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DN: Bond gets shocked by the vent, and the subsequent escape through the water valve system.
FRWL: MI6 (and Moneypenny) listens to the taped interview
GF: Bond fights and kills Odd Job
TB: Bond and Largo skeet shoot
YOLT: Bond steals the blueprints from Osato
OHMSS: The first ski chase
DAF: Bond vs Bambi and Thumper
LALD: The crocodile escape
TMWTGG: Goodnight finds herself in a car that flies (a Gremlin, no less!)
TSWLM: Jaws takes care of business during a Pyramids exhibition
MR: Jaws is dressed as a Carnival character in Rio
FYEO: Bond kills Locque
OP: The twins chase the clown in the post-title sequence
AVTAK: Zorin's business pitch on board his blimp.
TLD: The Prater scene, ending with the death of Saunders.
LTK: Bar fight
GE: The bungee jump
TND: The motorcycle/handcuff chase
TWINE: Bond kills Elektra
DAD: Gustav Graves skydives, with "London Calling" playing in the bg
CR: Bond's trip aces :D defeats Dimitrios.
QoS: Bond and Camille walk through the desert and find a bus ride back to town.
SF: Bond meets and talks to Severine in the casino.
1. The car chase and the ski chase in For Your Eyes Only are both still great fun to watch after 30 years - greatly helped in both cases by Bill Conti's excellent score. And no - I don't care if the score is corny and somewhat dated now. It just works a treat.
2. The pre-credits sequence from The Living Daylights. Even its recycling of a punchline from From Russia With Love is excellently done. (The fight to the death with Nekros outside the Hercules plane and the ice chase from the same film also rank high in my list.)
3. The Thames boat chase in the pre-title sequence of The World Is Not Enough. The best thing from the Brosnan-era.
Honorable mention should go to the parcours scene in Casino Royale.
I also like sequences in which the music is deliberately foregrounded to considerable effect. The sequence in Gumbold's office in On Her Majesty's Secret Service, for instance, with John Barry's highly effective score. Or the use of the 'Capsule in Space' theme in the pre-title sequence of You Only Live Twice. Or the variation on the main theme during the rooftop fight at Kobe dock in the same film. Or the Death of Fiona in Thunderball with its clever combination of diegetic (the drums) and extra-diegetic (the variation on Mr Kiss Kiss Bang Bang) music. Or the opera sequence from Quantum of Solace. Or the Big Band music accompanying the sequence in which Jack Petachi is done away with in Never Say Never Again - a vastly underrated score by Michel Legrand.
DN - "Bond, James Bond".....
FRWL- Grant/Bond fight (sheer brilliance)
TB - Bond/Domino chat up, anything between Bond and Fiona
YOLT - Bond/Samoan fight at Osato's
OHMSS - pretitles sequence including score at this point
DAF - Bond climbing outside Whyte's
LALD - Bond arriving, attempt on his life and being tailed in New York including score
TMWTGG - Bond/Andrea/Mary in his hotel room at night
TSWLM - nearly the whole film (and I mean that) except the Liparus tanker bit that goes on a bit
MR - Bond falling out of plane
FYEO - ski sequences (and in particular ski jump)
OP - auction scene
AVTAK - Eiffel tower
TLD - pretitles, Austria Koskov escape & Dalton/Pushkin confrontation
LTK - Bond escaping the Wave Krest at sea
GE - Bond/Onatopp car chase in Monaco
TND - pretitles & Kaufmann
TWINE - nothing - scrap this film please
DAD - Fencing strare down (I thought they were going to jump each other sexually) and fencing fight
CR - nearly the whole darn film again save for the Vienna climax
QoS - pretitles car chase and Bond stare down of Yusef & Canadian at the end
SF - psyche scene & tied to a chair feel down (up) scene
DN - Blasting Dent
FRWL- Kerim Bey blasting Krilencu
GF - Taming Pussy in the barn
TB - Underwater sea fight
YOLT - "My name is Ernst Stavro Blofeld"
OHMSS - PTS beach fight
DAF - Bambi and Thumper fight
LALD - Fight with Kananga
TMWTGG - Funhouse duel with Scaramanga
TSWLM - Shooting Stromberg 5 too many times
MR - "Tedious inevitability of an unloved season"
FYEO - End of Locque
OP - PTS in Cuba (blowing up the base)
AVTAK - Golden Gate bridge, end of Zorin
TLD - Fight with Necros on the plane
LTK - Sanchez taking out Krest
GE - Final fight with 006
TND - Sinking of the Devonshire
TWINE - Pipeline bomb scene where JB lets it explode
DAD - Jinx doing the Honey Ryder thing
CR - Verbal spat with Vesper on the train
QoS - Air duel with the Bolivian AF pilot
SF - Hell breaking loose at Skyfall
DN - 'You've had your six' - Dent killing/'Bond, James Bond'/Honey Ryder - can I have 3?
