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Bond movie ranking (Simple list, no details)

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  • ThighsOfXeniaThighsOfXenia
    Posts: 1,596
    @FoxRox I notice that things like that do tend to make the biggest impact on my rankings. My biggest mix-up came after I started taking some film classes and getting a bit more serious about studying cinema. Not that I'm an expert by any means, but it did shape the way I view some of the films in the series.
  • MayDayDiVicenzoMayDayDiVicenzo Here and there
    Posts: 5,080
    I've come to the realisation that ranking the films in an exact 24 tier ranking has become a bit of a fruitless effort for me, so for the first time I've opted to rank them in groups of 5 chunks:

    Diamond tier:
    GOLDFINGER
    ON HER MAJESTY'S SECRET SERVICE
    THE SPY WHO LOVED ME
    THE LIVING DAYLIGHTS
    GOLDENEYE

    Gold tier:
    FROM RUSSIA WITH LOVE
    FOR YOUR EYES ONLY
    OCTOPUSSY
    LICENCE TO KILL
    CASINO ROYALE
    SKYFALL

    Silver tier:
    DR. NO
    DIAMONDS ARE FOREVER
    LIVE AND LET DIE
    A VIEW TO A KILL
    TOMORROW NEVER DIES
    QUANTUM OF SOLACE

    Bronze tier:
    THUNDERBALL
    YOU ONLY LIVE TWICE
    THE MAN WITH THE GOLDEN GUN
    MOONRAKER
    THE WORLD IS NOT ENOUGH

    The wooden spoons:
    DIE ANOTHER DAY
    SPECTRE
  • vzokvzok
    Posts: 4,044
    I felt sure your last category was going to be “shed a tier”
  • GoldenGunGoldenGun Per ora e per il momento che verrà
    Posts: 7,108
    Daniel316 wrote: »
    so my ranking from favorite to least favorite would go as such (includes NSNA)

    1. GoldenEye
    2. Die Another Day
    3. Tommorow Never Dies
    4. Moonraker
    5. Licence To Kill
    6. From Russia With Love
    7. The World Is Not Enough
    8. A View To A Kill
    9. For Your Eyes Only
    10. The Spy Who Loved Me
    11. The Man With The Golden Gun
    12. Goldfinger
    13. Live And Let Die
    14. Dr. No
    15. Diamonds Are Forever
    16. The Living Daylights
    17. Octopussy
    18. Quantum Of Solace
    19. On Her Majesty's Secret Service
    20. Casino Royale
    21. ThunderBall
    22. You Only Live Twice
    23. Spectre
    24. Never Say Never Again
    25. Skyfall

    Nice to see such an honest list! Love the LTK and MR appreciation too!
  • Daniel316Daniel316 United States
    Posts: 210
    thank you, yeah I really really love both MR and LTK
  • ToTheRightToTheRight
    Posts: 16,149
    1. THUNDERBALL
    2. GOLDFINGER
    3. DR NO
    4. THE SPY WHO LOVED ME
    5. FROM RUSSIA WITH LOVE
    6. THE LIVING DAYLIGHTS
    7. ON HER MAJESTY'S SECRET SERVICE
    8. LIVE AND LET DIE
    9. OCTOPUSSY/NEVER SAY NEVER AGAIN
    10. LICENCE TO KILL
    11. FOR YOUR EYES ONLY
    12. MOONRAKER
    13. A VIEW TO A KILL
    14. SKYFALL
    15. YOU ONLY LIVE TWICE
    16. CASINO ROYALE 06/CR 54
    17. DIAMONDS ARE FOREVER
    18. GOLDENEYE
    19. THE MAN WITH THE GOLDEN GUN/ CR67
    20. TOMORROW NEVER DIES
    21. QUANTUM OF SOLACE
    22. THE WORLD IS NOT ENOUGH
    23. SPECTRE
    24. DIE ANOTHER DAY
  • w2bondw2bond is indeed a very rare breed
    edited July 2019 Posts: 2,252
    Daniel316 wrote: »
    yeah I do tend to prefer more light hearted Bond films but I do love serious entries (LTK, FRWL, GE, etc). The ideal Bond film to me is the perfect balance between light hearted and serious which imo is what GE is.

