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1) The CIA may have no jurisdiction on San Monique, and as such, Kananga may believe that he's safe that way. The only thing they can do is clandestinely attack him, and he may have grounds for political movement at that point. He wouldn't necessarily have to hide, because while MI6 and the CIA know that Kananga and Mr. Big are one in the same, Mr. Big already has a reputation for being hard to find.
2) He may have enough heroin in the US already that he might find Bond's presence insignificant.
3) He's high.
4) It is just a Bond film, and Mankiewicz had his finger in it.
This is what I thought at first, but Bond remarks earlier in the film that he will "give the whole case over to Felix" to Solitaire, so it seems Felix COULD just take over. It's made even weirder by the fact they specifically let Felix live (fake calling him on the phone) so they can feed Bond to the crocodiles, despite both knowing what Kananga is up to.
These are beginning to seem more and more likely.
Well, at that point, Bond doesn't know that Kananga and Big are one in the same. That's actually when he finds out.
It's possible. I don't know if that necessarily makes sense, but it's possible. I can't see how he'd gleefully shoot a couch with a gas pellet if he's faking it, but, hey. I personally think that he has enough heroin out of San Monique already.
That's how I see it.
Perhaps I'm reading too much into this, but maybe he was referring to the Poppy's "medicinal" properties, the fact that there will always be a demand for heroin, or that it can make quite a big bulk of money? Or perhaps it can be easily regrown?
For me, it's one of the lowest points of the series.
With no guts or blood I might add.
I'm more concerned about the racial overtones in this film both from black and white perspectives. Not good. Writers, directors and indeed most of the films we consider great came from the 70s. Bond missed out for defo.
Could well be of course, but I'm far from being a narcotics expert (!) so it's anyone's guess really. It's so vague that one could put almost any spin on its meaning and still get people who would agree with you.
yes, this film is pure camp.... but it was also groundbreaking - not many mainstream films in that day and age of filmmaking had used that many black actors in important and powerful roles in the movie - they would normally be minor walk on characters, background characters and so on.... During this time you had The Black Panthers and other big racial movements going on, so the choice to cast a predominantly black cast - and more over make them the villains was a bit bold... I think the racial overtones are a bit blown out of proportion. I understand it to a degree, and in certain aspects where characters are played a bit to closely to stereotypes... but in other areas, I think the black characters such as Tee Hee and especially Dr. Kananga were given very strong and authoritative personalities - and as such they weren't treated in a Sambo or Step n Fetch matter - but taken very seriously......... i can't say much for Baron Samedi as all he did was laugh lol..... the only real racial and bigoted character in the entire film is Sherriff Pepper - and by making his character into a dumb hick who is constantly being outsmarted or thwarted, it makes whatever he says or does devoid of any real meaning - his character is almost the argument against racism and bigotry, and shows just how dumb people look when they act that way.. I don't want to give Manckiewicz too much credit here - but there is that possibility of more meaning behind that ridiculous character than just pure comic relief..
but there was an interview with Yaphet Kotto somewhere, maybe on one of the DVDs where he talks about not only the racial overtones, but how revolutionary it was for the time that big Hollywood production would cast so many black actors - he credits the film for breaking him out of that blaxploitation mold and making him a star in both Hollywood and TV.
Don't get me wrong I enjoy LALD. I think it's got a great rewatchability, and Roger Moore gives a great debut performance. But the Hamilton films on the whole are poor Bond films imo.
LALD is one of his best. Sandwiched between two of the worst films of the series.
And most of all - it is simply great entertaining fun! LALD is one of the very few Bond flics,that would have also been a great success as stand alone film.
Go ahead, nigger. Have a blast.
Both of you. Completely unacceptable. If I was a mod I'd be giving at least warnings. In no context does that word belong anywhere, certainly not these forums.
I think this too. Kananga had diplomatic status. He was a powerful person in San Monique. Bond didn't care though. He was being his blunt instrument self, exercising License To Kill. Bond was Kananga's serious enemy.
Even if Kananga hadn't provoked Bond into coming after him, Bond did seem to think Leiter could clean the whole mess up with official action. Hmmm. Maybe Bond was wrong.
Also the poppy plants are quite sturdy. Considering Kananga seemed to have free reign in San Monique, he could have presumably eventually salvaged the field or planted elsewhere.
And Bond dead, what would MI6 and CIA really have against Kananga? Even if they could send people inspecting San Monique in official capacity, which is far from straightforward and politically very risky, whose to say these poppy fields belong to him? This is a worse case scenario of course. Because they'd have little to no evidence. Mr Big and Kananga are two unrelated persons, 007 is dead, his body digesting in a shark's stomach (that is if they can find out what happened to him at all), etc. I am sure Felix Leiter would want to see what happened to his best friend and eventually seek revenge, but he'd have little to go on, especially since the death of a 00 agent would make both UK and US governments careful, if not timorous. When Bond is prisoner, he is in a very, very tight spot, on the other hand Kananga has a very good hand.