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No, I'm with you, @Thunderfinger. I love detective stories more than most anything, but if the stories aren't centered around interesting characters, I can't be bothered. It's why I love any adaptions of Sherlock Holmes, or more modern offshoots like The Mentalist, Monk, Luther, Jack Taylor, True Detective etc., and why I can't stand Law & Order, CSI and more mainstream shows, where the characters don't stand out and the cases are the only thing keeping you glued. I like mysteries for the cases, but as with everything I stay for the characters and their journey. I can't be bothered to watch a police or detective show if all they have to offer are cases, no matter how clever they are; the characters are the heart of everything. The protagonists I favor, as in the programs above, are all unique, but are bound by a certain bohemianism that gives them an outsider feeling. They stick out in their world, and are vibrant in a way that those surrounding them aren't through either intellect, vice, eccentricity or all of the above. I don't have time for normies in detective books and shows.
I respect Christie, but the likes of Marple can't really get me at all interested. At the end of the day, the notion of a geriatric lady solving cases when she looks like she should be knitting me a sweater instead is too big a logical gap to suspend my disbelief over. I've never really gotten into Poirot, but I'll try one day. It's just one of those things where, after you read a Doyle Holmes story, you are wanting for nothing else. Sort of like how Fleming arrived off the back of grandaddies like Grahame Greene to create an icon in Bond, Doyle can off the back of Poe and made what could be the most well known figure in all of literature. In many ways, it's easy to see why Bond owns the spy genre, and Holmes the mystery genre.
Posted that on the last page. It sounds good but I wonder if he's still got the magic to deliver a good film. The latest one I saw was 'The Black Dahlia,' it was forgettable.
I didn't know the film existed before I checked the trailer a few minutes ago, but I didn't even need to watch the full video to know I'll be there on opening day
http://collider.com/apostle-movie-image-synopsis/#gareth-evans
And this one:
Did you know it's a 'Star Wars Special Edition' of sorts-- meaning they've gone back and fixed things? This was news to me.
Check this out:
Stuntmans mask removed- now it's Arnold!!
As long as they're fixing stuff, I certainly hope they fix the horrible rear projection during the car ride, after the Pescadero Hospital escape. You know what part I'm talking about...
While filming 'Hard Powder'...
Hearing that the Hollywood star was in town shooting his latest film, a Vancouver restaurant put out a sign saying "Liam Neeson eats here for free" in the hope that he would stop by.
And much to the surprise of staff at the Big Star Sandwich Company, the A-list actor did just that.
"Where is my free sandwich?" the actor reportedly growled after using lines from one of his most famous films, Taken, to claim the meal.
http://www.telegraph.co.uk/news/2017/05/05/free-sandwich-liam-neeson-takes-vancouver-restaurant-offer/
I here you, man. Those guys know how to have sharp dressed protagonists do awesome things in awesome films and without mammoth sized budgets.
New trailer for Christopher Nolan's Dunkirk
The Master returns. Bloody superb stuff. All the pretenders take note. This is how it's done.
Zimmer on form again too..
That being said I look forward to War of the Planet Of The Apes and of course Baby Driver.
The return of Edgar Wright is always worth it despite his previous effort ( World's End ) being his worst.