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And true, both Blofeld and Dracula are proud of their heritage, and they even say a similar line: Blofeld says he is a de Bleuville as he can feel it in his blood, while Dracula says proudly that he has Attila's blood. Both of them, also, are shapeshifters.
Otherwise everyone else has good points.
Agreed, OHMSS is overdue for a revisit! Will certainly look for common themes.
I'm ashamed to say that I haven't read Dracula.
I've often thought about it but for some reason just have'nt picked it up. Perhaps this is the encouragement that I need.
There's still one difference between Dracula and OHMSS : the second is not an epistolary novel. And in the first,
But anyway, it is off topic. Fleming seems to have understood the novel very well. Another analogy: Dracula at some point uses the pseudonym Monsieur De Ville. Wich is of course a pun, but also quite close to De Bleuville.
@Ludovico, I fully get that you don't like the film, but narrative-wise, Coppola's Dracula really was very close to the novel (of course with the major addition of the Dracula/Mina love plot and a few minor details like Renfield being Harker's predecessor). Tone is something else. The tone and atmosphere of Coppola's film are a bit all over the map, and there I would agree with you that it doesn't always line up with the book. But I'm curious (briefly, before we get back on topic, since you brought it up ;) ) if you think Coppola's Dracula was very unfaithful, which film do you think was more faithful to the novel?
Completely forgot about Nosferatu momentarily, superb film Max Schreck was genuinely convincing as a creature of the night.
Oh yes I remember the reference in YOLT. Pretty much every teenage boy read Dracula. It was Winston Churchill's favourite novel when he was a young man.