    @Daniel316 So you might be pleased to know you have the highest MI6Community ranking of Die Another Day at number 2.

    7/175 have it in the top 10
    35/175 have it in the top 19.

    There are 2/250 people on non-Bond forums who have it at number two

    Between the releases of Skyfall the highest rank is 2nd (3/505) and 27/505 have it in the top 10
  • matt_umatt_u better known as Mr. Roark
    edited July 2019 Posts: 4,343
    I will never ever, ever, get how on earth a movie like SP could be placed at the very bottom of a 007 movie poll. It's just beyond me.
  • w2bondw2bond is indeed a very rare breed
    edited July 2019 Posts: 2,252
    matt_u wrote: »
    I will never ever, ever, get how on earth a movie like SP could be placed at the very bottom of a 007 movie poll. It's just beyond me.

    Why's that? Where do you have it?

    I can list many reasons why it's at the bottom AND why the ones above it are higher
  • ThighsOfXeniaThighsOfXenia
    edited July 2019 Posts: 1,596
    ToTheRight wrote: »
    1. THUNDERBALL
    2. GOLDFINGER

    A man of culture, I see.

    edit: @matt_u I understand why people are so shocked, because the film has the appearance of such polish and sheen. It has gorgeous cinematography and strong production design, but I think many of its issues come down to it doesn't feel like it has a soul. It feels like they so badly wanted to make a "by the numbers" Bond film but they forgot to actually make a film, instead it's just a collection of box-checks.

    Beyond that, the screenplay, particularly the nonsense with Blofeld and Bond and how the film tries to haphazardly connect Craig's films into a sort of quadrilogy is just god awful. The Madeline-as-soulmate angle is beyond offensive and underdeveloped, and the whole thing just plays tired.

    It reminds me a bit in that aspect of A View to a Kill, which carried with it a slight sense of fatigue I think, but that film was elevated by very committed performances from (an admittedly older) Moore and Walken (who is fantastic). By comparison, Craig's performance, while I don't hate it, is probably his weakest of his four films as he doesn't seem quite sure where he wants the performance to land. Similarly, Waltz's performance as Blofeld is just a lite version of other villains he's been forced to play in bigger productions. A really weak performance.

    I don't hate Spectre by any means, but it just doesn't have "it."
  • w2bondw2bond is indeed a very rare breed
    Posts: 2,252
    ThighsOfXenia wrote: »
    ToTheRight wrote: »
    1. THUNDERBALL
    2. GOLDFINGER

    A man of culture, I see.

    edit: @matt_u I understand why people are so shocked, because the film has the appearance of such polish and sheen. It has gorgeous cinematography and strong production design, but I think many of its issues come down to it doesn't feel like it has a soul. It feels like they so badly wanted to make a "by the numbers" Bond film but they forgot to actually make a film, instead it's just a collection of box-checks.

    Beyond that, the screenplay, particularly the nonsense with Blofeld and Bond and how the film tries to haphazardly connect Craig's films into a sort of quadrilogy is just god awful. The Madeline-as-soulmate angle is beyond offensive and underdeveloped, and the whole thing just plays tired.

    It reminds me a bit in that aspect of A View to a Kill, which carried with it a slight sense of fatigue I think, but that film was elevated by very committed performances from (an admittedly older) Moore and Walken (who is fantastic). By comparison, Craig's performance, while I don't hate it, is probably his weakest of his four films as he doesn't seem quite sure where he wants the performance to land. Similarly, Waltz's performance as Blofeld is just a lite version of other villains he's been forced to play in bigger productions. A really weak performance.

    I don't hate Spectre by any means, but it just doesn't have "it."

