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Remember also the scene in Blofeld's lair where Bond ask the eye contact of Madeleine for avoiding the view of her father's death, easily one of the most intense scene between the two characters (and imo of the movie), so likely tied with your mentioned motif.
I also think there is a 'cat' and 'mouse' thing going on through the film as well.
Mickey Mouse - uttered by Bond at Blofeld meet
Real mouse - at L'Americain - gives Bond the clue to find Blofeld
Cat - Blofeld's signature pet
C & M - cat and mouse
Cuckoo - cat chasing bird?
Also this is a nice recalling to Skyfall, where Silva (and later James) use the metaphor of the rats for talking about their status of secret agents. I think that could be not a coincidence that at l'Americaine Bond jokes with the mouse treating it as an "enemy spy".
You also have the nods to For Your Eyes Only and You Only Live Tweyes.
There are the Nine Eyes organization which I thought was called Lionize until no it was Nine Eyes. Which only further investigates your hypthoseis. Also , there were kaleyedascope eyes in the TS so that pushes it even further. It will all add up in the next one I am sure. See you then.
In comparison, SF is a little empty-headed. There are themes and motifs throughout the film but none are really fleshed out too thoroughly. It’s one of the reasons many (including myself) found the film to be so frustrating.
I’m not quite sure I see the cat/mouse analogy. I think the ‘Mickey Mouse’ line was a deliberately ironic decision by Mendes as he has one of the most iconic characters of all time (James bond) referring to himself as an equally iconic character.
In terms of Spectre, here are some of the themes and ideas the film (sorta) explores:
- Nostalgia and Modernity: This is the big idea at the centre of the film. Mixing the classic Bond formula with contemporary issues.
- ‘The Dead are Alive’: Ghosts of the past coming back to haunt you.
- Surveillance: Someone is always watching. Beyond the ‘eyes’ motif there is a lot of Snowden-esque talk (SP is a tad more political than most Bond films).
- The life of an assassin: Can you keep killing people forever? Is it possible to fall in love again and move on.
http://www.mi6community.com/index.php?p=/discussion/4593/spectre-and-its-underlying-theme-let-us-discuss-this-underappreciated-part-of-cinema#latest
Mendes is way too smart for me.
I also believe that Bond sees himself in White.
White has been a killer his entire life; always on the run and being hunted. Finally, with his own organisation chasing him down and his family long gone; he is alone. When Bond confronts White, he pities him. When they previously met, White was a supreme leader in an international terrorist group. Now he’s a pale imitation of the man he once was. Bond sees a potential future for himself in White. A lonely assassin who believes that he had no choices in his life, therefore destined to die alone and be forgotten.
The whole idea of being an “assassin” is really discussed a lot throughout the film. (Bond is rarely referred to as a spy.)
The occupation of "assassin" in SP is presented largely as a death of the self far more than it is the death of others (your targets). You relieve them of life's burdens quickly, while you live on with the baggage of the world and your own demons. I find that quite interesting.
Has anyone found any significance in Hinx's name? I've tried to find some thematic connections between him and what he may represent beyond his actions in the film, but I haven't found anything. No particular meanings of "Hinx" or what he could be influenced by. Anyone have luck on this?
I C wot u did there.