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I think it's ponitless. They are old movies. If you haven't made a good movie in 30 years you have a problem.
Bingo, you hit the nail on the head P2D. And now that Amazon is running the show that reliability and familiarity with the fans will mean more than ever. Imagine the next trailer starts with "from the director of Goldeneye and Casino Royale". Now let's get this show on the road! B-)
I genuinely wonder who says this. GE in particular was quite radical in terms of cinematography for Bond films. It comes down to Phil Meheux and his teams fundamentally, but I think it was Campbell who brought him on.
It's one of those things I've read online in the past mate. They say "Campbell is a workman director and not really an artistic director"
Personally I think nothing could be further from the truth, Campbell is a brilliant fit for Bond and his films reflect that. Being a "workman" director is exactly what I want for Bond.
I still remember how vibrant Casino looked when I went to see it opening night, the colours just popped off the screen and yet the action still felt so kinetic and visceral even more than it had in Goldeneye.
The whole 'workman-like' distinction is a bizarre one to me sometimes. As if the likes of Kubrick or Spielberg (or any of the 'great' directors, old and modern) never directed a film for hire or for a third party and simply did whatever they wanted to artistically. Or that they weren't in some way methodical. Not to say Campbell is as consistent as those examples, but he has stylistic/artistic consistencies which are there throughout most of his films, good or bad. In some bizarre way I'd argue he's more on the 'auteur' side if anything (although I don't like using that word and think it can be simplistic).
I can't believe both movies are from the same director.