    Good summary of the common criticisms.
  • peterpeter Toronto
    Posts: 9,509
    Very good points, @ThighsOfXenia -- which also gives me hope that B25 will, as the series so often has done after laying an egg, course correct and give this Bond a proper farewell.
  • Daniel316Daniel316 United States
    Posts: 210
    Interesting statistics
  • matt_umatt_u better known as Mr. Roark
    Posts: 4,343
    ThighsOfXenia wrote: »
    ToTheRight wrote: »
    1. THUNDERBALL
    2. GOLDFINGER
    @matt_u I understand why people are so shocked, because the film has the appearance of such polish and sheen. It has gorgeous cinematography and strong production design, but I think many of its issues come down to it doesn't feel like it has a soul. It feels like they so badly wanted to make a "by the numbers" Bond film but they forgot to actually make a film, instead it's just a collection of box-checks.

    Beyond that, the screenplay, particularly the nonsense with Blofeld and Bond and how the film tries to haphazardly connect Craig's films into a sort of quadrilogy is just god awful. The Madeline-as-soulmate angle is beyond offensive and underdeveloped, and the whole thing just plays tired.

    It reminds me a bit in that aspect of A View to a Kill, which carried with it a slight sense of fatigue I think, but that film was elevated by very committed performances from (an admittedly older) Moore and Walken (who is fantastic). By comparison, Craig's performance, while I don't hate it, is probably his weakest of his four films as he doesn't seem quite sure where he wants the performance to land. Similarly, Waltz's performance as Blofeld is just a lite version of other villains he's been forced to play in bigger productions. A really weak performance.

    I don't hate Spectre by any means, but it just doesn't have "it."


    Sorry for the late response, @ThighsOfXenia.

    Look, all those years I read all the possibile criticism against SP imaginable, inhere. I get your points, but I think that regarding SP people usually put too much weight on the flaws than considering all the great aspects that make the movie so unique. Some kind of harshness, so to speak, that you don't see with all SF flaws or QoS gigantic problems. But I don't care, honestly. I hate to judge movies like a doctor. Blade Runner at the time of its release was a massive flop and the movie itself has tons of flaws, errors, with sometimes even nonsense movie grammatic but it is still one of the greatest movies ever made. So I don't judge movies like this.

    Regarding SP I spoke sometimes about it's merits but I don't want to repeat myself for too long. Just a few thoughts I feel important to share.

    First, the extraordinary look of the movie. I know a lot of people dislike HvH's work because of being too yellowish and other nonsenses, but SP is a prime representation of how a big action blockbuster for the masses can be injected with a strong and unusual visual palette for the sake of an artistic and thematic purpose, which is something quite remarkable since we're talking movies and not some Marvel Studios telenovelas. In SP every movie location is treated like a character itself. Mexico City looks like a dusty Purgatory were the air is fire and all those bodies are running to the gates of Hell. Rome looks like a metaphysical monument of corrupted power, where the water of the Tevere river looks like oil and the overall imagery seems taken from a De Chirico painting. Austria is gloomy and dark, like the prelude of a storm. Morocco looks taken from an Alfred Hitchcock movie and Mendes brings his panoramic retro vibe intentions at the highest level. London is also unusually dark and "victorian".

    But besides the technical achievements, the interesting topic to discuss is that all this artistic approach is driven by themes that serve the narrative. The first, of course, is related to SPECTRE, that it's portrayed not only as an evil crime organization, but a specter from the past that looms for everything Bond stands for. And what Bond stands for? Tradition. The value of tradition, a capital even in British literature. This is a great, and quite unique, Bond movie because while making an entertaining globetrotting adventure Mendes is able to elevate the battle between good and bad - in this case the Blofeld/SPECTRE vs Bond/MI6 plot - on a pure metaphorical level that stands for a manifesto for the franchise itself. Because the incredible legacy of the 50+ years of missions is what makes Bond different from all the other contemporary actions heroes. After QoS - which was a movie clearly influenced by Bourne's kinetic approach, that worked for one episode but put the franchise in an angle, because of the risk of destroying what makes Bond unique and better than all the others with that direction - Mendes made a combo of movies that where based upon the notion of establishing why Bond is still relevant those days and why his "old" ways are still the best. I don't want to dive too much into this but basically SP is a movie about preparing for the future without forgetting where you come from. Embracing and learning from such a strong legacy, while dealing with such cutting edge themes like surveillance back in 2015, was the only possible way to prepare the character for the future after all the "goin back to basic" of SF. So the movie has a soul, indeed. Actually, it is probably the most thematically driven Bond movie ever. It's quite a miracle that a movie filled with such references to prior entries turned out to be so strong with its thematic purposes and unique in its both visual and metaphorical identity. Plus, the narrative is smooth and this Bond driven adventure works quite good from a pure entertaining perspective. Because entertainment doesn't (always) mean "silly fun". SP wouldn't been the 4th Bond movie at the box-office - adjusting with the inflation - if the general public didn't enjoyed the ride in some form (and if someone says again an again that SP success was ALL thanks to SF's boost I will put them in a pool filled with sharks). So the notion of Mendes forgetting about making a "movie" is quite absurd as I see things. Nothing proves this. But let's dive into the most interesting aspect of the movie...

