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Quite. The charge of dated misogyny is a raging debate. At face value, yes, Fleming's treatment and attitudes towards women in his novels does not fly with modern women.
But is there not more nuance, irony and sense of humor about it all, for example in the names. Come on, Pussy Galore?
Do we have to become closet Bond readers in fear of being labeled a misogynist? Where is the line in the sand?
I certainly would not go around quoting certain lines in public and what if my only interest in the books was just to read a good thriller? Can't I?
Do any other modern day thrillers sail close to the wind on this issue as Fleming did?
"One thing to bear in mind here, I think, is that although the Bond novels are obviously a series, they're also designed to be standalones, and lean much more towards the latter design than the former. You can pick up any Bond book and dive in, with no knowledge of previous books required. Historically, particularly in the years before the internet made finding out in which order to read books in a series a hell of a lot easier, that's almost certainly the way they were read – bought at random, devoured equally haphazardly. In which light, Bond's romancing of a different woman in each book perhaps isn't so objectionable: for many readers, there wouldn't have been a previous book to compare it to."
"Based on the novels I've read so far, you could, I think, accuse James Bond – and possibly Ian Fleming – of being many things: a snob, certainly; a masochist, definitely; a homophobe, potentially; a racist, casually – although again those last two are more a product of their time than an active agenda. But a misogynist? I'm not so sure. If anything, I'd suggest that James Bond is, in fact, an illustrious example of that most unfortunate and ultimately doomed of beasts: the incurable romantic. And it'd be churlish to criticize a man for that."
I think Fleming wrote very grounded, believable female characters. Just like Flaubert did with Madame Bovary (heck, Fleming's QOS is like a take on Flaubert's great novel), he pictured women as they were, or as some were, not as idealized versions of women or pure fantasies.
Anyhow, are the films much better!
Follett is spot-on and earns my respect with an observation that cannot be repeated enough. The original Bond is not a cad, he is not a sexual predator, and he is not a macho boor. It's hard to imagine the literary Bond acting with the predatory force of Connery or the caddishness of Moore (in the Mankiewicz-scripted films). Unfortunately, this is something the public and many critics have failed to grasp.
Quite.
Agreed. Smacks of the pot calling the kettle black in my opinion. I am also confused by Boyd's remarks. On the one hand he has said he toned down the sexism, fine, but on the other:
"Sex and violence. By today’s standards the sex in the Bond novels is very tame and the violence unexceptionable. But when the books were published they were condemned for their explicitness. As schoolboys we thought the sex in the Bond novels was the height of erotic licentiousness. It reads almost primly now. ‘He freed his right hand and put it between their bodies, feeling her hard breasts, each with its pointed stigma of desire ‘(Live And Let Die)."
Seems unfair still, to batter Fleming over the head for sexism in today's context of twerking, dontchathink?
http://literary007.com/2014/05/28/exclusive-interview-with-samantha-weinberg-author-or-the-moneypenny-diaries/
@007InVT what a great interview - Bravo!
I'm a huge fan of 'The Moneypenny Diaries' and Samantha Weinberg deserves huge praise for producing a spin-off series that appeals to both men and women.
My wife was not a great fan of Fleming's work but she loved 'The Diaries' so much she read FRWL and OHMSS and discovered she actually liked them!
If anything deserves a TV series it is this trilogy.