No Time To Die: Production Diary

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  • ClarkDevlinClarkDevlin Martinis, Girls and Guns
    Posts: 15,423
    fjdinardo wrote: »
    I have never experienced seeing a Bond movie in theaters during the summer. So I would love a summer release
    Me, too.
  • DisneyBond007DisneyBond007 Welwyn Garden City
    Posts: 100
    fjdinardo wrote: »
    I have never experienced seeing a Bond movie in theaters during the summer. So I would love a summer release
    Me, too.

    That's a good idea :-)
  • Posts: 11,425
    Murdock wrote: »
    I can see EON wanting Daniel and Waltz back for sure. Barbara isn't about to let Daniel go.

    The problem is that I don't think the Spectre story resonated strongly enough to form the basis for a straight sequel. I would be happy to see Craig return but I'd prefer a more standalone movie. It seems they've boxed themselves in a bit during the Craig era, making it harder to change tack as required every few years. That's the downside of taking a clear sequential approach with continuity between films. None of that stuff used to matter much and they could change time easily if they wanted to.
  • Posts: 1,092
    But after 54 years you gotta change even that stuff up once in a while and start fresh. We're still in the reboot timeline now; Bond has changed forever, folks, sorry. Gotta get on board or be left behind. If people don't like it, don't watch the films. That's that.
  • Posts: 2,483
    The_Reaper wrote: »
    But after 54 years you gotta change even that stuff up once in a while and start fresh. We're still in the reboot timeline now; Bond has changed forever, folks, sorry. Gotta get on board or be left behind. If people don't like it, don't watch the films. That's that.

    Well!

  • RC7RC7
    Posts: 10,512
    Birdleson wrote: »
    The_Reaper wrote: »
    But after 54 years you gotta change even that stuff up once in a while and start fresh. We're still in the reboot timeline now; Bond has changed forever, folks, sorry. Gotta get on board or be left behind. If people don't like it, don't watch the films. That's that.

    I wouldn't count on that. There was almost a 20% drop off in revenue from SF to SP. Successful or not, whenever that has happened EON has shifted their approach. It will not be lost on them, and whichever studio that moves in, that both times they tried to tie things together through continuity after a big success in the Craig Era (QOS and SP) attendance, though strong and profitable, dropped significantly.

    I was talking to a mate about this the other day. It's something that's not really be discussed, but I think it's pertinent. The evidence suggests that, as they always have, the general public (I include myself in that) want Bond to be standalone event movies. Continuity does not seem to be a concern and in many respects could be seen as a hindrance. It's no surprise to me that CR and SF were the critical hits of the era, given neither had any baggage going in.
  • ClarkDevlinClarkDevlin Martinis, Girls and Guns
    Posts: 15,423
    RC7 wrote: »
    Birdleson wrote: »
    The_Reaper wrote: »
    But after 54 years you gotta change even that stuff up once in a while and start fresh. We're still in the reboot timeline now; Bond has changed forever, folks, sorry. Gotta get on board or be left behind. If people don't like it, don't watch the films. That's that.

    I wouldn't count on that. There was almost a 20% drop off in revenue from SF to SP. Successful or not, whenever that has happened EON has shifted their approach. It will not be lost on them, and whichever studio that moves in, that both times they tried to tie things together through continuity after a big success in the Craig Era (QOS and SP) attendance, though strong and profitable, dropped significantly.

