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  • GoldenGunGoldenGun Per ora e per il momento che verrà
    Posts: 7,136
    Yesterday I had some time to spare and I popped in a classic:

    IN A LONELY PLACE
    Humphrey Bogart and Gloria Grahame are both in excellent form here. The first few scenes aren’t very interesting unfortunately but the film more than makes up for that with its magnificent second half and a cracking end scene.
  • 001001
    edited December 2018 Posts: 1,575
    GoldenGun wrote: »
    My favourite Mann is undoubtedly Manhunter. Loved the colours, the tension, the score and the overall atmosphere. Cracks my top 10 all time favourites.

    Haven't seen Manhunter. I'll have to check it out soon.
    What else is in your top 10 favourites list
  • QQ7QQ7 Croatia
    Posts: 371
    GoldenGun wrote: »
    This year two films were in a class of their own in my opinion:

    - Cold War (Pawel Pawlikowski)
    - Suspiria (Luca Guadagnino)

    They seem interesting, thanks for the heads up.
  • DaltonCraig007DaltonCraig007 They say, "Evil prevails when good men fail to act." What they ought to say is, "Evil prevails."
    edited December 2018 Posts: 15,718
    QQ7 wrote: »
    GoldenGun wrote: »
    This year two films were in a class of their own in my opinion:

    - Cold War (Pawel Pawlikowski)
    - Suspiria (Luca Guadagnino)

    They seem interesting, thanks for the heads up.

    I've seen both on the big screen and I agree with @GoldenGun that these were very good films - with a slight preference for Cold War. In terms of foreign films that I enjoyed seeing on the big screen in 2018, I'd add Shoplifters (went to see it this afternoon), Dogman, Capernaum, Burning and The Guilty.
  • RemingtonRemington I'll do anything for a woman with a knife.
    Posts: 1,534
    001 wrote: »
    Remington wrote: »
    Out of the Past. I'm a fan of film noir and this is one of the greats.

    What a great film. You have great taste in films.

    Thank you @001
  • GoldenGunGoldenGun Per ora e per il momento che verrà
    Posts: 7,136
    001 wrote: »
    GoldenGun wrote: »
    My favourite Mann is undoubtedly Manhunter. Loved the colours, the tension, the score and the overall atmosphere. Cracks my top 10 all time favourites.

    Haven't seen Manhunter. I'll have to check it out soon.
    What else is in your top 10 favourites list

    My wildly subjective list of favourites would include:

    - PLEIN SOLEIL (1960, René Clément)
    - LA NOTTE (1961, Michelangelo Antonioni)
    - ON HER MAJESTY’S SECRET SERVICE (1969, Peter R. Hunt)
    - SUSPIRIA (1977, Dario Argento)
    - MANHUNTER (1986, Michael Mann)
    - DER HIMMEL ÜBER BERLIN (1987, Wim Wenders)
    - THE LIVING DAYLIGHTS (1987, John Glen)
    - NIKITA (1990, Luc Besson)
    - THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING (2001, Peter Jackson)
    - ALEXANDER (2004, Oliver Stone)

    That last one is a bit controversial I’ll admit :)
  • GoldenGunGoldenGun Per ora e per il momento che verrà
    Posts: 7,136
    QQ7 wrote: »
    GoldenGun wrote: »
    This year two films were in a class of their own in my opinion:

    - Cold War (Pawel Pawlikowski)
    - Suspiria (Luca Guadagnino)

    They seem interesting, thanks for the heads up.

    I've seen both on the big screen and I agree with @GoldenGun that these were very good films - with a slight preference for Cold War. In terms of foreign films that I enjoyed seeing on the big screen in 2018, I'd add Shoplifters (went to see it this afternoon), Dogman, Capernaum, Burning and The Guilty.

    As we agree on Cold War and Suspiria, I’ll add those other five to my watchlist @DaltonCraig007!
  • 001001
    edited December 2018 Posts: 1,575
    GoldenGun wrote: »
    001 wrote: »
    GoldenGun wrote: »
    My favourite Mann is undoubtedly Manhunter. Loved the colours, the tension, the score and the overall atmosphere. Cracks my top 10 all time favourites.

