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Comments
The camera work is great IMO. The film excels in one department that I'm very sensitive to: holding a shot. A good cameraman demonstrates his skills by holding a shot several seconds and making it work. Anyone can produce single second shots, which are then pasted together in a confusing sequence. By capturing the moment, lingering on a moment, the film pulls me in, makes me part of the experience rather than catapult me from one angle to the next to the next to the next... the latter being the best way to tell me I'm not invited to become one with the scene.
CR also allows us to breathe. There are moments in the film which uneducated filmgoers with short attention spans and too much caffeine in their veins would describe as 'boring'. I love such moments. I'm given some time to pause, absorb the scenery, live great character moments, inhale tension, romance, anxiety, anything the film communicates. It's not about putting at least one big explosion and three fist fights in every 10 minutes of the film. It's not about jumping from location to location to location at warp speed. The film tells me a story and takes the time to do so. And I'm allowed to be there when the cool stuff happens. QoS, by comparison, feels like it's mostly told as one quick montage. I've seen the pictures you took, but I wasn't around when you had all the fun.
I missed this...was too busy focusing on Vesper's dress line ;)
I had the same problem too :D
The cinematography is just fantastic in CR, no question. Particularly awesome on the big screen although it is still great even on my 46" flat. I've already booked our stay at the Ocean Beach Club 2 years from now and will be in my glory seeing all the Bahamas locales from this and especially from Thunderball.