity for Mendes to reveal something new and profound about the relationship between Bond and M but we get almost nothing. For me, apart from Silva's entrance, there is little dialogue to savour in SF. I know practically everyone on here disagrees but I found the SF climax in Scotland weak. People are saying it references Straw Dogs, which may well be true. It made me think of John Carpenter's Assault on Precinct 13, but without any of the tension. In SF all the goons seem to politely come in through the front door.
For me, as with most of the film, I can see what they were trying to do and I approve, but it just doesn't work on screen. Obviously I'm in a minority of about 1% on here but just my view.
I could understand everything he said, especially when he said he was going to pay the bill.
I too genuinely thought, 'right, this is it, we're going to get some real meat on the bone now'. But it never really came. I even thought after the car journey 'ah, maybe there's some exposition now they're at Skyfall'. I really thought there would be quite a chunk of exploratory dialogue before the final fight.
I kind of agree. There was definitely more potential for some powerful character scenes in SF that was never explored. The whole thing about M's past coming back to haunt her: there could have been way more tension built-up around her not wanting her past mistakes to come out into the open, and then Silva's confrontation with her, whilst being good, should have been absolutely dynamite - particularly given that both actors are capable of that. Equally, the thing about Bond's loyalty to M being tested was really underplayed too.
Whilst Roger 'O. for nothing' Thornhill is a mere ad exec caught in a mystery beyond his understanding, the makebelieve secret-agent Kaplan who he 'becomes' could very easily be the hollow mould that OO (Double Nothing!) 7 came from.
Plus the style that Cary Grant drips is pure Bond.
You have done nothing than throwing dust into people who want to be reasonable. When someone gets warned that he or she doesn't voice his or her criticisms in a respectful way, it's "they kan't accept my disliek for dis film".
So old fashioned.
I think there is a misunderstanding. @Getafix was not being rude to anyone or throwing dust. He did nothing more than express how he felt about the new film.
Whenever a new Bond films comes out, I find that when you criticise it immediately, some take it personally against them. Had he said the same thing a few years later, no one would really be bothered as the dust has settled in regards to the hype.
Hopefully it is all cool. The written word can sound harsher when we do not hear a tone of voice.
And I'm cool. :)>- B-)
Cool. Good to hear. Believe me, I have been on forums where the true meaning of rude is revealed. @Getafix is cool. He backs up his points and I like his honesty. He is reasonable to debate with.
""North by Northwest' is the first true Bond movie, I think," Mendes says, referring to Alfred Hitchcock's 1959 classic starring Grant as an ad executive involved in a cross-country cat-and-mouse with spies, national security and a Bond-girl precursor (Eva Marie Saint). "To me, Cary Grant is the father figure, a man who never changes his suit, incredibly suave, sophisticated, sexy."
But this is totally wrong. If you've seen North By Northwest you'll know the hero (played by Grant) isn't a secret agent, in fact he's not even a regular hero. He's mistaken for a spy and chased around America.
I have also recently seen "NORTH BY NORTHWEST". Mendes is right. Hitchcock's movie is more or less the first Bond movie, despite its hero being something other than an agent. So much of its style was borrowed by writers of the Bond films.
That's all true bro. But I feel that Fleming really didn't understand the movie business either. This is a man who if he had his way would have doomed the series from the start by having Hoagy Carmichael and Noel Coward as Bond and Dr. No respectively.
Regarding differences to Bond: Cary Grant's character was not a spy, but he briefly poses as one, which is contrast to Bond. IIRC he didn't touch a gun throughout the entire film.
Pretty much everything else in the film has Bond written on it:
interesting locations
unique stunts (crop duster scene)
antagonist's home
decent train sequence
shoot out finale near Mt. Rushmore.
the structure of the plot- which is actually simpler than it seems
Remember Fleming initially wanted Cary Grant for Bond. That has to mean something. When it comes to Bond, Mendes knows what he's talking about. Let's put a little faith in him for Bond24, shall we? ;)
What?