    Haven't seen Manhunter. I'll have to check it out soon.
    What else is in your top 10 favourites list

    My wildly subjective list of favourites would include:

    - PLEIN SOLEIL (1960, René Clément)
    - LA NOTTE (1961, Michelangelo Antonioni)
    - ON HER MAJESTY’S SECRET SERVICE (1969, Peter R. Hunt)
    - SUSPIRIA (1977, Dario Argento)
    - MANHUNTER (1986, Michael Mann)
    - DER HIMMEL ÜBER BERLIN (1987, Wim Wenders)
    - THE LIVING DAYLIGHTS (1987, John Glen)
    - NIKITA (1990, Luc Besson)
    - THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING (2001, Peter Jackson)
    - ALEXANDER (2004, Oliver Stone)

    That last one is a bit controversial I’ll admit :)

    Mine would be:

    Dr. No (1962)
    Goldfinger (1964)
    Thunderball (1965)
    Star Wars: Episode IV - A New Hope (1977)
    Jaws (1975)
    The Good, the Bad and the Ugly (1966)
    For a Few Dollars More (1965)
    A Fistful of Dollars (1964)
    The Italian Job (1969)
    Raiders of the Lost Ark (1981)

    Total Recall (1990)
  • ThunderfingerThunderfinger Das Boot Hill
    Posts: 45,489
    The Spirit
    The Aristocats
    Sin City
    Sin City-A Dame To Kill For
    Blade Runner
    Blade Runner 2049
    Watchmen
    Herbie Rides Again
    Bram Stoker s Dracula
    2001-A Space Odyssey

  • 001001
    Posts: 1,575
    Birdleson wrote: »
    001 wrote: »
    Star Wars: Episode IV - A New Hope (1977)

    Hate to be picky, and it's your list, yet I can't control myself, but the film I went to see in the theatre in 1977 was simply titled STAR WARS. The rest of that title was added in the early '80s (after EMPIRE), along with additional footage and effects. I think of them as two separate films, with two different release years. Notice when AFI inducted the film into it's registry a few years back it was just listed with the '77 title. I also get all jittery when people refer to the '60s television show as ST:TOS. No! That show was simply called STAR TREK. Let all of the future shows have additional monikers, when I refer to a show called START TREK people should know what I'm talking about.
    Again, I know it's my own obsessive whatever it is.

    I prefer the title Star Wars better as well, but i went to imdb and that's what the title is there.

    I don't like the title add on, : Episode IV - A New Hope (1977) either.
  • CraigMooreOHMSSCraigMooreOHMSS Dublin, Ireland
    edited December 2018 Posts: 8,217
    HEAT (Michael Mann, 1995)
    CARLITO'S WAY (Brian de Palma, 1993)
    CAPE FEAR (J. Lee Thompson, 1962)
    FROM RUSSIA WITH LOVE (Terence Young, 1963)
    ON HER MAJESTY'S SECRET SERVICE (Peter Hunt, 1969)
    BLADE RUNNER (Ridley Scott, 1982)
    RAIDERS OF THE LOST ARK (Steven Spielberg, 1981)
    ALIENS (James Cameron, 1986)
    TERMINATOR 2: JUDGMENT DAY (James Cameron, 1991)
    ALIEN (Ridley Scott, 1979)
    DIE HARD (John McTiernan, 1988)
    JURASSIC PARK (Steven Spielberg, 1993)
    NORTH BY NORTHWEST (Alfred Hitchcock, 1959)
    RAGING BULL (Martin Scorcese, 1980)
    THREE DAYS OF THE CONDOR (Sydney Pollack, 1975)
    ONE FLEW OVER THE CUCKOO'S NEST (Miloš Forman, 1975)
    THE CONVERSATION (Francis Ford Coppola, 1974)
    TRUE ROMANCE (Tony Scott, 1993)
  • RemingtonRemington I'll do anything for a woman with a knife.
    Posts: 1,534
    There's too many movies I love to make a default top ten but here's some:

