Controversial opinions about Bond films

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  • SIS_HQSIS_HQ At the Vauxhall Headquarters
    edited April 15 Posts: 3,892
    SIS_HQ wrote: »
    007HallY wrote: »
    The montage is ok. I guess it’s functional and at least the music over it is wonderful. But I can understand it’s very ‘telling not showing’ and isn’t the best storytelling.

    To be honest, when the romance of Bond and Tracy are taken into context, there's nothing much showing to it: Tracy was only a catalyst to reinvigorate Bond to get back into the game, kinda like his energizer or booster to inspire him to go back to work, a motivation, but not definitely a romance thing, nothing there was romantic: Bond found her, they have sex, then they've used each other: Bond used her as an inspiration to enthusiasts himself in his work, Tracy used him to make better of herself and move on, then wedding and bang, she's killed, that's how I can describe Bond and Tracy's relationship.

    It's not a believable romance, especially comparing it to likes of his relationship with Vesper, Tiffany, Vivienne, and Gala Brand which are more sincere in comparison.

    The Montage was just right for me.

    It works in the films as the books already had Bond in love.

    The explanation you provided shows how Bond and Tracy work for each other, which is a crucial tenet of any relationship.

    Audiences didn't like it and revelled in the Lazenby/Rigg tabloid rift. They got their fill with Plenty O'Toole and Tiffany Case in DAF. Get proper Bond Connery back. Vapid wheezes whose absence of depth makes one wonder if they were even shallow.

    Yes, but the film made it better than the book (the OHMSS romance in the book didn't worked), the film improved upon it, the film made the impossible, possible of the believability of Bond and Tracy relationship, through developing Bond and Tracy's love story, by lending more time to have each other which the book failed to provide.

    I agree, I'm actually tired of these OHMSS arguments and it's been going on for years, those are the same old complaints, for a Bond film, It's the best love story that we have.
  • AnotherZorinStoogeAnotherZorinStooge Bramhall (Irish)
    Posts: 116
    SIS_HQ wrote: »
    SIS_HQ wrote: »
    007HallY wrote: »
    The montage is ok. I guess it’s functional and at least the music over it is wonderful. But I can understand it’s very ‘telling not showing’ and isn’t the best storytelling.

    To be honest, when the romance of Bond and Tracy are taken into context, there's nothing much showing to it: Tracy was only a catalyst to reinvigorate Bond to get back into the game, kinda like his energizer or booster to inspire him to go back to work, a motivation, but not definitely a romance thing, nothing there was romantic: Bond found her, they have sex, then they've used each other: Bond used her as an inspiration to enthusiasts himself in his work, Tracy used him to make better of herself and move on, then wedding and bang, she's killed, that's how I can describe Bond and Tracy's relationship.

    It's not a believable romance, especially comparing it to likes of his relationship with Vesper, Tiffany, Vivienne, and Gala Brand which are more sincere in comparison.

    The Montage was just right for me.

    It works in the films as the books already had Bond in love.

    The explanation you provided shows how Bond and Tracy work for each other, which is a crucial tenet of any relationship.

    Audiences didn't like it and revelled in the Lazenby/Rigg tabloid rift. They got their fill with Plenty O'Toole and Tiffany Case in DAF. Get proper Bond Connery back. Vapid wheezes whose absence of depth makes one wonder if they were even shallow.

    Yes, but the film made it better than the book (the OHMSS romance in the book didn't worked), the film improved upon it, the film made the impossible, possible of the believability of Bond and Tracy relationship, through developing Bond and Tracy's love story, by lending more time to have each other which the book failed to provide.

    I agree, I'm actually tired of these OHMSS arguments and it's been going on for years, those are the same old complaints, for a Bond film, It's the best love story that we have.

    Aye, the book was fairly terrible. Even the final assault on Blofeld's lair was told in passing.

    Not the first, nor the last, occasion in which the film sorted out Fleming's mess.

  • SIS_HQ wrote: »
    I would say the point of Tania is for her to be entirely vulnerable and inexperienced. She works for the MGB sure, but only as a cipher clerk and probably any title comes from the secrecy of work she must deal with rather than actual experience with danger.

    She's ended up caught up in the nasty world of SMERSH and is scared by the nasty woman at it's head and nasty job that they do. Ultimately that's why SPECTRE/SMERSH choose her; she's innocent in a seductive way and they use that to appeal to Bond. I don't think the story works with a more world-weary Tania, because at that point she wouldn't believe all her orders, question some of the logic, etc.

    Completely agree on the dubbing though. I don't Van der Zyl did Tania (Wiki says Barbara Jefford), but there's still points where a German accent shines through more than a Russian one.

    Is that the case in the book? Because what I mean is like Bond, the professionalism, I've read the book many months ago, but my interpretation of her actions there was seemed to be doing what she's asked to do as if being professional, I don't know, maybe there's a still a hint of vulnerability, but also professionalism that like Bond or Anya, she's just doing what she's asked to do because of her job, she's made to act that way, but she's part of the system, she knew it all well, and that's where her loyalty lies.

    Maybe I'm wrong with my interpretation.

    But in the film for me, she acted more like a fish out of the water in the situation, not as a hired person inside the business, that's just for me.