FRWL- Bond and Grant fight
GF - PTS
TB - Fight in the PTS
YOLT - "My name is Ernst Stavro Blofeld"
OHMSS - Gumbold safe-cracking
DAF - Scene between Bond and Tiffany with Plenty tied to bottom of swimming pool
LALD - Crocodile escape
TMWTGG - Bond slapping Andrea about
TSWLM - Anya declares she will kill Bond
MR - Corrine's death
FYEO - End of Locque
OP - Defusing the bomb
AVTAK - Golden Gate bridge fight
TLD - Bond confronts Pushkin in hotel room
LTK - 'Don't you want to know why?'
GE - Final fight with 006
TND - Car chase
TWINE - Boat chase
DAD - Sword fight
CR - Verbal spat with Vesper on the train
QoS - Fields found dripping with oil/elevator fight
SF - Bond at M's flat
OHMSS escape from Piz Gloria
FYEO rock climbing scene
Honourable mention to the skyscraper fight in SF.
Dr No
Bond's introduction at the casino
Goldfinger
Pussy Galore and Bond meeting each other socially
Thunderball
Aren't you in the wrong room ?
Goldeneye
Bond officially meets xenia at the casino
Tomorrow never dies
Bond and Paris love scene
The world is not enough
Bilbao's bank meeting.
Die Another day
Swordfight scene
Casino Royale
Im the money
Quantum of Solace
Bond confronts vesper ex boyfriend
Skyfall
Bond meets Mallory as the new M
FRWL – Bond meets Tanya (still used for screen testing actors to this day).
GF – “Shocking! Positively shocking.” (tied with “A roll in the hay with Pussy”)
TB – The death of Fiona.
YOLT – Little Nellie (tied with “The Wedding” with Barry’s superb music).
OHMSS – Escape from Piz Gloria (Barry scores another bull’s eye).
DAF – “I’m just popping out for a while.”
LALD – “Trespassers will be eaten!”
TMWTGG – “Lunch with Francisco.”
TSWLM – Ski jump…
MR – Bond gets the drop on Jaws.
FYEO – Hector’s poolside party (tied with ski chase).
OP – Player’s privilege.
AVTAK – Bond and Stacey share a quiche.
TLD – “Get on your knees!”
LTK – Pam’s concealed weapon (tied with “Watch the birdie, you…!”)
GE – Bungee jump & PTS.
TND – Bond waits for Paris.
TWINE – Boat chase on the Thames.
DAD – Delictados – Bond meets Raoul.
CR – “Blood on my hands.” Bond and Vesper in the shower.
QOS – A night at the opera.
SF – M quotes Tennyson’s “Ulysses”
-Getting drunk in QoS
-SF's inquiry shootout
-CR's stairwell fight and aftermath
I'll add one from SP, too:
-"Stay!", or really the entire clinic scene
1. The CR PTS
2. M's death scene
3. The torture scene in CR
4. Confronting Yusef
5. His look when he sees Solange dead
Other honourable mentions:
The SPECTRE meeting
The courtroom shootout
The train fight with Hinx.
- Drinking whiskey after stairwell fight
- Parkour chase
- Train with Vesper
- Vesper's Death
- Death of an Aston
- That hand nearly killed me.
- in the shower with Vesper
- scenes with Vesper post-Le Chiffre's death
- PTS
- TS
- Bond in M's flat
- Torture scene
QoS - Tosca
- Elevator fight
- Fields in oil
- PTS
SF - PTS
- TS
- Bond in M's flat
- Word association
- Bond and M outside the Aston in Scotland - 'you know the whole story'
- Silva's entrance
SP - PTS
- TS
- Torture scene
- Austria action
- Train fight
- Oberhauser's lair
- Spectre board meeting
Spectre- removing his skull mask to give Stefanie a kiss.