    Since I talked about the value of tradition and that being the core of the movie, just look at how they crafted the evil character of the movie. Blofeld stands exactly as an ideal moral counterpart for Bond, an evil man who symbolically stands for denying, mortifying and killing the past, while in the movie Bond stands as a caretaker of the value of tradition, which is his own 50+ years cinematic legacy as I said before. I also liked the fact that Bond was portrayed as a kind of object of desire for young Blofeld, that during the course of two winters became envious of this handsome "blu eyed orphan" incredibly good and skilled at everything he did, while on the other hand he wasn't. I found all this fragile, childish, creepy, vouyeristic elements defining Blofeld's twisted psyche perfectly handled by Waltz, so I disagree regarding his performance being "weak". I found that re-interpretation of the character very interesting to follow, especially once the movie was over while wondering about Blofeld's psyche. SP does a good job showing a Blofeld full of envy and slimy resentment towards Bond - just think of the joke about interchangeable women - which led to a vouyer tipe of evil person made insane by resentment and inevitably poisoned by envy. I found this take to the character very disturbing and interesting, especially because the gradual descent in his crazy intimate and psychological sphere takes place little by little, until the quiet revelation of his new identity in the torture room. Blofeld wasn't perfectly handled, but at least is a villain with a lot of shades that let you wonder about why he does what he does with a dramatic element and yet resonates with a strong thematic meaning. It's also interesting how he consistently tries to punish Bond on an emotional level. Like he's trying to make Bond suffer just like he suffered when he felt Hannes was more attached to James than his "real" son. All Blofeld actions against Bond can be seen like an insane punishment for being "better" than him. His tremendous evilness is defined also by his crazy and creepy methodicalness. Something explained also by his torture methods. Plus, the notion that the was (in some form) behind both Vesper and M's deaths is something that tells you how creepy is this incarnation of Blofeld. Making people suffer for him is also like a crazy cat and mouse game. For example, the way he handles Mr. Guerra execution during the meeting or how he plays with Bond when he trapped Madeleine - giving Bond a choice: die or live with the pain - in the MI6 building. He even used the death of Mr. White as a tool to bring Bond and Madeleine together ("out of horror, beauty"). Bond movies are usually filled with villain characters with cliched identities and few dramatic foundations but as you can see I definitely don't think Blofeld is one of them. Just think about Alec, one of the all time favorites (God knows why). He enters MI6 for avenging his heritage's demise in order to punish the Brits. A very idealistic scheme - yet uber superficial and cliched - too bad in the end he just wants to make tons of money. Come on...

    So it's pretty clear why I love SP. There are some flaws, like any other Bond movie has in different forms except maybe, maybe, FRWL. It's a beautifully crafted Bond movie, with a lovely artistic use of incredible locations, with a good score (better than SF), with great actors, an intelligent and poignant evil scheme to deal with, a Bond girl with a brain and a real identity - on a side note, Seydoux has a mix of voluptuousness and innocence that drives me crazy - and a villain with some true interesting characterization. Above all, SP is a Bond movie that stands for something. That represents something, which is something truly unique. A magniloquent monument, with a foot in the past and an eye on the future, to the greatest film franchise in the world.

