On This Day

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• RichardTheBruce I'm motivated by my Duty.

  September 2020 Posts: 13,787

  September 18th
  
  1959: Kevin McClory's partner Ivar Bryce writes a letter to Ian Fleming about his experience on the Queen Mary. Specifically, a screening of the Alfred Hitchcock film North by Northwest.

  

  The Battle for Bond, Robert Sellers, 2007.
  Chapter 7 - Hitchcock for Bond

  "It’s the most terrific Bond-style thriller - almost plagiarising – and superb.
  You must manage to see it somehow. It is exactly the picture we are
  trying to make...
  
  Hitchcock would be worth it, if we could get him."

  

  
  1965: MacLean's Reviews prints "Secret Letters of the Man Who Invented OO7" by Gene Telpner.

  

  MACLEAN’S REVIEWS
  SECRET LETTERS OF THE
  MAN WHO INVENTED 007

  See the complete article here:
  
  http://archive.macleans.ca/article/1965/9/18/secret-letters-of-the-man-who-invented-007[/center]

  GENE TELPNER September 18 1965
  SECRET LETTERS OF THE MAN WHO INVENTED 007
  
  MACLEAN’S REVIEWS
  
  WITH THE JAMES BOND CULT flourishing so lustily throughout North America and most other parts of the semicivilized world, it’s hard to believe there might yet be any fascinating facts still unrevealed about Bond or his creator, the late Ian Fleming.
  
  But a previously unpublicized side of Fleming has just come to light in, of all places, Winnipeg. There, one man's collection of personal letters from Fleming reveal the famous, bestselling British spy novelist as a person who was as modest, self-effacing and cautious as Secret Agent 007 is brash and bold.
  
  The owner of the letters is a publicity-shy businessman named Albert D. Cohen, who is, among other things, board chairman of the Metropolitan Stores of Canada five - and - dime chain. Cohen, whose corporate duties often carry him abroad, first met Fleming in London in 1960, through a mutual friend. To Cohen, their first meeting seemed like a casual social encounter that showed no promise of developing further. However, Cohen returned to London the next year, this time with his wife and their son Anthony. and the whole family became acquainted with Fleming. Inevitably, talk between the two men turned to business. Back home, in September 1961, Cohen got his first letter from Fleming. “I was much interested in hearing your tale of Metropolitan Stores,” said Fleming, in a letter he pecked out himself on his typewriter. “It looks like an immensely exciting affair, and with you as chairman 1 am sure it will be a most profitable venture. Please let me know if you advise me to make a modest investment in shares.”
  
  That may sound like asking a football coach if he expects his team to win tomorrow, but Cohen's reply was evidently free of any false optimism. For Fleming wrote again on October 11, this time revealing a cautious nature that 007 would have scorned. “With the rather difficult market conditions ruling at present it doesn’t seem that I need be in any hurry to purchase shares,” he wrote. “But when conditions look a bit better perhaps I may write to you again.”
  
  A full year was to pass before Fleming—already a wealthy author growing wealthier every day—would plunge in to become a Metropolitan shareholder.
  
  Meanwhile he continued to write to Cohen about other things, including the magazine pieces that were making him a celebrity on both continents.
  
  “You will see a really terrifying photograph of me in the December issue of Esquire,” he warned on November 29, 1961, “and in one of the January issues of Sports Illustrated you will find an article on the guns of James Bond which I hope will entertain you. Otherwise, life goes on much as usual . . .”
  
  Subconsciously or otherwise, Fleming was starting to think Canadian, for his next book, The Spy Who Loved Me featured a heroine from Canada.
  
  When this book appeared. Fleming expressed an acute—though perhaps bemused—interest in its acceptance in Canada: “I think Canadian book shops have been a bit leery of it as I have some rather spikey things to say about Quebec!”
  
  But he was managing to live with these notions of ill fame: “Thanks to plenty of nicotine and alcohol I am keeping fit enough and just finished an immensely long James Bond story for next year.”
  
  In the same letter, he announced he was about to invest in Metropolitan stock. Cohen responded by sending corporate information, including photographs of some stores. Fleming replied tongue in cheek: “There seems to be a whole lot of goods on the shelves but nobody actually buying them. Perhaps you have managed to tempt some customers in by now!”
  
  And in the same letter—from the man whose books were among the hottest literary properties in years: “I have absolutely no news for you as my life has been totally uneventful. But I hope you were amused by the profile of me in Life Magazine of August 8.”
  
  In October 1963, Cohen and Fleming exchanged regrets over invitations they had extended to each other— Cohen was opening a new' store, and From Russia With Love was opening in London. Fleming commented: “It is indeed extraordinary the amount of publicity this fellow James Bond and I are getting all over the place. Although it’s good for business, to tell you the truth I would be very glad to pass some of it on to the Metropolitan Stores!”
  
  Then he added: “I see your shares are on the move. Good show'!”
  
  The two men managed to meet again more than once—though not as often as both wished—and Fleming once broke a luncheon date with Allen Dulles, then head of the U.S. Central Intelligence Agency, in order to see Cohen.
  
  Fleming wrote his last letter to Cohen not long before he died, once again revealing himself as a romantic almost childishly fascinated by the activities of other men but easily bored by the humdrum life of a fiction writer.
  
  From his vantage point, it was Cohen who was the exciting personality, living an adventurous life that made him a sort of businessman equivalent of James Bond himself. For in the flyleaf of a book he gave to his friend the board chairman, 007’s creator wrote, with apparent sincerity:

  “To Albert D. Cohen—Man of Action. From lan Fleming.”

  GENE TELPNER

  1967: James Bond i Japan (James Bond in Japan) released in Norway.

  

  
  "You Only Live Twice", Coldplay, 2009. (Recorded live in Norway.)
  

  
  1981: 007 - Somente Para Seus Olhos released in Brazil.

  
  https://www.facebook.com/JamesBondBrasil/videos/307865546672749/

  
  2006: Construction of a new stage at Pinewood begins, to replace the structures damaged in a July fire.
  2007: Adobe Flash releases browser game Avenue of Death developed by TAMBA Internet and based on a chapter of Charlie Higson's Young Bond novel Hurricane Gold .

  
  https://www.adsoftheworld.com/forum/16885
  Submitted by willcheng on Tue, 2007-09-18 11:21

  TAMBA & Fleming Media are proud to present Avenue of Death, a viral game to promote the launch of the fourth Young Bond book, Hurricane Gold.
  
  http://www.avenueofdeath.com
  
  Many have failed in their quest to survive the tricks and traps along the Avenue of Death.
  
  Use the keyboard arrow keys to control James and space bar to jump.
  
  You must collect coins and more importantly matches in order to escape the Avenue of Death.
  
  Watch out for sinister creatures who will try and thwart your attempts at survival.
  No one will be happier to see you dead than El Huracan. Don't let him have the pleasure and complete the challenge.
  
  Any input would be great.
  
  Thanks
  
  Young Bond: Avenue of Death

  
  
  
  
  

  2008: "Another Way to Die" premieres on The Jo Whiley Show, BBC Radio 1.
  
  2019: Dynamite Comics releases James Bond 007 #11 continuing Goldfinger.
  Robert Carey, artist. Greg Pak, writer.

  

  JAMES BOND 007 #11

  Cover A: Dave Johnson
  Cover B: Khoi Pham
  Cover C: Gleb Melnikov
  Cover D: Robert Carey
  Writer: Greg Pak
  Art: Robert Carey
  Genre: Action/Adventure
  Publication Date: September 2019
  Page Count: 32 Pages
  ON SALE DATE: 9/18/2019

  "Goldfinger" continues. Infiltration. A mad love. Someone goes unhinged.
  From GREG PAK (Agents Of Atlas, Star Wars) and ROBERT CAREY (Aliens: Resistance).

  
  
  Cover A: Dave Johnson
  
  Cover B: Khoi Pham
  
  Cover C: Gleb Melnikov
  
  Cover D: Robert Carey
  
  
  
  
  
  
  
  
  
  
  

  
  
• RichardTheBruce I'm motivated by my Duty.

  September 2020 edited September 2020 Posts: 13,787

  September 19th
  
  1954: Blanche Ravalec is born--France.
  
  1963: Honor Blackman gives notice she will leave The Avengers, a secret kept until February 1964. Her final episode "Lobster Quadrille" presents a nod to the upcoming Bond role.

  

  1965: Goldie is born--Walsall, Staffordshire, England.
  
  1984: A View to a Kill films that bedroom scene with OO7 and May Day.
  1987: 007 - Zona pericolo released in Italy.

  
  
  
  
  
  

  
  1998: Robbie Williams scores a #1 hit in the UK with "Millennium".

  
  
  

  
  2012: The James Bond 007 fragrance comes available in the United Kingdom.

  

  James Bond
  For your nose only: James Bond gets
  his first fragrance

  https://www.gq-magazine.co.uk/article/james-bond-007-official-fragrance

  

  By Oliver Franklin-Wallis
  27 July 2012

  Whether in Ian Fleming's novels or the film outings, 007 has never been subtle about his preference for particular brands of car, drink or tailor - but Bond was never particularly forthcoming about his choice of cologne. (The closest we get is Fleming's own preference for Floris No.89.) That's all set to change with the unveiling of the first official James Bond fragrance, arriving in September from P&G to mark the franchise's 50th anniversary. Thankfully, the scent eschews hints of Aston Martin leather and martini top notes for a modern take on classic Sixties fragrances, with hints of fresh apple, cardamom, sandalwood and vetiver. Because given what we've seen of Daniel Craig's motorcycle-riding, Bérénice-seducing, Heineken-swigging hero in Skyfall, he's going to need to freshen up...

  £25 for 50ml. Available exclusively at Harrods from 15 August
  15. Available nationwide from 19 September. 007.com

  2015: HarperCollins releases the audio book for Anthony Horowitz's Trigger Mortis, read by David Oyelowo.

  
  

  2016: BBC Radio-4 airs its radio drama of Thunderball.
  2017: Bernie Casey dies at age 78--Los Angeles, California.
  (Born 8 June 1939--Wyco, West Virginia.)

  

  Bernie Casey, Football Star
  Turned Actor, Poet and
  Painter, Dies at 78

  See the complete article here:
  

  https://www.hollywoodreporter.com/news/bernie-casey-dead-actor-nfl-910749

  4:38 PM PDT 9/20/2017 by Mike Barnes
  
  Bernie Casey

  His film résumé includes
  'Boxcar Bertha,' 'Never Say
  Never Again,' 'Brothers,'
  'Revenge of the Nerds' and
  'Bill & Ted's Excellent Adventure.'

  Actor Bernie Casey, who appeared in such films as Boxcar Bertha, Never Say Never Again and Revenge of the Nerds after a career as a standout NFL wide receiver, has died. He was 78.

  Casey, who also starred in Cleopatra Jones and several other blaxploitation movies of the 1970s, died Tuesday after a brief illness at Cedars-Sinai Medical Center in Los Angeles, his representative told The Hollywood Reporter.
  
  In the Warner Bros. drama Brothers (1977), Casey distinguished himself by portraying a thinly veiled version of George Jackson, a member of the Black Panther Party who was killed in what officials described as an escape attempt from San Quentin in 1971. His writings had inspired oppressed people around the world, and Bob Dylan recorded a song as a tribute to Jackson in 1971.
  
  Casey also wrote, directed, starred in and produced The Dinner (1997), centering on three black men who discuss slavery, black self-loathing, homophobia, etc. while sitting around the dinner table.

  Casey played a heroic former slave and train robber in Martin Scorsese's Boxcar Bertha (1972), was CIA agent Felix Leiter (a recurring character in Bond films) in Never Say Never Again (1983) and portrayed U.N. Jefferson, the president of the Lambda Lambda Lambda fraternity, in Revenge of the Nerds (1984) and two follow-up telefilms.

  In Bill & Ted's Excellent Adventure (1989), Casey played schoolteacher Mr. Ryan ("Who was Joan of Arc?" he asks, and Keanu Reeves' Ted guesses, "Noah's wife?"), portrayed a detective opposite Burt Reynolds in Sharky's Machine (1981) and stood out as the prisoner who protects Eddie Murphy in jail in the sequel Another 48 Hrs. (1990).
  
  And not long after he unexpectedly retired from the Los Angeles Rams, Casey portrayed Chicago Bears player J.C. Caroline in the 1971 ABC telefilm Brian's Song, the heart-wrenching tale about the friendship between Brian Piccolo (James Caan) and Gale Sayers (Billy Dee Williams).
  
  A true Renaissance man, Casey also was a published poet as well as a painter whose work was exhibited in galleries around the world.
  
  Bernard Casey was born on June 8, 1939, in Wyco, West Virginia. He was raised in Columbus, Ohio, and attended Bowling Green on a football scholarship (he returned to the school years later to earn a master's in fine arts).
  
  An elegant 6-foot-4 halfback and flanker, Casey led the Falcons to the national "small college" championship in 1959 and was named to the Little All-American team. He also excelled in the high hurdles for the track team and competed in the 1960 U.S. Olympic trials.
  
  The San Francisco 49ers made Casey the ninth overall pick in the NFL Draft, and he spent six seasons with the team (1961-66) as quarterback John Brodie's favorite receiver. In one game in his final year with the team, he caught 12 passes for 225 yards.
  
  Casey then spent two solid years with the Rams but shockingly retired in his athletic prime before the 1969 season, finishing his pro career with 359 catches for 5,444 yards and 40 touchdowns. Just 30, he wanted to concentrate on acting, painting and poetry.
  
  "When that sojourn is over and you're 32 or something, when most people are just beginning to understand who they are, what they can do and what life is all about, you have been considered in the world of sports a dinosaur," he once said in a piece for NFL Films. "From that point on, it's a downward spiral into the abyss of non-consideration and obscurity and a lot of other things that they never recover from. I want to think in my instance, it's the beginning. There's a lot of life left after 32."
  
  Casey made his movie debut in the sequel Guns of the Magnificent Seven (1969) and then starred opposite Jim Brown, another recently retired NFL star, in ...tick... tick... tick... (1970).
  
  Casey received top billing in Hit Man (1972) as the title character, a no-nonsense guy who investigates his brother's death at the hands of mobsters, and then played Reuben Masters, Tamara Dobson's lover, in Cleopatra Jones (1973).
  
  His other blaxploitation work included Black Chariot (1971), Black Gunn (1972) and Dr. Black, Mr. Hyde (1976), and years later, he appeared in the genre parody I'm Gonna Git You Sucka (1988), directed by Keenen Ivory Wayans.
  
