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NO TIME TO DIE (2021) - Discuss Hans Zimmer's Score

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  • UnivexUnivex
    Posts: 6,709
    Doesn't really matter, mate, if the info came from @marketto007 , then it's absolutely true ;)
  • bondsumbondsum
    edited September 2021 Posts: 3,333
    MattiaDeVarti007 wrote: »
    Where did you find the info?
    I've just listened to the entire soundtrack. It also features a rendition of ...
    The OHMSS theme
    If you haven't heard the score yet, I can tell you that you're going to absolutely love it. It sounds like Zimmer is channelling David Arnold at times, but also John Barry flourishes and of course himself. Johnny Marr has taken on Vic Flick duties and delivers some lovely retro Sixties touches. This is the best Bond score since Casino Royale, IMHO
    Univex wrote: »
    bondsum wrote: »
    I just want to say a big thank you to @marketto007.

    I didn't know that the opening track features...
    We Have All The Time in the World

    Really? Had no ideia. And when do we think it features?
    The answer to your question is below...
    It features in a track called "Matera", which I think is probably when Bond and Swann are first seen driving in the car smiling at each other. See trailer for the reference.
  • UnivexUnivex
    edited September 2021 Posts: 6,709
    Bloody hell, @bondsum, that's top notch espionage work right there. Well done, and thank you. How the hell have you managed that? Wait, you'd probably have to kill me if you told me, right? ;)

    This really brings back memories of your first impressions on the last couple of films, which came before anyone else's if I recall correctly.

    Oh, also, is there any rendition of the
    007 theme
    in it?
  • bondsumbondsum
    Posts: 3,333
    Univex wrote: »
    Bloody hell, @bondsum, that's top notch espionage work right there. Well done, and thank you. How the hell have you managed that? Wait, you'd probably have to kill me if you told me, right? ;)
    Correct. I'd have to eliminate you if I told you, sadly. All I can say is you won't be disappointed with the score if you've been missing David Arnold. In fact, it's very David Arnold-ish with some very dark Zimmer beats and sweeping Barry violins. Just as I said above, it's the best Bond score I've heard since Casino Royale.
  • UnivexUnivex
    Posts: 6,709
    bondsum wrote: »
    Univex wrote: »
    Bloody hell, @bondsum, that's top notch espionage work right there. Well done, and thank you. How the hell have you managed that? Wait, you'd probably have to kill me if you told me, right? ;)
    Correct. I'd have to eliminate you if I told you, sadly. All I can say is you won't be disappointed with the score if you've been missing David Arnold. In fact, it's very David Arnold-ish with some very dark Zimmer beats and sweeping Barry violins. Just as I said above, it's the best Bond score I've heard since Casino Royale.

    Well, I've always been a massive Arnold fan, so I'll be happy ;) And I'm sure I'll like if you did, @bondsum. You lucky B.

    And about the
    007 theme
    ? Is it finally used? :)
  • bondsumbondsum
    edited September 2021 Posts: 3,333
    Univex wrote: »
    Well, I've always been a massive Arnold fan, so I'll be happy ;) And I'm sure I'll like if you did, @bondsum. You lucky B.
    And about the
    007 theme
    ? Is it finally used? :)
    No, sadly not. But the fact that it does include an actual John Barry score excerpt is still a huge bonus.
    I'm only going to listen to this once so I don't spoil the interaction with the movie, but I might have mistaken the OHMSS theme for the instrumental version of the title song. Without going back through the whole score again, I can't be 100% certain. But We Have All The Time in the World is definately used at the very beginning of the movie.
    EDIT: I can confirm the OHMSS Theme is definately used and is on the track "Good To Have You Back."
    The final track "Final Ascent" is quite breathtakingly beautiful.

    Strangely the title song is at the end of the track list, which makes me think that perhaps they've put the song at the close of the movie and not at the start. Could be? I don't really know, just a thought.