    EDIT: Also, the way they are connecting the movies works good. Bond movies are always influenced by the time of their release and we are living in this era in which sometimes continuity is more important than the film itself. So this attempt by Mendes was quite congenital and actually worked. It was even able to make Silva's plans more plausible while keeping his motivations pure.
    w2bond wrote: »
    matt_u wrote: »
    I will never ever, ever, get how on earth a movie like SP could be placed at the very bottom of a 007 movie poll. It's just beyond me.

    I can list many reasons why it's at the bottom AND why the ones above it are higher

    I don't doubt it. Since 2015 I've been a huge SP fan. I'm currently rewatching all the entries but in my latest poll a couple of years ago SP was #3.
  • ProfJoeButcherProfJoeButcher Bless your heart
    Posts: 1,711
    matt_u, as another massive Spectre fan, I loved that comment. I'd love to engage with it more, but I suspect we'd be asked to take it out of this thread. :-D

    But yeah, people miss a lot in Spectre.
  • RemingtonRemington I'll do anything for a woman with a knife.
    Posts: 1,534
    @matt_u even though I strongly dislike SP and place it at the bottom of my ranking, I applaud that post. Very well said.
  • RemingtonRemington I'll do anything for a woman with a knife.
    edited July 2019 Posts: 1,534
    Couple changes here and there.

    PERFECTION OR DAMN NEAR
    1. GoldenEye
    2. Licence to Kill
    3. The Living Daylights
    4. Casino Royale
    5. Quantum of Solace
    6. Thunderball
    7. Goldfinger
    8. Dr. No
    9. From Russia with Love
    10. On Her Majesty's Secret Service
    11. Live and Let Die
    12. For Your Eyes Only
    13. The World Is Not Enough
    14. Tomorrow Never Dies

    NOT MY FAVORITE BUT I STILL LOVE EM
    15. Die Another Day
    16. Diamonds Are Forever
    17. Octopussy
    18. A View to a Kill
    19. The Spy Who Loved Me
    20. Moonraker

    GOOD BUT I GOTTA BE IN THE RIGHT MOOD
    21. Skyfall
    22. The Man with the Golden Gun
    23. You Only Live Twice

    50% SOLID/50% TERRIBLE
    24. Spectre
  • FoxRoxFoxRox
    Posts: 12,462
    Always glad to see some QOS love.
  • matt_umatt_u better known as Mr. Roark
    Posts: 4,343
    ProfJoeButcher wrote: »
    matt_u, as another massive Spectre fan, I loved that comment. I'd love to engage with it more, but I suspect we'd be asked to take it out of this thread. :-D

    But yeah, people miss a lot in Spectre.

    Happy to see I'm not alone! :)
    Remington wrote: »
    @matt_u even though I strongly dislike SP and place it at the bottom of my ranking, I applaud that post. Very well said.

    Thank you, I really appreciate it.
  • Junglist_1985Junglist_1985 Los Angeles
    Posts: 1,030
    FoxRox wrote: »
    Always glad to see some QOS love.

    Indeed! QOS seems to be aging quite well.

    My UPDATE:

    1. Casino Royale
    2. From Russia With Love
    3. Dr. No
    4. Goldfinger
    5. Quantum of Solace
    6. The Living Daylights
    7. Goldeneye
    8. Skyfall
    9. On Her Majesty’s Secret Service
    10. The Spy Who Loved Me
    11. Thunderball
    12. Spectre
    13. For Your Eyes Only
    14. You Only Live Twice
    15. Tomorrow Never Dies
    16. License to Kill
    17. Live and Let Die
    18. Man With The Golden Gun
    19. Moonraker
    20. Diamonds Are Forever
    21. Die Another Day
    22. Octopussy
    23. A View to a Kill
    24. The World Is Not Enough
  • GoldenGunGoldenGun Per ora e per il momento che verrà
    Posts: 7,108
    Doing a Bondathon for the first time since the release of Spectre and for the first time in chronological order since I was about 11. Also for the very first time watching them on blu-ray and doing it together with Mrs Golden Gun.