    I was talking to a mate about this the other day. It's something that's not really be discussed, but I think it's pertinent. The evidence suggests that, as they always have, the general public (I include myself in that) want Bond to be standalone event movies. Continuity does not seem to be a concern and in many respects could be seen as a hindrance. It's no surprise to me that CR and SF were the critical hits of the era, given neither had any baggage going in.
    Agreed with this.
  • edited May 2016 Posts: 4,325
    The Fleming novels had a sense of continuity with the character - there are references from his viewpoint of previous missions and previous girls. But never directly related to the plot with the exception of YOLT where the events are related to events of OHMSS. But even there there is still a standalone mission, which then transpires to Bond's revenge when he discovers who Shatterhand is. That's the mistake they've made in the films - the continiuity has become too pervasive rather than subtle. I think the intention of using it was good, but the execution has been poor.
  • RC7RC7
    Posts: 10,512
    tanaka123 wrote: »
    The Fleming novels had a sense of continuity with the character - there are references from his viewpoint of previous missions and previous girls. But never directly related to the plot with the exception of YOLT where the events are related to events of OHMSS. But even there there is still a standalone mission, which then transpires to Bond's revenge when he discovers who Shatterhand is. That's the mistake they've made in the films - the continiuity has become too pervasive rather than subtle. I think the intention of using it was good, but the execution has been poor.

    I've been advocating this for a while. Developing the character across films is more important that constructing a superficial overarching narrative.
  • WalecsWalecs On Her Majesty's Secret Service
    Posts: 3,157
    RC7 wrote: »
    tanaka123 wrote: »
    The Fleming novels had a sense of continuity with the character - there are references from his viewpoint of previous missions and previous girls. But never directly related to the plot with the exception of YOLT where the events are related to events of OHMSS. But even there there is still a standalone mission, which then transpires to Bond's revenge when he discovers who Shatterhand is. That's the mistake they've made in the films - the continiuity has become too pervasive rather than subtle. I think the intention of using it was good, but the execution has been poor.

    I've been advocating this for a while. Developing the character across films is more important that constructing a superficial overarching narrative.

    Exactly.
  • JeffreyJeffrey The Netherlands
    Posts: 308
    Is there something to it that when there are larger gaps between movies, the more successful the newest becomes (financially- box office wise)?
    GE was quite the step up from LTK- I think. And same goes for QOS to SF. (Not really sure about inflation.)
  • ThunderfingerThunderfinger Das Boot Hill
    Posts: 45,489
    That s no rule. Just look at GF and TB. Way more successful than YOLT and OHMSS.

    1977-1989 there were consistently two year gaps, and the b.o. went up and down, but mostly down. I think only MR and TLD did better than its predecessor.
  • TheWizardOfIceTheWizardOfIce 'One of the Internet's more toxic individuals'
    Posts: 9,117
    tanaka123 wrote: »
    the continiuity has become too pervasive rather than subtle

    Probably the truest thing I've ever seen written on here.

    The problems of the Craig era in a nutshell that ended up resulting in the convoluted car crash of a third act in SP.

    Going forward Babs needs to have this tattooed onto the inside of her eyelids so she gets reminded of it every time she blinks.
  • Posts: 1,092
    But again, they are trying to do something new and fresh with the series. I know there are a lot of old school Bond fans here, myself included, but relying on what worked in the past (episodic mission structure) is not necessarily what will work now or in the future. Things change. Bond must adapt or die.
  • DaltonCraig007DaltonCraig007 They say, "Evil prevails when good men fail to act." What they ought to say is, "Evil prevails."
    edited May 2016 Posts: 15,715
    The_Reaper wrote: »
    but relying on what worked in the past (episodic mission structure) is not necessarily what will work now or in the future.

    But the most successful Craig film was an stand-alone mission film: SF. So it seems this style of Bond film is still the most successful way EON can go. Sure we can delve into Bond's psyche like they did in that film, but it can still be episodic missions ( if we don't count the SP retcon).
  • RC7RC7
    Posts: 10,512
    The_Reaper wrote: »
    But again, they are trying to do something new and fresh with the series. I know there are a lot of old school Bond fans here, myself included, but relying on what worked in the past (episodic mission structure) is not necessarily what will work now or in the future. Things change. Bond must adapt or die.

