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It was 245m, I think.
I see that as him saying that a big budget has to be justified by making a better film. Are QOS and SP twice the films that CR is?
$300M was the gross. I believe $245M is after incentives (Aston, Mexico, Heineken and that sort of thing etc.).
Very good point. When I get time, I'll calculate the ROI and adjust for inflation too.
CR was shot mostly indoors. For film standards, the casino was really cheap. I wonder if the first half-hour of the movie costed more to shoot than the entire rest of it.
I agree. 100%. In fact, I think a lower budget inspires film makers to be creative. Indie film-makers for example are extremely resourceful with the little funds they have.
Next Bond film should have a budget cap of 200m.
All of the raw data is sourced from a site called The Numbers
This is non-inflation adjusted (so pretty much meaningless) US/Canada and worldwide gross:
This is inflation adjusted US/Canada domestic. TB is tops:
This is inflation adjusted worldwide gross. Take this with a pinch of salt because it's very difficult to properly inflation adjust gross over 50+ years (how do you reliably determine how these various country's ticket prices inflated over that time?). Still, someone tried to do it, and it's the best data we have. SF is tops on gross but note that the earlier films were much more profitable:
This is worldwide ROI (using data from the previous chart). The first three films are by far the most profitable, but LALD & DAF are surprise hits:
This is an attempt to determine US audience size (using average US ticket prices at certain times when the films were released). TB wins again:
This is an attempt to determine worldwide audience. It has a lot of assumptions however, most notably average ticket price. Since that is not published for all locations (especially going back 50 years), the analyst has used US ticket prices during the respective timeframes. Not an accurate way to do it, but again it's the best we have. Discount these results though on account of the false assumptions:
Hope that helps.
But sometimes a lower ROI isn't bad. Spectre had a bloated budget and a smaller profit than Skyfall, but MGM also made hundreds of millions in profits.
Thrift may be the worst possible outcome because profits are (a) taxed and (b) not invested.
Interesting. So in bums on seats terms Spectre did good.
I wish Bond productions would be limited to 100 or 150 million and dealt with as @Mendes4Lyfe suggests: James Bond is primarily a sleuth disguised as a wealthy businessman.
https://mi6community.com/discussion/5523/box-office-wise-how-does-bond-compare#latest
There are a lot more people in the world now than in 1963...
It sure seems that way, yes. I think some big films haven't performed as well as expectations and the market is becoming less predictable. Inevitably that leads to a more cautious investment perspective by the studio execs. That bodes well for the next Bond film imho.
Off-topic, but I'm surprised to learn that LTK took in less at the box office than even 1967's spoof Casino Royale. But I don't tend to hold LTK's box office performance against it, as I believe it was hurt by a backflip in the marketing campaign (sudden title change) and the fact that it was released next to The Last Crusade, Batman and all the other films dominating 1989. Though it does seem that the beating it took at the box office has kept the producers from releasing another Bond flick in the summer.
Yes, and for a long while, a big part of the world's population couldn't even see a Bond movie in the theaters.
What was the logic for them tightening the purse-strings? Was it because Bond was a brand in jeopardy, after 6 years in the wilderness and Dalton's less than stellar financial run? Nonetheless, it seems an odd move to bet the resurrection ofthe franchise on such a meagre budget.
Having said that, Martin Campbell is a genius for making such a lavish and well crafted film for half the price he did with CR. There's nothing in GE that looks like it was done on the cheap.
Once it was a smash, they upped it for TND. The same thing happened with CR, but to a lesser extent. In both cases, Campbell delivered a ground breaking film on a smaller budget than his successors.
Yes, I have definitely read that LTK was more successful overseas than in the US, and the gross shows that (it had a '4.5 X' factor, which only SP, LALD & TMWTGG come close to matching).
Dalton just didn't catch on in the US.
QOS over DAD and GE is simply not true.
In almost every single available country that released ticket sales numbers QOS did considerably worse than DAD or GE.
Also CR is way too high in that chart. It was less successful than DAD.
I will do the homework and provide figures for Switzerland, Germany and Austria.
It's one of the most important markets for Bond.