I've seen the film twice now, and a few Fleming-type moments jumped out at me more the second time round. Here they are -
1) The obvious one to begin with. Bond dying, Obituary written by M, a depressed Bond going AWOL, and then Bond reappearing again, with health at an all-time low. This whole episode is taken out of Fleming's last few novels - TB (Bond's health), YOLT (Bond being a shadow of his former self, Bond dying) and TMWTGG - Bond resurfacing and being tested and questioned.
2) Severine - she felt like a Fleming girl (a bird with one wing down). The fact that she was used as a young hooker emphasised this even more. There was a sadness about her. I actually felt more sorry for this Bond girl than any previous female, despite her brief appearance.
3) The scene with the glass on Severine's head felt like it was penned by Fleming. It was one of the most disturbing scenes in the entire franchise, and actually genuinely shocked me. The music playing in the background (what was it?) felt like the bizzare elements of Fleming, and Bond looking round feeling uncomfortable before the gun is placed in his hand was Craig's defining moment as Fleming's Bond for me. Here he nailed it.
4) Likewise, helicopters blaring music out as Silva flew towards Skyfall had a touch of the benign bizzare Fleming.
5) The whole casino scene from start to finish literally jumped out of an unwritten Fleming novel, from Bond's tense conversation with Severine, to the bizzare pit fight with dragons.
6) Silva had a touch of the outlandish Fleming villain. His appearance reminded me of how Scaramanga would have looked, and the hints at homosexuality emphasise that further, as I'm sure Scaramanga was attracted to Bond in TMWTGG.
7) M's death, tragic ending was another Fleming masterstroke. He often ended his novels with a shock twist, and only twice have we seen this appear in the films, with CR and OHMSS.
Skyall Lodge, with its tombstone graves. The title itself is very Fleming, and the house itself in Glencoe captured perfectly how Fleming probably imagined where his hero was brought up.
9) Bond asking to be taken to Severine's employer. Gambling his life to get to meet the villain, surrendering himself on the boat so he could face Silva felt very Flemingesque.
10) The Shanghai build-up, spying through glass windows reflecting neon, fighting against the backdrop of moving neon lights was another Fleming touch.
Comments
I'm so glad with this thread.
I don't think I've ever been as excited to see what Bond's next adventure is.
Then why don't you contribute to it by making meaningful posts? ;-)
Bond 24 will not be based on Fleming material either, but one can only guess what they will come up with. As long as those tributes are done in a tasteful way, I say: bring them on. My personal favorite was the exploding pen.
The music was 'Boum' by Charles Trenet (who also sang the original version of La Mer, which is played at the end of Tinker Tailor ..) and I agree, the character of Severine and her demise were fantastically Flemingian.
I hear the Golden Gun opening stuff....but possibly also the climax of the novel where Bond pursues Scaramanga through the swamps. There's a similar chase through wild terrain in SF...
Are you joking or are you really expecting an answer to your question?
Me too, I agree with both. The monologue was brilliant and one of the best parts of the film and the obituary was a nice nod. The friends who watched it with me were impressed when I told them about how many things relate to the books, which they unfortunately don't know.
What surprises me is that a "film critict" in my country claimed that Bond in SF had nothing related with Fleming's... yeah right, how many Fleming novels have you read, I want to ask him?
The only low point was Bond don't smoking in the bar scene...
really? The entire film series, what about Dr No, From Russia With Love, Goldfinger, Thunderball, On Her Majesty's Secret Service, For Your Eyes Only, plus the two Dalton's?
And hello, blonde villain???
Skyfall feels like a modern day Fleming story. It is what I loved most about the movie.
Much has been said already.
I'd like to add the poem Ulysses to the list. Fleming was very playful wiht such things. In YOLT for example Bond tries to formulate a japanese poem.
I also loved Bond and one of Silvas men breaking into the lake. The whole scene felt straight out of a Fleming novel!
Throwing knife, Casino scenes, Shanghai scene with Patrice (!), the Whiskey scene...my god so much there.
I also think that the shoot out at skyfall could have been straight out of a novel. It's not an overblown action piece with Bond running through an army. It's dark, it's thrilling, it's clever and exciting. The way Bond outsmarts the enemy really made me think of Fleming.
Also when the fire shoots through the tunnel it reminded me of Moonraker (novel).
I don't know who is responsible for all these elements and the overall feeling but if it's Logan, welcome on board and I can't wait for Bond 24!
Yes, I thought of that pineapple scene from TMWTGG too immediately when watching SF.