    Halfway through, and it will take a while before we can continue, it looks like this:

    10/10
    1. On Her Majesty's Secret Service
    2. Thunderball

    9/10
    3. The Man with the Golden Gun
    4. Dr. No
    5. From Russia with Love
    6. Moonraker

    8/10
    7. The Spy Who Loved Me
    8. Goldfinger
    9. You Only Live Twice
    10. Live and Let Die

    7/10
    11. For Your Eyes Only
    12. Diamonds Are Forever

    No real stinkers yet it appears although some of them have a few less engaging moments. Two absolute crackers in TB and OHMSS. One surprise package too: MR! I guess, with all that gorgeous widescreen spectacle, blu-ray does that film some real favours, surely.
  • FoxRoxFoxRox
    Posts: 12,462
    GoldenGun wrote: »
    Doing a Bondathon for the first time since the release of Spectre and for the first time in chronological order since I was about 11. Also for the very first time watching them on blu-ray and doing it together with Mrs Golden Gun.

    Halfway through, and it will take a while before we can continue, it looks like this:

    10/10
    1. On Her Majesty's Secret Service
    2. Thunderball

    9/10
    3. The Man with the Golden Gun
    4. Dr. No
    5. From Russia with Love
    6. Moonraker

    8/10
    7. The Spy Who Loved Me
    8. Goldfinger
    9. You Only Live Twice
    10. Live and Let Die

    7/10
    11. For Your Eyes Only
    12. Diamonds Are Forever

    No real stinkers yet it appears although some of them have a few less engaging moments. Two absolute crackers in TB and OHMSS. One surprise package too: MR! I guess, with all that gorgeous widescreen spectacle, blu-ray does that film some real favours, surely.

    OHMSS and TB are my #2 and #3 overall respectively. Nice list so far overall! I'm 13 films in through my current Bondathon. I'm going in novel order, so once I'm finished with TLD I'll have to do the last few in some random order. My new list is going to be the most different it's been in a long time for sure.
  • GoldenGunGoldenGun Per ora e per il momento che verrà
    Posts: 7,108
    Thank you @FoxRox!
    It will be interesting to see in what order you’ll watch the rest. Maybe by how many elements they use/refer to from the books?
  • matt_umatt_u better known as Mr. Roark
    Posts: 4,343
    GoldenGun wrote: »
    Doing a Bondathon for the first time since the release of Spectre and for the first time in chronological order since I was about 11. Also for the very first time watching them on blu-ray and doing it together with Mrs Golden Gun.

    Halfway through, and it will take a while before we can continue, it looks like this:

    10/10
    1. On Her Majesty's Secret Service
    2. Thunderball

    9/10
    3. The Man with the Golden Gun
    4. Dr. No
    5. From Russia with Love
    6. Moonraker

    8/10
    7. The Spy Who Loved Me
    8. Goldfinger
    9. You Only Live Twice
    10. Live and Let Die

    7/10
    11. For Your Eyes Only
    12. Diamonds Are Forever

    No real stinkers yet it appears although some of them have a few less engaging moments. Two absolute crackers in TB and OHMSS. One surprise package too: MR! I guess, with all that gorgeous widescreen spectacle, blu-ray does that film some real favours, surely.

    Lucky man. I tried with my girlfriend but didn't work out. The things we do for love...

    I'm currently rewatching the series in non chronological order... from SP to Dr. No. I'm midway the Moore era and I'd say that the biggest change in my previous poll is AVTAK, a movie I surprisingly super enjoyed.
  • ToTheRightToTheRight
    edited July 2019 Posts: 16,149
    1. GOLDFINGER
    2. THUNDERBALL
    3. THE SPY WHO LOVED ME
    4. FROM RUSSIA WITH LOVE
    5. DR NO
    6. LIVE AND LET DIE
    7. ON HER MAJESTY'S SECRET SERVICE
    8. THE LIVING DAYLIGHTS
    9. OCTOPUSSY/NEVER SAY NEVER AGAIN
    10. CASINO ROYALE 06
    11. MOONRAKER
    12. YOU ONLY LIVE TWICE
    13. FOR YOUR EYES ONLY
    14. LICENCE TO KILL
    15. SKYFALL
    16. A VIEW TO A KILL
    17. GOLDENEYE
    18. DIAMONDS ARE FOREVER
    19. THE MAN WITH THE GOLDEN GUN/CR 54
    20. SPECTRE
    21. TOMORROW NEVER DIES
    22. QUANTUM OF SOLACE
    23. THE WORLD IS NOT ENOUGH
    24. DIE ANOTHER DAY/CR 67
  • FoxRoxFoxRox
    Posts: 12,462
    I should have my newest ranking up tomorrow once I finish my current Bondathon. Besides my top and bottom 3, a ton of positions have changed, some genuinely surprising me.
  • FredJB007FredJB007
    Posts: 49
    Here’s my two cents- I’m old enough to see all 24 films in the theater!