    Most of the Bond films
    The Godfather Trilogy (1972, 1974, 1990)
    Scarface (1983)
    Goodfellas (1990)
    Casino (1995)
    Heat (1995)
    Taxi Driver (1976)
    Trainspotting (1996)
    Lock, Stock, and Two Smoking Barrels (1998)
    Snatch (2000)
    Layer Cake (2004)
    Halloween 1, 2, 3, and 4 (1978, 1981, 1982, 1988)
    Friday the 13th Parts 4 and 6 (1984, 1986)
    A Nightmare on Elm Street (1984)
    True Romance (1993)
    Pulp Fiction (1994)
    Psycho (1960)
    Fright Night 1 and 2 (1985, 1988)
    The Lost Boys (1987)
    License to Drive (1988)
    Lethal Weapon 1 and 2 (1987, 1989)
    Hell or High Water (2016)
    The Cowboys (1972)
    Rio Bravo (1959)
    The Long Riders (1980)
    Manhunter (1986)
    Jaws (1975)
    The Bourne Identity (2002)
    Fast Times at Ridgemont High (1982)
    Sixteen Candles (1984)
    The Breakfast Club (1985)
    Bandits (2001)
    Blood Simple (1984)
    Fargo (1996)
    No Country for Old Men (2007)
    Dirty Harry (1971)
    Magnum Force (1973)
    Smokey and the Bandit (1977)
    The Wolf of Wall Street (2013)
  • MajorDSmytheMajorDSmythe "I tolerate this century, but I don't enjoy it."Moderator
    Posts: 13,978
    Remington wrote: »
    Out of the Past. I'm a fan of film noir and this is one of the greats.

    Can't go wrong with a bit of Mitchum. While I accept it not his most respected film, The Big Sleep is my personal favourite of his.
  • Creasy47Creasy47 In Cuba with Natalya.Moderator
    Posts: 40,976
    Remington wrote: »
    Out of the Past. I'm a fan of film noir and this is one of the greats.

    Can't go wrong with a bit of Mitchum. While I accept it not his most respected film, The Big Sleep is my personal favourite of his.

    Can't go wrong with The Night of the Hunter either, that's one of my favorites of Mitchum's. The cinematography/lighting throughout a lot of those sequences, particularly in the back half of the film, is mesmerizing and too damn good.
  • GoldenGunGoldenGun Per ora e per il momento che verrà
    Posts: 7,136
    Birdleson wrote: »
    THE GODFATHER (Coppola 1972)
    THE GODFATHER PART II (Coppola 1974)
    CASABLANCA (Curtiz 1942)
    APOCALYPSE NOW (Coppola 1979)
    DR. STRANGELOVE OR HOW I STOPPED WORRYING AND LEARNED TO LOVE THE BOMB (Kubrick 1964)
    THE WIZARD OF OZ (Fleming 1939)
    CITIZEN KANE (Welles 1941)
    THE BICYCLE THIEF (De Sica 1947)
    METROPOLIS (Lang 1926)

    THE MALTESE FALCON (Huston 1941)

    RAGING BULL (Scorsese 1980)
    VERTIGO (Hitchcock 1958)
    TAXI DRIVER (Scorsese 1976)
    IT’S A WONDERFUL LIFE (Capra 1946)
    CHINATOWN (Polanski 1974)
    GREED (von Stroheim 1924)
    THE SEARCHERS (Ford 1956)
    THE GOOD, THE BAD AND THE UGLY (Leone 1966)
    GONE WITH THE WIND (Fleming 1939)
    GOLDFINGER (Hamilton 1964)
    FROM RUSSIA WITH LOVE (Young 1963)
    THE NIGHT OF THE LIVING DEAD (Romero 1968)
    PLANET OF THE APES (1968)
    THE MAGNIFICENT SEVEN (Sturges 1960)
    THE BRIDE OF FRANKENSTEIN (1935 Whale)
    CASINO ROYALE (Campbell 2006)
    RAISING ARIZONA (Coen 1987)
    CRIMES AND MISDEMEANORS (Allen 1989)
    ON HER MAJESTY’S SECRET SERVICE (Hunt 1969)
    ROSEMARY’S BABY (Polanski 1968)
    OUT OF THE PAST (Tourneur 1947)
    QUADROPHENIA (Roddam 1979)
    HIGH NOON (Zinnemann 1952)
    DO THE RIGHT THING (Lee 1989)
    THE GRAVE OF THE FIREFLIES (Takahata 1988)
    THE CURSE OF THE CAT PEOPLE (von Fritsch, Wise 1944)

    Great to see Ladri di biciclette getting a mention. It would make my top thirtyish for sure.
  • 001001
    Posts: 1,575
    Birdleson wrote: »
    Great film.