  Casey portrayed basketball star Maurice Stokes, who spent the last 10 years of his life paralyzed, in Maurie (1973), was a cop in Cornbread, Earl and Me (1975) and played Col. Rhumbus in Spies Like Us (1985). He also appeared in The Man Who Fell to Earth (1976), John Carpenter's In the Mouth of Madness (1994), The Glass Shield (1994) and Once Upon a Time … When We Were Colored (1995).
  
  On television, Casey played a minor-league baseball coach who could still hit on the short-lived Steven Bochco drama Bay City Blues and was in Roots: The Next Generations and Star Trek: Deep Space Nine.
  
  Casey received an honorary doctorate degree from The Savannah (Georgia) College of Art and Design, where he served for years as chairman of the board and advocated for arts education.
  
  He had many fans of his paintings.
  
  "I cannot see what Bernie Casey sees," Maya Angelou said in 2003 to promote an exhibit of his work. "Casey has the heart and the art to put his insight on canvas, and I am heartened by his action. For then I can comprehend his vision and some of my own. His art makes my road less rocky, and my path less crooked."
  
  Duane Byrge contributed to this report.

  
  Bernie Casey (1939–2017)
  https://www.imdb.com/name/nm0143378/?ref_=fn_al_nm_1
  
  Filmography

  Actor (81 credits)
  
  2007 Vegas Vampires - Bloodhound Bill
  2006 When I Find the Ocean - Amos Jackson
  2005 Girlfriends (TV Series) - Judge Edward Dent
  - Judging Edward (2005) ... Judge Edward Dent
  2002 On the Edge - Rex Stevens
  2001 The Last Brickmaker in America (TV Movie) - Lewis
  2001 Tomcats - Officer Hurley
  2000 Just Shoot Me! (TV Series) - Bernie Casey
  - A&E Biography: Nina Van Horn (2000) ... Bernie Casey
  2000 For Your Love (TV Series) - James, Mel and Reggie's Father
  - Father Fixture (2000) ... James, Mel and Reggie's Father
  
  1999 Batman Beyond (TV Series) - Tyrus Block
  - Once Burned (1999) ... Tyrus Block (voice)
  1999 The Simple Life of Noah Dearborn (TV Movie) - Silas
  1997 The Dinner - Good Brother
  1995 Babylon 5 (TV Series) - Derek Cranston
  - Matters of Honor (1995) ... Derek Cranston (uncredited)
  - Hunter, Prey (1995) ... Derek Cranston
  1995 SeaQuest 2032 (TV Series) - Admiral Vanalden
  - Chains of Command (1995) ... Admiral Vanalden
  1995 Once Upon a Time... When We Were Colored - Mr. Walter
  1994 In the Mouth of Madness - Robinson
  1994 The Glass Shield - James Locket
  1994 Revenge of the Nerds IV: Nerds in Love (TV Movie) - U. N. Jefferson
  1994 Star Trek: Deep Space Nine (TV Series) - Calvin Hudson / Commander Calvin Hudson
  - The Maquis: Part II (1994) ... Calvin Hudson
  - The Maquis: Part I (1994) ... Commander Calvin Hudson
  1993 Street Knight - Raymond
  1993 Time Trax (TV Series) - Ernest Cooper
  - The Contender (1993) ... Ernest Cooper
  1993 The Cemetery Club - John
  1992 Evening Shade (TV Series) - Director
  - The NFL on CBS (1992) ... Director
  1992 CBS Schoolbreak Special (TV Series) - Edwin Gaines
  - Sexual Considerations (1992) ... Edwin Gaines
  1992 Under Siege - Commander Harris
  1992 Revenge of the Nerds III: The Next Generation (TV Movie) - U.N. Jefferson
  1990 Hammer, Slammer, & Slade (TV Movie) - John Slade
  1990 Chains of Gold - Sergeant Falco
  1990 Another 48 Hrs. - Kirkland Smith
  
  1989 Hunter (TV Series) - Sgt. Del Weber
  - Investment in Death (1989) ... Sgt. Del Weber
  1989 Mother's Day (TV Movie) - Cale Sturgis
  1989 Murder, She Wrote (TV Series) - Doc Evans
  - Three Strikes, You're Out (1989) ... Doc Evans
  1989 Bill & Ted's Excellent Adventure - Mr. Ryan
  1989 Boogie Down Productions: Jack of Spades (Video short) - John Slade
  1989 L.A. Law (TV Series) - Lieutenant Jack Dolan
  - To Live and Diet in L.A. (1989) ... Lieutenant Jack Dolan
  1988 I'm Gonna Git You Sucka - John Slade
  1987 Rent-a-Cop - Lemar
  1987 Amazon Women on the Moon - Maj. Gen. Hadley
  (segment "The Unknown Soldier" [TV cut & DVD only]) (uncredited)
  1987 First Offender (TV Movie) - Charlie
  1987 Backfire - Clinton James
  1987 Steele Justice - Det. Tom Reese
  1986 Pros & Cons (TV Movie) - Lt. Bernie Rollins
  1985 Spies Like Us - Colonel Rhombus
  1985 Alfred Hitchcock Presents (TV Series) - Bernie
  - Method Actor (1985) ... Bernie
  1984 Revenge of the Nerds - U.N. Jefferson
  1983-1984 Bay City Blues (TV Series) - Ozzie Peoples
  - Rocky IV-Eyes (1984) ... Ozzie Peoples
  - Play It Again, Milt (1984) ... Ozzie Peoples
  - Look Homeward, Hayward (1984) ... Ozzie Peoples
  - Going, Going, Gone (1984) ... Ozzie Peoples
  - I Never Swung with My Father (1983) ... Ozzie Peoples
  1984 The Fantastic World of D.C. Collins (TV Movie) - J.T. Collins
  1983 Never Say Never Again - Leiter
  1982 Hear No Evil (TV Movie) - Monday
  1982 Trapper John, M.D. (TV Series) - Thornie Thornberry
  - Love and Marriage (1982) ... Thornie Thornberry
  1982 A House Divided: Denmark Vessey's Rebellion (TV Movie)
  1981 Sharky's Machine - Arch
  1981 The Sophisticated Gents (TV Series) - Shurley Walker
  - Episode #1.3 (1981) ... Shurley Walker
  - Episode #1.2 (1981) ... Shurley Walker
  - Episode #1.1 (1981) ... Shurley Walker
  1980 The Martian Chronicles (TV Mini-Series) - Major Jeff Spender
  - The Martians (1980) ... Major Jeff Spender (credit only)
  - The Settlers (1980) ... Major Jeff Spender (credit only)
  - The Expeditions (1980) ... Major Jeff Spender
  
  1979 Harris and Company (TV Series) - Mike Harris
  - That's What I Owe You (1979) ... Mike Harris
  - The Loneliest Night of the Week (1979) ... Mike Harris
  - A Very Special Person (1979) ... Mike Harris
  - Choices (1979) ... Mike Harris
  1979 Roots: The Next Generations (TV Mini-Series) - Bubba Haywood
  - Part IV (1917-1921) (1979) ... Bubba Haywood
  1978 Love Is Not Enough (TV Movie) - Mike Harris
  1978 Ring of Passion (TV Movie) - Joe Louis
  1977 Ants! (TV Movie) - Vince
  1977 Mary Jane Harper Cried Last Night (TV Movie) - Dave Williams
  1977 Brothers - David Thomas
  1975-1977 Police Story (TV Series) - Hamilton Ward / Duke Windsor
  - The Six Foot Stretch (1977) ... Hamilton Ward
  - Company Man (1975) ... Duke Windsor
  1977 Police Woman (TV Series) - P.J. Johnson
  - Once a Snitch (1977) ... P.J. Johnson
  1976 The Man Who Fell to Earth - Peters
  1976 Joe Forrester (TV Series) - Cleveland
  - The Answer (1976) ... Cleveland
  1976 Dr. Black, Mr. Hyde - Dr. Henry Pride
  1975 Cornbread, Earl and Me - Officer Larry Atkins
  1974 Panic on the 5:22 (TV Movie) - Wendell Weaver
  1974 The Snoop Sisters (TV Series) - Willie Bates
  - Fear Is a Free-Throw (1974) ... Willie Bates
  1973 Maurie - Maurice Stokes
  1973 Cleopatra Jones - Reuben
  1972 Black Gunn - Seth
  1972 Hit Man - Tyrone Tackett
  1972 Gargoyles (TV Movie) - The Gargoyle
  1972 The Streets of San Francisco (TV Series) - Richard
  - Timelock (1972) ... Richard
  1972 Boxcar Bertha - Von Morton
  1972 Longstreet (TV Series) - Ray Eller
  - Field of Honor (1972) ... Ray Eller
  1972 Cade's County (TV Series) - Patrick
  - Slay Ride: Part 2 (1972) ... Patrick
  - Slay Ride: Part 1 (1972) ... Patrick
  1971 Brian's Song (TV Movie) - J.C. Caroline
  1971 Black Chariot
  1970 ...tick... tick... tick... - George Harley
  
  1969 Guns of the Magnificent Seven - Cassie
  
  Director (1 credit)
  
  1997 The Dinner
  
  Thanks (1 credit)
  
  2018 The Oscars (TV Special) (in memoriam)

  
  
  
  
  
  Music and Fruit (Songs in Eden)
  
  In a Dark Time of Two Moons, 1966

  

  Rhea's Ray, 1968
  
  
  
  

  2019: Aston Martin DBS Superleggera spotted for the first time in Tokyo, Japan.

  
  Aston Martin DBS Superleggera
  Spotted for the first time in Tokyo
  https://www.autogespot.com/aston-martin-dbs-superleggera/2019/09/19

  Spot Details
  Spotter cologne-cars
  cologne_cars_photography
  Spotted in Tokyo, Japan
  Date 2019-09-19 00:02

  Auto details
  Top speed 340 km/u
  Acceleration 0-100 km/u 3.40 s
  Power 715 pk
  Torque 900 Nm @ 1800 tpm
  Weight 1845 kg

  

  2020: It's Batman Day.
  
  
• RichardTheBruce I'm motivated by my Duty.

  September 2020 edited September 2020 Posts: 13,787

  September 20th
  
  1942: Teenager Kevin McClory, British Merchant Navy radio officer on the Mathilda, endures German U-boats attacks.
  
  1955: Macmillan publishes Ian Fleming's Moonraker in the US.

  A super-rocket of monstrous propor-
  tions, affectionately nicknamed the
  Moonraker, is the object of world-wide
  speculation, the pride of the British
  Empire, and the special concern of
  Secret Service agent extraordinary,
  James Bond. It is his mission to inves-
  tigate the site and the construction of
  this most powerful missile of all time,
  and to study carefully the personality
  and motives of its philanthropic spon-
  sor, an enigmatic multi-millionaire
  who insists on financing this best, last
  hope of defense privately and in the
  strictest secrecy. Bond’s path is beset
  with dangers as explosive as the war-
  head of the Moonraker itself, but as his
  admirers know, danger is to Bond what
  ants are to anteaters.
  
  Moonraker is the third and breath-
  less best of Ian Fleming’s atomic-
  powered thrillers. His first two books
  proved him to be one of the most daz-
  zling, literate, and entertaining special-
  ists in his field. But why take our word for it?
  Please turn the book over for the com-
  ments of reliable and disinterested
  observers.
  
  Jacket design by Leo Manseo

  
  
  
  

  1959: The Daily Express publishes their serialisation of "Murder Before Breakfast ("From a View to a Kill") today and 21 September. Marketed as “the fastest thing in thrillers” and “tailor-made for the Express”. Andrew Robb, illustrator.
  
  1964: Goldfinger general release in the UK.

  
  
  
  

  1967: On ne vit que deux fois released in France.

  
  
  
  
  
  
  
  
  

  1967: Τζέημς Μποντ, πράκτωρ 007: Ζεις μονάχα δυο φορές released in Greece.

  https://dpikeas.wordpress.com/2019/03/29/james-bond-you-only-live-twice/
  
  
  
  
  

  
  1974: From Russia With Love re-released in Spain.

  

  
  1984: A View to a Kill films a garden party.
  
  2006: "You Know My Name" is leaked on the internet.
  
  2012: Heineken's Crack the Case ad promotes Skyfall starting today, Global Duty Free Day.

  
  

  
  

  2017: Dynamite Entertainment releases James Bond 007 Kill Chain #3.
  Luca Casalanguida, artist. Andy Diggle, writer.

  

  JAMES BOND: KILL CHAIN #3 (OF 6)

  https://www.dynamite.com/htmlfiles/viewProduct.html?PRO=C72513026017803011
  
  Cover A: Greg Smallwood
  Writer: Andy Diggle
  Art: Luca Casalanguida
  Publication Date: September 2017
  Page Count: 32 Pages
  ON SALE DATE: 9/20

  James Bond and the mysterious Chantal Chevalier go head-to-head at an elite auction house that hides a deadly secret. At stake is Bond's life - and the future of NATO. The Russian "active measures" unit SMERSH will stop at nothing to win this deadly game - but is 007 a player, or a pawn?

  
  
  https://dynamite.com/htmlfiles/viewProduct.html?PRO=C72513026017803011
  
  
  
  
  
  
  

  2018: The @007 Twitter account reports Cary Joji Fukunaga will direct BOND 25 for a Valentines Day 2020 release. Delayed from the October 2019 plan.

  

  James Bond producers reveal
  unexpected director pick

  See the complete article here:
  

  https://news.sky.com/story/james-bond-producers-reveal-unexpected-director-pick-11502942

  American Cary Joji Fukunaga has previously directed True Detective and the
  Idris Elba film Beasts Of No Nation.
  Thursday 20 September 2018 15:16, UK
  
  Image: Daniel Craig will make his fifth appearance as Bond
  The new director for the next James Bond film has been announced,
  with shooting due to begin in March next year.
  Cary Fukunaga has replaced Danny Boyle, who left Bond 25 last month.
  
  The announcement was made on the @007 Twitter account, which also revealed that the film will be released on Valentine's Day in 2020.
  
  The unnamed film had been due to premiere in October 2019 but was delayed after British director Boyle left due to "creative differences".
  
  Image: Fukunaga directed Matthew McConaughey and Woody Harrelson in True Detective
  
  Who is Fukunaga?
  The American's first feature film was Sin Nombre won the directing award at the Sundance Film Festival in 2009.
  
