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Thank you for your help!
I’ve heard various opinions about Solo. If it’s any good, let us know and I’ll check it out, eventually.
Horowitz thoroughly turned me off from reading any more of him with Trigger Mortis, but I would like to read Solo after your recommendation. I am also curious about Benson, and may also try him out whenever I find an available book.
IIRC that is the chapter based on Flemings' material, no?
I still quite like the TND novelization. It’s very fitting for the times we are going through now.
I also sort of like how different the films are. Gives us more Bond and I don’t have to necessarily always picture the film when reading. So I view them as totally different adventures.
On Amazon, according to the Mi6 article, one can buy the Flemings through Kindle in an entire bundle but I can't find where you can do this. Does anyone know? I did look when the article was first posted but I couldn't find it then either. Maybe if I click on one of them it'll give me the option for the entire bundle but I'm scared that I may end up just downloading one of them:
https://www.amazon.com/exec/obidos/ASIN/B0868BYV6R/mi6-20
Personally, I'm not sure about the kidnap thing. I like how the book didn't have yet another personal angle. This is something we get too much of in the films.
Exactly. Both were pretty good improvements.
Diana Rigg reading that poem, and realizing that her father is coming to rescue her, is a clear highlight of the film for me.
There's a good little article on the Mi6 website about Simon Raven's adaptation of James Elroy Flecker's Hassan.
Raven himself was a Fleming fan of long standing. He reviewed Casino Royale when it first came out, defended Doctor No against its critics, and reviewed DN, YOLT, TMWTGG, Amis's The Bond Dossier, and Pearson's Fleming biography.
Going back to the film, for me the prize moment in the scene you mention is the cut from "For thee the poet of beguilement sings" to Bond silhouetted against the alps, holding his machine gun. A magnificent shot that bridges visual poetry with verbal.
They improved the last act of GF by tweaking it to be sure... so I would give the nod to the movie, but I think the first two thirds are as good if not better in the book than the film.
I think OHMSS is the other most vibrant adaptation, but I wouldn’t put the movie over the book, ever. The book’s just too good.
I thought that the year of 69 would be brought up and maybe the kidnapping thing was something new for the time but I still read the OHMSS book today so not having a kidnapping still feels more fresh to me in comparison with all the overly personal angles in today’s films. :) If it were 1969 now, maybe I’d feel differently...I’m not sure. There was quite a personal angle in the book already what with Bond falling in love with the daughter of a man who became his ally and then marrying her, followed by her death so I may have always felt that the kidnapping was just a bit too much.
And I imagine if Fleming had written GF with the fight inside Fort Knox we might all prefer the book. And if he did that and kept it a heist, we might think the atomic bomb bit being a bit too much in the movie.
Read the first 3 chapters earlier.
I’d like to know what your opinions are when you are done, please.
I'll keep this thread updated as I work my way through.
Was Per Fine Ounce published?