    Clearly the gunbarrel is at the beginning. Two of the standout tracks are called "Cuba Chase" which has an African Rundown vibe but with salsa thrown into the mix, and "Home" I love that it includes Billie Eilish performing a haunting lullaby sound.
  • mtmmtm United Kingdom
    Posts: 16,383
    bondsum wrote: »
    Clearly the gunbarrel is at the beginning. Two of the standout tracks are called "Cuba Chase" which has an African Rundown vibe but with salsa thrown into the mix, and "Home" I love that includes Billie Eilish performing a haunting lullaby sound.

    Sounds like the one on the Radio 2 show?
  • marketto007marketto007 Brazil
    Posts: 3,277
    "Good to have you back" and "Cuba Chase" are my favorites. "Final Ascent" is Zimmer at it's best. It reminded me bits of the (amazing) Inception soundtrack.
  • marketto007marketto007 Brazil
    edited September 2021 Posts: 3,277
    Univex wrote: »
    Doesn't really matter, mate, if the info came from @marketto007 , then it's absolutely true ;)

    :x
  • UnivexUnivex
    edited September 2021 Posts: 6,709
    marketto007 wrote: »
    Univex wrote: »
    Doesn't really matter, mate, if the info came from @marketto007 , then it's absolutely true ;)

    :x

    Abraço grande, meu amigo!
  • bondsumbondsum
    Posts: 3,333
    mtm wrote: »
    bondsum wrote: »
    Clearly the gunbarrel is at the beginning. Two of the standout tracks are called "Cuba Chase" which has an African Rundown vibe but with salsa thrown into the mix, and "Home" I love that includes Billie Eilish performing a haunting lullaby sound.

    Sounds like the one on the Radio 2 show?
    I don't know. I didn't listen to the soundtrack on Radio 2. The Cuba Chase is roughly 5:51 minutes, so I don't know whether they'd have played the track in its entirety.
  • MakeshiftPythonMakeshiftPython “Baja?!”
    Posts: 8,183
    bondsum wrote: »
    Univex wrote: »
    Well, I've always been a massive Arnold fan, so I'll be happy ;) And I'm sure I'll like if you did, @bondsum. You lucky B.
    And about the
    007 theme
    ? Is it finally used? :)
    No, sadly not. But the fact that it does include an actual John Barry score excerpt is still a huge bonus.
    I'm only going to listen to this once so I don't spoil the interaction with the movie, but I might have mistaken the OHMSS theme for the instrumental version of the title song. Without going back through the whole score again, I can't be 100% certain. But We Have All The Time in the World is definately used at the very beginning of the movie.
    The final track "Final Ascent" is quite breathtakingly beautiful.

    Strangely the title song is at the end of the track list, which makes me think that perhaps they've put the song at the close of the movie and not at the start. Could be? I don't really know, just a thought.

    Clearly the gunbarrel is at the beginning. Two of the standout tracks are called "Cuba Chase" which has an African Rundown vibe but with salsa thrown into the mix, and "Home" I love that it includes Billie Eilish performing a haunting lullaby sound.

    Same thing happened to the title song for QOS soundtrack where it’s the last track.
  • bondsumbondsum
    Posts: 3,333
    marketto007 wrote: »
    "Good to have you back" and "Cuba Chase" are my favorites. "Final Ascent" is Zimmer at it's best. It reminded me bits of the (amazing) Inception soundtrack.
    It's all good, but yes, those are great standout tracks. Cheers, @marketto007 :x
  • StarkStark France
    Posts: 177
    bondsum wrote: »
    I just want to say a big thank you to @marketto007.

    I didn't know that the opening track features...
    We Have All The Time in the World

    The version with or without lyrics ?
  • MakeshiftPythonMakeshiftPython “Baja?!”
    Posts: 8,183
    Surprise: Billie Eilish sings the lyrics. ;)
  • Creasy47Creasy47 In Cuba with Natalya.Moderator
    Posts: 40,968
    bondsum wrote: »
    Univex wrote: »
    Bloody hell, @bondsum, that's top notch espionage work right there. Well done, and thank you. How the hell have you managed that? Wait, you'd probably have to kill me if you told me, right? ;)
    Correct. I'd have to eliminate you if I told you, sadly. All I can say is you won't be disappointed with the score if you've been missing David Arnold. In fact, it's very David Arnold-ish with some very dark Zimmer beats and sweeping Barry violins. Just as I said above, it's the best Bond score I've heard since Casino Royale.