  In 2010 he made Jane Eyre with Mia Wasikowska and Michael Fassbender which was nominated for an Oscar for costume design.
  
  He won an Emmy and Bafta award for directing the critically acclaimed first series of Sky Atlantic show True Detective which starred Matthew McConaughey and Woody Harrelson.
  
  Fukunaga won more praise for his war drama Beasts Of No Nation which starred Idris Elba and was released in 2015.
  
  His new TV mini-series Maniac, with Emma Stone and Jonah Hill, is released on Netflix on 21 September.
  
  The 41-year-old will be the first ever American director to helm a Bond film.
  
  Bond 25 will see Daniel Craig reprise the role of author Ian Fleming's 007 for a fifth, and most likely, final time.
  
  "We are delighted to be working with Cary. His versatility and innovation make him an excellent choice for our next James Bond adventure," said Michael G. Wilson and Barbara Broccoli in a tweet.
  
  

  https://twitter.com/007/status/1042688562335047681

  
  
  Boyle's wish to cast Polish actor Tomasz Kot, 41, as the film's main Russian villain may have been one of the creative differences, according to The Daily Telegraph.
  
  Rumours were rife about Craig and Boyle clashing over other casting issues - with the actor said to have agreed all major new signings since he began his tenure as Bond.
  
  Female director SJ Clarkson, who has been signed up for the next Star Trek sequel, had joined Bart Layton and Yann Demange on a list of contenders for the job after Boyle quit.
  
  Last month Elba denied he was in the running to replace Craig as the MI6 agent when he leaves the franchise.
  
  Craig previously stated that he would rather "slash my wrists" than return to the role, but later said that he made the remarks two days after he had finished shooting Spectre, and was exhausted.
  
  Filming will begin at Pinewood Studios on 4 March next year.

  
  
• RichardTheBruce I'm motivated by my Duty.

  September 2020 edited September 2020 Posts: 13,787

  September 21st
  
  1943: Society hostess Maud Russell writes in her diary about Ian Fleming.

  

  Spies, affairs and James Bond... The
  secret diary of Ian Fleming's wartime
  mistress

  See the complete article here:
  

  https://www.telegraph.co.uk/women/life/spies-affairs-james-bond-secret-diary-ian-flemings-wartime-mistress/

  
  Maud Russell, a fashionable society hostess who met Fleming in 1931 when he was just 23
  Credit: Cecil Beaton courtesy of Emily Russell

  Tuesday 21 September, 1943
  
  I. came to dinner, worried and rather unhappy about his job,
  the slowness and unimaginativeness of most people he has to
  deal with, the caution and avoidance of responsibility. His
  old boss suited him admirably. This one doesn’t at all. He is
  conventional and hasn’t an idea. And he doesn’t like
  fighting battles. Poor I. He was dismayed and talked
  about Hawaii and leaving the Admiralty as soon as
  the war is over.

  1944: Society hostess Maud Russell writes about Ian Fleming in her diary.

  

  Spies, affairs and James Bond... The
  secret diary of Ian Fleming's wartime
  mistress

  See the complete article here:
  

  
  Maud Russell, a fashionable society hostess who met Fleming in 1931 when he was just 23
  Credit: Cecil Beaton courtesy of Emily Russell

  Thursday 21 September, 1944
  
  Ian came to dinner on Sunday, leaving for France
  the next day. He is a lonely man. I am always afraid
  that when he is attracted by some girl he looks for
  not only youth and attractiveness but many of
  my virtues, vices and oddnesses and these he can
  never hope to find in anyone young, and quite likely
  in no one else but me.

  
  1959: Film producer Aman Leigh writes to Ivan Bryce questioning one choice of director.
  And offering another for McClory's Bond film.

  

  The Battle for Bond, Robert Sellers, 2007.

  It was becoming increasingly obvious that a top director was needed for
  the film if it was going to attract not just marquee value actors but big
  American distributors, not least because McClory had singularly failed to land
  The Boy and the Bridge with a wide release in the States. For a while William
  Fairchild was considered to direct the film, as well as write it. But Fleming had
  found his film Silent Enemy, "rather uninspired. I'm inclined to think that
  Kevin could do a much better and more imaginative job as director than
  Fairchild, but Hitchcock would be the best of all."
  
  Then Fairchild's "hidden secret" was uncovered. "Unfortunately," Leigh
  Aman wrote to Bryce 21 September, "It has since emerged through
  conversations with members of the unit who worked with Bill on Silent Enemy,
  that he only went underwater once--and that the experience was accompanied
  by considerable neurosis. Kevin is very shaken by this news, and in my opinion
  reasonable so since Fairchild gave him no hint of hiss underwater fears at our
  meeting and it is, of course, a vitally important part of the film.
  
  Though regarded as a business-like director, quick and practical, Fairchild
  had blown his chance, but Xanadu knew that the number of directors prepared
  to work underwater was limited, either by their age, their prejudice or their
  insurance policies. Briefly one of Leigh Aman's past associates was considered
  --Guy Hamilton. Then most famous for directing The Colditz Story (1954)...

  
  1961: Serena Scott Thomas is born--Nether Compton, Dorset, England.
  
  1974: James Bond comic The Nevsky Nude ends its run in The Daily Express. (Started 13 May 1974. 2542–2655) Yaroslav Horak, artist. Jim Lawrence, writer.

  https://popoptiq.com/the-nevsky-nude/
  
  
  
  
  
  
  Swedish Semic Comic 1982
  https://www.mi6-hq.com/sections/comics/semic_1982.php3?s=comics&id=02218

  Fallen Från Skyarna
  ("Fall From Sky" - The Nevsky Nude)
  

  
  Danish 1976 https://www.bond-o-rama.dk/en/jb007-dk-no38-1976/

  James Bond Agent 007 no. 38: “The Nevsky Nude” (1976)
  "Sagen fra skyerne" [=The Case from the Clouds]

  
  

  
  1988: Licence to Kill films casino scenes for the fictional Isthmus City, Mexico.
  
  2016: Dynamite Entertainment releases James Bond #10 EIDOLON, Chapter 4.
  Jason Masters, artist. Warren Ellis, writer.

  

  JAMES BOND #10

  https://www.dynamite.com/htmlfiles/viewProduct.html?PRO=C72513024181810011
  Cover: Dom Reardon
  Writer: Warren Ellis
  Art: Jason Masters
  Genre: Action/Adventure, Media Tie-In
  Publication Date: September 2016
  Format: Comic Book
  Page Count: 32 pages
  ON SALE DATE: 9/21

  EIDOLON, Chapter 4 - MI6 is under attack from both hidden forces and Her Majesty's Government itself. Why do MI5 and Whitehall want MI6 to be unable to defend itself? Where is the terrifying Beckett Hawkwood? What is EIDOLON?

  Cover: Dom Reardon

  
  
  
  
  
  
  

  2018: The producers announce American director Cary Joji Fukunaga is on board for BOND 25.
  Plus a new worldwide release date of 14 February 2020.
  2019: Sid Haig dies at age 80--Los Angeles, California.
  (Born 14 July 1939--Fresno, California.)

  

  Sid Haig, Horror Actor
  and Cult Figure, Dies at 80

  https://www.nytimes.com/2019/09/23/movies/sid-haig-dead-captain-spaulding.html

  Mr. Haig was a character actor with roles in more than 70
  movies, including the murderous clown Captain Spaulding in
  Rob Zombie’s “House of 1000 Corpses.”
  
  Sid Haig with the actors Devanny Pinn, left, and Alexis Iacono in 2013.
  Credit Albert L. Ortega/Getty Images
  
  By Laura M. Holson
  Sept. 23, 2019
  
  Sid Haig, a Hollywood character actor who for more than 50 years played thugs, villains and, most famously, a psychotic clown named Captain Spaulding, died on Saturday. He was 80.
  
  His wife, Susan L. Oberg, announced his death on the actor’s Instagram account on Monday, writing, “He adored his family, his friends and his fans. This came as a shock to all of us.” No other details were given.

  Mr. Haig, who lived in Los Angeles, played bit parts in more than 350 television shows and 70 movies, notably “Jackie Brown” and the James Bond thriller “Diamonds Are Forever.” He had become a cult figure among horror fans, who reveled in his portrayal of the murderous clown who terrorized people in the 2003 Rob Zombie film “House of 1000 Corpses.” He would go on to play Captain Spaulding in two other films from the director.

  Rob Zombie, a musician turned filmmaker, wrote on his Instagram account Monday of Mr. Haig’s death, “Horray for Captain Spaulding. Gone but not forgotten.” Fans, too, expressed their grief on Twitter. Mr. Haig was the recipient of numerous awards for his acting in horror movies. In August, he was awarded the Vincent Price Award for excellence in the horror genre.
  
  “I had the greatest night of my career,” he wrote on Instagram then.
  
  

  https://twitter.com/TheRealElvira/status/1176202367668088837

  
  
  Mr. Haig was a hulk of a figure whose lanky, long body towered over fellow actors. He was born Sidney Eddie Mosesian on July 14, 1939, in Fresno, Calif., according to his official website. His parents were Armenian, and his father was an electrician. He took dancing lessons and acted in high school. And he loved music. In 1958, according to the website, he played drums on the song “Full House” by the T-Birds.
  
  Soon after, he enrolled at the Pasadena Playhouse, a community theater with a school for theater arts that trained actors including Gene Hackman and Dustin Hoffman. In his early roles in film and on television, Mr. Haig played thugs and heavies mostly. In the 1968 cult classic “Spider Baby” he played a brother who cooks a cat; he was in the 1974 blaxploitation film “Foxy Brown” with Pam Grier; and he had a small role in “Diamonds Are Forever” in 1971.
  
  Moviemakers delighted in his characters. Quentin Tarantino cast Mr. Haig in the 1997 movie “Jackie Brown,” a homage to the actor’s appearance in “Foxy Brown.” (Ms. Grier, too, starred in “Jackie Brown.”)
  
  
  From left: Bill Moseley as Otis Driftwood, Sid Haig as Captain Spaulding and Sheri Moon Zombie as Baby in “Devil’s Rejects,” directed by Rob Zombie.
  Credit Gene Page/Lions Gate Films
  
  But it was as Captain Spaulding, the psychotic clown featured in “House of 1000 Corpses,” that Mr. Haig became a cult figure among horror fans. Mr. Haig said in a 2015 interview with CryticRock.com: “When I first read the script, I knew that it had the potential to do something. I did not know that it was going to be as well accepted as it was. But I did know that it had something going for it.”
  
  In “House of 1000 Corpses,” Captain Spaulding runs the Museum of Monsters and Madmen housed in a run-down gas station on a barren stretch of Texas. There, the clown shoots a man after being attacked. Mr. Haig reprised the role two years later in “The Devil’s Rejects.” He also acted in a number of other horror films directed by Rob Zombie, including the 2007 remake of “Halloween.”
  
  He was back as Captain Spaulding in “3 From Hell,” a sequel to “The Devil’s Rejects,” which was released this month. “He was very cool,” Mr. Haig said of working with Rob Zombie in his interview with CrypticRock.com. “He was really laid back. He would just tell you what he was looking for and then leave you alone and let you do your job. Which is what most directors should do.”
  
  Cassandra Peterson, known by her stage name, Elvira, said she met Mr. Haig at Rob Zombie’s wedding in 2002. But it was on the road at horror fan conventions where they forged a friendship. “He played this horrible character in Rob’s movies, and it took fans by surprise when he was sweet and took time with them,” she said. “He may not have been a big star. But in our world, he was an icon.”
  
  Indeed Mr. Haig was a fan favorite. He made regular appearances at festivals to sign autographs or appear as Captain Spaulding, who became a recognizable villain among mainstream audiences. In June, he attended the Mad Monster Party in Phoenix where he signed autographs for fans. Earlier that month he was in Las Vegas for the Days of the Dead horror convention.
  
  Fans often dressed up like Captain Spaulding at conventions or had tattoos inked in homage to his famous character. The adulation surprised Mr. Haig. He said on Instagram in February, “The level of commitment to put my mug into your skin for life just blows me away.”

  ---

  Laura M. Holson is an award-winning feature writer from New York. She joined The Times in 1998 and has written about Hollywood, Wall Street and Silicon Valley. A movie producer once held a butter knife to her neck. @lauramholson

  
  Sid Haig (I) (1939–2019)
  https://www.imdb.com/name/nm0354085/?ref_=nv_sr_1?ref_=nv_sr_1
  
  Filmography

  Actor (149 credits)
  
  2020 Junction Murders (pre-production) - Bobby
  2019 Tabbott's Traveling Carnivale of Terrors (pre-production) - Zeek
  Abruptio (filming) - Sal
  2020 Hanukkah (completed) - Judah Lazarus
  2019 3 from Hell - Captain Spaulding
  2019 High on the Hog - Big Daddy
  2018 Cynthia - Detective Edwards
  2018 Tigtone (TV Series) - Lord Festus
  - Tigtone and the Pilot (2018) ... Lord Festus (voice)
  2018 Suicide for Beginners - Barry
  2017/II Razor - Bartender Sam
  2017 Death House - Icicle Killer
  2016 Don't Do It! (Short) - Robert
  2015 Bone Tomahawk - Buddy
  2014 Twiztid: Sick Man (Video short) - The Overseer
  2013 Zombex - The Commander
  2013 The Penny Dreadful Picture Show - Shopkeeper
  2013 Devil in My Ride - Iggy
  2013 Holliston (TV Series) - Sid Haig
  - Farm Festival (2013) ... Sid Haig
  2013 Hatchet III - Abbott MacMullen
  2012 The Sacred - The Stranger
  2012 The Lords of Salem - Dean Magnus
  2012 The Inflicted - Dr. Gardner
  2011 Mimesis - Alfonso Betz
  2011 Creature - Chopper
  2010 Chadam (TV Series) - Simkin
  
  2009 Dark Moon Rising - Crazy Louis
  2009 The Haunted World of El Superbeasto (Video) - Captain Spaulding (voice)
  2009 Thirsty (Short) - Radio Evangelist (voice)
  2007 Brotherhood of Blood - Pashek
  2007 Halloween - Chester Chesterfield
  2007 The Haunted Casino - Roy 'The Word' Donahue
  2006 A Dead Calling (Video) - George
  2006 Little Big Top - Seymour
  2006 Night of the Living Dead 3D - Gerald Tovar, Jr.
  2005 House of the Dead 2 (TV Movie) - Professor Curien
  2005 The Devil's Rejects - Captain Spaulding
  2004 Kill Bill: Vol. 2 - Jay
  2003 House of 1000 Corpses - Captain Spaulding
  2001 Rob Zombie: Feel So Numb (Video short) - Pirate
  
