It looks like you're new here. If you want to get involved, click one of these buttons!
^ Back to Top
The MI6 Community is unofficial and in no way associated or linked with EON Productions, MGM, Sony Pictures, Activision or Ian Fleming Publications. Any views expressed on this website are of the individual members and do not necessarily reflect those of the Community owners. Any video or images displayed in topics on MI6 Community are embedded by users from third party sites and as such MI6 Community and its owners take no responsibility for this material.
James Bond News • James Bond Articles • James Bond Magazine
Comments
And to top that all off the film wasn't that good either. Some are saying this is another Green Lantern sized bomb and doubt Craig can be an "action hero" for a film. It'll earn it's money back - just - but that seems to be all. No sequel here I guess.
Here's Deadline's take and analysis on what happened:
This much-hyped high concept pic from DreamWorks and Relativity and Imagine and Universal (distributing domestic only with Paramount taking foreign) couldn't do even the predicted $45 million for the weekend, but it didn't even get to $40M either. "Cowboys & Aliens did not get any late night young male business -- hence the reason Universal's estimates were so far off," a rival studio exec explained to me Friday night. I've been saying for months this actioner should have been done as a comedy! But that idea was only briefly discussed and quickly rejected. Problem is that the budget has been pegged by insiders at a low of $163M (because of filming rebates) and a high of $200M. That's partly because Cowboys endured a tortured 14-year development history involving more than a dozen writers. (Just five writers received screenplay credit after the Writers Guild not surprisingly held an arbitration trying to figure out who did what.) So here's yet another Hollywood case study of too many cooks spoiling the broth.
Awareness had been strong for the title and interest had been best with older males. But tracking had been lagging especially with women of all ages until last Thursday when it popped up. This weekend's exit polls showed the audience was 53% male vs. 47% female, with 63% of moviegoers age 30 years and older vs. 37% who were under age 30. Good thing Universal is only on the hook for 25% financing with DreamWorks taking 50% and Relativity Media 25%. DreamWorks oversaw production, and the marketing was managed as a partnership among Universal and DreamWorks. The film itself is based on a 100-page Platinum Studios graphic novel created by Scott Mitchell Rosenberg and written by Fred Van Lente and Andrew Foley.
It's going to be hard for anyone involved in the movie to shrug off responsibility for it underperforming because even the studio was gushing pre-release about its pedigree "because of its deep bench of heavyweight filmmakers and stars, and the most fan-engaged because of involving them directly at every step, particularly through director Jon Favreau, the big-ticket director most active in social media and direct interaction with his followers. Every step of the campaign kept many hands on the wheel, shared by Universal, DreamWorks and the filmmaking team, who all worked in close collaboration on every decision." Oops! As for marketing, the first teaser trailer was placed on Part 1 of Harry Potter And The Deathly Hallows last November, followed by a Super Bowl teaser. The first full trailer made its debut on American Idol on April 14th and in theaters on April 29 with Universal's big hit Fast Five. The TV campaign included season finales for Top 10 Nielsen shows and sports events.
The publicity campaign launched at last year's Comic-Con even though the film had only been in production for a few weeks, Favreau used his Iron Man connection with fans to debut nearly 8 minutes of footage, including the first alien attack on the pioneer town in the film. While Harrison Ford made his first-ever appearance to a huge reception. This year's Comic-Con featured a full-frills world premiere featuring Favreau as well as Spielberg, making his own first appearance at the Con. But it's interesting how the movie disappointed despite favreau whoring himself out to The Hollywood Reporter (which nobody reads) and Ain't It Cool News (which nobody believes). The director even dragged along producer Ron Howard and producer/co-writer Bob Orci to some events, showing more and more footage each time. I heard from Universal that Daniel Craig was a royal pain in the ass when it came to doing publicity, but he did enough with Harrison Ford to merit one magazine cover line, "When Bond Met Indy". (Barf!)
