It looks like you're new here. If you want to get involved, click one of these buttons!
^ Back to Top
The MI6 Community is unofficial and in no way associated or linked with EON Productions, MGM, Sony Pictures, Activision or Ian Fleming Publications. Any views expressed on this website are of the individual members and do not necessarily reflect those of the Community owners. Any video or images displayed in topics on MI6 Community are embedded by users from third party sites and as such MI6 Community and its owners take no responsibility for this material.
James Bond News • James Bond Articles • James Bond Magazine
Comments
The Living Daylights is a more classic outing, although he has layers of depth, subtleties, to his characterization.
Licence To Kill, featured a more animalistic interpretation, where Bond loses his sheen of sophistication, exposing the blunt instrument beneath. For most of the movie Bond fights with his heart, the personal nature of the story clouding his judgement, making his aim sloppy. It is only once Bond learns about the stinger missiles is he finally able to treat his vendetta as a mission, and he finally gains control of the situation.
How exactly did Craig take it a step further? What did he do that Dalton hadn't?
TLD was the first Bond movie I ever saw at the cinema, and it just blew me away. This was Fleming's Bond, pure and simple; ruthless when required, doggedly persistent, capable of kindness and brutality in equal measure and with a healthy disregard for the rules when it suited him - qv the "stuff my orders" line to Saunders.
Both in my all-time top 5, but on reflection TLD wins on points.
Yes, I prefer TLD as a Bond film as well.
I prefer Dalton overall in TLD too. He's more reserved.
I think LTK does feature a progression of the Bond seen in TLD. I love both films, they're my #'s 1 & 2. I just so happen to preffer the classic tone of TLD.
I've never heard TD express an opinion but I suspect he prefers TLD too.
He does. The person who interviewed him says so in my James Bond Unmasked book.
I have LTK as no 1 and TLD as 2. I love both but LTKs villian and story put it ahead for me.
I think Dalton was the same in both. He still had all the usual cinematic Bond stuff, he cracked the odd joke, he was suave, etc. But he had a much darker side than any of the others, a side of him that was brutal and hated his job.
I just think LTK showed that darker side more than TLD did.
He thinks its "too dour" apparently - and I agree with him. I suspect his falling out with Glenn on set didn't help much either.
Ohhhh...I never knew that. What was it over?
I think Glenn wanted to focus on action but Dalton wanted more character. Something like that anyway. The two allegedly ended up shouting at eachother.
Precisely why I appreciate Craig and appreciate them equally.
I wonder what Dalton thinks of SF. Anyone got any info on that?
I think the issue I have with Kill is its overall tone. While Kill does have some good ideas there are moments that just feel more like a generic action film to me (the fight in the bar, the stuff with the Ninja's). You almost forget its a Bond film at times.
Daylights has a bit more of a "classic" feel to it.
All imo:
I think Dalton did the darker Bond better. When Craig was being a darker Bond I didn't like the whole rookie angle and I didn't get the sense that he hated his job like Dalton did.
I think Craigs best performance is SF and he's much more light hearted in that, he has more funny lines. He felt more like Connery than he did Dalton and to be honest I think he's better at that.
Dalton was really good at doing a darker Bond (who did have some funny lines). Craig was alright in CR and QOS but I think he felt like Dalton, except he was a rookie and wasn't as good.
With SF I think Craig has shown he's better as sort of an all rounder. Leave the darker Bond to Dalts.
I don't know. I saw an interview with hin recently in which he praised DC and CR - but he hadn't seen SF at that point.
I suspect he would have enjoyed it.
But his performance in TLD was a gamechanger. Like a bucket of cold water thrown over the audience after nearly twenty years of lovable Rog...