  1997 Jackie Brown - Judge
  1992 Boris and Natasha (TV Movie) - Colonel Gorda
  1990 Genuine Risk - Curly
  1990 The Forbidden Dance - Joa
  
  1989-1990 Just the Ten of Us (TV Series) - Bob
  - Comedy Tonight (1990) ... Bob
  - St. Augie's Blues: Part 2 (1989) ... Bob
  - St. Augie's Blues: Part 1 (1989) ... Bob
  1989 The People Next Door (TV Series) - The Taskmaster
  - Dream Date (1989) ... The Taskmaster
  1989 Wizards of the Lost Kingdom II - Donar
  1988 Warlords - The Warlord
  1988 Goddess of Love (TV Movie) - Hephaestus
  1988 Werewolf (TV Series) - Bud Topolski
  - King of the Road (1988) ... Bud Topolski
  1987 Sledge Hammer! (TV Series) - General Skull Fracture
  - Hammeroid (1987) ... General Skull Fracture
  1987 Ohara (TV Series) - Turk
  - Take the Money and Run (1987) ... Turk
  1987 Commando Squad - Iggy
  1985-1986 MacGyver (TV Series) - Khalil / Khan
  - To Be a Man (1986) ... Khalil
  - Thief of Budapest (1985) ... Khan
  1985 Amazing Stories (TV Series) - Thug
  - Remote Control Man (1985) ... Thug
  1985 Misfits of Science (TV Series) - Swarthy Man
  - Fumble on the One (1985) ... Swarthy Man
  1985 Hill Street Blues (TV Series) - Heath
  - An Oy for an Oy (1985) ... Heath
  1985 Wildside (TV Series) - Burnett
  - Don't Keep the Home Fires Burning (1985) ... Burnett
  1981-1985 The Fall Guy (TV Series) - Yusef / Arnie / Mr. Fick / ...
  - Reel Trouble (1985) ... Yusef
  - Undersea Odyssey (1984) ... Arnie
  - Bail and Bond (1982) ... Mr. Fick
  - Colt's Angels (1981) ... Biker
  1985 Scarecrow and Mrs. King (TV Series) - Gretz
  - Ship of Spies (1985) ... Gretz
  1983 Automan (TV Series) - 1st Gang Member
  - Automan (1983) ... 1st Gang Member
  1983 The A-Team (TV Series) - Sonny Jenko
  - Black Day at Bad Rock (1983) ... Sonny Jenko
  1978-1983 Fantasy Island (TV Series) - Otto / Harlen / Hakeem
  - The Tallowed Image/Room and Bard (1983) ... Otto
  - My Late Lover/Sanctuary (1981) ... Harlen
  - Homecoming/The Sheikh (1978) ... Hakeem
  1982 Forty Days of Musa Dagh - General Hekemet
  1982 The Aftermath - Cutter
  1982 Bring 'Em Back Alive (TV Series) - Tagan
  - Wilmer Bass and the Serengeti Kid (1982) ... Tagan
  1982 Two Guys from Muck (TV Movie) - Thug
  1982 T.J. Hooker (TV Series) - Gang Leader
  - Hooker's War (1982) ... Gang Leader
  1982 Bret Maverick (TV Series) - The Mighty Sampson
  - The Eight Swords of Dyrus and Other Illusions of Grandeur (1982) ... The Mighty Sampson
  1982 The Dukes of Hazzard (TV Series) - Slocum
  - Miz Tisdale on the Lam (1982) ... Slocum
  1981 Galaxy of Terror - Quuhod
  1981 Chu Chu and the Philly Flash - Vince
  1981 Underground Aces - Faoud
  1980-1981 Buck Rogers in the 25th Century (TV Series) - Pratt / Spirot
  - Time of the Hawk (1981) ... Pratt
  - Flight of the War Witch (1980) ... Spirot
  1981 Quincy M.E. (TV Series) - Hatch
  - Stain of Guilt (1981) ... Hatch
  1980 Hart to Hart (TV Series) - Gunther Maddox
  - Murder, Murder on the Wall (1980) ... Gunther Maddox
  
  1978-1979 Jason of Star Command (TV Series) - Dragos
  - Battle for Freedom (1979) ... Dragos
  - Mimi's Secret (1979) ... Dragos
  - Little Girl Lost (1979) ... Dragos
  - Phantom Force (1979) ... Dragos
  - Face to Face (1979) ... Dragos
  1979 Death Car on the Freeway (TV Movie) - Maurie
  1978 Tarzan and the Super 7 (TV Series) - Dragos
  1978 Coming Attractions - Lone Stranger
  1978 Evening in Byzantium (TV Mini-Series) - Asted
  - Part II (1978) ... Asted
  - Part I (1978) ... Asted
  1976-1978 Switch (TV Series) - Farmer / Mahmud
  - Photo Finish (1978) ... Farmer
  - Round Up the Usual Suspects (1976) ... Mahmud
  1978 Charlie's Angels (TV Series) - Reza
  - Diamond in the Rough (1978) ... Reza
  1978 Police Woman (TV Series) - - Blind Terror (1978)
  1977/I McNamara's Band (TV Movie) - Zoltan
  1976-1977 Mary Hartman, Mary Hartman (TV Series) - Texas
  - Episode #2.160 (1977) ... Texas (credit only)
  - Episode #2.159 (1977) ... Texas (uncredited)
  - Episode #2.157 (1977) ... Texas (uncredited)
  - Episode #2.156 (1977) ... Texas (uncredited)
  - Episode #2.155 (1977) ... Texas
  1974-1977 Police Story (TV Series) - Reid / Dell
  - Spitfire (1977) ... Reid
  - Cop in the Middle (1974) ... Dell
  1976 Spencer's Pilots (TV Series) - Ron Sears
  - The Sailplane (1976) ... Ron Sears
  1976 Electra Woman and Dyna Girl (TV Series) - The Genie
  - Ali Baba: Part 2 (1976) ... The Genie
  - Ali Baba: Part 1 (1976) ... The Genie
  1976 Monster Squad (TV Series) - Chief Running Nose
  - No Face (1976) ... Chief Running Nose
  1976 Delvecchio (TV Series) - George Borshak / Drug Addict
  - Contract for Harry (1976) ... George Borshak
  - The Avenger (1976) ... Drug Addict (uncredited)
  1976 Wonderbug (TV Series) - Fur Smuggler
  - Keep on Schleppin (1976) ... Fur Smuggler
  1976 Swashbuckler - Bald Pirate
  1976 The Return of the World's Greatest Detective (TV Movie) - Vince Cooley
  1975 Run, Joe, Run (TV Series) - Tolbert
  - The Htchhiker (1975) ... Tolbert
  1975 Who Is the Black Dahlia? (TV Movie) - Tattoo Artist
  1975 Emergency! (TV Series) - Spike
  - Smoke Eater (1975) ... Spike
  1974 The Rockford Files (TV Series) - B.J.
  - Caledonia - It's Worth a Fortune! (1974) ... B.J.
  1974 Get Christie Love! (TV Series) - Nick Varga
  - Pawn Ticket for Murder (1974) ... Nick Varga
  1974 The Six Million Dollar Man (TV Series) - 3rd Passenger
  - Nuclear Alert (1974) ... 3rd Passenger
  1974 Savage Sisters - Malavasi
  1974 Foxy Brown - Hays
  1974 Busting - Rizzo's Bouncer
  1974 Shaft (TV Series) - Higget's Bodyguard
  - The Murder Machine (1974) ... Higget's Bodyguard (uncredited)
  1973 The Don Is Dead - The Arab
  1973 Beyond Atlantis - East Eddie
  1973 Coffy - Omar
  1973 Emperor of the North - Grease Tail
  1973 Wonder Women - Gregorious
  1973 The No Mercy Man - Pill Box
  1973 Black Mama White Mama - Ruben
  1972 The Woman Hunt - Silas
  1972 McMillan & Wife (TV Series) - Traylor
  - Terror Times Two (1972) ... Traylor (uncredited)
  1972 The Big Bird Cage - Django
  1972 Beware! The Blob - Zed (uncredited)
  1972 O'Hara, U.S. Treasury (TV Series) - Ward
  - Operation: XW-1 (1972) ... Ward
  1971 Diamonds Are Forever - Slumber Inc. Attendant
  1971 The Partners (TV Series) - Charlie
  - New Faces (1971) ... Charlie
  1971 Alias Smith and Jones (TV Series) - Griffin / Merkle / Outlaw
  - The Day They Hanged Kid Curry (1971) ... Griffin
  - Return to Devil's Hole (1971) ... Merkle
  - Alias Smith and Jones (1971) ... Outlaw
  1971 The Big Doll House - Harry
  1971 Hitched (TV Movie) - Comstock
  1971 THX 1138 - NCH
  1970 Mannix (TV Series) - Harry Kellaway
  - Deja Vu (1970) ... Harry Kellaway
  1966-1970 Mission: Impossible (TV Series) - Musha / Agent #1 / Goujon / ...
  - Decoy (1970) ... Agent #1
  - The Choice (1970) ... Goujon
  - Commandante (1969) ... Major Carlos Martillo
  - Doomsday (1969) ... Marko
  - The Diplomat (1968) ... Grigor
  1970 C.C. & Company - Crow
  1970 Here Come the Brides (TV Series) - Peter Savage
  - Break the Bank of Tacoma (1970) ... Peter Savage
  
  1967-1970 Get Smart (TV Series) - Guard / Bruce / Turk
  - Moonlighting Becomes You (1970) ... Guard
  - Shock It to Me (1969) ... Bruce
  - That Old Gang of Mine (1967) ... Turk
  1966-1969 Gunsmoke (TV Series) - Eli Crawford / Buffalo Hunter / Cawkins / ...
  - MacGraw (1969) ... Eli Crawford
  - A Man Called 'Smith' (1969) ... Buffalo Hunter
  - Time of the Jackals (1969) ... Cawkins
  - Stage Stop (1966) ... Wade Hansen
  1969 Che! - Antonio
  1969 Pit Stop - Hawk Sidney
  1969 Here's Lucy (TV Series) - Kurt
  - Lucy and the Great Airport Chase (1969) ... Kurt
  1968 The Flying Nun (TV Series) - Señor Quesada
  - The Return of Father Lundigan (1968) ... Señor Quesada
  1968 The Hell with Heroes - Crespin
  1968 Death Valley Days (TV Series) - Thief / Farber
  - The Indiana Girl (1968) ... Thief
  - The Saga of Sadie Orchard (1968) ... Farber
  1968 Daniel Boone (TV Series) - Typhoon
  - The Scrimshaw Ivory Chart (1968) ... Typhoon
  1967 Spider Baby or, the Maddest Story Ever Told - Ralph
  1967 The Danny Thomas Hour (TV Series) - Hood
  - The Royal Follies of 1933 (1967) ... Hood
  1966-1967 Iron Horse (TV Series) - Rias / Vega
  - The Return of Hode Avery (1967) ... Rias
  - Town Full of Fear (1966) ... Vega
  1967 The Man from U.N.C.L.E. (TV Series) - Alex / Vito
  - The Prince of Darkness Affair: Part I (1967) ... Alex
  - The When in Roma Affair (1967) ... Vito
  1967 Point Blank - 1st Penthouse Lobby Guard
  1967 It's a Bikini World - Daddy
  1967 Star Trek (TV Series) - First Lawgiver
  - The Return of the Archons (1967) ... First Lawgiver
  1966 Laredo (TV Series) - Brunning
  - The Last of the Caesars: Absolutely (1966) ... Brunning
  1966 Batman (TV Series) - Royal Apothecary
  - Tut's Case Is Shut (1966) ... Royal Apothecary
  - The Spell of Tut (1966) ... Royal Apothecary
  1966 Blood Bath - Abdul the Arab
  1965 Beach Ball - Drummer for Righteous Brothers (uncredited)
  1965 The Lucy Show (TV Series) - The Mummy
  - Lucy and the Monsters (1965) ... The Mummy
  1962 The Firebrand - Diego
  1962 The Untouchables (TV Series) - Augie the Hood
  - The Case Against Eliot Ness (1962) ... Augie the Hood
  1960 The Host (Short) - The Fugitive
  
  Producer (3 credits)
  
  2020 Hanukkah (associate producer) (completed)
  2019 High on the Hog (producer)
  2009 Dark Moon Rising (co-producer)
  
  Second Unit Director or Assistant Director (2 credits)
  
  1988 Warlords (second unit director)
  1972 The Big Bird Cage (second unit director)
  
  Soundtrack (1 credit)
  
  2009 Dark Moon Rising (performer: "Trouble (Is Back in Town)")

  
  
  
  

  2020: Michael Edward Lonsdale-Crouch dies at age 79--Paris, France.
  (Born: 24 May 1931--16th arrondissement of Paris, Paris, France.)

  

  Michael Lonsdale, Bond villain Hugo
  Drax in Moonraker, dies aged 89

  See the complete article here:
  

  https://www.theguardian.com/film/2020/sep/21/michael-lonsdale-bond-villain-hugo-drax-in-moonraker-dies-aged-89

  The César-winning actor appeared in films by François Truffaut
  and Alain Resnais, and played religious figures in Of Gods
  and Men and The Name of the Rose[/ b]
  Andrew Pulver | @Andrew_Pulver | Mon 21 Sep 2020 12.53 EDT
  
  

  
  Michael Lonsdale in Paris, 2011.
  Bilingual career … Michael Lonsdale in Paris, 2011.
  Photograph: Fred Dufour/AFP/Getty Images

  Michael Lonsdale, the French-British actor whose best known role was the villain Drax in Moonraker but who also appeared in a string of films by auteur directors such as François Truffaut, Jacques Rivette and Alain Resnais, has died aged 89. Lonsdale’s agent, Olivier Loiseau, confirmed to Agence France-Presse that the actor had died at his home in Paris.
  
  Bond producers Barbara Broccoli and Michael G Wilson said in a statement: “He was an extraordinarily talented actor and a very dear friend. Our thoughts are with his family and friends at this sad time.”

  Born in 1931 to a British military officer and his French-Irish wife, Lonsdale and his family spent the second world war years in French-controlled Morocco, before moving to Paris in 1947. Originally hoping to be a painter, Lonsdale studied acting with Tania Balachova, and began performing in the 1950s.
  

