It looks like you're new here. If you want to get involved, click one of these buttons!
^ Back to Top
The MI6 Community is unofficial and in no way associated or linked with EON Productions, MGM, Sony Pictures, Activision or Ian Fleming Publications. Any views expressed on this website are of the individual members and do not necessarily reflect those of the Community owners. Any video or images displayed in topics on MI6 Community are embedded by users from third party sites and as such MI6 Community and its owners take no responsibility for this material.
James Bond News • James Bond Articles • James Bond Magazine
Comments
Yikes. While I find Nic interesting and talented, I can see how he could ignite conflicts with people. I feel like he really enjoys "showing off" so to speak, and can get a bit of a complex because of that where the control must be his. This is just my sense of him, however.
It was difficult to follow, but I insisted on ensuring I made the most of it. I did this by opening up a page of the respective episode's recap from the Wall Street Journal's blog and reading through it while watching the episode. By the end of the episode, anything I had missed picking up on screen (and there was plenty chance of that given all the subplots and characters) I understood through my read of the blog.
I agree that there were too many main characters. The season needed at least another 4 episodes in order for everything to unfold properly.
I think they should have dumped Paul. He really didn't resonate for me. Frank was incredible (one of the best performances I've seen from Vince Vaughan - I wish I could see more of his character) as was Ray (Farrell sold it - although the son subplot, while integral, was a bit overplayed imho). I also couldn't take my eyes of Ani (not only was Rachel McAdams excellent in the role, but she was easy on the eyes too). Same goes for Jordan (Kelly Reilly is always great). The shootout at the end of one episode and the sex party at the end of another were highlights, as was the finale when everyone gets their comeuppance..
The show reminds me of a cross between Heat, Broken City, Twin Peaks Season 2 and True Detective Season 1.
I wouldn't say I recommend it, because I'm sure most will be confused by it, but I will say I enjoyed it, primarily because of Vaughan, Farrell, McAdams & Reilly. The 'Roger Moore' nod/wink mid season was also great to see.
And, for once, Vince Vaughan has actually made me believe he can finally shrug off those terrible comedic roles he's been doing of late, and return to being a straight actor of some worth. As @bondjames has mentioned in a previous post, the "sex party" and "LA shoot out" scenes were superbly written and shot. If you haven't seen, or stayed with the series, and missed those scenes, then do yourself a favour - go back and watch it.
I must say, I'm looking forward to S3. Bring it on.
http://collider.com/true-detective-season-3-nic-pizzolatto-hbo-deal/
Hopefully in season three they will go the KISS method (KEEP IT SIMPLE, STUPID)
New HBO miniseries, reminds of True Detective's 1st season.
http://www.slashfilm.com/true-detective-season-3-revived/
http://www.tracking-board.com/mahershala-ali-to-star-in-true-detective-season-3-exclusive/
http://collider.com/true-detective-season-3-directors-mahershala-ali/
http://collider.com/true-detective-season-3-release-date/#mahershala-ali
Some of the settings are stuning and the thought and planning that has gone into some of the scenes is worthy of the best cinema. Wasted perhaps on TV?
Glad you are enjoying it @patb .
It shows off the directors talents for sure,which hopefully he will bring to B25 !!
I couldn't disagree more. True Detective has become a instant classic, in spite of being played in cinemas.
Cinema is pretty much dead. Studios have over-saturated it with franchises over concerns for bottom line and profitability. The traditional thinking concerning theatrical distribution has changed rapidly in the last few years.
The most exciting and unique content is on Amazon and Netflix, whilst multiplexes stick to Marvel and Star Wars films. The real art-house cinema is on TV these days. The way people consume media has changed drastically.
Shows like True Detective, Breaking Bad, Mindhunter and Mr Robot, etc, show is that audiences have appetites for long-form storytelling. If you paint interesting enough characters, themes and stories, audiences will happily devour 8-10 hours of good storytelling.
Box sets are great but I really hope they are not killing the art of cinema
I recently revisited it myself and think a lot of the genius is in Nic Pizzolatto's script. Directorially it's certainly very atmospheric, and Fukunaga should be credited for being able to extract such great performances from his cast. It's evident that a lot of thought went into creating the look and feel of the show, which is very distinctive, all enveloping and most importantly, supportive of the narrative. That's a skill, and I look forward to that approach being brought to bear for B25.
We all know that there is nothing like the big screen experience and we would all be in tears if Bond went on the streaming route. So to realise that there is such great talent there within TD and not see that talent on the big screen is a shame.