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http://www.deadline.com/2013/02/art-directors-guild-awards-2013-winners-list/
http://www.mtv.com/n..._medium=twitter
Rooney Mara: I ‘Hope’ To Make Dragon Tattoo Sequels; Actress Says Daniel Craig Also Game To Return
http://www.accesshol...n_article_75970
TMM will be released 20something December to qualify for the Oscar run. The promotion for that wouldn't interfer with a Bond start, as they don't need him to do all the promo, since they have more then enough high class actors in this film.
With a likely solid script as we've been led to believe, that's been worked on for a while, that gives them a fighting chance. This time things will be different, you can sense it.
http://www.standard.co.uk/arts/film/double-oh-oh-skyfall-takes-top-two-honours-at-the-evening-standard-british-film-awards-8480605.html
..If you believe Broccoli. Remember when Naomi Harris wasn't Moneypenny? Me either.
No thank you. While I quite enjoyed 'House of Wax' and 'Orphan,' those are a completely different genre than Bond, and 'Unknown' was a really bad movie. I'm sure he would want to put Neeson in the film somewhere, as well.
George Lucas took three years over the Star Wars prequels. I reckon if they'd given him 3 days to write them they'd have been far better. Sometimes you need spontaneity. Let's face it, there's a template for Bond films that's worked for 50 years with very little variation. This isn't Memento, Apocalypse Now or Pulp Fiction he's writing.
Not so much bad, just very, very lazy. Take a bit of Taken and an awful lot of Polanski's Frantic, but remove any chemistry between the leads. Out pops Unknown.
Absolutely. I was pretty stoked for it, as well, but a majority of the editing in the fight scenes was abysmal and hard on the eyes - worse than 'Taken 2' - made it incredibly unenjoyable for me. Stick to what you're doing now, Serra. Or, you could always make a second 'House of Wax.' That'd be a guilty pleasure of mine.
Overall, I'm really interested in seeing how the next two Bond films and the final two 'Millennium' films pan out. Craig needs to avoid any other projects and work on doing these four movies.
I read the books before the swedish films were made and Blomkvist has Daniel Craig written all over him, I pictured him while I was reading the books. The swedish films made a joke out of Blomkvist, completely changed him and also changed Lisbeth a lot. Suddenly Lisbeth was superwoman and Blomkvist was almost useless. Fincher's film, on the contraire, kept the characters true to the books.