  
  Creepy … Lonsdale as villain Drax in Moonraker.
  Photograph: Allstar/Sportsphoto/Cinetext Collection

  
  His bilingual abilities allowed him to take roles in both French and English-speaking films: early roles included a priest in Orson Welles’s adaptation of The Trial (1962) and resistance member Jacques Debû-Bridel in René Clément’s Is Paris Burning? (1963). In 1968 he achieved a breakthrough with two Truffaut films: The Bride Wore Black and Stolen Kisses. In the former, he plays one of the men killed by Jeanne Moreau in revenge for her husband’s death, and in the latter a shoe-shop owner whose wife Antoine Doinel falls in love with.

  Lonsdale then made inroads into mainstream Anglo-American cinema, playing the investigator on the trail of Edward Fox’s hitman in The Day of the Jackal (1973), and in 1979 the creepy Hugo Drax in the Bond blockbuster Moonraker, alongside Roger Moore.

  [/img]https://i.guim.co.uk/img/media/15fe2a7a48fab31c1891c3fb82e27761ac14fd40/0_0_2048_872/master/2048.jpg?width=620&quality=85&auto=format&fit=max&s=fa5eb0c6a299857eb1aa8f0a9bd7a504[/img]
  César winner … Lonsdale, right, with Lambert Wilson in Of Gods and Men.

  
  His distinctive appearance and voice ensured he was cast in a wide variety of roles, including a masochist in Luis Buñuel’s The Phantom of Liberty (1974), embassy attache Anton Grigoriev in the 1982 TV series Smiley’s People and a French diplomat in the Merchant Ivory drama The Remains of the Day (1993).
  
  Lonsdale was a devout Catholic, having been baptised at 22 and joining the Charismatic Renewal movement in the 1980s. He would go on to play a string of religious figures, including the abbot in the successful adaption of Umberto Eco’s The Name of the Rose (1986) and a Trappist monk in Of Gods and Men (2010), for which Lonsdale won a best supporting actor César.
  

  
  
• Thunderfinger Das Boot Hill

  September 2020 Posts: 45,489

  @RichardTheBruce , in Scandinavian "sky" means cloud.
  
  Great work as always.
• RichardTheBruce I'm motivated by my Duty.

  September 2020 Posts: 13,787

  September 22nd
  
  1954: Ian Fleming writes a letter to journalist (and spy) Antony Terry, British Press Centre.

  

  Fleming, Ian (1954) ‘Live and
  Let Die’, UK first edition in
  first state dust jacket and
  signed letter

  See the complete article here:
  

  https://www.firstandfine.com/product/fleming-ian-1954-live-and-let-die-uk-first-edition-in-first-state-dust-jacket-and-signed-letter/

  £11,000.00
  
  Ian Fleming (1954) ‘Live and Let Die‘, UK first edition, first printing, first state, published by Jonathan Cape. Including an original typed letter, hand signed by Ian Fleming with “yours ever Ian Fleming”. The letter is dated 22 September 1954, just five months after the publication of ‘Live and Let Die’.
  
  The book: a true first edition, first print of ‘Live and Let Die’, the second James Bond novel which had a small print run of 7,500 copies. Black cloth with gilt medallion to the front as called for, and gilt titles to the spine. The copyright page states: First published 1954. No other editions mentioned. Plain white end papers. The Dust Jacket: Matte jacket paper. Hot purple/pink jacket with yellow titles. Rear flap blank. Price 10s 6d. net on jacket flap located to the front and rear flaps. Rear panel has reviews for Casino Royale. No credit for the dust jacket illustrator is placed on the inside front flap. Very few printings with the first state were published. In fact the first state of the first ‘Live and Let Die’ edition jacket has a smaller print run than Casino Royale and is considered to be scarcer.
  
  Condition: the book is close to fine. No previous owners’ names, no stamps, no bookplates. A whiff of faint foxing spots to the endpapers. Internal pages clean throughout. Page block slightly darkened commensurate with age. Boards are clean. One corner bump to rear board as shown, otherwise very nice and the medallion and gilt titles are vibrant and not rubbed out. The dust jacket is the correct first state wrapper. It has been professionally restored by expert Richard Reeve who has specialised on dust jackets. This is a highly skilled restoration job and not some amateur job with cheap tape as often seen. The restoration job took care of the edges of the flaps and bottom, a narrow strip of about 1.5 cm. No middle sections of the jacket has been touched. As such the jacket now presents in clean and fine condition. If the jacket was unrestored and looked like on the pictures the book would fetch more than double!
  
  The letter: TLS signed “Yours ever, Ian Fleming,” one page, 8 x 10, Kemsley House letterhead, September 22, 1954. Letter to journalist and spy (how appropriate!) Antony Terry of the British Press Centre, in part: “Do you think you could follow this up? It looks as if it might make an interesting leader-page for the ‘Sunday Times’ if you extracted the spicy bits and did it in the form of a well-documented review, or alternatively if it’s just cheap and sensational it might do for the Sunday Chronicle or Sunday Graphic…Please press on with the ‘Sunday Times.’ Now is the chance for a really good correspondent in Germany to take over the foreign news columns from Paris and Washington and, incidentally, to play a really vital part in educating the public. If you find you are getting too bogged down with secondary requests, please let me know and I will get you some help. It is far more important that you should develop as a ‘thunderer’ in the ‘Sunday Times.'” Fleming adds the salutation in his own hand. In very good condition, with light creasing, file and staple holes, and several intersecting folds.
  
  While working as foreign manager of the Kemsley newspaper group’sSunday Times, Fleming hired Terry to be posted in Germany. Utilizing this legitimate news organization as a cover, Fleming also ran an intelligence outfit known as Mercury which used foreign correspondents to gather information in sensitive foreign zones—Terry was one such correspondent. An interesting association letter, very spy-them appropriate written in the same year as Live and Let Die was published!
  
  Ian Fleming’s seminal fourteen James Bond books remain highly collectable and steadily climb in value every year. On offer a rare first state of ‘Live and Let Die’ in really nice condition with an authentic Fleming signature on a typed letter. The price is a true bargain. A fine, unrestored dust jacket and signed copy of the book would likely see triple prices and beyond depending on the inscription/ association.

  
  

  
  1964: The Man From U.N.C.L.E. (United Network Command for Law and Enforcement) US premiere on NBC-TV.

  Its two agents Napoleon Solo (named by Ian Fleming, who suggested some material then exited the project) and Illya Kuryakin battle T.H.R.U.S.H. (The Technological Hierarchy for the Removal of Undesirables and the Subjugation of Humanity). [Original title: Ian Fleming's Solo.]

  
  
  
  

  1966: You Only Live Twice films Tanaka’s underground train.
  
  1974: US network premiere of Thunderball on ABC-TV.

  Thunderball, 9:14
  

  
  2014: A Limited Edition Gold Steelbook Blu-Ray honors the 50th Anniversary of Goldfinger. £24.99.

  
  
  

  2015: Orion publishes Anthony Horowitz's Bond novel Trigger Mortis in the US.

  JAMES BOND, THE WORLD'S MOST FAMOUS
  SPY, RETURNS TO HIS 1950S HEYDAY IN THIS
  THRILLER FROM NEW YORK TIMES BESTSELLING
  AUTHOR ANTHONY HOROWITZ, INCORPORATING
  NEVER-BEFORE-PUBLISHED MATERIAL
  FROM 007'S CREATOR, IAN FLEMING.

  James Bond won his battle with criminal
  mastermind Auric Goldfinger, but a whole
  new war is about to begin. With glamorous Pussy
  Galore by his side -- and in his bed -- Bond arrives
  home from America to the news that SMERSH,
  the deadly Soviet counterintelligence agency,
  plans to sabotage an international Grand Prix.
  He must play a high-speed game of cat and
  mouse on the track to stop them, but a chance
  encounter with a mysterious Korean millionaire,
  Jason Sin, warns him that the scheme is only
  the Soviets' opening move.
  
  This dashing and seductive narrative of
  fast cars, beautiful women, and ruthless villains
  has all the hallmarks of an Ian Fleming original,
  including the familiar faces, such as M and Miss
  Moneypenny. Trigger Mortis pits Bond and
  American adventurer Jeopardy Lane against
  a cold-blooded tycoon determined to bring
  America to its knees -- with the help of
  SMERSH, who will pay any price to secure
  Soviet victory in the space race now at the
  hear of the Cold War. The clock is ticking as
  the scheme unfolds, culminating in a heart-
  stopping New York City showdown that will
  determine the fate of the West.

  ANTHONY HOROWITZ is the author of the
  New York Times bestseller Moriarty and the inter-
  nationally bestselling The House of Silk, as well
  as the New York Times bestselling Alex Rider
  series for young adults. As a television screen-
  writer, he created Midsomer Murders and the
  BAFTA-winning Foyle's War, both of which were
  featured on PBS's Masterpiece Mystery. He
  regularly contributes to a wide variety of
  national newspapers and magazines, and in
  January 2014 was appointed an Officer of the
  Order of the British Empire for his services
  to literature. He lives in London.

  
  
  

  2018: Alexander Basil Matthews dies at age 75--Orihuela, Spain.
  (Born 21 November 1942--Brooklyn, New York.)

  

  Aliens actor Al Matthews dies aged 75

  See the complete article here:
  

  https://www.independent.co.uk/arts-entertainment/films/news/al-matthews-dead-age-aliens-grande-hill-death-a8552286.html

  
  Matthews also appeared on Grange Hill as the father of Benny Green and had his song 'Fool' reach number 16 in the UK Singles Chart in 1975
  Clarisse Loughrey | @clarisselou | Monday 24 September 2018 11:48
  
  20th Century Fox
  
  Al Matthews, best known for playing Gunnery Sergeant Apone in Aliens (1986), has died aged 75.
  
  El Pais reports that the actor was found dead in his home, in Orihuela Costa, in the Spanish Mediterranean province of Alicante, on Sunday, after a neighbour called the emergency services.
  
  Born in Brooklyn in 1942, Matthews had served as a Marine in the Vietnam War. His website states: "I hold thirteen combat awards and decorations, including two purple hearts. I was the first black Marine in the 1st Marine Division in Vietnam to be meritoriously promoted to the rank of sergeant".
  
  Alongside his role in Aliens, Matthews also played the fire chief in Superman III (1983), a workman in Omen III: The Final Conflict (1981), and General Tudor in The Fifth Element (1997). He returned to the role of Sgt Apone nearly 30 years later, when he voiced the character in the video game Aliens: Colonial Marines (2013).
  
  He also had a strong career in the UK, where he appeared on Grange Hill as the father of Benny Green and had his song "Fool" reach number 16 in the UK Singles Chart in 1975. He retired in Spain in 2005, although his last film was this year's The Price of Death, which is currently in post-production.

  

  Al Matthews (I) (1942–2018)

  https://www.imdb.com/name/nm0559922/?ref_=fn_al_nm_1
  
  Filmography

  Actor (35 credits)
  
  2018 The Price of Death - Williamson
  2013 Aliens: Colonial Marines (Video Game) - Sgt. Al Apone (voice)
  2011 Operation Flashpoint: Red River (Video Game) - Col. Shannon J.Hardaway (voice)
  
  1998 Short Stories About Love (TV Mini-Series)
  - Shlosha Kochavim (1998)
  1997 Tomorrow Never Dies - Master Sergeant 3
  1997 The Fifth Element - General Tudor
  1997 The Apocalypse Watch (TV Movie) - Wesley Sorenson
  1996 Ellington (TV Series) - J.P. Coates
  - Matchmaker (1996) ... J.P. Coates
  1995 Soul Survivors (TV Movie) - Grover Cleveland
  1994 Desmond's (TV Series) - Reverend Marvin Jones
  - Judgement Day (1994) ... Reverend Marvin Jones
  
  1989 Saracen (TV Series) - Dube
  - Three Blind Mice (1989) ... Dube
  1988 American Roulette - Morrisey
  1988 Stormy Monday - Radio DJ
  1987 Excuse Me But That's My Car (Short) - Winston Smith
  1987 Out of Order - U.S. DJ
  1987 London Embassy (TV Mini-Series) - Uwlie Cooper
  - The Man on the Clapham Omnibus (1987) ... Uwlie Cooper
  1987 Screen Two (TV Series) - Curtis Duchamps
  - Coast to Coast (1987) ... Curtis Duchamps
  1986 Big Deal (TV Series) - American punter
  - Panel Money (1986) ... American punter
  1986 Aliens - Sergeant Apone
  1986 The American Way - Benedict
  1985 Defense of the Realm - First U.S. Controller
  1984 The Comic Strip Presents... (TV Series) - Admiral
  - The Bullshitters: Roll out the Gunbarrel (1984) ... Admiral
  1983 Funny Money - 1st Hood
  1983 Superman III - Fire Chief
  1983 The Professionals (TV Series) - Faroud
  - The Ojuka Situation (1983) ... Faroud
  1982 The Sender - Viet Nam Veteran
  1982 Shelley (TV Series) - Newscaster
  - No News Is Good... (1982) ... Newscaster
  1982 Nancy Astor (TV Mini-Series) - Billy
  - The Longhornes of Virginia (1982) ... Billy
  1981 Ragtime - Maitre D'
  1981 The Final Conflict - Workman
  1980 BBC2 Playhouse (TV Series) - Oxford St. John
  - The Black Madonna (1980) ... Oxford St. John
  1980 Rough Cut - Ferguson
  1979-1980 Grange Hill (TV Series) - Mr. Green
  - Episode #3.10 (1980) ... Mr. Green
  - Episode #2.2 (1979) ... Mr. Green
  - Episode #2.1 (1979) ... Mr. Green
  
  1979 Yanks - Black G.I. at Dance
  1977 Bad Loser (Short)

  
  
  
  "Fool", Al Matthews, 1975.
  
  

  
  
• RichardTheBruce I'm motivated by my Duty.

  September 2020 edited September 2020 Posts: 13,787

  September 23rd
  
  1959: Ian Fleming responds by letter to Ivar Bryce on the possibility of doing business with Alfred Hitchcock.

  

  The Battle For Bond, Robert Seller, 2007.