    This is exciting stuff if true. Can't wait to hear it all myself.
  • AgentM72AgentM72
    Posts: 831
    Oh my god. Thank you both for these updates. I couldn't imagine better possible news -- was not expecting....
    We have all the time in the world to make an actual, real appearance.

    I'm avoiding bigger spoilers than that music-wise. But love that it's an Arnold sound -- my only question I'll ask, how's the Bond theme usage? Heavy throughout? It's been pretty frequently appearing in the soundtrack snippets we've heard. Do we get the famous 'guitar riff' more than Skyfall (once) and Spectre (zero times)?
  • BMB007BMB007
    Posts: 561
    marketto007 wrote: »
    "Good to have you back" and "Cuba Chase" are my favorites. "Final Ascent" is Zimmer at it's best. It reminded me bits of the (amazing) Inception soundtrack.


    What would you say the feeling is for "Final Ascent"? Is it something more somber, or uplifting? What is the emotional journey of the piece?

    Forgive me for the strange question, and if you can't answer I understand completely!

    Exciting times!
  • delfloriadelfloria
    Posts: 1,859
    AgentM72 wrote: »
    Oh my god. Thank you both for these updates. I couldn't imagine better possible news -- was not expecting....
    We have all the time in the world to make an actual, real appearance.

    I'm avoiding bigger spoilers than that music-wise. But love that it's an Arnold sound -- my only question I'll ask, how's the Bond theme usage? Heavy throughout? It's been pretty frequently appearing in the soundtrack snippets we've heard. Do we get the famous 'guitar riff' more than Skyfall (once) and Spectre (zero times)?

    This is my question as well.
  • NickThunderballsNickThunderballs Australia
    Posts: 133
    Could you gents be so kindly as to somehow accidentally by mistake and by some miracle, post a snippet off the OHMSS cue...
  • marketto007marketto007 Brazil
    Posts: 3,277
    They gave away in the ending scene of Being James Bond 🤯
  • MakeshiftPythonMakeshiftPython “Baja?!”
    Posts: 8,183
    marketto007 wrote: »
    They gave away in the ending scene of Being James Bond 🤯

    Did they?
  • StarkStark France
    Posts: 177
    marketto007 wrote: »
    They gave away in the ending scene of Being James Bond 🤯

    So it's the version without the lyrics.
  • matt_umatt_u better known as Mr. Roark
    Posts: 4,343
    Wait what..?!?

    I need the score now. It's online by some miracle?
  • NickThunderballsNickThunderballs Australia
    Posts: 133
    marketto007 wrote: »
    They gave away in the ending scene of Being James Bond 🤯

    They gave what away? I’ve watched documentary??
  • matt_umatt_u better known as Mr. Roark
    Posts: 4,343
    marketto007 wrote: »
    They gave away in the ending scene of Being James Bond 🤯

    That ending sounded exactly like the WHATTITW track from the OHMSS album to me.

    ??
  • MakeshiftPythonMakeshiftPython “Baja?!”
    Posts: 8,183
    Ok, looks like what they gave away was the last shot footage of Craig as Bond, which appears to be for the Cuba scenes. So it’s not the actual last moment of the film.
  • MinionMinion Don't Hassle the Bond
    Posts: 1,165
    My wife had the same reaction, which I clarified for her.
  • DCisaredDCisared Liverpool
    edited September 2021 Posts: 1,329
    Think @marketto007 means they just gave it away that whattitw will be in NTTD.
  • avl_bmbavl_bmb
    Posts: 22
    The fact that Johnny Marr is laying down the guitarwork fills me with immense confidence and joy.
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