    She acted like she's deceived in the film, in the book, I've felt like although she fell in love with Bond, there's still a baggage within her that she belongs in where she's working in which is the MGB, and she's sent to Consulate (she could do the same like in the film, but in the book, she's been sent there for further investigation, further highlighting what she have in store when it comes to her connection with her agency and SMERSH), there's still a sense of Professionalism, she's more than a pawn, she's sent as a foil, just like how Bond are being sent against his enemies and seduce the women.

    That's my reading of Tatiana's role in the book, Ian Fleming made that in reference when he's interviewed about the role of women in Espionage, particularly, Mata Hari.

    I mean I think her reaction to be called by SMERSH shows her complete lack of composure in the spy-game. She questions all her jokes, and nearly throws a spoon out of a window and then panicked decides to see her fate. Fleming says she's just in the English translation department. Klebb thinks lowly of her, as a "silly chit of a girl." And the plan was to kill her, so clearly they didn't really think much of her anyway. Bond says she doesn't seem much like a Russian spy and is too gay to be anything like an operative

    A large motivation of hers is fear as well. Her lovers and family are threatened if she doesn't go through instructions. She thinks if she confesses anything to Bond she'll be thrown off the train and she'll lose both Bond and be punished by Moscow. Instead if she complies she naively thinks she'll get the best of both worlds: Bond will love her and they'll in England together and she'll be able to be a spy. She doesn't think her betrayal of Bond is particularly important and states that she won't think he'll care.

    I think that's probably the one thing Bianchi nailed the most, a beautiful innocence opposite Bond.
  • edited April 15 Posts: 1,821
    Think TB is perhaps too soon. Some of its effects are frankly awful, whereas its pacing suffers. Plus, Connery looks bored with it all. Goldfinger demanded 007 veer off into spectacle, so it's not surprising YOLT was next.

    OHMSS is bettered only by FRWL, in my book.

    OHMSS has the same poor effects and it has Lazenby too. Or a dubbed Lazenby...

    The dubbed Lazenby killed the movie IMO. This is not a gritty thriller. I can't pretend it is any longer.

    And the purple casino is horrible. Even movies from the 70s have better taste :D

    I mean, I like the movie but it is not perfect. I think it's a bit overrated nowadays.

    The dubbed Lazenby isn't enough to sink the film. Think his performance was good. Portrayed a more vulnerable Bond (he looks genuinely terrified of Blofeld's goons) and it was needed in this type of film. Never saw it as a 'gritty thriller', more the correct blend of spectacle/grit with a serious romance permeating it.

    Purple casino, though, you are right about. Even Prince wouldn't gamble there. Bleugh.

    The movie doesn't sink but it doesn't exactly help. There are many flaws in other films that I am willing to forgive before this one.

    I'd rather "be bored" by TB than watch Lazenby dubbed. ;)
  • AnotherZorinStoogeAnotherZorinStooge Bramhall (Irish)
    Posts: 116
    Think TB is perhaps too soon. Some of its effects are frankly awful, whereas its pacing suffers. Plus, Connery looks bored with it all. Goldfinger demanded 007 veer off into spectacle, so it's not surprising YOLT was next.

    OHMSS is bettered only by FRWL, in my book.

    OHMSS has the same poor effects and it has Lazenby too. Or a dubbed Lazenby...

    The dubbed Lazenby killed the movie IMO. This is not a gritty thriller. I can't pretend it is any longer.

    And the purple casino is horrible. Even movies from the 70s have better taste :D

    I mean, I like the movie but it is not perfect. I think it's a bit overrated nowadays.

    The dubbed Lazenby isn't enough to sink the film. Think his performance was good. Portrayed a more vulnerable Bond (he looks genuinely terrified of Blofeld's goons) and it was needed in this type of film. Never saw it as a 'gritty thriller', more the correct blend of spectacle/grit with a serious romance permeating it.

    Purple casino, though, you are right about. Even Prince wouldn't gamble there. Bleugh.

    The movie doesn't sink but it doesn't exactly help. There are many flaws in other films that I am willing to forgive before this one.

    I'd rather "be bored" by TB than watch Lazenby dubbed. ;)

    Ah, fair enough, chief
  • SIS_HQSIS_HQ At the Vauxhall Headquarters
    edited April 15 Posts: 3,892
    Think TB is perhaps too soon. Some of its effects are frankly awful, whereas its pacing suffers. Plus, Connery looks bored with it all. Goldfinger demanded 007 veer off into spectacle, so it's not surprising YOLT was next.

    OHMSS is bettered only by FRWL, in my book.

    OHMSS has the same poor effects and it has Lazenby too. Or a dubbed Lazenby...

    The dubbed Lazenby killed the movie IMO. This is not a gritty thriller. I can't pretend it is any longer.

    And the purple casino is horrible. Even movies from the 70s have better taste :D

    I mean, I like the movie but it is not perfect. I think it's a bit overrated nowadays.

    The dubbed Lazenby isn't enough to sink the film. Think his performance was good. Portrayed a more vulnerable Bond (he looks genuinely terrified of Blofeld's goons) and it was needed in this type of film. Never saw it as a 'gritty thriller', more the correct blend of spectacle/grit with a serious romance permeating it.

    Purple casino, though, you are right about. Even Prince wouldn't gamble there. Bleugh.

    The movie doesn't sink but it doesn't exactly help. There are many flaws in other films that I am willing to forgive before this one.

