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Comments
Although I thought it was fitting using the UK more in Skyfall (it's our character and it's been 50 years, about time we got lots of screentime), I wouldn't want that every film.
I come to Bond for escapism and the exotic locations are a big part of that. I don't want Bond chasing up leads in London again for Bond 24 because I could drive up there if I wanted.
So to sum up, it was fine for Skyfall being set mainly in the UK but from now on let's stick to the foreign locations.
I didn't forget that. The question said how important are foreign locations for you in a Bond movie, so I answered from my POV, and I lived in London for all my life until fairly recently.
Ive read someplace that the scotland location was sort of a nod to Sean Connery in Skyfall.
Well Bond was half Scottish in the books so I think it was more to do with that.
Kincade I think they said was written for Connery in mind but they scratched that idea pretty early on.
Seeing the sugarloaf in mr as a kid inspired me to visit rio as an adult
Seeing udaipur in op as a teen inspired to go to go to india as an adult.
Done correctly the location can be the highlight of the film.
However, I felt Casino Royale and such had adequate locations despite QoS apparently having the most in any Bond film. I loved the way in QoS the font matched the location - I thought that was a wonderful touch and fleshed out the atmosphere and cultural representation within the film ^^
Same here. I was in Rio last September for the very first time and I had Bond on the brain as I was going up Sugarloaf mountain. Then once at the top, I used the telescope to spy on the airport. Didn't see any Drax Air Freight planes taking off though! Breathtaking city.
The landscape and setting in a Bond film is vitally important and you have to feel that you're taking this incredible journey around the world along with Bond. I agree with Baltimore - YOLT is a bit of a bore-fest as it solely located in Japan.
I don't see the argument that SF suffered because it lacked real locations. A good film-maker can intersplice real and stand-in locations to make the viewer feel like they are really there. (I would have never thought for a minute while watching FRWL, that the trainride on the Orient Express was actually all taking place on set). I thought the Shanghai hotel interiors and the Macau boat/lantern scene represented Dennis Gassner's best work to date. Meanwhile, the Varda Viaduct in the PTS was an excellent location choice. Both worked well in their context. QOS featured a lot of locations, but most of them looked grimey, desolate and third world - not very exotic.
Take Tomorrow Never Dies as one example. I can't watch the second half (we switch from Europe to Asia), in that it's so dull, and I just lose interest fast. Saigon is a vibrant and exotic place of the world, but I just got damn bored quick that year, as all the action takes place in the first half, and it just seems anything that occurs thereafter is a non event. Bond and accomplice on a bike and then sneaking around a stealth ship - It really didn't generate much excitement at all
Diamonds are Forver is another one that takes in the Nevada desert, the Netherlands and California, and while they're good locations to use, the action was also very lacklustre that year and I found I lost interest fast. Having a former great Bond, seen back as he was then, also did the release no favors. But as before, it's not always about where Bond travels to in the world
I don't care if Craig is having some Superman III type battle with a villain in a junkyard in Rhode Island for the next release - so long as it holds the attention and is exciting, and captivates the audience, it will be good enough
Action and enjoyment first - locations second, above all else
Call it '007 in Rhode Island.'