It looks like you're new here. If you want to get involved, click one of these buttons!
^ Back to Top
The MI6 Community is unofficial and in no way associated or linked with EON Productions, MGM, Sony Pictures, Activision or Ian Fleming Publications. Any views expressed on this website are of the individual members and do not necessarily reflect those of the Community owners. Any video or images displayed in topics on MI6 Community are embedded by users from third party sites and as such MI6 Community and its owners take no responsibility for this material.
James Bond News • James Bond Articles • James Bond Magazine
Comments
I hope this doesn't mean more psycho-babble from Judi Dench.
But I have to admit I am lost for words. I cannot see how Bond could develop throughout the course of a more traditional film. Probably Mendes and Logan have a new fresh new take on the character and on the Bond films. If done right it could be great.
I love the idea of Bond learning, for any character this can often be very good, but how this applys to James Bond, a standard character, I don't know.
Maybe there is some ideas from the books I'm forgetting that could be used. I very much doubt that. I expect to be impressed, this time next year. Bond 23 looks to have the cast and crew on board to do so. This should be a great start to a new beginning.
I'll look for the interviews were Craig says this, to back me up.
And yes, I agree, it could come from the books, and I am also forgetting these ideas.
I'd say maybe Bond will learn how to be able to command a big team successfully and this will be shown in the final battle but being Commander Bond, he would already know this.
This is what BOND 23 should do. The villain (and I suspect it will be Javier Bardem) should take away everything that Bond represents so that it appears that the only way to defeat him is to essentially become a villain himself. Of course, Bond will overcome this in the end, but the fact that he is willing to do the unspeakable to accomplish his mission should be a nice idea to explore. If you want a particularly good example of this, check out the second season of "Angel". Despite being the hero, Angel is willing to commit cold-blooded murder, drives his handful of friends away, ignore his repsonsibilities as a champion for humankind, and allows two rampaging vampires to commit a massacre, and all of in his pursuit of destroying an evil law firm (long story). By the end, the audience is supposed to hate Angel for what he is willing to do (and this is done very effectively). Of course, this was done over the course of about eight to ten episodes, and a two-hour Bond film doesn't nearly have enough time to do the same - but I think exploring just how far Bond is willing to go, even if it means becoming a villain himself, would be an interesting way to go. Most television series and films will stop just short of sending their heroes over the edge of darkness; Bond should go all the way over and see what happens next.
Maybe the rumour of Quantum already having control of the economy at the start of the film will also show Bond growing, having to face a new challenge. That'd good to hear. You did miss a lot while you were away so there is plenty to catch up on. Make sure you know everything!
"They turn the usual Bond story upside down. Typically 007 chases a megalomaniac and restrains him from taking over world domination in the end. This time Bond has to learn just in the beginning that Quantum already has world domination. That also defines the title: The property of this lady is the whole world. And of course Quantum does it's best to go to war against Bond and MI6, with disturbing means. "They really shock the audience this time", the source said.
http://www.mi6-hq.com/sections/articles/bond_23_report_apr10.php3?t=&s=articles&id=02526
Maybe when Quantum return it'll be used.
At the same token, M's mothering also should be scaled back.
M states when Bond shows up in Siena with White that he's not had much sleep. If the villa scene takes place directly after the scene where Bond's talking to M about Vesper, then that would mean that Bond didn't have sleep while sorting his life out with Vesper.
Mathis has had time to enjoy his release from MI6 holding (and a trial happened, I believe is mentioned in the dialogue), and return to his routine. Not only that, but he's not harboring any real hard feelings toward Bond, meaning he's had time to put what happened behind him.
EON probably meant that QoS took place 20 minutes after the ending of CR, meaning there is probably time between Bond and M talking about Vesper and Bond capturing Mr. White.
As far as games being non-canon, I only really add in the original games, but I put in QoS simply because it gives us a hint and EON sanctioned it.
The timestamp on the Blu-ray (who records security footage on a Blu-ray? Seriously?) is subject to being retconed or corrected at any future date should EON wish to move the timeline up or back or whatever. All we really need to keep is the time that Bond is looking for using the text message.
Lets get back on direct topic.
To me, Bond in CR and QoS was a hurt, energetic puppy. Bond 23 should show him become a tailored Shepard. I expect us to see MI6 spoil him with the lavish locations and hospitality, such as the gadgets, infinite budget, and the lavish resorts he seems to stay at.
Connery and Moore had the eyebrow. Lets see Craig raise that brow. Where does he get the pep in his step? The extreme cockiness. What drives him to do what is necessary for Queen and Country, we havn't really seen that too much in CR and QoS, at least not in the main plot.
That and the party scene are the direction B23 needs to go, QoS was closer than CR.
EDIT: And now that I remember, they used the taxi when they got there. I forgot that Fields showed up at the airport. Anyway, they had no other means of transport.