    I'd rather "be bored" by TB than watch Lazenby dubbed. ;)

    Your opinion, but put in my mind that Lazenby was not the only actor in the series to be dubbed, and again, fairly reasonable if he's under a disguise of someone else, in this case, Sir Hillary Bray, he went through extensive training and research to copy Bray to make himself unrecognizable that in return, nearly succeeded, when Blofeld didn't recognized him.
    But it's your perspective and opinion, after all, the way we look at these films were subjective.
    SIS_HQ wrote: »
    I would say the point of Tania is for her to be entirely vulnerable and inexperienced. She works for the MGB sure, but only as a cipher clerk and probably any title comes from the secrecy of work she must deal with rather than actual experience with danger.

    She's ended up caught up in the nasty world of SMERSH and is scared by the nasty woman at it's head and nasty job that they do. Ultimately that's why SPECTRE/SMERSH choose her; she's innocent in a seductive way and they use that to appeal to Bond. I don't think the story works with a more world-weary Tania, because at that point she wouldn't believe all her orders, question some of the logic, etc.

    Completely agree on the dubbing though. I don't Van der Zyl did Tania (Wiki says Barbara Jefford), but there's still points where a German accent shines through more than a Russian one.

    Is that the case in the book? Because what I mean is like Bond, the professionalism, I've read the book many months ago, but my interpretation of her actions there was seemed to be doing what she's asked to do as if being professional, I don't know, maybe there's a still a hint of vulnerability, but also professionalism that like Bond or Anya, she's just doing what she's asked to do because of her job, she's made to act that way, but she's part of the system, she knew it all well, and that's where her loyalty lies.

    Maybe I'm wrong with my interpretation.

    But in the film for me, she acted more like a fish out of the water in the situation, not as a hired person inside the business, that's just for me.

    She acted like she's deceived in the film, in the book, I've felt like although she fell in love with Bond, there's still a baggage within her that she belongs in where she's working in which is the MGB, and she's sent to Consulate (she could do the same like in the film, but in the book, she's been sent there for further investigation, further highlighting what she have in store when it comes to her connection with her agency and SMERSH), there's still a sense of Professionalism, she's more than a pawn, she's sent as a foil, just like how Bond are being sent against his enemies and seduce the women.

    That's my reading of Tatiana's role in the book, Ian Fleming made that in reference when he's interviewed about the role of women in Espionage, particularly, Mata Hari.

    I mean I think her reaction to be called by SMERSH shows her complete lack of composure in the spy-game. She questions all her jokes, and nearly throws a spoon out of a window and then panicked decides to see her fate. Fleming says she's just in the English translation department. Klebb thinks lowly of her, as a "silly chit of a girl." And the plan was to kill her, so clearly they didn't really think much of her anyway. Bond says she doesn't seem much like a Russian spy and is too gay to be anything like an operative

    A large motivation of hers is fear as well. Her lovers and family are threatened if she doesn't go through instructions. She thinks if she confesses anything to Bond she'll be thrown off the train and she'll lose both Bond and be punished by Moscow. Instead if she complies she naively thinks she'll get the best of both worlds: Bond will love her and they'll in England together and she'll be able to be a spy. She doesn't think her betrayal of Bond is particularly important and states that she won't think he'll care.

    I think that's probably the one thing Bianchi nailed the most, a beautiful innocence opposite Bond.

    Thank you for further explanation 😊.
  • MakeshiftPythonMakeshiftPython “Baja?!”
    Posts: 8,545
    OHMSS is a prime example of a film being excellent in spite of its weak leading star. And to be fair, Lazenby is good for a novice actor. Not ready for leading, but he had something. Might have even grown in the part if he didn’t quit. Shame that he shot himself in the foot.

    I always did think a better film for Lazenby would have been LALD. It’s essentially a chase movie, and would have benefitted his physicality more than OHMSS.
  • mtmmtm United Kingdom
    Posts: 17,776
    I always did think a better film for Lazenby would have been LALD. It’s essentially a chase movie, and would have benefitted his physicality more than OHMSS.

    Maybe, but I did recently watch LALD quite soon after OHMSS, and it really is striking just how much better Roger is when you put them alongside each other. In fact, I'd actually say that Lazenby would fare worse in LALD because it's quite small and Bond feels even more front and centre of it to me.

    Watching this scene in his hotel room with Rosie I was struck by just how much Roger is doing: he's being playful and half winking at the camera, he's being suspicious, he's being a spy, we're laughing with him at times, he's the butt of the joke at other times too. I just imagine George's rather disconnected, charisma-free presence in this and the whole thing dies.


  • MakeshiftPythonMakeshiftPython “Baja?!”
    Posts: 8,545
    Part of it is the way Mankiewicz wrote for Moore. He knew that actor’s strengths and wrote to them.
  • Posts: 1,821
    OHMSS is a prime example of a film being excellent in spite of its weak leading star. And to be fair, Lazenby is good for a novice actor. Not ready for leading, but he had something. Might have even grown in the part if he didn’t quit. Shame that he shot himself in the foot.

    I always did think a better film for Lazenby would have been LALD. It’s essentially a chase movie, and would have benefitted his physicality more than OHMSS.

    Yes, LALD is the kind of movie he would have needed.

    Moore is more charismatic anyway. Lazenby would have killed the series in the long run.
  • CommanderRossCommanderRoss The bottom of a pitch lake in Eastern Trinidad, place called La Brea
    Posts: 8,668
    OHMSS is a prime example of a film being excellent in spite of its weak leading star. And to be fair, Lazenby is good for a novice actor. Not ready for leading, but he had something. Might have even grown in the part if he didn’t quit. Shame that he shot himself in the foot.