    Never heard of it before.
    Also known as Bicycle Thieves (1948)

    From imdb:
    In post-war Italy, a working-class man's bicycle is stolen. He and his son set out to find it.

    Must be some special bike. :)
  • Creasy47Creasy47 In Cuba with Natalya.Moderator
    Posts: 40,976
    I wouldn't know where to begin going about a Top 10, but Bicycle Thieves is easily Top 100 for me, probably Top 50 or even 30.
  • 001001
    Posts: 1,575
    Creasy47 wrote: »
    I wouldn't know where to begin going about a Top 10, but Bicycle Thieves is easily Top 100 for me, probably Top 50 or even 30.

    From imdb:
    In post-war Italy, a working-class man's bicycle is stolen. He and his son set out to find it.

    Sounds like a comedy film but it's a drama film. :)
  • GoldenGunGoldenGun Per ora e per il momento che verrà
    edited December 2018 Posts: 7,136
    001 wrote: »
    Birdleson wrote: »
    Great film.

    Never heard of it before.
    Also known as Bicycle Thieves (1948)

    From imdb:
    In post-war Italy, a working-class man's bicycle is stolen. He and his son set out to find it.

    Must be some special bike. :)

    The thing about the bike is that in post-war Italy, a country very much in economical distress and with a lot of unemployment, the protagonist finally gets a job but he is required to have a bike to be able to exercise his job properly. Without a bike he would lose his job.

    Something as common as a bike represents the last resort for a family in poverty. It also says a lot that such situations were more rule than exception at that time in Italy.

    Thematically relevant even today, graced with extraordinary black and white cinematography and with powerful scenes galore it is quite rightly hailed as one of the best films of all time.

    Just my two cents, of course.
  • Creasy47Creasy47 In Cuba with Natalya.Moderator
    Posts: 40,976
    @GoldenGun is spot on - it's not so much that "it's just a bike" as it is what the meaning and purpose of the bike is, particularly in post-WWII Italy. It says a lot about the trials and tribulations someone would endure just to work, eat, survive and take care of his family.
  • 001001
    Posts: 1,575
    Creasy47 wrote: »
    @GoldenGun is spot on - it's not so much that "it's just a bike" as it is what the meaning and purpose of the bike is, particularly in post-WWII Italy. It says a lot about the trials and tribulations someone would endure just to work, eat, survive and take care of his family.

    The story sounds like a comedy doesn't it ?
  • Creasy47Creasy47 In Cuba with Natalya.Moderator
    Posts: 40,976
    001 wrote: »
    Creasy47 wrote: »
    @GoldenGun is spot on - it's not so much that "it's just a bike" as it is what the meaning and purpose of the bike is, particularly in post-WWII Italy. It says a lot about the trials and tribulations someone would endure just to work, eat, survive and take care of his family.

    The story sounds like a comedy doesn't it ?

    I suppose the synopsis could be deciphered in many ways - detaching myself from the film, sounds like it could easily read as a Taken or John Wick type of movie, too.
  • 001001
    Posts: 1,575
    Creasy47 wrote: »
    001 wrote: »
    Creasy47 wrote: »
    @GoldenGun is spot on - it's not so much that "it's just a bike" as it is what the meaning and purpose of the bike is, particularly in post-WWII Italy. It says a lot about the trials and tribulations someone would endure just to work, eat, survive and take care of his family.

    The story sounds like a comedy doesn't it ?

    I suppose the synopsis could be deciphered in many ways - detaching myself from the film, sounds like it could easily read as a Taken or John Wick type of movie, too.

    Not really.
    Taken,John Wick has a decription as revenge etc
  • Creasy47Creasy47 In Cuba with Natalya.Moderator
    Posts: 40,976
    001 wrote: »
    Creasy47 wrote: »
    001 wrote: »
    Creasy47 wrote: »
    @GoldenGun is spot on - it's not so much that "it's just a bike" as it is what the meaning and purpose of the bike is, particularly in post-WWII Italy. It says a lot about the trials and tribulations someone would endure just to work, eat, survive and take care of his family.

