It looks like you're new here. If you want to get involved, click one of these buttons!
^ Back to Top
The MI6 Community is unofficial and in no way associated or linked with EON Productions, MGM, Sony Pictures, Activision or Ian Fleming Publications. Any views expressed on this website are of the individual members and do not necessarily reflect those of the Community owners. Any video or images displayed in topics on MI6 Community are embedded by users from third party sites and as such MI6 Community and its owners take no responsibility for this material.
James Bond News • James Bond Articles • James Bond Magazine
Comments
I recall less and less enthusiasm as more marketing came out, including the 2nd trailer.
But maybe I am just thinking of the Dalton SP one... ;)
Now while somewhat confident, with Linus Sandgren being such an inspired choice, some of his work points to the same kind of look that SP had, but I think that Sandgren will definitely understand the Bondian essence that the films need.
For example: Simon West's Con Air wasn't originally written as a high-octane action flick, but as a drama-thriller more akin to Things To Do In Denver When You're Dead. Jerry Bruckheimer liked the "idea" but he didn't want it to be a small character-driven piece. The major difference here was that Scott Rosenberg rewrote his script entirely to suit Bruckheimer's vision, rather than walkaway and give it to someone else. Now, I'm sure that there are those of you that will say that you'd rather have seen a "small character-driven piece" rather than the "high-octane action flick" that Bruckheimer delivered on. Truth is, you'd have been in the minority back in 1997 and the B.O. would've reflected that. One only has to look at Rosenberg's script for Things to Do in Denver When You're Dead to see the B.O. results. A very good script, yes, but audiences stayed away in their droves. For obvious reasons, Bond can't afford to disconnect from its audience just to please a small minority that don't want to go-see an action movie.
Watching a couple of Bond films over Christmas I've noticed how high res digital tvs really ruin the cinematic experience. The detail is totally distracting and you're constantly reminded when a scene is shot on a set. CR and QOS both looked awful.
I haven't seen any of these movies in HD or 4K. What would you say is the best example of HD giving a Bond movie a new lease of life? Or, would you say they all take away some of the magic?
EDIT: I mean whether there was actually a 'golden idea' or not.
I haven't looked into it systematically but i would say HD is the enemy of an enjoyable filmic experience at home. The detail totally removes you from the experience. Utterly distracting and cheap looking.
Where it fails for me is with CGI, because if it's done poorly (as it has been done in the Bond films from QoS onwards) then it's all the more obvious.
Exactly. Once KJF's Bond 25 comes out and presuming it turns out great, nobody's going to really give a toss about whatever Boyle may or may not have done.
The Boyle idea will most likely just become one of those "what ifs" of the Bond series. An interesting part of the Bond 25 production maybe, but nothing more. I do however really, really want to know what the idea was.
That sounds like something Mendes could have come up with.
I've heard things here and there regarding this and... while I can't really say much at the moment, what they currently have planned for this film cinematography-wise definitely fits that bolded descriptor. Rest assured, don't think we'll be seeing Linus opting for First Man's vérité look for this film.
Well, he was Spielberg's protege at some point in his career - hint: it was at the beginning ;)
Really, @antovolk? Serious comments here and there? Wow, there's hope right there. Thanks, old pal. Made my day, this entry of yours. Cheers. Here's hoping for some La La land colouring and camera techniques!
Same. Upgraded to the Blu-ray set and watching the older films in such clarity has been amazing. Moonraker, I was thrilled they took the time to get all the labels on the instrument panels right.
Beware Motion Smoothing.
https://www.google.com/amp/s/www.cnet.com/google-amp/news/tom-cruise-fights-the-soap-opera-effect-for-mission-impossible-fallout-blu-ray/
Goodness, do yourself a favour and watch the Connery/Moore's and OHMSS in HD!
Good point :D
Did not know that!
I think Spielberg invited him to direct American Beauty. And the rest, as they say, is History.
Ooh. Colour me intrigued! ;)