    I always did think a better film for Lazenby would have been LALD. It’s essentially a chase movie, and would have benefitted his physicality more than OHMSS.

    Yes, LALD is the kind of movie he would have needed.

    Moore is more charismatic anyway. Lazenby would have killed the series in the long run.

    Well, I think that's a bit harsh, but Lazenby could've been good in a more physical film, a bit more like the Connery films. I think Moore took it in a different direction, and I also think Moore is still under-appreciated in his acting skills. The LALD fragment shows his range clearly. He is by far the most convincing womanizer, even more than Connery. I even think his ruthlessness works really well when applied, exactly because he does it seldomly. His kick off the cliff of Locque is as convincing as can be, and carries more weight than any other Bond actor could've given.
  • SIS_HQSIS_HQ At the Vauxhall Headquarters
    edited April 16 Posts: 3,892
    I agree, @CommanderRoss

    The thing that made Moore more appealing as Bond, let's face it, was his star quality, he's an already known guy, a big star, while Connery made James Bond came to life (he started it), Moore, with a known name under his belt was his strength.
    I'd guarantee you that if Moore was unknown and no-name guy, people would've still disliked him and yearned for Connery.
    I remember an actor who was considered for the role but he had turned down the role because he's unsure of himself if he could fill Connery's shoes, I don't remember who he was but that was his reason, so that's the difficult job of it, unless, you put an actor there that would favor the people, in this case, it's Roger Moore whom the public already know at the time.

    The thing with Bond is, it could flop if the leading man alienated the audience, look at Craig, how many people were against him by the time he was cast just because he looked differently from the traditional Bond look: robust, blonde, not so much good looking, not as tall as the other Bond actors, I would bet that had he didn't continued, we would be looking the same towards him the way we treat Lazenby.

    The audience are alienated by Lazenby, they're not familiar with the guy ("who's this man? He's not Connery!") He's pretty much unknown and had a big shoes to fill after Connery's departure, no actors considered at the time had the guts to take on that responsibility, it's difficult, even if I were an actor considered for Bond in 1969, I would be skeptical against replacing Connery, it's such a big shoes to fill, I don't want to risk myself replacing the ultimate James Bond star, so kudos for Lazenby for having the guts to take on that role, replacing Connery was an impossible task that might as well have the series die off without him in the lead, because for many, he's James Bond and no one else could take that away from him.

    And that's the people tend to overlook, they all about criticizing him but not looking at the other side of the story, not looking at the main reason of why it happened, Lazenby made it possible that there could be an actor who could play James Bond other than Connery.

    And even with a big actor take on that role (let's say have the bravery to face the unknown of replacing the giant), the people would've still preferred Connery, people also easily took Moore in the role because there was a guy who played the role before him that's not Connery, and for people, they've just accepted that truth that any actor now could play James Bond, but for them, might as well be it an actor who they know, than an unknown.

    Lazenby paved the way.
  • edited April 16 Posts: 5,036
    Well, I’m not sure about that. I think one of the things that made CR was Craig’s performance impressing even some of his harshest detractors.

    Lazenby had a tricky time replacing Connery, but I think his performance in OHMSS was too inconsistent, and I can understand there’s an element of him being a bit flat. I think he gets a better reaction now because there are moments of vulnerability to his performance (although even then I’m not sure it always works) but I think it’s hard not to acknowledge he’s a bit wooden at times and doesn’t quite have what Connery and Moore did.
  • SIS_HQSIS_HQ At the Vauxhall Headquarters
    edited April 16 Posts: 3,892
    007HallY wrote: »
    Well, I’m not sure about that. I think one of the things that made CR was Craig’s performance impressing even some of his harshest detractors.

    Lazenby had a tricky time replacing Connery, but I think his performance in OHMSS was too inconsistent, and I can understand there’s an element of him being a bit flat. I think he gets a better reaction now because there are moments of vulnerability to his performance (although even then I’m not sure it always works) but I think it’s hard not to acknowledge he’s a bit wooden at times and doesn’t quite have what Connery and Moore did.

    We, as fans accepted Craig just as we accepted Lazenby, and we appreciate his performance in it.

    But outside of the fandom, both of these two are are not widely received, remember DCINB.com (Daniel Craig Is Not Bond site), some unfairly said that Craig ruined the franchise, most of the comments in Calvin Dyson's YouTube videos are criticizing Craig, even in Critical Drinker's NTTD review Craig has been ridiculed as 'thuggish Bond', 'Russian Bond who looked like Putin', 'Ugly Bond', 'Blonde Bond', and even 'Woke Bond'.

    Craig is sometimes being compared to Brosnan, even deepfaking Brosnan's face in Craig's Bond films.

    Like had Craig only done CR, he wouldn't have been received well, and would be looked at the same view as Lazenby (many people liked OHMSS despite of Lazenby, and the thing would be probably the same for Craig had he only done CR, "it's a great film despite of him" kind of thing, because, people are alienated by him, they're not used to have Craig as Bond whose looks are very opposite from what one should expect from a guy playing James Bond, heck, some comments I've read online also loved CR but didn't liked Craig, and some are even wishing that Brosnan have done that film instead).