    I've discussed this in another thread somewhere, but I genuinely believe the appetite is for proper event movies every few years, rather than those that are episodic in nature as you find with most modern franchise movies. I think SF is very clear evidence of this.
  • ClarkDevlinClarkDevlin Martinis, Girls and Guns
    Posts: 15,423
    The_Reaper wrote: »
    But again, they are trying to do something new and fresh with the series. I know there are a lot of old school Bond fans here, myself included, but relying on what worked in the past (episodic mission structure) is not necessarily what will work now or in the future. Things change. Bond must adapt or die.
    But, surely you don't think Bond should turn into a series that holds one story arc consisting of quite a few entries, do you? And this personal vendetta in addition with the going rogue has gone out of hand. It's not about being old school, it's about telling a relevant story while keeping true to the Bond formula, not consecutively recycling the same scenario.
  • edited May 2016 Posts: 4,325
    The_Reaper wrote: »
    But again, they are trying to do something new and fresh with the series. I know there are a lot of old school Bond fans here, myself included, but relying on what worked in the past (episodic mission structure) is not necessarily what will work now or in the future. Things change. Bond must adapt or die.

    I agree wholeheartedly, it just needs to be done well.
  • DaltonCraig007DaltonCraig007 They say, "Evil prevails when good men fail to act." What they ought to say is, "Evil prevails."
    Posts: 15,715
    QOS was the first true sequel in the franchise, and it was lambasted by fans and critics alike. Not because the film is bad, but because with sequels people will compare the latest entry with the previous one with more scrutinity. And it doesn't help when the immediate predecessor is as highly rated as CR.

    When Bond was doing stand-alone missions, the benchmark was always the latest film since there were no connections to the previous one. I believe it's easier for the franchise to stay fresh with stand-alones than sequels. EON are not backed in a corner when things to wrong (like MR, for instance), and can easily change the tone of the films.
  • ClarkDevlinClarkDevlin Martinis, Girls and Guns
    Posts: 15,423
    QOS was the first true sequel in the franchise, and it was lambasted by fans and critics alike. Not because the film is bad, but because with sequels people will compare the latest entry with the previous one with more scrutinity. And it doesn't help when the immediate predecessor is as highly rated as CR.

    When Bond was doing stand-alone missions, the benchmark was always the latest film since there were no connections to the previous one. I believe it's easier for the franchise to stay fresh with stand-alones than sequels. EON are not backed in a corner when things to wrong (like MR, for instance), and can easily change the tone of the films.
    And I agree with this one.
  • bondjamesbondjames You were expecting someone else?
    Posts: 23,883
    As I said earlier, my dad, who is a big Bond fan and who only recently watched SP, highlighted this continuity thing as his biggest criticism of the film. He liked it otherwise (which I was surprised by). He didn't comment on the 'brother' thing, but he did mention the continuity/tie backs to past films as getting annoying.
    QOS was the first true sequel in the franchise, and it was lambasted by fans and critics alike. Not because the film is bad, but because with sequels people will compare the latest entry with the previous one with more scrutinity. And it doesn't help when the immediate predecessor is as highly rated as CR. .
    This is an excellent point.

    I think when Craig leaves they may move on from this approach, and go back to a non-linear timeline. It was something for the reboot era, but I don't think they are constrained by it, unless they choose to be.
  • Posts: 4,325
    bondjames wrote: »
    As I said earlier, my dad, who is a big Bond fan and who only recently watched SP, highlighted this continuity thing as his biggest criticism of the film. He liked it otherwise (which I was surprised by). He didn't comment on the 'brother' thing, but he did mention the continuity/tie backs to past films as getting annoying.
    QOS was the first true sequel in the franchise, and it was lambasted by fans and critics alike. Not because the film is bad, but because with sequels people will compare the latest entry with the previous one with more scrutinity. And it doesn't help when the immediate predecessor is as highly rated as CR. .
    This is an excellent point.

    I think when Craig leaves they may move on from this approach, and go back to a non-linear timeline. It was something for the reboot era, but I don't think they are constrained by it, unless they choose to be.