The usual talk show circuit was highlighted by Jimmy Kimmel Live's "Cowboys & Aliens Week" promotion which had Favreau revisiting his Dinner For Five cable show and personally interviewing his lead cast members and filmmakers for a series of online segments. Favreau also helped create and star in a special skit with YouTube vlogging personality Freddie Wong, who specializes in action-packed and parody videos especially popular with boys. The film became the first ever to be a primary sponsor of a Nascar across multiple races as well as a tie-in with Coca-Cola in theater concessions via drink cups, and popcorn bags and buckets over the course of the summer in 8 of the top theater chains in North America. Other promotions with leading brands included 7-Eleven, Nestlé, Comcast, NCM/Sprint, Pemmican, and Hilton. And in addition to all that, the film made a significant Hispanic outreach across specialized media and publicity, highlighted by a closing night screening at the Los Angeles Latino International Film Festival. Well, you can't fault anyone for lack of trying.
http://www.deadline.com/2011/07/first-box-office-cowboys-aliens-40m-smurfs-29m-crazy-stupid-love-18m/
Anyway, about the subject. It's still on my need to watch list. Despite how it performs in the states or how critics react/have reacted. It's still over a month until it get to my part of the globe.
I plan on seeing this film, although I guess I better hurry. ;-)
I generally enjoy Craig's films with exception of Golden Compass. Otherwise they've all been pretty good as has Craig's performance. Even the unheralded Flashbacks of a Fool.
Just watched Munich again as it was on (luckily unedited) TV a few nights ago. Craig is very solid in his supporting role and you could see he was destined for bigger things. Interesting to see him and Bana together on screen as Bana was tipped as a "possible" Bond. If Bana was ever seriously considered by EON, that is.
They have this unique idea, cowboys fighting aliens, and then they do nothing interesting or original with it. The whole movie is blah and boring. Not one interesting character in the bunch. The relationships are cliched not to mention every single character being a weak western cliche. The Oliva Wilde character is incomprehensible. Harrison Ford morphs from baddy to goody as we knew he would. Craig is real lame as outlaw trying to go good. The aliens couldn't be lamer nor their purpose less intriguing. Count the alien cliches while your counting the cowboy character cliches.
The only interesting part of the film is keeping track of the stray dog. Favreau does a good job, making sure we are kept up to speed with who is looking after the dog. Thank you for that at least.
The Razzies should have a field day with this bomb.
clearly these so called critics hasn't seen one of the best western ever made and it's sooooo slow, sooooo slow!!
http://www.imdb.com/title/tt0049730/
But I must say, to those who watched Cowboys & Aliens: did anyone find themselves enjoying it more in the initial 25 or 30 minutes than they did when the aliens attacked? I think I may have liked it much more if it were a straight-up western, sans aliens.
But I must say, to those who watched Cowboys & Aliens: did anyone find themselves enjoying it more in the initial 25 or 30 minutes than they did when the aliens attacked? I think I may have liked it much more if it were a straight-up western, sans aliens.
I felt the same way. I liked the aliens element. But there is a really great movie here as a stand alone western. Another movie that I felt this way about was From Dusk Till Dawn. i liked the movie but liked it more before the vampire element came into play.
Problem was they had a unique idea, a good cast, a big budget but couldn't figure out an interesting story. Ultimately they had to throw something up on the screen, and this dog's breakfast potpourri of cheeseball alien and western cliches is what we got.
Yes there might have been a movie here if the whole alien angle had been dispensed with, but they were stuck with it, and couldn't figure out what to do with it.
Has sci-fi ever created a lamer more contrived character than the Olivia Wilde character from this film? The aliens were lifted right from Hollywood central casting.
The star of this movie is the stray dog. It's the only character worth taking an interest in, as it drifts from keeper to keeper.
Good on Favreau for looking out for the dog. 1 out of 5 stars for watching out for the dog.
All I stated was I think some people overly-criticize summer blockbusters like this, when you should just go in and enjoy it. If you didn't like it, fine, I respect that. But don't call me a 'fanboy' over me liking the film.
My favorite character was the 2nd son of ford... :)