    1. From Russia With Love
    2. On Her Majesty’s Secret Service
    3. Casino Royale
    4. Goldfinger
    5. Thunderball
    6. The Spy Who Loved Me
    7. Skyfall
    8. For Your Eyes Only
    9. Dr. No
    10. GoldenEye
    11. You Only Live Twice
    12. The Living Daylights
    13. Quantum of Solace
    14. Live and Let Die
    15. Licence to Kill
    16. Octopussy
    17. Spectre
    18. Diamonds Are Forever
    19. Tomorrow Never Dies
    20. Moonraker
    21. The World is Not Enough
    22. Die Another Day
    23. A View to a Kill
    24. The Man with the Golden Gun

    Again, this is my list. I know that many will disagree with this and that’s ok!
  • battleshipgreygtbattleshipgreygt
    edited July 2019 Posts: 1,220
    1. Skyfall
    2. Casino Royale
    3. On Her Majesty's Secret Service
    4. License to Kill
    5. The Living Daylights
    6. From Russia With Love
    7. Goldeneye
    8. Spectre
    9. Quantum of Solace
    10. Goldfinger
    11. Dr. No
    12. Live and Let Die
    13. For Your Eyes Only
    14. You Only Live Twice
    15. Thunderball
    16. The Spy Who Loved Me
    17. A View to a Kill
    18. Octopussy
    19. The World Is Not Enough
    20. Tomorrow Never Dies
    21. The Man with the Golden Gun
    22. Die Another Day
    23. Diamonds are Forever
    24. Moonraker
  • Crazysoul95Crazysoul95
    Posts: 3,336
    FredJB007 wrote: »
    Here’s my two cents- I’m old enough to see all 24 films in the theater!

    1. From Russia With Love
    2. On Her Majesty’s Secret Service
    3. Casino Royale
    4. Goldfinger
    5. Thunderball
    6. The Spy Who Loved Me
    7. Skyfall
    8. For Your Eyes Only
    9. Dr. No
    10. GoldenEye
    11. You Only Live Twice
    12. The Living Daylights
    13. Quantum of Solace
    14. Live and Let Die
    15. Licence to Kill
    16. Octopussy
    17. Spectre
    18. Diamonds Are Forever
    19. Tomorrow Never Dies
    20. Moonraker
    21. The World is Not Enough
    22. Die Another Day
    23. A View to a Kill
    24. The Man with the Golden Gun

    Again, this is my list. I know that many will disagree with this and that’s ok!

    Nice list. If you replace Skyfall with Licence to Kill, then we got the same top 10, although in a different order.
  • Slazenger7Slazenger7 Gothenburg, Sweden
    edited July 2019 Posts: 1,344
    I’m new to this forum so I thought this would be a good first post. I’m pretty sure about my list but it will of course always change a bit depending on the current mood.

    1. Goldfinger
    2. The Spy who Loved Me
    3. From Russia with Love
    4. Thunderball
    5. Casino Royale
    6. On Her Majesty's Secret Service
    7. Dr. No
    8. For Your Eyes Only
    9. Live and Let Die
    10. Octopussy
    11. You Only Live Twice
    12. Moonraker
    13. Diamonds are Forever
    14. Golden Eye
    15. The Man with the Golden Gun
    16. A View to a Kill
    17. The Living Daylights
    18. Skyfall
    19. License to Kill
    20. Spectre
    21. Tomorrow Never Dies
    22. The World is Not Enough
    23. Quantum of Solace
    24. Die Another Day
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