    The thing is I don't think the idea of doing it is the problem, it's just it hasn't been done well. Why it doesn't work in Spectre is because it hadn't been planned out that way. They got the rights to Spectre and Blofeld and mashed a way to get them to link in with Craig's other films - I really don't think when they made Skyfall they ever conceived of Spectre being behind it all - they made a definite step to move away from Quantum after QoS. If it was done in a thought out way and cleverly done it could work.
  • RC7RC7
    edited May 2016 Posts: 10,512
    tanaka123 wrote: »
    bondjames wrote: »
    As I said earlier, my dad, who is a big Bond fan and who only recently watched SP, highlighted this continuity thing as his biggest criticism of the film. He liked it otherwise (which I was surprised by). He didn't comment on the 'brother' thing, but he did mention the continuity/tie backs to past films as getting annoying.
    QOS was the first true sequel in the franchise, and it was lambasted by fans and critics alike. Not because the film is bad, but because with sequels people will compare the latest entry with the previous one with more scrutinity. And it doesn't help when the immediate predecessor is as highly rated as CR. .
    This is an excellent point.

    I think when Craig leaves they may move on from this approach, and go back to a non-linear timeline. It was something for the reboot era, but I don't think they are constrained by it, unless they choose to be.

    The thing is I don't think the idea of doing it is the problem, it's just it hasn't been done well. Why it doesn't work in Spectre is because it hadn't been planned out that way. They got the rights to Spectre and Blofeld and mashed a way to get them to link in with Craig's other films - I really don't think when they made Skyfall they ever conceived of Spectre being behind it all - they made a definite step to move away from Quantum after QoS. If it was done in a thought out way and cleverly done it could work.

    It absolutely could work in theory, but I think it's well down the list of creative options. Why would an audience want to wait three years for the next episodic entry in the Bond series, when they have television shows such as GoT sating their appetite on a weekly basis, or Netflix allowing them to binge. I think Bond to all extents and purposes operates in a different creative space to other franchise films like SW and Marvel. I'm all for some character development across a tenure and threads of continuity between the major players, but I don't think the wider narrative should act as the connective tissue between films. As others have mentioned above, the ability to switch gears in reaction to the previous entry has always been Bond's trump card and they shouldn't forget that.
  • bondjamesbondjames You were expecting someone else?
    edited May 2016 Posts: 23,883
    RC7 wrote: »
    tanaka123 wrote: »
    bondjames wrote: »
    As I said earlier, my dad, who is a big Bond fan and who only recently watched SP, highlighted this continuity thing as his biggest criticism of the film. He liked it otherwise (which I was surprised by). He didn't comment on the 'brother' thing, but he did mention the continuity/tie backs to past films as getting annoying.
    QOS was the first true sequel in the franchise, and it was lambasted by fans and critics alike. Not because the film is bad, but because with sequels people will compare the latest entry with the previous one with more scrutinity. And it doesn't help when the immediate predecessor is as highly rated as CR. .
    This is an excellent point.

    I think when Craig leaves they may move on from this approach, and go back to a non-linear timeline. It was something for the reboot era, but I don't think they are constrained by it, unless they choose to be.

    The thing is I don't think the idea of doing it is the problem, it's just it hasn't been done well. Why it doesn't work in Spectre is because it hadn't been planned out that way. They got the rights to Spectre and Blofeld and mashed a way to get them to link in with Craig's other films - I really don't think when they made Skyfall they ever conceived of Spectre being behind it all - they made a definite step to move away from Quantum after QoS. If it was done in a thought out way and cleverly done it could work.

    It absolutely could work in theory, but I think it's well down the list of creative options. Why would an audience want to wait three years for the next episodic entry in the Bond series, when they have television shows such as GoT sating their appetite on a weekly basis, or Netflix allowing them to binge. I think Bond to all extents and purposes operates in a different creative space to other franchise films like SW and Marvel. I'm all for some character development across a tenure and threads of continuity between the major players, but I don't think the wider narrative should act as the connective tissue between films. As others have mentioned above, the ability to switch gears in reaction to the previous entry has always been Bond's trump card and they shouldn't forget that.
    Excellent point. I fully agree and was about to say something similar. Bond does operate in a different creative space. It also has an older audience, some of whom do not necessarily watch all the films in sequence. Bond is a tradition to many but not an obsession. My father is getting on, and I think part of his frustration may have been because I didn't give him all the prior entries to watch first, so that he could remember all the connections they were inferring in SP. I suspect he is not alone.