  ‘Personally I feel this would be by far the best solution for all of us.’ He wrote Bryce 23 September. ‘I know Hitchcock slightly and he has always been interested in the Bond saga.’ Fleming decided to send a cable to the director through a mutual friend, the acclaimed crime novelist Eric Ambler. It read: ‘Have written Bond movie treatment featuring Mafia stolen atomic bomber blackmail of England culminating Nassau with extensive underwater dramatics. This for my friend Ivar Bryce’s Xanadu films. Would Hitchcock be interested in directing this first Bond film in association with Xanadu? Plentiful finance available. Think we might all have a winner particularly if you were conceivably interested in scripting. Regards Ian Fleming.’

  
  1961: Ian Fleming suggests to editor Denis Hamilton how the short story "The Living Daylights" should be illustrated.

  

  Ian Fleming, Andrew Lycett, 20xx.
  Chapter 13 - Heart problems 1960-1962

  Ian's other main writing task was to produce a short story for the first
  issue of the Sunday Times colour magazine, scheduled for early 1962. His
  behind-the-scenes lobbying for changes at the paper had brought results.
  Shortly after communicating with Ian the previous May, Harry Hodson
  had embarked on a long-awaited round-the-world trip with his wife, thus
  giving Roy Thompson the opportunity to promote Denis Hamilton to the
  top job. As the new editor -- the formal appointment came in October
  1961 -- Hamilton advanced plans to publish an American-style colour or
  photogravure section and engaged Ian, still the paper's most bankable
  asset, to write a major piece for one of the first issues. Initially Ian submitted
  a Boothroyd-inspired overview of 007's weaponry called 'The Guns of
  James Bond'. But after Hamilton deemed this too long for a general
  audience, they agreed that the magazine would publish a new short story,
  'The Living Daylights', about Bond visiting Berlin to cover the defection
  of a British agent who was being hunted by a Russian assassin. On 23
  September, following his return from Provence, Ian suggested that the
  piece should be illustrated with an original Graham Sutherland design -- a
  pink heart with a black arrow through it -- which he had commissioned
  for a "nominal" one hundred guineas.
  
  Ian's file on 'The Living Daylights' -- 'Trigger Finger', in an early draft --
  revealed the speed with which he went about such a project. He acquired
  a map of Berlin and an October 1961 catalogue of new records sold by
  Harrods. He contacted the National Rifle Association for information
  about the Bisley range where his story opened. By 10 November, Captain
  E. K. Le Mesurier, secretary of the NRA, had not only fielded Ian's original
  request but read and returned corrections to the manuscript. On the first
  page, for example, Ian had written "He gave half a a turn to a screw on the
  fixed stand on which his rifle rested. He watched the crossed lines on the
  Sniperscope move minutely to the right of the bull, to its right-handed
  bottom corner." Le Mesurier suggested this should read, "He set two clicks
  more right on the wind gauge and traversed the crossed wires back on to
  the point of the aim." He explained that, in Ian's description, the sighting
  arrangement were not right for a sniper's rifle. For really accurate shoot-
  ing, one needed a sight which could be set off from the line of the barrel
  to allow for wind.

  1968: David Picker of United Artist flies to London but fails to green light Connery's return as Bond.
  1969: Crispin Bonham-Carter Born is born--Colchester, Essex, England.
  1969: Valentine Nonyela is born--Nigeria.
  
  1971: El satánico Dr. No re-released in Argentina.

  

  1974: Bond comic strip The Phoenix Project begins its run in The Daily Express.
  (Ends 18 February 1975. 2656–2780) Yaroslav Horak, artist. Jim Lawrence, writer.

  https://www.mi6-hq.com/sections/comics/tpp.php3
  
  
  
  
  https://popoptiq.com/double-oh-comics-008-the-phoenix-project/
  
  
  
  
  Swedish Semic Comic 1976
  https://www.mi6-hq.com/sections/comics/semic_1976.php3?s=comics&id=01835

  Bond Blir Indragen I Projekt Fenix!
  ("Bond Gets In To Line On..." The Phoenix Project)
  

  
  Danish 1978 https://www.bond-o-rama.dk/en/jb007dk-no44-1978/

  James Bond Agent 007 no. 44:
  “The Phoenix Project” (1978)
  ["Projekt Fenix"]
  
  
  
  
  Titan, 2007
  

  1977: 007 rakastettuni (007 My Beloved, also Swedish 007 - älskade spion, 007 - Beloved Spy) released in Finland.

  
  
  

  1977: Τζέημς Μποντ, πράκτωρ 007: Η κατάσκοπος που με αγάπησε (James Bond, Agent 007: The Spy Who Loved Me) released in Greece.

  

  
  1982: Octopussy films Magda stealing the Fabergé egg from OO7.
  
  1999: Dr. No and Goldfinger re-released in Canada at the Cinefest Sudbury International Film Festival.
  1999: Two-day filming of the music video for The World Is Not Enough by Philipp Stölzl, Oil Factory Films, starts on a London sound stage. Day one: android shots in the laboratory, kissing, driving. Day two: pyrotechnics.

  
  
  https://www.blackgate.com/2018/08/15/shirley-manson-killer-android/

  
  
  
  
  
  
  

  
  2012: Bollinger releases a promotional item celebrating 50 Years of James Bond.

  

  Bollinger gets pistol-shaped packaging in time for Bond
  movie

  https://www.thedrinksbusiness.com/2012/09/bollinger-gets-pistol-shaped-packaging-in-time-for-bond-movie/
  3rd September, 2012 by Patrick Schmitt

  Bollinger has unveiled its latest James Bond special edition ahead of the next 007 film, Skyfall, due to screen in UK cinemas on 26 October.

  
  30,000 bottles of Bollinger’s 002 for 007 have been produced

  
  The product, called 002 for 007, comprises a bottle of La Grande Année 2002 housed in a gun silencer shaped gift box with a combination lock – opened using the code: 007.
  
  The bottle carries a unique “50 years of Bond” logo on the neck label, textured to mimic the grip on a handgun, and will be available exclusively in Harrods from 23 September and nationwide from 1 October.
  
  With an RRP of £125-150, the special edition is approximately double the price of the standard La Grande Année 2002, which retails for around £70.
  
  30,000 packages have been produced for sale worldwide, and the UK has no set allocation.
  
  2012 marks 39 years since Bollinger developed an on-screen relationship with the fictional character created by Ian Fleming, and James Bond has been seen drinking Bollinger in 12 films of the 23 made in total.
  
  As previously reported by the drinks business, Bollinger’s connection to the Bond films is helping boost sales of the brand in Asia in particular.
  
  “They go crazy for Bond in Asia, which is really helping with brand recognition and giving our sales a boost,” said Bollinger president Jérôme Philipon, when speaking to db back in March.
  
  The Champagne brand produced a special piece of packaging in September 2008 for the last Bond film, Quantum of Solace.
  
  The rather more flamboyant limited edition cost over £2,500 and comprised La Grande Année 1999 in a bullet-shaped case made from polished tin (pictured below), with just 207 were produced.

  
  Bollinger’s special edition for the Quantum of Solace

  
  
• RichardTheBruce I'm motivated by my Duty.

  September 2020 Posts: 13,787

  September 24th
  
  1931: Anthony Newley is born--Hackney, London, England.
  (He dies 14 April 1999 at age 67--Jensen Beach, Florida.)

  

  Obituary: Anthony Newley

  See the complete article here:
  

  https://sites.google.com/site/herramientastigrupo223/_/rsrc/1438960129460/indice/5--herramientas-de-comunicacion-en-internet/WIKI.png

  Tom Vallance | Friday 16 April 1999 00:02
  
  ONE OF Britain's most distinctive talents, Anthony Newley was an actor, singer, composer and writer who had his first starring role in films at the age of 16, composed hit musicals and songs, topped the hit parade himself as a pop star, played everything from romantic leads to quirky character roles in movies, starred on both the West End and Broadway stages, and became a favourite of cabaret audiences from New York to Las Vegas.
  
  His elongated Cockney vowel sounds made his voice an unmistakable one which people either loved or hated. It served him well on novelty songs such as "Pop Goes the Weasel", but he was also a fine ballad singer. "What Kind of Fool Am I", "Who Can I Turn To" and "Candy Man" were just three of the hit songs he co-wrote. "I'm not a trained musician or singer," he once said, "but I can turn out a song."
  
  Born in Hackney, east London, in 1931, he left school at the age of 14. "The saddest thing about myself," he later said, "is that I never read a book. I never got the habit." He was working as an office boy for an insurance company when he spotted a newspaper advertisement reading "Boy Actors Urgently Wanted". Said Newley later, "Suddenly the bell rang! I applied to the advertisers, the Italia Conti Stage School, only to discover the fees were too high." The school agreed to let him audition, however ("I had to read poems to two sweet old ladies who were charmed with my cockney accent"), and were impressed enough to offer him free tuition and a salary of 30 shillings a week as an office boy. The producer Geoffrey de Barkus spotted Newley at the school and gave him the leading role in a children's film serial, The Adventures of Dusty Bates (1947).
  
  Newley was already displaying a distinctly individual style of agreeably knowing confidence, and after another children's film, The Little Ballerina (1947), he was given the plum role of a boy who magically changes places with his own father in Vice Versa (1947), directed by Peter Ustinov. Ustinov recently said, "I was amazed at how convincing Anthony Newley was as someone with an old mind inside him." One of the stars of the film was Kay Walsh, whose ex-husband David Lean was about to direct a screen version of Oliver Twist. Walsh rang Lean and told him, "I've found your Artful Dodger", and Newley's superbly insolent and cheeky performance became one of the many reasons that the 1948 film became a classic.
  
  Given a contract by the Rank Organisation, the actor then settled into a comfortable niche as a character player, often as cocky cockneys, in such films as Here Come the Huggetts (1948, during the filming of which the actor later claimed to have lost his virginity to Diana Dors), The Guinea Pig (1948) and A Boy, a Girl and a Bike (1949), but when Rank dropped him after a year his film career faltered and he spent some time in repertory. Later he played chirpy enlisted men in war films including Above Us the Waves (1955), The Battle of the River Plate (1955) and Cockleshell Heroes (1955).
  
  It was in 1955 that he was able to display just how versatile he was when he starred with Annie Ross in the musical revue Cranks at the small club theatre the New Watergate. This off-beat, almost surreal show proved a hit and transferred to the West End, to St Martin's Theatre, in March 1956, where it had a successful run before going to Broadway, where it fared less well. Newley's engaging rendition of such numbers as "I'm the Boy (You Should Say Yes To)" contributed greatly to the show's charm, and in 1956 he toured England with his own variety show.
  
  A turning point came with a literally star-making role in the low-budget musical film Idle on Parade (1959) in which Newley played a rock 'n' roll star inducted into the Army (in America the film was called Idol on Parade). One of his numbers in the film, "I've Waited So Long" (composed by Jerry Lordan) became a pop sensation and overnight Newley found himself a teenage heart-throb. In 1960 he had seven records in the charts, including Lloyd Price and Harold Logan's "Personality" and two No 1 hits, the wistful "Why", by Robert Marcucci, and Peter de Angelis and Lionel Bart's "Do You Mind".
  
  Newley surprised his public again when in 1960 he made his first record album, Love Is a Now and Then Thing, a beautiful set of ballads such as "This Time the Dream's on Me" and "I Get Along Without You Very Well" which he handled with appealing sensitivity.
  
  Never one to embrace the conventional, Newley next starred in a television series which, though short-lived, is remembered as one of the most avant- garde in television history. The Strange World of Gurney Slade (1960) was a bizarre show in which the central character (named by Newley after the Somerset village of the same name) talked to animals and inanimate objects, heard what people were thinking, had conversations with people who could not see him, and moved in and out of reality. Though written by Sid Green and Dick Hills, its concept was doubtless embraced and heavily influenced by the star.
  
  Newley next fulfilled a long- standing ambition to star in his own stage musical, and fortuitously began a partnership with the composer and author Leslie Bricusse. Newley was later to tell an American columnist, "I'm the laziest son-of-a-bitch who ever drew a breath. I sleep till one and I'm always surprised when someone in blue rinse on a talk show says, `You're a genius, Mr Newley, you do so many things.' Tony Newley never realised his potential, did the things he should have done. That's why I need Leslie Bricusse - he has plenty of ambition."
  
  With Bricusse, Newley wrote the book and score of Stop the World I Want To Get Off, in which Newley starred as Littlechap, an Everyman figure whose whole life is depicted in the show. Newley said, "The role of Littlechap, surrounded by the type of chorus once used in Greek drama, has presented us with a challenge which any cast would surely enjoy tackling." Directed by Newley, the show opened at the Queen's Theatre in July 1961 and was a smash hit, its songs including "What Kind of Fool Am I", "Gonna Build a Mountain" (a hit record for Matt Monro) and "Once in a Lifetime". Sammy Davis was one of many who recorded the songs - he became a close friend of Newley and a great champion of the Newley-Bricusse catalogue.
  
  When Newley was asked why most of his songs became hit records for other singers, he replied, "Sammy Davis, Andy Williams, Tony Bennett . . . their records sell in the millions; when I do it, it just trickles. But for the composer and lyricist there's a tidy bit to be made that way too, so I don't really mind." "What Kind of Fool Am I" won the 1962 Grammy Award as song of the year and has been recorded by over 70 vocalists, though Newley's own recording ran into trouble because he sang the word "damn" - he later made another recording which could be played on sensitive radio stations.
  
  In 1962 Stop the World moved to Broadway where, produced by David Merrick who had bought the American rights while it had been trying out in Nottingham ("I felt no need to wait and see if it would be a hit in London - I had been thoroughly entertained and absorbed by the freshness of conception shown by its authors"), it ran for over 500 performances. Both the London and New York productions were directed by Newley, of whom Merrick was to write, "I have no doubts at all that Mr Newley is going to enjoy widespread and durable success in America. The man does everything - he acts well; he sings with individuality and verve; and most importantly, he is an exceptionally attractive performer. His personality is dynamic and he projects a brilliance of spirit."
  
  During the show's run in 1963 Newley, who had previously been wed to Tiller Girl-turned-actress Ann Lynn, married Joan Collins. "Like most men of my generation," he said, "I had drooled over pictures of Joan. And there she was, backstage at Stop the World and I could not believe it. Did I ask her for a date? Yes I did." Collins described Newley at the time as "a half- Jewish Cockney git" and herself as "a half-Jewish princess from Bayswater via Sunset Boulevard".

  The following year the Bricusse-Newley team had a big hit with their lyrics to John Barry's music for Goldfinger, sung over the titles of the James Bond film by Shirley Bassey. The next Newley-Bricusse musical, The Roar of the Greasepaint - the Smell of the Crowd, "a comic allegory about the class system in contemporary Britain", had a better score than its predecessor but its 1964 tryout in Nottingham, starring Norman Wisdom and directed by Newley, did not prove satisfactory and it failed to reach London. David Merrick was again impressed, and offered to take it to Broadway if Newley would assume the leading role.