    I think people warmed up to him by the time he made Skyfall, it's his most successful Bond film and people came to appreciate him more after that, Craig grown into the role, but still, there are still many people who disliked his Bond, and I think his detractors are coming back again with NTTD (he killed Bond), but he's appreciated for CR, just as Lazenby is now being appreciated for OHMSS.

    While Lazenby's performance was not perfect by any means, he's being appreciated nowadays, and I think he would've grown into the role just like Craig did, his performance tend to be emphasized because he only have one film, but had he done more, I think people would accept him and he would've been better.
  • mtmmtm United Kingdom
    Posts: 17,776
    SIS_HQ wrote: »
    007HallY wrote: »
    Well, I’m not sure about that. I think one of the things that made CR was Craig’s performance impressing even some of his harshest detractors.

    Lazenby had a tricky time replacing Connery, but I think his performance in OHMSS was too inconsistent, and I can understand there’s an element of him being a bit flat. I think he gets a better reaction now because there are moments of vulnerability to his performance (although even then I’m not sure it always works) but I think it’s hard not to acknowledge he’s a bit wooden at times and doesn’t quite have what Connery and Moore did.

    We, as fans accepted Craig just as we accepted Lazenby.

    But outside of the fandom, both of these two are are not widely received,

    Nah that's not true, Skyfall was the first billion dollar Bond: people love Craig as Bond.

    SIS_HQ wrote: »
    Like had Craig only done CR, he wouldn't have been received well,

    Nope, he was a hit as soon as people saw CR.
    https://www.theguardian.com/film/2006/nov/10/jamesbond.danielcraig
    "Daniel Craig is a fantastic Bond"

    https://www.rogerebert.com/reviews/casino-royale-2007
    "Yes, Daniel Craig makes a superb Bond"
  • Posts: 1,821
    Lazenby was not Craig. He wasn't even a good Lazenby.
  • edited April 16 Posts: 5,036
    SIS_HQ wrote: »
    007HallY wrote: »
    Well, I’m not sure about that. I think one of the things that made CR was Craig’s performance impressing even some of his harshest detractors.

    Lazenby had a tricky time replacing Connery, but I think his performance in OHMSS was too inconsistent, and I can understand there’s an element of him being a bit flat. I think he gets a better reaction now because there are moments of vulnerability to his performance (although even then I’m not sure it always works) but I think it’s hard not to acknowledge he’s a bit wooden at times and doesn’t quite have what Connery and Moore did.

    We, as fans accepted Craig just as we accepted Lazenby, and we appreciate his performance in it.

    But outside of the fandom, both of these two are are not widely received, remember DCINB.com (Daniel Craig Is Not Bond site), some unfairly said that Craig ruined the franchise, most of the comments in Calvin Dyson's YouTube videos are criticizing Craig, even in Critical Drinker's NTTD review Craig has been ridiculed as 'thuggish Bond', 'Russian Bond who looked like Putin', 'Ugly Bond', 'Blonde Bond', and even 'Woke Bond'.

    I don't specifically remember Dyson's review criticising Craig beyond certain moments (in fact I think he actually praised Craig quite a bit for his performance and many of the decisions he made. Actually he was quite positive about much of the film in general. I think it was the ending and final act he had the most issues with and explained how he felt the entire film had been based around it/why he didn't overly like it. But actually I think he had a lot of nice things to say about it). No idea who that other person is.

    The DCNB thing I vaguely remember (it looks really unhinged in hindsight!) But I also remember people being quite impressed with CR and Craig when it came out. Looking at reviews of Lazenby from the time I don't think the reaction is comparable.
    SIS_HQ wrote: »
    Craig is sometimes being compared to Brosnan, even deepfaking Brosnan's face in Craig's Bond films.

    What a time to be a Bond fan, haha.
    SIS_HQ wrote: »
    Like had Craig only done CR, he wouldn't have been received well, and would be looked at the same view as Lazenby (many people liked OHMSS despite of Lazenby, and the thing would be probably the same for Craig had he only done CR, "it's a great film despite of him" kind of thing, because, people are alienated by him, they're not used to have Craig as Bond whose looks are very opposite from what one should expect from a guy playing James Bond, heck, some comments I've read online also loved CR but didn't liked Craig, and some are even wishing that Brosnan have done that film instead).

    I'm not sure I'd agree. I don't know what the circumstances of Craig leaving the role would have been in this hypothetical universe, but I do think looking at reviews from the time and remembering the reaction he definitely made an impact as Bond.
    SIS_HQ wrote: »
    I think people warmed up to him by the time he made Skyfall, it's his most successful Bond film and people came to appreciate him more after that, Craig grown into the role, but still, there are still many people who disliked his Bond, and I think his detractors are coming back again with NTTD (he killed Bond), but he's appreciated for CR, just as Lazenby is now being appreciated for OHMSS.

    Oh, every Bond actor is someone's least or most favourite, and by the end of certain eras fans tend to get jaded.

    But again, not sure if I agree. I remember QOS got a bit of pushback as it wasn't seen as being as good a film as CR, but Craig himself was still praised as Bond. I definitely got that sense from the time. It's one of the reasons there was actually a lot of excitement for SF - because Craig was a popular Bond.
    SIS_HQ wrote: »
    While Lazenby's performance was not perfect by any means, he's being appreciated nowadays, and I think he would've grown into the role just like Craig did, his performance tend to be emphasized because he only have one film, but had he done more, I think people would accept him and he would've been better.