Skyfall-fighting Patrice on top of the train.
Casino Royale-crane fight.
Casino Royale-shooting Dryden .
He's been a fantastic Bond and second only to Connery IMO.
Agreed. The Craig Bonds are all I ever seem to want to watch. I can hardly watch the Brosnan films anymore.
Casino Royale is a very intelligent Bond-movie, as it clearly gives Craig in his first Bond-outing the opportunity to shine at key Bond-moments. In the first action scene after the titles, we're introduced to this trained killer, clearly also a bit of a loose canon on deck. Very striking for me to characterise the Craig-Bond, is the moment in the crane-fight-scene, when he runs through a wall. For me, that demonstrated the extreme determination, will power of this relentless hunter.
In the same movie, we see his vulnerable side (how he comforts Vesper after the staircase-fight, his shock when he can't reanimate Vesper) and his ability to "banter" with his co-star (the first scene of Bond and Vesper).
In Quantum of Solace, we very much get the same Bond, but without the vulnerability. This is the hunter all the way, in a LTK Dalton-mood, risking being thrown out of MI6 just to get his way.
For me, Skyfall is for Craig what Goldfinger was for Connery: all elements are present (Q, Moneypenny, a first class villain) and Craig clearly is very much at ease with the character. I love his banter with M (on seeing the 1965 Aston Martin: "I suppose that's completely inconspicuous") and Moneypenny ("Well, you gave it your best shot"). And some humour (running after the subway "He's keen to get home"), which he pulls off very well. In Skyfall, his vulnerability lies in his self-doubt. Unless I'm very much mistaking, there's not another Bond-film where Bond is so in doubt about his ability to continue as a 00. And of course, the death scene of M.
In Spectre, I find him too well eased in. He's so much at ease that he gets an air of indestructibility (if that's a word). OK, this is a Bond-movie, so we know who's gonna win. But it takes the edge a bit of.
All in all, with Daniel Craig, I think the franchise got a boost by having a Bond who is an excellent actor. That brings an intensity that was badly needed, imho. However, I find in the first three he is Bond, in Spectre he plays Bond - "look at me, look at all the fun I'm having". So I got his comments, when he said in an interview that he was through with the character. I do however hope he comes back for a final one, but with a new director.
We get along on Dalton: a very good Bond who stands the test of time. I keep dreaming about the fine Bond-moments he could have given us, if only he had been offered a few more movies. Such a shame!
An interesting point of view that I will politely disagree with. Bond's meeting with Madeleine I agree was written well enough, but the banter with Q is a little off, as is the humour. When Craig asks for his 'martini, shaken not stirred' I am left wanting Connery, Dalton or Brosnan back, they all said it far better and in such a Bond way as well.
The plane chase is decent, but unfortunately it is not conceived very well - when the plane emerges I am left thinking: "What? When? How? And WHY???" It made no sense to me. The humour with Q would, I think, have been best left out of the film. The chase redeems itself somewhat when the wings come off (but James Bond should have expected that, come on), at which point we do feel some sense of genuine urgency.
I do agree about how the chase is shot. There is enough urgency in the end, I think, without the camera getting Quantum shakes.
15. Final Scenes - Quantum of Solace
14. Death of Severine - Skyfall
13. Attack on Skyfall - Skyfall
12. Stairwell Fight - Casino Royale
11. Fight with Hinx - Spectre
10. Opening Tracking Shot - Spectre
9. Death of Vesper - Casino Royale
8. Tosca - Quantum of Solace
7. Helicopter Fight - Spectre
6. Tennyson - Skyfall
5. Fight with Patrice - Skyfall
4. Torture - Casino Royale
3. Chase in Madagascar - Casino Royale
2. Death of M - Skyfall
1. The Name's Bond, James Bond - Casino Royale
1. Macau hotel room / Casino scene in SF
2. Post-fight poker table and Shower scene with Vesper in CR
3. Fight with Slate in QoS
4. PTS in SP
5. Train fight in SP
6. Art museum scene in SF
7. Turkish beach sequence (especially with the scorpion) in SF
8. Card game at the Ocean Club in CR
9. Opera sequence in QoS
10. Clinic sequence in SP