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Comments
As the years pass and QOS is succeeded by future 007 adventures, it'll no doubt go down as its movie's classic sequence...
But then I rate QoS very highly anyway.
Either way, it was a very entertaining scene. Right when the music stopped and it went silent, I just held my breath during the entire scene.
Not really, I thought Greene was eyeing him up for a bit of man love some Dunkin' Donuts. I really thought he over egged the look, in fact it brings up the most overlooked question about QofS, was the character of Greene any good? Was he truly a twisted psycho business genius? Looking back he was a bit weak, no charisma and not the evil foil that DC's Bond needed - his line of the film, 'damaged goods', was delivered with as much gusto as a 6 month old baby's fart.
Intercutting the shootout with Tosca was a good idea however the Tosca performance should not have been a modern one with handguns. It was hard to tell whether or not a scene was occurring onstage or between Bond and Quantum.
I too would have liked the Tosca music to continue during the shootout, though the silence did not upset me. The jumpy editing was unnecessary. The shootout should have been cut traditionally. It is hard enough following the Bourne-esque flash-cutting without intercutting the sequence with Tosca. The crew bit off more than they could chew. They should have chosen to continue the flash-cutting style from the rest of the movie and omitted the intercut Tosca shots, or they should have filmed the shootout classically and included Tosca.
It may not have been possible to naturally include dialogue that gave the jist of Tosca before the shootout, but it would have given audience members who were unfamiliar with Tosca some context. The Tennyson scene in Skyfall worked because it intercut M's enquiry with Bond's chasing of Silva, including the poem that worked as a metaphor for Bond, England and MI6. Michael Gambon's scene with Daniel Craig in Layer Cake where he gives a basic outline of Faust was not accompanied by any scenes of Faust, but it gave the audience context to draw parallels between that story and elements of Daniel Craig's character's journey.
I would have edited all of QOS's action scenes in a classic style, such as the style in Casino Royale, but the opera shootout stood out as a victim of the fast editing because it took away from Forster's attempt to analogize Tosca with Bond's story in QOS. The editing, along with the use of a modern staging of the opera, ended up distracting and taking away from the sequence.
The QOS crew should have followed the 'less is more' approach by using classical scene and shot composition for the shootout and chase whilst intercutting the opera instead of following the QOS 'less comprehensible shots flash-cut is more' mantra.