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Agree on the edit - I don't mind mistakes being altered, but if you can't do it right, then don't do it. We all know he said MI7, and we've had decades to accept it.
I think this proves you need projector operators, not machines in cinemas!
(Also somebody fell asleep during the final act of Dr No and snored really loudly! It was more funny than annoying though. If he had continued through into Goldfinger I might have given him a little nudge!)
In today's news, a body was found pinned to a toilet door, by a bold fired from a speargun, in the Vue Cinema, Swansea. The suspect, who was seen fleeing the scene dressed in a wetsuit, was heard saying "Compliments of Sharkey".
;)
Indeed. Cinema showmanship is dead.
The only one I'd really be interested in seeing on the big screen although I did see it in a double bill with DAF when I was around 6 or 7.
That got me =))
Our presentation was quite good, although we had similar problem with the lights, okay during Dr No but didn't get them turned down till about 20mins into Goldfinger. Nice to see the SPECTRE teaser on the big(ish) screen. Oh for a screen the size the old Screen One in The Drake used to be…
The cinemas don't choose what to show. There are a series of double-bills and that is all they can show, this weekend it's LALD and TSWLM, then the two Dalton's, week after GE and TWINE and lastly Casino Royale and Skyfall.
I feel your pain, I remember when they did the Jaws reissue a few years back and they were all set to show that at selected screens but there was a back lash and it got more of roll out, I can't see that happening here though, I've voiced my disapproval on the Vue web site.
Does anyone know if this is being done.
At the recent Tiff Bond festival I attended 2012-13 they showed all 23 movies, but only first 7 had the polished to perfection treatment.
LALD to LTK showings were all grainier prints, that really were only good.
I didn't check out out anything 1995 onward as I only had so much time, so I made the older films priority, up to LTK.
I assume the Broz and Craig prints would be nice and sharp. Those movies are not old.
However the LTK print we got was a little grainy for my liking. Didn't like any of the Rog or Dalts prints actually, but the 1-7 showings were spectacular.
WikiP says shot on Arri Alexa (2880x2160 sensor) - would the master footage not be 4k resolution in the vertical and '3k' resolution (anamorphic) in the horizontal? If so this would make a pretty good 4k 'print' - certainly better than upscaled 1080p.
Or did they really never capture anything above 1920x1080?
Good to know.
Hope some of them come around soon.
IIRC the Ari footage was cropped to 1:78:1 (2880x1620). If they shot raw then thats the best they'd have had to work with, but in any event distro was 1920x1080. I doubt they can reissue any better than that without completely redoing the post (disclaimer: speculation on my part).
Despite grumblings over UHD, fact is we need 8K and we need it NOW, but not for anything to do with consumer CE. The production side needs to start working in it so that in 10, 20, or 50 years we're not looking back at stuff like Skyfall and lamenting how it doesn't stand up to Bonds shot on film years or even decades earlier. Moreover we have lost IMAX 70mm/15perf and even 8K is not enough to replace it. But I digress...
Looking forward to the Dalton double now.
I didn't notice any improvement with TLD/LTK, still enjoyed the experience, though.