It looks like you're new here. If you want to get involved, click one of these buttons!
^ Back to Top
The MI6 Community is unofficial and in no way associated or linked with EON Productions, MGM, Sony Pictures, Activision or Ian Fleming Publications. Any views expressed on this website are of the individual members and do not necessarily reflect those of the Community owners. Any video or images displayed in topics on MI6 Community are embedded by users from third party sites and as such MI6 Community and its owners take no responsibility for this material.
James Bond News • James Bond Articles • James Bond Magazine
Comments
That was used in Skyfall, right?
Yes
Thanks, @WillyGalore. I thought as much. I've not seen it often enough yet!
I've actually been to the Hall of Fame about 10 years ago or so. I would like to go again though since I am older and can appreciate things a bit more.
also poster art by Bob Peak, and here's some Lawren Harris too :)
Compositionally, he was an absolute genius, with a Rockwellian kind of eye for figure, posing and realism.
Dali however was principled in his craft, skilled in composition and color, and knew what images and what forms of images best struck viewers as he created some truly mind-bending stuff. He's one of the main reasons why I hold surrealism as the most fascinating style of the time, one of the few good things to be produced from that period of art as far as true talent goes.
Sadly, the pretentiousness of the modern period is alive and well in the industry, often making me feel ashamed to be classed as an "artist."
https://www.theguardian.com/artanddesign/2004/apr/25/art
The Rookie
To me, each of his paintings is like a specific, stylized but accurate moment of time in life, as if you've just stopped for a second to catch the view.
I love voyeuristic art, as it somehow seems more real to me.
@JWESTBROOK, yes, McCarthy was probably most famed for his movie poster art, though he did all sorts.
Here are the names of the films illustrated by McCarthy in the order I posted them, along with their year of release:
1.) The Glory Guys (1965)
2.) The Chairman (1969)
3.) Danger: Diabolik (1968)
4.) The Caper of the Golden Bulls (1967)
5.) Where Eagles Dare (1968)
6.) The Long Duel (1967)
7.) Dark of the Sun (1968)
8.) The Dirty Dozen (1967)
9.) They Came to Rob Las Vegas (1968)
10.) Thunderball (1965)
But there are a couple of painters and sculptures that made an impact on me, maybe even stronger as I only got to know a few of them.
There is one painter I love more than anything else and I was lucky to get to see a lot of his paintings in museums all over Europe and also got books and the film A Bigger Splash from British painter David Hockney.
The Tate in London will have a Hockney exhibition from February to May 2017. Which I will go to.
Here are two of my favourite paintings of him, although I really love most he has done.
Sunbather
A Bigger Splash
http://www.tate.org.uk/whats-on/tate-britain/exhibition/david-hockney
Yes, another fan here, his portraits of the NASA astronauts are superb IMHO
I like Americana despite living in England, Rockwells art tells a story to me. Last night I was looking through various prints of his work, Rockwells civil rights images are powerful.
Monkey Island
Dancing Banana's
The Golden Girl With The Golden Gun
This has a number of LED lights that flicker on around the pool table.
Picasso - Pallet and Bust
Van Gogh - Haystacks in Provence
Dali - Hallucinogenic Torreador
Dali - Christ of St John of the Cross
Beyond him, I always had little interest in paintings/sculpture/architecture. This bothered me. To the point where, in college, I signed up for a art history survey course in hopes of kindling some interest. Mistake. There was simply too much to cover in 15 weeks, and the professor too given over to ramble. About a month from semester's end we were only at Rome. The rest of the course was crammed in, and I came away without my appetite whet. At one point a few years later I downloaded an app that presented a new artwork on its homepage each day, but I found the screen was much too small to really appreciate most of the works.
It's only recently (last year or so) that I've found a path to a real interest. Things actually clicked for me when I started looking at painting etc. through my love of other art, like literature and poetry and especially film, and started thinking of it as an essential connecting point. As a Bondian example, I read about the Pre-Raphaelites and came across the Hylas and the Nymphs painting by John William Waterhouse, which instantly reminded me of one of my all time favorite Bond sequences from MR.
A book I was reading made the connection between the Waterhouse and Keats and it fits MR too:
I met a lady in the meads,
Full beautiful, a fairy’s child;
Her hair was long, her foot was light,
And her eyes were wild.
Still learning but at last appreciating.
I have not seen Loving Vincent though I am familiar with his tragic story, I'll look for the film?
Since an very early age I learnt alot about art and antiques through my parents as its there business post retirement, so I became a seller and collector myself for a period. My immediate family are very talented in one form of art, alas I can't paint or draw at all, writing is where my strength is though despite writing several books of poems and songs I have not written for years.
Regarding collectable now I just occasionally pick up the odd items, here are some other Van Gogh prints that I have...
Sun Flowers
First Steps
Cafe Terrace at Night
Wheatfield with a Reaper
I remember Pre-Raphaelite art from University, if I recall the empaphsasis was the depiction of women, a greater acknowledgement of woman.
Most recent knowledge I have is mainly self taught, every time I come across any print or collectable I would research its origin.
That scene in MR is visually brilliant, amazing location great set up and Ken Adams genius. Drax's ladies of perfection remind me of the Greek goddesses/sirens also, Drax probably sees himself as Zeus and his space station is Mount Olympus.
The Execution of Lady Jane Grey by Paul Delaroche
Have always found this a powerful and tragic painting. It hangs in the National Gallery, London. It's a huge canvas, and I remember being stunned when I first saw it.
Have always admired this majestic statue of Oliver Cromwell that overlooks Parliament Sq in London.
I dread to imagine what dear Olly would think if he saw what London has become these days...