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I think you could set an alien down and show him/her/it the Bond movies chronologically and they would some sense or feel of our last 50 years. Yep. And then they'd want a martini, an Astin Martin, and a babe.
How about other societal trends, barryt ? Men/women relations ? Fashion trends ? Manners ? Connery's suit are timeless yes... But the clothes Moore was wearing when he met XXX in the nightclub is quite out of fashion now... Really dates the scene in the 1970's...
Your argument is flawed. If the Bond films can be treated as "historical documents", then any film can. And if any film can be treated as an historical document, then there are hundreds of better candidates for being an historical document. Let's say it's the year 2102, and we're looking back on DIE ANOTHER DAY. What aspects of that film are representative of the year 2002? Giant space lasers? DNA transplants? RoboCop suits? Sure, you can say the relationship between North Korea and the West is shown, but it's hardly an accurate representation - North Korea does not have the budget for superweapons, Pyongyang would not tolerate a colonel who strayed from their stance, and the film took pains to depict the North Korean regime as moderate and relatively level-headed (as they are shown not to advocate aggression).
I know we've had our clashes in the past, but I've been nothing but civil here. I haven't gone off-topic (until just now), attacked other members or done anything that might raise the ire of the moderators.
I took the time to make an argument; if you're going to shoot it down, then the least you can do is explain why you're shooting it down.
Let's take YOU ONLY LIVE TWICE as an example. In order to complete his assignment, Bond integrates into life with Kissy Suzuki. Although it is never specifically stated, it can be extrapolated that he is living life with the Ama people, as he does in the novel. We'll say he is for the sake of the argument. How can you gurantee that these scenes are even representative of the Ama lifestyle and culture? How do you know that Ian Fleming and/or Roald Dahl did not exercise creative licence when they wrote these scenes? This is precisely why you cannot use a work of fiction as a definitive example of a work of fiction - there is no way of verifying that what is shown is accurate. Especially since we can demonstrate that other scenes within the film are innacurate; SPECTRE volcano is described as extinct, but it later erupts after explosions destroy the crater. This would not be enough to jump-start a dormant volcano, much less an extinct one. If this scene contains creative licence, how can you say with any certainty that the scenes on the Ama island are accurate? And if you use another text to verify those scenes, then its tands to reason that that text is a better representation of life in that time simply because it is factual whereas the film is a work of fiction.
So you are telling my only 5 films are a year are good depiction of fashion trends ? Total bullsh*t.
My post had nothing to do with the year 2000. You're only three and a half decades off.
When has Oscar nominations ever meant anything ? Are John Ford and Alfred Hitchcock total hacks compared to Paul Haggis, since he won an oscar and not them?
I can't believe someone would post such idiotic argument. Sorry.