    This is all hypothetical honestly, and gets into the realm of speculation. But I do think the reaction to Craig as Bond in CR alone was more positive than Lazenby's in OHMSS. It comes down to some factors beyond Lazenby's control (ie. the fact that he took over from Connery, the fact that the film itself was a different type of Bond film). But I think there's a difference in terms of that reaction.

    It's interesting reading retrospective reviews (the ones from '69 aren't always positive about Lazenby at all). You get stuff like this:
    "I'm not sure I agree with those who insist that if Connery had played Bond it would definitely be the best of the entire Bond series ... Connery's Bond, with his boundless humor and sense of fun and self-confidence, would be out of place in this picture. It actually works better with Lazenby because he is incapable of playing Bond as a bigger-than-life hero; for one thing he hasn't the looks ... Lazenby's Bond also hasn't the assurance of Connery's Bond[,] and that is appropriate in the crumbling, depressing world he finds himself. He seems vulnerable and jittery at times. At the skating rink, he is actually scared. We worry about him ... On Her Majesty's Secret Service doesn't have Connery and it's impossible to ever fully adjust to Lazenby, but I think that it still might be the best Bond film, as many Bond cultists claim."

    It's a bit backhanded a compliment in many ways, and acknowledges Lazenby's limitations as an actor and as Bond. But you can make the claim he works for the film (I don't always think so). Anyway, I think while OHMSS is remembered fondly, and to some extent Lazenby too which I think is great, I think he's still quite a controversial Bond in many ways. Even his fans would acknowledge his performance isn't perfect.
  • SIS_HQSIS_HQ At the Vauxhall Headquarters
    edited April 16 Posts: 3,892
    007HallY wrote: »
    SIS_HQ wrote: »
    007HallY wrote: »
    Well, I’m not sure about that. I think one of the things that made CR was Craig’s performance impressing even some of his harshest detractors.

    Lazenby had a tricky time replacing Connery, but I think his performance in OHMSS was too inconsistent, and I can understand there’s an element of him being a bit flat. I think he gets a better reaction now because there are moments of vulnerability to his performance (although even then I’m not sure it always works) but I think it’s hard not to acknowledge he’s a bit wooden at times and doesn’t quite have what Connery and Moore did.

    We, as fans accepted Craig just as we accepted Lazenby, and we appreciate his performance in it.

    But outside of the fandom, both of these two are are not widely received, remember DCINB.com (Daniel Craig Is Not Bond site), some unfairly said that Craig ruined the franchise, most of the comments in Calvin Dyson's YouTube videos are criticizing Craig, even in Critical Drinker's NTTD review Craig has been ridiculed as 'thuggish Bond', 'Russian Bond who looked like Putin', 'Ugly Bond', 'Blonde Bond', and even 'Woke Bond'.

    I don't specifically remember Dyson's review criticising Craig beyond certain moments (in fact I think he actually praised Craig quite a bit for his performance and many of the decisions he made. Actually he was quite positive about much of the film in general. I think it was the ending and final act he had the most issues with and explained how he felt the entire film had been based around it/why he didn't overly like it. But actually I think he had a lot of nice things to say about it). No idea who that other person is.

    The DCNB thing I vaguely remember (it looks really unhinged in hindsight!) But I also remember people being quite impressed with CR and Craig when it came out. Looking at reviews of Lazenby from the time I don't think the reaction is comparable.

    I mean the people in the comments section in those YouTube Reviews.
    mtm wrote: »
    SIS_HQ wrote: »
    007HallY wrote: »
    Well, I’m not sure about that. I think one of the things that made CR was Craig’s performance impressing even some of his harshest detractors.

    Lazenby had a tricky time replacing Connery, but I think his performance in OHMSS was too inconsistent, and I can understand there’s an element of him being a bit flat. I think he gets a better reaction now because there are moments of vulnerability to his performance (although even then I’m not sure it always works) but I think it’s hard not to acknowledge he’s a bit wooden at times and doesn’t quite have what Connery and Moore did.

    We, as fans accepted Craig just as we accepted Lazenby.

    But outside of the fandom, both of these two are are not widely received,

    Nah that's not true, Skyfall was the first billion dollar Bond: people love Craig as Bond.

    Like what I've said, I think the general public (the viewers) came to love Craig in Skyfall, yes, like what I've said before, it's his most successful Bond film and I think by that time, even his critics and those skeptical of him as Bond came to accept him by the time that film came out.
  • mtmmtm United Kingdom
    edited April 16 Posts: 17,776
    SIS_HQ wrote: »
    mtm wrote: »
    SIS_HQ wrote: »
    007HallY wrote: »
    Well, I’m not sure about that. I think one of the things that made CR was Craig’s performance impressing even some of his harshest detractors.

    Lazenby had a tricky time replacing Connery, but I think his performance in OHMSS was too inconsistent, and I can understand there’s an element of him being a bit flat. I think he gets a better reaction now because there are moments of vulnerability to his performance (although even then I’m not sure it always works) but I think it’s hard not to acknowledge he’s a bit wooden at times and doesn’t quite have what Connery and Moore did.

    We, as fans accepted Craig just as we accepted Lazenby.

    But outside of the fandom, both of these two are are not widely received,

    Nah that's not true, Skyfall was the first billion dollar Bond: people love Craig as Bond.