    EDIT: Moreover, Marvel, SW and co. are releasing these continuity stories at a much faster clip, and so the wait to know the next part of the saga is much less - as you note. We are increasingly becoming binge watchers due to tv as well.
  • RC7RC7
    Posts: 10,512
    bondjames wrote: »
    RC7 wrote: »
    tanaka123 wrote: »
    bondjames wrote: »
    As I said earlier, my dad, who is a big Bond fan and who only recently watched SP, highlighted this continuity thing as his biggest criticism of the film. He liked it otherwise (which I was surprised by). He didn't comment on the 'brother' thing, but he did mention the continuity/tie backs to past films as getting annoying.
    QOS was the first true sequel in the franchise, and it was lambasted by fans and critics alike. Not because the film is bad, but because with sequels people will compare the latest entry with the previous one with more scrutinity. And it doesn't help when the immediate predecessor is as highly rated as CR. .
    This is an excellent point.

    I think when Craig leaves they may move on from this approach, and go back to a non-linear timeline. It was something for the reboot era, but I don't think they are constrained by it, unless they choose to be.

    The thing is I don't think the idea of doing it is the problem, it's just it hasn't been done well. Why it doesn't work in Spectre is because it hadn't been planned out that way. They got the rights to Spectre and Blofeld and mashed a way to get them to link in with Craig's other films - I really don't think when they made Skyfall they ever conceived of Spectre being behind it all - they made a definite step to move away from Quantum after QoS. If it was done in a thought out way and cleverly done it could work.

    It absolutely could work in theory, but I think it's well down the list of creative options. Why would an audience want to wait three years for the next episodic entry in the Bond series, when they have television shows such as GoT sating their appetite on a weekly basis, or Netflix allowing them to binge. I think Bond to all extents and purposes operates in a different creative space to other franchise films like SW and Marvel. I'm all for some character development across a tenure and threads of continuity between the major players, but I don't think the wider narrative should act as the connective tissue between films. As others have mentioned above, the ability to switch gears in reaction to the previous entry has always been Bond's trump card and they shouldn't forget that.
    Excellent point. I fully agree and was about to say something similar. Bond does operate in a different creative space. It also has an older audience, some of whom do not necessarily watch all the films in sequence. Bond is a tradition to many but not an obsession. My father is getting on, and I think part of his frustration may have been because I didn't give him all the prior entries to watch first, so that he could remember all the connections they were inferring in SP. I suspect he is not alone.

    Yes, spot on.
  • DoctorNoDoctorNo USA-Maryland
    Posts: 755
    Agree with execution being the issue. If it was done well, everyone would be saying that continuity has enriched the story telling and made it more satisfying. Poorly done and you get fans debating it. You can do both and go back and forth. It does help when the movies aren't so far apart.
  • WalecsWalecs On Her Majesty's Secret Service
    Posts: 3,157
    DoctorNo wrote: »
    Agree with execution being the issue. If it was done well, everyone would be saying that continuity has enriched the story telling and made it more satisfying. Poorly done and you get fans debating it. You can do both and go back and forth. It does help when the movies aren't so far apart.

    Couldn't have said it better.
  • TheWizardOfIceTheWizardOfIce 'One of the Internet's more toxic individuals'
    edited May 2016 Posts: 9,117
    Most of the audience just go to see the film for an exciting night at the cinema. It's been a minimum of three years since the last one and even if they saw it they don't remember much about it. We are now expecting joe public to remember events from films, in SP's case released up to 9 years earlier!!! Yes it's fine for us obsessive fans but is it for the man in the street (who contributes 99% of the gross by the way)?