  Co-starring Cyril Ritchard (representing the "haves" to Newley's down- trodden "have-not"), the show received mixed reviews for it's libretto's pretensions ("third-rate commerce masquerading as art," said Walter Kerr of the Herald-Tribune), but unanimous praise for the songs and performances. Whitney Bolton wrote in the Morning Telegraph: "Mr Newley uses his own inventions, plus deliberate and useful, justifiably purloined gestures common to Charlie Chaplin, Lupino Lane, Buster Keaton, Stan Laurel and others, as though giving us a portrait gallery of great comics who have made their fames as Little Men against the harsh world."
  
  The score ("bursting with songs, all good and several of hit quality," wrote Variety) was exceptional, its hits including "Who Can I Turn To" (already a hit record by Tony Bennett when the show opened), "A Wonderful Day Like Today", "The Joker", "Nothing Can Stop Me Now", "Look at That Face" and "Sweet Beginning". The original cast album sold over 100,000 copies, and the show ran for over eight months. Newley and Bricusse were nominated for the Tony Award for Best Score, and Newley was nominated for Best Director, but this was the year that Fiddler on the Roof took most of the major musical awards. Asked about his predilection for writing about the problems of the "Little Man", Newley replied, "I don't hate anybody or anything. But I do expect to make statements about the problems of being a human being."
  
  Newley made his American film debut with a leading role in the film Doctor Dolittle (1967), with Bricusse alone providing the songs, though Newley made a fine solo album of the score. The actor then starred with Sandy Dennis in Sweet November (1968), a sentimental but rarely mawkish tale of a dying girl who takes a different sweetheart every month.
  
  Newley's own marriage was under pressure and in 1969 he produced, directed and co-wrote Can Hieronymous Merkin Ever Forget Mercy Humpe and Find True Happiness?, co-starring Collins and with plainly autobiographical overtones. "A zany erotobiography that looks like a Marx Brothers' movie shot in a nudist camp," was Playboy's description of the film, which was not a success. For the score, Newley collaborated with Herbert Kretzmer, who became a lifelong friend.
  
  "Although I was the lyricist, the film's concept and the ideas for the songs were Newley's - he was the architect and I the builder," said Kretzmer. One of the songs they wrote, "When You Gotta Go", was for a time a staple of Barbra Streisand's stage act. Newley and Collins were divorced in 1970, and Newley's third marriage, to an air hostess, Dareth Rich, also ended in divorce. "My only regret is that in a show-business career you can have no private life," said Newley.
  
  He and Bricusse wrote the songs for the 1971 film fantasy Willie Wonka and the Chocolate Factory, including the hit "Candy Man". In 1972 he returned to the West End stage with The Good Old Bad Old Days, which had book, music and lyrics by Newley and Bricusse and direction by Newley. Despite a tuneful score and a personal success, the show had only a moderate run and Newley began to spend more time in the United States, where he had bought a house and had developed a large following. In 1974 he starred with Henry Mancini in a musical revue on Broadway, and he became a top night-club entertainer, with sell-out appearances in Las Vegas. His last major film was Mister Quilp (1976), for which he wrote both music and lyrics, though he made several television movies.
  
  In 1985 he was diagnosed with cancer and had one kidney removed. Returning to England, he moved in with his mother Gracie in Esher, Surrey. With his illness arrested, he continued to work, appearing in television shows, touring in a stage production of Leslie Bricusse's musical Scrooge, and last year playing a successful London cabaret engagement. On television he played an amorous used-car dealer in several episodes of EastEnders.
  
  For the last seven years his partner was Gina Fratini, but he was a valued friend to all those close to him and he had remained on good terms with both Joan Collins and Dareth Rich - Collins would be seen at all of Newley's London openings. Herbert Kretzmer said of Newley, "It's a hackneyed phrase I know, but Newley was truly a `one-off', a totally unique and original talent." Leslie Bricusse echoed these sentiments when he wrote, "Never once have I known Tony to falter for one moment in his perpetual quest for something original - to say things and do things in a new way - to find fresh excitement, even in old themes. He takes infinite pains to bring style and originality to everything he touches."
  
  "He was a true original," said Kretzmer, "driven by the need to innovate and contemptuous of repetition or the following of fashion. His wish was always to break boundaries and push frontiers back."
  
  George Anthony Newley, actor, singer, composer and writer: born London 24 September 1931; married 1956 Ann Lynn (marriage dissolved), 1963 Joan Collins (one son, one daughter; marriage dissolved 1970), thirdly Dareth Rich (one son, one daughter; marriage dissolved); died Jensen Beach, Florida 14 April 1999.

  

  "Goldfinger"
  
  "What Kind of Fool Am I"
  
  
  "Once In a Lifetime"
  

  
  1941: Linda Louise Eastman (the future Lady Linda McCartney) is born--Scarsdale, New York.
  (She dies 17 April 1998 at age 56--Tucson, Arizona.)

  
  Photography

  Paul McCartney on Linda’s best
  photos: ‘Seeing the joy between me
  and John really helped me’

  See the complete article here:
  

  https://www.theguardian.com/artanddesign/2019/jun/26/paul-mccartney-on-lindas-best-photos-seeing-the-joy-between-me-and-john-really-helped-me

  Linda Eastman was the award-winning photographer who
  captured a generation of rock stars before marrying a Beatle. He
  discusses how her work changed his life

  
  John Lennon and Paul McCartney by Linda McCartney
  ‘This picture is a blessing for me.’
  Photograph: Linda McCartney/© Paul McCartney

  
  ‘I always used to joke that I ruined Linda’s career,” says Paul McCartney, sitting on a sofa in his office in Soho, London, with a selection of his late wife’s photographs spread on the table before him. “She became known as ‘Paul’s wife’, instead of the focus being on her photography. But, as time went on, people started to realise that she was the real thing. So, yeah, she eventually did get the correct reputation, but at first it was just blown out of the water by the headline-grabbing marriage.”

  
  Photograph: Linda McCartney/PA

  
  He has a point. Before she met and married him, in March 1969, Linda Eastman was an award-winning photographer. Born in 1941 and raised in a suburb of New York, she had studied under Hazel Archer – who taught the artist Robert Rauschenberg, among others – and was the first woman to shoot a Rolling Stone cover, featuring Eric Clapton. Her speciality was capturing pop stars in unguarded moments: a tearful Aretha Franklin; Jimi Hendrix mid-yawn; Janis Joplin backstage, her bottle of Southern Comfort already drained. But marriage to a Beatle tended to overshadow your own work and reputation, as Yoko Ono discovered.

  It wasn’t until years later that her talent was reappraised: 1976’s unassumingly titled book Linda’s Pictures was the first in a series of collections of her work. If anything, her reputation has grown since her death in 1998 – The Linda McCartney Retrospective, at Kelvingrove Art Gallery in Glasgow, is just the latest global exhibition of her work. It was curated by McCartney, along with their daughters, Mary and Stella; here, he picks six of his favourite photographs. “As you can probably tell,” he says, after an exhaustive account of one of the McCartneys’ family holidays in Orkney in the early 70s, “I like talking about this stuff.”

  BB King, 1968

  
  ‘She was a great believer in the happy accident.’
  Photograph: Linda McCartney/© Paul McCartney

  
  “This was taken before I got to know her. Linda was the resident photographer at the [music venue] Fillmore East in New York. She would go to the Fillmore, or other events, and there would be other photographers there, who would say to her: ‘Who’s this? Who’s this guy playing?’ and she would know. She loved the music so much, she listened to it all the time, so she just knew: this is the Grateful Dead, this is BB King, this is Buddy Guy, this is Janis Joplin, you know? That always comes to mind when I see this picture; I imagine her crouched down, by the stage, taking photos of BB King.
  
  “She was a great believer in the happy accident. Where other people might have said: ‘Well, this is blurred, we can’t use this one, we’ll go and look for the sharper photographs,’ she went with it. I love this picture – his guitar looks like an instrument from the future, a space-age thing. It just looks to me like his music sounds: exciting blues. A friend of ours, Brian Clarke, made a stained-glass window of this image, which is fabulous: I’ve got it in my studio.”
  
  The Beatles, 1967

  
  ‘Linda could instinctively feel a moment happening.’
  Photograph: Linda McCartney/© Paul McCartney

  
  “This is the press launch for Sergeant Pepper’s Lonely Hearts Club Band, at Brian Epstein’s house in Belgravia – 24 Chapel Street [in London]. We were lining up for various photographers and Linda was one of them. I think it was the second time I’d met her. She’d come to England to do the photos for a book, Rock And Other Four-Letter Words, by a writer called J Marks. She photographed the Animals, the Yardbirds, a lot of British acts for the book, and she was invited along to this.
  
  “One of the great things about Linda was she knew when to click. The photographers she admired were people who got those off-the-cuff moments – Walker Evans, [Henri] Cartier-Bresson, [Jacques Henri] Lartigue – where what they’re doing is a form of reportage that actually moved into art. If you think about the famous Cartier-Bresson photo of the guy jumping over a puddle [Behind the Gare Saint-Lazare, 1932] – it’s all about capturing that split-second. Linda could instinctively feel a moment happening. That’s what’s happened here. John and I have gone [posh voice]: ‘Hello, old chap, how are you?’ ‘Nice to meet you, jolly good!’ You’ve got John being funny, me in stitches at him and George and Ringo both loving it. It shows the relationship between us all.
  
  “Linda put you at your ease. Some photographers, you’re very aware that you’re having a picture taken. But she had such a relaxed attitude that she’d get a picture of Jimi Hendrix, but he’d be yawning in it. He felt comfortable enough to yawn, she felt confident enough to take a picture of him yawning, knowing he wouldn’t mind.”
  
  John and Paul, 1968

  
  ‘It reminds me that the idea we weren’t friends is rubbish.’
  Photograph: Linda McCartney/© Paul McCartney

  
  “This is me and John, in Abbey Road. It wasn’t too long before the breakup of the Beatles; this would be the end of our relationship and, at the end, when the breakup happened, it was kind of sour – very difficult to deal with. The rumour started going around that John and I didn’t get on well, we were arch-rivals, that it was very heavy and ugly. The strange thing is you sometimes get to believe something, if it’s said enough times. So I used to think: ‘Yeah, it’s a pity, you know, we didn’t get on that well.’
  
  “So this picture is a blessing for me. It’s like, this is how we were: this is why we related, or else we couldn’t have collaborated for all that time. It sums up what our relationship was like the minute we were actually working on a song, and most of the time we were together, really. I’m just writing something out – possibly it’s a medley or something; it might be for Abbey Road – and it’s lovely, because John is very happily in on the process, and agreeing with me, and we’re laughing about something. Just seeing the joy between us here really helped me, because it reminds me that the idea we weren’t friends is rubbish. We were lifelong friends, our relationship was super-special.
  
  “That applied to all the Beatles, even when we were pissed off with each other from time to time. People used to remind me: that’s families, that happens. Mates disagree. As soon as we started working on music, we gelled, we just enjoyed the noise we made together, we enjoyed playing with each other. We’d worked together for over 10,000 hours over the years, and that old spirit automatically kicked in. Any disputes were got over very quickly.”
  
  My Love, 1978

  
  ‘Until I met Linda, I panicked when I got lost.’
  Photograph: Linda McCartney/© Paul McCartney

  
  “This was taken in London in 1978. I love it because it’s a historic piece, because the cars and everything date it, but it’s also a really good portrait of me.
  
  “Technically, I still don’t get this one, because there’s me in the rear-view mirror and I’m in focus, but the houses are in focus and the bus is in focus as well. So I don’t get how that worked. It’s not a montage, it’s a straight photo. And the other thing is that I’m driving, and I think Linda is taking the picture with one of our babies on her lap – if you look, there’s a very faint reflection in the windscreen. Talk about multi-tasking.
  
  “One of the things about Linda, when you talk about how people seem at ease in her photos, is that it was her lifestyle. We’d say: ‘Let’s go out of London,’ so I’d just drive, we’d get out of London and I’d say: ‘Where do you want to go?’ She’d say: ‘Just anywhere.’ After a while, you’d end up in areas you didn’t know, going: ‘Ooh, I’m getting a bit lost here,’ and she’d say: ‘Great.’ You were in places you’d never been, you were seeing things you hadn’t intended to see, all of which was rich stuff for her photography. I remember I wrote the song Two of Us about that – ‘Two of us riding nowhere / Spending someone’s hard-earned pay.’ That was one of those excursions, when we were first going out together, this great idea of getting lost. Until I met Linda, I panicked when I got lost, you know?”
  
  Mother and child, 1969

  

  
  “Linda took a lot of pictures of ordinary people that to her seemed extraordinary. This was when we were in Greece on holiday. We wouldn’t go to the big places; we’d just go to a little beach. That was very much my relationship with Linda. She’d had a reasonably strict upbringing, what with her father being a lawyer, but then she’d started to smell freedom when she went to university in Arizona. She loved riding, she had a horse out there that her friend’s parents let her ride … it was the dangerous seeds of freedom. And when she met me, I’d been like a robot, having to go on tour, make a record, go on tour, do this – and I’d had it up to here. So we started to have a life where we didn’t have any plans. We’d go to Greece, book a hotel and just bum around. That feeling, that sniffing freedom, it went all the way through her photography and my music [on 1970’s McCartney and 1971’s Ram].
  
  “One day, we were just on the beach, having a swim, but she’s seen this mother and child, and it’s an interesting moment, so she’s just grabbed her camera and snapped it. She wouldn’t have used a whole reel on it; it could even be the only shot. Because she’d had to do things quickly, she’d just worked on the hoof, without an assistant. She didn’t use light meters often – she guessed – so she just went out with a pocket stuffed with film, camera around her neck and that would be it. There’s something fascinating about this moment she’s caught, the way the kid is looking into the camera eerily, the mum with this incredible bathing hat on. I could look at it for hours.”
  
  Paul, 1968

  

  
  “This was at the airport in Los Angeles. I had to do something record-related – I think it was a convention that Capitol, our American record label, were having – and she happened to be in LA, so she could hang out with me. She’d turn up at the hotel and we’d say: ‘Oh, what are we going to do today? Shall we do something? Well, let’s just stay in,’ and we’d just do nothing, basically. We loved that freedom. It was an important thing in a relationship, that neither of us minded doing nothing much.
  