    The story sounds like a comedy doesn't it ?

    I suppose the synopsis could be deciphered in many ways - detaching myself from the film, sounds like it could easily read as a Taken or John Wick type of movie, too.

    Not really.
    Taken,John Wick has a decription as revenge etc

    "A man loses his dog and he sets out to find who did it."

    "A man loses his bicycle and he sets out to find who did it."

    Same thing. I'm not sure what you're getting at either way, though, as it's not a comedy.
  • 001001
    Posts: 1,575
    Creasy47 wrote: »
    001 wrote: »
    Creasy47 wrote: »
    001 wrote: »
    Creasy47 wrote: »
    @GoldenGun is spot on - it's not so much that "it's just a bike" as it is what the meaning and purpose of the bike is, particularly in post-WWII Italy. It says a lot about the trials and tribulations someone would endure just to work, eat, survive and take care of his family.

    The story sounds like a comedy doesn't it ?

    I suppose the synopsis could be deciphered in many ways - detaching myself from the film, sounds like it could easily read as a Taken or John Wick type of movie, too.

    Not really.
    Taken,John Wick has a decription as revenge etc

    "A man loses his dog and he sets out to find who did it."

    "A man loses his bicycle and he sets out to find who did it."

    Same thing. I'm not sure what you're getting at either way, though, as it's not a comedy.

    John wick on imdb:

    "An ex-hit-man comes out of retirement to track down the gangsters that killed his dog and took everything from him."

    Sounds like a Revenge film

    "A man loses his bicycle and he sets out to find who did it."
    Drama at it's best. Go watch it. it supposed to be very good.


  • 001001
    edited December 2018 Posts: 1,575
    Birdleson wrote: »
    Drop it.

    Hey relax man.
    No need for that comment is there ?
    Why are you so rude ?
  • Creasy47Creasy47 In Cuba with Natalya.Moderator
    Posts: 40,976
    @001, can't tell if there's some language barrier or you're trolling, but yes, if it's the latter, do drop it.
  • CraigMooreOHMSSCraigMooreOHMSS Dublin, Ireland
    edited December 2018 Posts: 8,217
    001 wrote: »
    Birdleson wrote: »
    001 wrote: »
    Birdleson wrote: »
    Drop it.

    Hey relax man.
    No need for that comment is there ?
    Why are you so rude ?

    Because it is very hard to take what you're going on about seriously and you are taking up a lot of space. And if I "relax" I'm not really fulfilling my role here, am I?

    Your role is not to speak rudely to people so please just chill out.
    You are not a cop fighting crime. If you cannot handle your role, quit.

    Sometimes comments on this nice forum as you know get misunderstood.
    So please apologise for your behaviour or don't respond to my comments anymore or i will report you.

    Oh dear. This is not a hill worth dying on. It's not the responsibility of those to apologise for misunderstanding your comments if they are easily misunderstood.
  • GoldenGunGoldenGun Per ora e per il momento che verrà
    edited December 2018 Posts: 7,136
    Well, Mr White would definitely conclude:

    ”Subtle cinema isn’t for everyone” ;)
  • MajorDSmytheMajorDSmythe "I tolerate this century, but I don't enjoy it."Moderator
    Posts: 13,978
    Creasy47 wrote: »
    Remington wrote: »
    Out of the Past. I'm a fan of film noir and this is one of the greats.

    Can't go wrong with a bit of Mitchum. While I accept it not his most respected film, The Big Sleep is my personal favourite of his.

    Can't go wrong with The Night of the Hunter either, that's one of my favorites of Mitchum's. The cinematography/lighting throughout a lot of those sequences, particularly in the back half of the film, is mesmerizing and too damn good.

    Another favourite of mine. Not forgetting...

    Cape Fear
    The Yakuza
    The Friends Of Eddie Coyle
    The Grass Is Greener
    Heaven Knows, Mr Allison
    Macao
    Ryan's Daughter
    Two For The Seesaw

    And while it is more of a Wayne film, Mitchum is on fine form in El Dorado. I could quote my favourite scene, but better still, it's on Youtube:

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