    The example I would use personally is MI:RN. I watched it once at the cinema and I'll probably go to see the next one. But I can't remember very much about it because I'm not that invested in it like I am Bond.

    By having the films so intrinsically built on continuation you force yourself into a position (which we are at now) with very little room to manoeuvre. Assuming Dan stays, on neither ignoring or continuing the Blofeld story started in SP are ideal solutions.
    DoctorNo wrote: »
    Agree with execution being the issue. If it was done well, everyone would be saying that continuity has enriched the story telling and made it more satisfying.

    And at the end of the day isn't this the bottom line?

    The whole execution, from the moment they followed on CR with a secret organisation arbitrarily named Quantum in the misguided idea it made the title make more sense, to the final collapsing of the whole house of cards with the desperately cobbled together SP final act the whole thing has not only not been carefully mapped out years beforehand but actually comes across as being written about 30 seconds before they start the camera rolling.

    I watched an interview with Vince Gilligan last and it's so obvious how much care and thought went into creating Breaking Bad and Better Call Saul and making sure it all interlocks so richly and rewardingly for the audience.

    EON's writing team by comparison are cavemen haphazardly scratching patterns on a rock with bits of flint.

    As a Bond fan it's embarassing quite frankly.

  • edited May 2016 Posts: 4,408
    The Bond contenders were out in force on Sunday for the BAFTAs. The big three most discussed candidates were theres; Tom Hiddlestone, Idris Elba and Aiden Turner.

    529196906.jpg
    tom-hiddleston-idris-elba-bafta-tv-2016-awards-01.jpg
    4094.jpg?w=1920&q=55&auto=format&usm=12&fit=max&s=c96dae3be7c5046c21db41c9da5ba923

    We got the usual responses from both Elba and Hiddlestone. Turner is a little more guarded.....
    http://news.tvguide.co.uk/poldarks-aidan-turner-addresses-james-bond-rumours-in-our-bts-bafta-interview/
  • 001001
    Posts: 1,575
    Most of the audience just go to see the film for an exciting night at the cinema. It's been a minimum of three years since the last one and even if they saw it they don't remember much about it. We are now expecting joe public to remember events from films, in SP's case released up to 9 years earlier!!! Yes it's fine for us obsessive fans but is it for the man in the street (who contributes 99% of the gross by the way)?

    The example I would use personally is MI:RN. I watched it once at the cinema and I'll probably go to see the next one. But I can't remember very much about it because I'm not that invested in it like I am Bond.

    By having the films so intrinsically built on continuation you force yourself into a position (which we are at now) with very little room to manoeuvre. Assuming Dan stays, on neither ignoring or continuing the Blofeld story started in SP are ideal solutions.
    DoctorNo wrote: »
    Agree with execution being the issue. If it was done well, everyone would be saying that continuity has enriched the story telling and made it more satisfying.

    And at the end of the day isn't this the bottom line?

    The whole execution, from the moment they followed on CR with a secret organisation arbitrarily named Quantum in the misguided idea it made the title make more sense, to the final collapsing of the whole house of cards with the desperately cobbled together SP final act the whole thing has not only not been carefully mapped out years beforehand but actually comes across as being written about 30 seconds before they start the camera rolling.

    I watched an interview with Vince Gilligan last and it's so obvious how much care and thought went into creating Breaking Bad and Better Call Saul and making sure it all interlocks so richly and rewardingly for the audience.

    EON's writing team by comparison are cavemen haphazardly scratching patterns on a rock with bits of flint.

    As a Bond fan it's embarassing quite frankly.
    Hey Ice wizard,

    The producers seem to take more notice of the box office than the reviews of critics or the bond fans, so to them with sp making so much money they see it as a successful film and move on to the next bond film more confident than ever that the series will continue for many more years.

    We all know the faults of sp but there's not much use in getting fired up everyday about it.

    Get fired up for the big one ,Liverpool winning the CUP and bagging manu which is more fun than bagging sp son.
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