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So, peeps, it may not have escaped your notice that we have a new forum here (
:p ) and, in the light of both that and the fact that the official <a href="
http://www.mi6community.com/index.php?p=/discussion/483/bondathon-april-goldfinger">MI6 Bondathons</a> are now drawing to a close, methought it not a bad idea to set up a designated thread in this section of the forum where we - each and every one of us - can discuss a designated Bond film in general <i>ad infinitum</i>.
In which case, why not start at the start? Why not, indeed? So come on, let's be 'avin' you, what are your thoughts, opinions, feelings and leanings on the pros and cons of Eon's very first espionage action adventure, Dr No? Go into as much or as little detail as you like - by all means say what you think's great about it and what little niggles you've always (or only recently have) had with it.
Just to kick things off, I'll share a few quick words on where Dr No stands with me. I'll be honest, it's not my favourite Bond flick, but far from my least favourite. Sort of in the middle, I guess, if I were considering a Bond film to view. Despite that, though, I'd say its quality is unquestioned - it's rather like an old-fashioned detective adventure with very appealing elements that would later become staples of the Bond formula. It was crying out for an entire score by John Barry, though; the following 007 movies certainly lucked out there...
Comments
Probably the best thing about it - and this goes for all of the early movies - is that it adapts the novel in a way that makes it work for the big screen without detracting from or messing with the plot and characters of the novel. You get the feeling they were trying to stay as faithful to the novel as possible while working within the restrictions that film as medium imposes.
I just keep watching it again and again more than any other bond film.
10/10.
There was no tried formula, no template and hardly even any competition in the suave secret agent genre to use as something of an example when DN was being produced. Other than the Fleming novels and perhaps a few Hollywood films, DN had nothing but itself to rely on as a model and that, among other things, makes the final outcome all the more impressive. Many great talents separately contributed to what we still celebrate today and expect from every future Bond film. Be it Binder's gun barrel and opening titles, Norman's Bond Theme, Adam's wonderful sets, Hunt's editing, Connery's performance, Young's directing... every bit of energy invested in DN became legendary beyond our imagination. And all of this was realised on what many, including myself, perceive to be a shoestring budget.
One point of criticism often heard in light of DN involves the film's less sophisticated and rougher nature, expressed for example in the simple plot, Connery's occasionally not-so-refined acting and the sound mix. These comments require some backlash though. First and foremost, DN was produced in '61 and its accomplishments, both technical and creative, were still above the established standards in filmmaking. Its impact on the sexual revolution may be easily ignored today, but back in those days it was more than considerable. Also, its simplicity was bliss. A more ambitious film most likely wouldn't have seen the light of day with its limited budget and besides that, would audiences have accepted more cinematic arrogance from this modest production? They kept it simple, they kept their options open and they knew that if this film made money, more of Bond was to come, with more chance to add elements and grow more clever in certain departments. Thirdly, Connery's acting was perfect for this film. His accidental roughness in certain scenes communicated arrogance, sexual superiority and honest bravado. Shooting Dent was performed by the best Connery a scene like that could have dreamed of.
DN was huge and it still is today. Kids who nowadays reject The Matrix as being "too old" love and embrace DN because it opens up an almost real-life fantasy many of us end(ed) up stuck with for the rest of their live. With all the right ingredients in place and well balanced out, with a stable basis from where to grow in future films, with ground-braking material presented as a turn-of-the-tide in the history of cinema, DN, despite its modesty, is one of the most significant films ever made. Bond was destined to become something of magnitude but what were the odds that they'd smash some critical windows with their very first attempt right away. And to think that the following three films would rise to even higher acclaim, with GF putting DN almost to shame, makes the whole thing even more impressive. Star Wars did the trick too but 15 years later and with only six films put out. By no means am I trying to downplay SW's impressive achievements but I will not accept people doing the same with DN. Sure, it wasn't TB, OHMSS or CR, but it was a bloody good film and it still is and watching it today doesn't disappoint in any way whatsoever.
It was the first of the lot and immediately one of the best of the lot. Shaped to near perfection, DN is worth nothing less than 9 stars out of 10!
Well written essay, couldn't have said it better myself. Well done!
Must say, @DarthDimi and @Samuel001, the last time I really watched DN (all of three years ago; it's been a while since a Bondathon for me), what really struck me was the strength of Conners' debut performance. The cool confidence, danger, animal magentism, cruelty and snobbery is all there. He was only 32, but he acted the part of a man genuinely outside his field of experience with true aplomb. The Connery-Bond template was laid here and it's brilliant.
It's true, as some have pointed out, that there were arguably more polished entries to come in the series and I'd argue that DN's pace is slow compared to many (Hunt's masterly quick editing technique wouldn't really be employed until FRWL), but many of these scenes are gems, even the lesser mentioned of them among 007 fans - langurous, plot- and character-driven, such as Miss Taro explaining the route to her house as she reclines sexily on her bed in anticipation and the scene dissolves into Bond's journey in the car. It's classy filmmaking.
Plus, lest we forget, in an era (the '50s into the early '60s), when the opportunity to travel to exotic climes was beyond the reach of many in both the UK and US, the bright, lustrously photographed Caribbean in DN (as with the description of many of the locations in Fleming's books) was a big turn on for the audience of the day. The look, colour, climate and atmosphere of Jamaica is captured wonderfully in this film...
i'll give it a place around 10-13, because of it's status as a pioneer and the beginning of a long, long era...
It's a top, top sequence - the endurance our hero must show given what he's put through translates to the audience brilliantly, and the audience in turn can't peel their eyes away for a second. Well, I can't at any rate... ;)
very highly among my memorable moments from any 007 flick.
I love this scene as well,like you one of the top bond film moments for me.
And as @001 says.. It is an easy one to watch again and again. More so than GF.
Can't argue with that either Georgio.
So basically I have nothing to offer other than to cut and paste everyone else :-D
DN has a purity that no other Bond film will every have. They had no idea what they created would last 50 years and going.
I know you acknowledge this in your post, but truly to enjoy and get the most from DN, one needs to accept the above and, you know, move on. Besides there's so much quality and so many iconic Bond moments in DN that they always ensure it eminently enjoyable - at least for me...
9/10
8/10
Yes, this was really where James Bond started at least on the big screen. Still a good watch any chance you can get, Ursula Andress makes for a nice looking girl, one of my favorite bond women ever, the 'coming out of the ocean scene' that Die Another Day and the said Casino Royale tried to duplicate, you can't beat the original
The late J Wiseman made for quite a convincing villian, and the West Indian scenery still looks warm and inviting all these years later. Real tension in some scenes such as when the guards come along on the boat and everyone hides and when Connery and company have to hide in the waters as more guards come searching.
I always like the early scenes, Bond gets introduced, his Beretta is taken away for his new Walther, Q in first scene and an armory agent gives some instructions, not one of my favorite Bonds but I own it and one day will no doubt sit down again to watch how it all started.
DN has one of my favourite Connery moments - when he loses it on the guard in the decontamination room and demands to be let out of his handcuffs. Then he yells at a guard to take them off and he starts to do it! No one but Connery could have played that scene and made it believable that he could take command in that way.
That drugged coffee was amazingly quick to take effect is all I'll say
'It's a fire breathing dragon', NO, it's not that
The dinner scene with Connery and Wiseman was one of the films highlights, No speaks at length about his history and what he does and works for, ending with the time honored line of 'I was wrong about you, You are nothing more than a stupid policeman'
All the build up with Dr No and he is gone in about 2 mins,i know it set the standards for future Bond's but it's not for me.
Maybe on the next watch it will improve if i can find the energy for it.