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Filming today is a far different process than it was in the '60s. Now it takes far longer. Plus only the first three films were released a year apart, Thunderball took 15 months.
Bored of the long gaps? I'm sure others are too sometimes but that's the way it is. These four year breaks should be very rare to non-existent in the future with any luck.
As far as the two-year pattern goes, I see no reason if everything goes well why we won't be able to get films in 2012, 2014 and 2016 which really would be fantastic and echo the same run we had in the late '90's.
TMWTGG December 1974 - TSWLM July 1977. 2.5 years
YOLT June 1967 - OHMSS December 1969 . 2.5 years (all but a month).
Exactly the same in real terms, so the delay after TMWTGG isn't particularly significant, just the usual production hold ups.
#1- films didn't cost as much to make back then - also figure in that there wasn't as much a need to shoot on location - they could get done with 75% of the film at Pinewood... also production crews were smaller - easier to book travel plans for 40 instead of 400..
#2- not as much red tape - the studios and producers had far more control over the schedules of people they have under contract than they do now.
#3- in general, they could film quicker then, because they didn't have as much to worry about technically with shots - from a complexity stand point... nowadays you would shoot a simple conversation 7 ways to sunday - then, you'd probably use no more than 3 shots... all in all, they'd probably spend 2-3 months filming... where now you can spend 4-5 months filming.. depending of course.
They did this with Back to the Future 2 and 3 way back in the day...
they were pretty much starting principal photography for part 3, as the shooting was wrapping up on part 2.
I saw a CBC interview from the fall of '65 with Harry Saltzman and Albert R. Broccoli. At that point they were still talking as if On Her Majesty's Secret Service would be the next movie. But that involved winter locations. To keep to the one-a-calendar year schedule, they would have needed to begin filming Bond 5 in early 1966.
As it was, even after going with You Only Live Twice instead, they still managed to start filming in mid-1966. But there was no way to make a Christmas '66 release and YOLT involved more special effects than the previous Bond films to date.
I forget the specific dates, but the shooting schedule for OHMSS was very long, in part because of all the ski and related sequences.
The 60's Bond films were running on momentum. The more I'm thinking of it, the shorter the gaps the better--keep the steam rolling for the series in it's current state so that you really create a true "era" of Bond.
smaller budgets and egos
The main reason for the delay in Bond 23 was MGM's financial difficulties and bankruptcy.
I am rewatching Thunderball for the first time in a while and had a couple of questions:
Why is Bond's hat missing when he returns for it after the M scene?
Why does Bond punch Felix for almost saying 007 and then say it in front of the thug anyway (while explaining why he hit Felix)?
PS I find it humorous that it was an actual plot point that, because they kept switching Felix, the audience can't recognize him. So they build suspense around him. How does that make any sense. Even though he isn't the same actor, shouldn't we technically still "recognize" him. This, I guess, explains why Blofeld doesn't recognize Bond in OHMSS. The actor changes occur in universe as well ;)
PSS What is with the editing in this movie? Not just the fights. Terrible match on actions throughout. For instance, Bond taking his hat off in the Q scene, or Q talking before his mouth begins moving.
I would rather wait 3 or 4 years for an awsome picture, rather than have a quick fix that is poor.
Having said that DN, FRWL and GF are on my list of best films and they all came out within 3 calander years.