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It seems that the Bond producers during that day and age was torned between the ambition of going all the way with grittiness and character exploration, and, at the same time, the fear of doing just that. It speaks for the entire Brosnan era in general. Potentially meaty ideas are at best underexploited, or at worst, completely abandoned. It is understandable. Michael and Babs had inherited the task of keeping alive the longest running film franchise in the world, and adding to that it was a film franchise plagued with numerous perceived notions of what was acceptable, and perhaps more importantly, not acceptable for the character or the films as a whole. But it made the films in general, and I think Brosnan especially, suffer as a consequence. In that context DAD was a blessing, as it marked the point where the producers realized there was no other way to go than "all in", and luckily it concided with them gaining the rights to Casino Royale. It must be said to their credit that when they finally reacted, it was maybe in the best possible way.
(In my opinion anyway...)
@barryt007, same, I think it's very underrated. I think it might be my favorite Moore film and definitely in my Top 5 or so if I did a proper ranking.
Same here, at my local cinema in Yate. Closed couple years later and became Spirals nightclub.
Aaah it might have well closed Willy but at least the memory is still there..i actually saw my version of it in Bournemouth visiting my cousins ....
I still remember the intermission halfway through and my dad buying me an ice cream from the woman with the tray.
Oh happy days! :-)
Agreed @Creasy47 ,its #6 on my list at the moment and i have a giant wooden picture of the original cinema poster in my living room :)
Absolutely...at least we had the chance to experience those times now gone...
Yes that's a bit OTT i have to agree,but i like the dirty Q ...nice to see him being a bit 'lively' ,as he was in LTK .
"I trust you can handle this contraption Q?"
"It goes by hot air"
"Oh then you can"
Actually why are Bond, Q and the girls the only ones who go after kamal? Seeing as he tried to kill thousands of people on and around a US Air Force base you'd have thought most of the nearby army and police would have raided his palace along with Bond.
I've cleared the time and room.
This is basically Bond nirvana for me. I've never actually paired these two together.
Should be double-plus awesome.
Then I think I will follow @beatlesearmuffs suggestion from further back and watch the films in book order.
I think he may be referring to the car that's dropped into the ocean in YOLT as I don't recall any water in the volcano either.
No, I am with you. It is far from the worst imo, but a huge disappointment after FYEO:
I like some humor and I think in OP it is pretty excellently balanced with some truly Bondian and Fleming elements. The location of India is exotic and gorgeous with the palaces and lairs exotic on Blu-ray. Then the film sort of shifts tones when we get to Germany and it becomes a near hard-boiled Cold War showdown/thriller.
My second favorite Moore Bond film, and it used to be my LEAAST favorite.
However, difference of opinion is always welcomed by me of course, and I 've always respected your thoughts @Birdleson
Still holds up well after x amount of viewings.
Some things that struck me this time-
-Anthony Zerbe as Krest is really great to watch. One if the best minor characters in the series .
-Del Toro is really quite creepy as Dario.
-This is the film with my favourite Q moments. His scenes with Pam are reminiscent of his scenes with Tiffany in DAF...
- I love the title track, as well as Patti Labelles's If You Asked Me To.
Just some minor cons-
-Kamen's score is a little bit generic, and annoying in places.
-When Bond first enters the WaveKrest, it is night time. But by the time Sharkey is killed, it's broad daylight. It takes me out of the film a little.
Overall, it's defiantly top five material.
I do love Kamen's Bond theme, though. I like how it's used in the tanker scenes.
Yeah I agree! I have no problem with his Bond theme, I just think he relies on it FAR too much. The whole film feels like it's scored by various renditions of the Bond theme. Maybe that's just a gauge of how memorable the score is? haha