    Like what I've said, I think the general public (the viewers) came to love Craig in Skyfall, yes, like what I've said before, it's his most successful Bond film and I think by that time, even his critics and those skeptical of him as Bond came to accept him by the time that film came out.

    He was a massive hit right from CR. Some folks didn't love him, they're still moaning about him today on these forums, but he was praised pretty much universally for CR and that's why they rushed a sequel out. People wanted more. SF was hugely anticipated, which is why it was so huge. Were you a fan when CR came out?
  • edited April 16 Posts: 5,036
    SIS_HQ wrote: »
    007HallY wrote: »
    SIS_HQ wrote: »
    007HallY wrote: »
    Well, I’m not sure about that. I think one of the things that made CR was Craig’s performance impressing even some of his harshest detractors.

    Lazenby had a tricky time replacing Connery, but I think his performance in OHMSS was too inconsistent, and I can understand there’s an element of him being a bit flat. I think he gets a better reaction now because there are moments of vulnerability to his performance (although even then I’m not sure it always works) but I think it’s hard not to acknowledge he’s a bit wooden at times and doesn’t quite have what Connery and Moore did.

    We, as fans accepted Craig just as we accepted Lazenby, and we appreciate his performance in it.

    But outside of the fandom, both of these two are are not widely received, remember DCINB.com (Daniel Craig Is Not Bond site), some unfairly said that Craig ruined the franchise, most of the comments in Calvin Dyson's YouTube videos are criticizing Craig, even in Critical Drinker's NTTD review Craig has been ridiculed as 'thuggish Bond', 'Russian Bond who looked like Putin', 'Ugly Bond', 'Blonde Bond', and even 'Woke Bond'.

    I don't specifically remember Dyson's review criticising Craig beyond certain moments (in fact I think he actually praised Craig quite a bit for his performance and many of the decisions he made. Actually he was quite positive about much of the film in general. I think it was the ending and final act he had the most issues with and explained how he felt the entire film had been based around it/why he didn't overly like it. But actually I think he had a lot of nice things to say about it). No idea who that other person is.

    The DCNB thing I vaguely remember (it looks really unhinged in hindsight!) But I also remember people being quite impressed with CR and Craig when it came out. Looking at reviews of Lazenby from the time I don't think the reaction is comparable.

    I mean the people in the comments section in those YouTube Reviews.

    Ok, well a lot of the comes down to who the channel's audiences are. Get the right channel and you could easily have something like a DCNB situation! For Dyson I suspect the people commenting in his videos aren't dissimilar to us having overly long discussions with different viewpoints (I suspect his channel has a relatively broad spectrum of Bond fans anyway). From what I've seen of his videos (and to be completely honest he's the only Bond reviewer I'd bother with on Youtube - the rest just seem to be talking heads going on 10+ minute monologues without any editing) he's quite positive about Craig even if he's criticised the films.
  • mtmmtm United Kingdom
    Posts: 17,776
    I haven't watched a lot of his stuff but I'm always quite surprised whenever I have seen his reviews just how critical he is of all of the Bonds I've seen him talk about. I guess for the sake of content he has to find something to talk about but it always surprises me just how much of the films he's a fan of he doesn't seem to like.
  • Posts: 1,821
    Calvin seems to be a Moonraker fan. Don't expect consistent reviews from him.
  • edited April 16 Posts: 5,036
    mtm wrote: »
    I haven't watched a lot of his stuff but I'm always quite surprised whenever I have seen his reviews just how critical he is of all of the Bonds I've seen him talk about. I guess for the sake of content he has to find something to talk about but it always surprises me just how much of the films he's a fan of he doesn't seem to like.

    I think you can say the same about most of us! Fans just like to complain about stuff they love.

    It's pretty much the film reviews I watch from him, so that's mostly what I have to go from. I think he's generally quite good at balancing critique with why he likes the films. And ultimately he's making these video reviews that are over an hour long and require some sense of in-depth critique. I'd say for Bond channels he's the only one I can really stand (again, so many of them I've tried to watch are just random people talking to a camera not saying very much, and often you get the sense they genuinely dislike some of these films. I'd rather not waste 10 or 20 minutes of my time and read what people have to say here about Bond in about 5 minutes. Honestly, it's likely more interesting).
  • mtm wrote: »
    I haven't watched a lot of his stuff but I'm always quite surprised whenever I have seen his reviews just how critical he is of all of the Bonds I've seen him talk about. I guess for the sake of content he has to find something to talk about but it always surprises me just how much of the films he's a fan of he doesn't seem to like.

    You can be a fan of something and still be critical of it - the two aren’t really mutually exclusive. I can think of at least one flaw in every Bond film or one element that I don’t enjoy - that doesn’t mean I don’t like the films.
    Calvin seems to be a Moonraker fan. Don't expect consistent reviews from him.

    So what? That’s his opinion. I’ve seen you bash Goldeneye before, does that mean we shouldn’t expect consistency from you? Or should we chalk that up to your opinion and move on?
  • MakeshiftPythonMakeshiftPython “Baja?!”
    edited April 16 Posts: 8,545
    A big factor in why CR was a success was Craig. Let’s not try to rewrite history and pretend Craig was not at all a popular Bond. That’s what disgruntled Brosnan fans like Nicolás Suszczyk will try to claim.
  • Posts: 1,821
    mtm wrote: »
    I haven't watched a lot of his stuff but I'm always quite surprised whenever I have seen his reviews just how critical he is of all of the Bonds I've seen him talk about. I guess for the sake of content he has to find something to talk about but it always surprises me just how much of the films he's a fan of he doesn't seem to like.

    You can be a fan of something and still be critical of it - the two aren’t really mutually exclusive. I can think of at least one flaw in every Bond film or one element that I don’t enjoy - that doesn’t mean I don’t like the films.
    Calvin seems to be a Moonraker fan. Don't expect consistent reviews from him.

    So what? That’s his opinion. I’ve seen you bash Goldeneye before, does that mean we shouldn’t expect consistency from you? Or should we chalk that up to your opinion and move on?

    Well, It's Moonraker. It's like Tarzan's yell. If you forgive that, you can forgive everything. The question is, why don't you do it?




  • Popularity does not mean a unanimous consensus on something or someone being good and accepted by the public. The second half of Brosnan’s run was incredibly popular yet we are able to look at those two films through a critical lens and see just what worked and what didn’t work. Craig’s always been popular but you simply can’t pretend his era hasn’t been extremely polarizing.
    mtm wrote: »
    I haven't watched a lot of his stuff but I'm always quite surprised whenever I have seen his reviews just how critical he is of all of the Bonds I've seen him talk about. I guess for the sake of content he has to find something to talk about but it always surprises me just how much of the films he's a fan of he doesn't seem to like.

    You can be a fan of something and still be critical of it - the two aren’t really mutually exclusive. I can think of at least one flaw in every Bond film or one element that I don’t enjoy - that doesn’t mean I don’t like the films.
    Calvin seems to be a Moonraker fan. Don't expect consistent reviews from him.

    So what? That’s his opinion. I’ve seen you bash Goldeneye before, does that mean we shouldn’t expect consistency from you? Or should we chalk that up to your opinion and move on?

    Well, It's Moonraker. It's like Tarzan's yell. If you forgive that, you can forgive everything. The question is, why don't you do it?




    I’m not sure if I follow your argument.
  • mtmmtm United Kingdom
    Posts: 17,776
    Popularity does not mean a unanimous consensus on something or someone being good and accepted by the public. The second half of Brosnan’s run was incredibly popular yet we are able to look at those two films through a critical lens and see just what worked and what didn’t work. Craig’s always been popular but you simply can’t pretend his era hasn’t been extremely polarizing.

    Amongst fans maybe; with the general audience I think less so as they've all been huge hits.
  • edited April 16 Posts: 5,036
    I would say Brosnan and Craig are somewhat similar in that way (although Craig's last two were more successful financially and critically). I suspect any long running Bond - those who do three or more films anyway - will likely get into a similar situation. Their films will take different courses, and there'll be ideas or aspects of them that don't always appeal to fans. Let's be honest, Bond films are inherently big, fantastical, and absurd to some extent, and there's always going to be some off the wall stuff in there that get more prominent as an actor's era progresses. Sometimes as fans too we get a bit jaded with an era and want something fresh, and again we like to pick things apart and complain. Maybe it's with hindsight but I'd argue the same about the Connery and Moore eras too - none had perfect tenures and were in the role for a long time. I love all four of them as Bond, and all were popular. At any rate I don't think it's uncommon to hear for any of them a riff on the phrase - 'great Bond but I didn't like all of their later films' or 'their films got more ridiculous as they went on but they were a great Bond' etc.
  • edited April 16 Posts: 2,504
    mtm wrote: »
    Popularity does not mean a unanimous consensus on something or someone being good and accepted by the public. The second half of Brosnan’s run was incredibly popular yet we are able to look at those two films through a critical lens and see just what worked and what didn’t work. Craig’s always been popular but you simply can’t pretend his era hasn’t been extremely polarizing.

    Amongst fans maybe; with the general audience I think less so as they've all been huge hits.

    I agree they’ve all been huge hits - but how much of general audiences liked each film after paying to see them? How can we gauge that specific metric? I suppose RT or IMDB user reviews are a good indicator but even then I don’t think that would account for the entirety of the general audience. It doesn’t really matter though since EON ultimately achieved their objective which is to make loads of money off of these films to keep producing more.
    007HallY wrote: »
    I would say Brosnan and Craig are somewhat similar in that way (although Craig's last two were more successful financially and critically). I suspect any long running Bond - those who do three or more films anyway - will likely get into a similar situation. Their films will take different courses, and there'll be ideas or aspects of them that don't always appeal to fans. Let's be honest, Bond films are inherently big, fantastical, and absurd to some extent, and there's always going to be some off the wall stuff in there that get more prominent as an actor's era progresses. Sometimes as fans too we get a bit jaded with an era and want something fresh, and again we like to pick things apart and complain. Maybe it's with hindsight but I'd argue the same about the Connery and Moore eras too - none had perfect tenures and were in the role for a long time. I love all four of them as Bond, and all were popular. At any rate I don't think it's uncommon to hear for any of them a riff on the phrase - 'great Bond but I didn't like all of their later films' or 'their films got more ridiculous as they went on but they were a great Bond' etc.

    I agree - I think this is just simply what happens when an actor plays a role for so long. The quality of the work is not always going to be consistent and that isn’t going to please everyone.

    I suspect that if Amazon really fumbles this up then we’ll all be going back and starting to appreciate even the lesser loved EON films. Lord knows that’s the mindset I’m embracing now as we head further into uncharted territory.
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