  “So this is us parting after our little trip. I was going back to England and she was catching another flight, going back to New York: I think I was there with a guy called Magic Alex [Mardas, the Beatles’ notorious “electronics wizard”, whose various schemes reputedly cost the band about £5m in today’s money without yielding any results]. While we were waiting, she would just have her camera there, lift it up, click, get the shot, put it down again. So I’m goofing; I’ve pulled my jacket up and sort of masked my face. I’m going back to England, back to the Beatles, and I’m hiding: ‘No photos please!’ It was just a joyous little moment before we went our separate ways. But, you know, luckily, we hooked up again and, er … made a go of it!”
  

  The Linda McCartney Retrospective is at Kelvingrove Art Gallery,
  Glasgow, from 5 July to 12 January 2020

  
  

  1944: Maud Russell writes about Ian Fleming in her diary.

  

  Spies, affairs and James Bond... The
  secret diary of Ian Fleming's wartime
  mistress

  
  https://www.telegraph.co.uk/women/life/spies-affairs-james-bond-secret-diary-ian-flemings-wartime-mistress/

  Sunday 24 September, 1944
  
  Yesterday I. came to lunch. The flat is a sort of home or refuge from
  the war for him. He urges me to make plans for myself for after the
  war but I can’t and don’t want to. Any thought of my future makes
  me very unhappy.

  
  1950: Kristina Wayborn is born--Nybro, Kalmar län, Sweden.
  
  1961: John Logan is born--Chicago, Illinois.
  1966: You Only Live Twice films Bond and Tiger at the bathhouse.
  
  1981: 007 - Missão Ultra-Secreta (007 - Ultra Secret Mission) released in Portugal.
  1984: Putnam and Sons releases John Gardner's Bond novel Icebreaker in the US.

  

  

  

  

  
  2006: Tetsurô Tanba dies at age 84--Tokyo, Japan.
  (Born 17 July 1922--Tokyo, Japan.)

  

  Tetsuro Tamba

  See the complete article here:

  https://www.theguardian.com/news/2006/dec/06/guardianobituaries.japan

  Japanese actor whose life was a journey from kitsch to cult
  Ronald Bergan | Wed 6 Dec 2006 04.17 EST
  
  The Japanese actor Tetsuro Tamba, who has died aged 84, was a recognisable face to that large group of film fans from the west who are followers of Asian genre movies. He was seen in every conceivable kind of film - disaster, gangster, samurai, war and horror, as well as a number of art films.

  In an acting career that began in 1954, Tamba made more than 200 films; he admitted that he never refused a role, never memorised a script - and never sat through an entire film that he appeared in. One of his most well-known roles internationally was in Lewis Gilbert's You Only Live Twice (1967), the fifth blockbusting James Bond movie starring Sean Connery. Tamba played Tiger Tanaka, head of the Japanese secret service, who helps Bond save the world from destruction. The character is the mirror of Bond-san: he has a witty and sarcastic sense of humour, dresses smartly, is in perfect physical condition and has a taste for beautiful women. When Bond makes contact with him, he uses the password, "I love you."
  
  One of the best exchanges between them is when they are being bathed by Tanaka's women. Tanaka: "You know what it is about you that fascinates them, don't you? It's the hair on your chest. All Japanese men have beautiful bare skin." Bond: "Japanese proverb say 'Bird never make nest in bare tree.'"

  Gilbert also directed Tamba in The Seventh Dawn (1964). In the Malaya of 1945, he and William Holden are two pals who fought the Japanese together during the war but are now on opposing sides - Holden, an imperialist rubber plantation owner, and Tamba a communist guerilla. In another English-language film, Tamba played an ideological baddie in Bridge to the Sun (1961), as a militaristic diplomat at odds with a friend who married an American girl (Carroll Baker) before Pearl Harbor.
  
  He was born Shozaburo Tanba (he is sometimes credited as Tetsuro Tanba) in Tokyo, the son of the emperor's personal doctor. After some years under contract to Shintoho studios, he went freelance in 1959 and began starring in films, mostly yakusa, jidai-geki (period) movies and gore spectacles. For example, he was the unheeded professor who predicts The Last Days of Planet Earth (1974). But he also worked with some of Japan's best directors, including Shohei Imamura - Pigs and Battleships (1961), 11'09.01-September 11 (2002), Masaki Kobayashi (Harakiri, 1962), Kwaidan (1964), Kinji Fukasaku (Under the Flag of the Rising Sun, 1972) and Juzo Itami (A Taxing Woman Returns, 1988).
  
  Towards the end of his life, Tamba made a few films for Takashi Miike: The Happiness of the Katakuris (2001), and Gozu, 2003, in the former as a stern grandfather. He also had a cameo role as a harsh art critic in Teruo Ishii's Blind Beast vs Killer Dwarf (2001). In the 1980s, while appearing in around seven films a year, Tamba became leader of Dai Reien Kai (Great Spirit World), a spiritual cult movement, for which he made several propaganda videos based upon his theories of the afterlife. He is survived by his son, the actor Yoshitaka Tanba.
  
  · Tetsuro Tamba (Shozaburo Tanba), actor, born July 17 1922; died September 25 2006

  
  Tetsuro Tamba
  https://www.tvguide.com/celebrities/tetsuro-tamba/credits/176543/
  

  Actor (24 Credits)
  
  The Twilight Samurai (Movie) Tozaemon Iguchi 2003
  11'09"01: September 11 (Movie) Bonze 2002
  The Happiness Of The Katakuris (Movie) Jinpei Katakuri 2001
  Tokyo Pop (Movie) Dota 1988
  Onimasa (Movie) The Big Boss 1982
  The Bushido Blade (Movie) Lord Yamato 1982
  
  Hunter In The Dark (Movie) Okitsugu Tanuma 1979
  Message From Space (Movie) Noguchi 1978
  Karate Bearfighter (Movie) 1977
  Tidal Wave (Movie) Prime Minister Yamato 1975
  Prophecies Of Nostradamus (Movie) 1974
  Under The Fluttering Military Flag (Movie) 1972
  The Five Man Army (Movie) Samurai 1970
  The Scandalous Adventures Of Buraikan (Movie) Soshun 1970
  
  Goyokin (Movie) Rokugo Tatewaki 1969
  Black Lizard (Movie) Show Dancer 1968
  Portrait Of Chieko (Movie) Kotaro Takamura 1967
  You Only Live Twice (Movie) Tiger Tanaka 1967
  Kwaidan (Movie) 1964
  Samurai From Nowhere (Movie) Gunjuro Ohba 1964
  The Seventh Dawn (Movie) Ng 1964
  Harakiri (Movie) Hikokuro Omodaka 1962
  The Diplomat's Mansion (Movie) 1961
  Bridge To The Sun (Movie) Jiro 1961

  
  Tetsurô Tanba (1922–2006)
  
  Actor (334 Credits)
  https://www.imdb.com/name/nm0848533/?ref_=nv_sr_1?ref_=nv_sr_1

  

  
  2012: Raritania reviews Simon Winder's 2006 book The Man Who Saved Britain: A Personal Journey Into the Disturbing World of James Bond.

  https://raritania.blogspot.com/2012/09/review-man-who-saved-britain-personal.html
  
  https://www.mi6-hq.com/media/other/Man Who Saved Britain - Introduction.pdf

  
  
  
  

  
  
• RichardTheBruce I'm motivated by my Duty.

  September 2020 Posts: 13,787

  September 25th
  
  1957: Michael Madsen is born--Chicago, Illinois.
  1959: Ian Fleming's short story "James Bond and the Murder Before Breakfast" ("From a View to a Kill") finishes a five-day serialization in The Daily Express.
  1959: Producer Kevin McClory writes a letter to partner Ivan Bryce about writer Jack Whittingham's successful introduction to Ian Fleming.

  

  The Battle for Bond, Robert Sellers, 2007.
  Chapter 8 - Enter Jack Whittingham

  Thanks to his experience in journalism (prior to the war Jack worked for
  The Morning Post and The Daily Express and also his work for Korda), Jack got
  a job in the team at Ealing Studios, beginning his run of top screenplays that
  would eventually bring him to the attention of McClory.
  
  When McClory was finally introduced to Whittingham he came away
  impressed, telling Ivar Bryce in a letter dated 25 September: "I gave him Ian's first
  rough treatment, which he is extremely enthusiastic about. He also came back
  with some highly interesting and intelligent and constructive story points."
  Quickly Whittingham was introduced to Fleming and it was a huge success..."

  
  1964: Goldfinger released in Ireland.
  
  2011: Plans for filming in India drop off the table, leading to speculation for South Africa locations.
  2013: William Boyd signs seven copies of Solo at the Dorchester Hotel, to be dispersed by seven Jensen Interceptors to British Airways to seven locations: Amsterdam, Edinburgh, Zurich, Los Angeles, Delhi, Cape Town, Sydney.

  

  New James Bond book is
  peppered with bullet-holes

  https://www.designweek.co.uk/issues/july-2013/new-james-bond-book-is-peppered-with-bullet-holes/

  The cover for new James Bond book Solo features a dust-jacket
  riddled with die-cut bullet-holes.

  By Angus Montgomery August 1, 2013 10:58 am
  
  Solo’s dust-jacket is peppered with die-cut bullet-holes
  
  
  While the binding underneath features burn marks from the bullets
  
  The cover for Solo, which is written by William Boyd, has been designed by Random House creative director Suzanne Dean. The new book will be published on 26 September.
  
  The dust-jacket is punctured with die-cut bullet-holes, and when the jacket is removed, the binding underneath features burn-holes from the bullets, as well as a gecko – a reference to Bond’s African mission in the book.
  
  Solo is set in 1969, and Dean says she took inspiration from the 1960s work of Saul Bass, Paul Rand and Alvin Lustig. She says, ‘I didn’t want just to depict a cinematic image, but rather to try to reflect the essence of Ian Fleming’s original novels as well as Boyd’s own take on James Bond.’
  
  In the book, James Bond goes on an unauthorised solo mission, motivated by revenge. Dean says, ‘I had always been keen, since finding out the title, that there might be a way of using the two “O”s within Solo and link it to the 0s in 007.’
  
  Dean says she selected sans-serif typeface Folio for the cover, in part due to its ‘strong, circular’ O.
  
  She says, ‘The shadows thrown by the overlaying letters suggest hidden danger and tension, while the final “O” in Solo suggests a door, or an escape route.’

  2013: Bond author William Boyd proposes Daniel Day Lewis as his choice for Bond.

  

  Bond author: 'Daniel Day-Lewis my
  choice to play 007'

  See the complete article here:
  

  https://www.itv.com/news/london/2013-09-25/bond-author-daniel-day-lewis-my-choice-to-play-007

  Wednesday 25 September 2013, 1:45pm
  

  
  Author William Boyd holding his new James Bond novel in front of a Jenson car
  outside the Dorchester hotel in London
  Credit: Philip Toscano/PA Wire

  
  The author of a new James Bond novel has revealed that Daniel Day-Lewis would his choice to play the iconic character ahead of the book's official publication tomorrow.
  
  Speaking at the launch of Solo at The Dorchester Hotel in Central London, William Boyd said:

  "If there was to be an actor to play my James Bond, I'd choose another actor who has also been in a film of mine and who I also know and who is also called Daniel - Daniel Day-Lewis - because I think Daniel Day-Lewis actually resembles the Bond that Fleming describes."

  
  ITV News' Nina Nannar reports:
  
  Boyd's new book takes 007 into war-torn Africa as the 1960s come to an end.
  
  William Boyd is following in the footsteps of Kingsley Amis and Sebastian Faulks, who have both written novels about James Bond since the death of the character's original creator, Ian Fleming, in 1964.
  
  Despite his preference for Bond to be played by Daniel Day-Lewis, the London resident did admit he had "discussions" with current Bond star Daniel Craig before writing the book.
  
  Watch: New Bond writer on his novel mission
  https://www.itv.com/news/update/2012-04-12/new-bond-writer-on-his-novel-mission
  

  
  This year marks the 60th anniversary of the publication of
  Fleming's first James Bond novel Casino Royale.
  Credit: Philip Toscano/PA Wire

  
  The writer, 61, admitted it was "highly unlikely" Solo would be made for the cinema:

  It is set in 1969 and the Bond films are always set
  in the present day. They'll never make a retro Bond,
  I suppose they can take my plot and update it but
  then it would be different and because it's set in
  the 1960s it gives it a particular flavour.

  
  The new book's author admitted had "discussions" with
  current Bond star Daniel Craig before writing the novel.

  
  The book was launched at the Dorchester Hotel in central London where seven numbered and signed copies were driven off in vintage Jensen cars like the vehicle Bond drives in the novel.
  
  They were then flown around the globe to destinations including Los Angeles and Cape Town to mark tomorrow's publication.
  

  
  British Airways cabin crew outside the Dorchester hotel in London holding
  the new James Bond novel written by William Boyd.
  Credit: Philip Toscano/PA Wire
  
  This year marks the 60th anniversary of the publication of Fleming's
  first James Bond novel Casino Royale.
  

  
  Author William Boyd holding his new James Bond novel in front of a Jenson car
  outside the Dorchester hotel in London
  Credit: Philip Toscano/PA Wire
  
  He went on to publish 14 more Bond books and the series has sold more than 100 million titles.

  
  
  

  2015: Capital releases the single "Writing's on the Wall" written by Sam Smith and Jimmy Naples, sung by Smith.

  
  
  

  
  

  
  
• RichardTheBruce I'm motivated by my Duty.

  September 2020 Posts: 13,787

  September 26th
  
  1895: George Raft is born--Hell's Kitchen, New York City, New York City.
  (He dies 24 November 1980 at age 85--Los Angeles, California.)

  

  Icons / September 2018

  George Raft: Hollywood's Forgotten Star

  See the complete article here:
  

  https://therake.com/stories/icons/george-raft-who-is-the-rake/

  
  George Raft was better known for making other actors’ careers a success. Yet the fact he had a Hollywood life at all was, in Raft’s eyes, a tale of triumph over circumstance…
  
  by Josh Sims

  
  Raft walking from Vendome Cafe in Hollywood, 1933. Photograph by Getty Images.
  
  George Raft didn’t want to give the name. Interviewed in 1980, his final television appearance, the then 85-year-old actor, dressed stylishly in a charcoal peak-lapel suit over a black polo neck, was asked about his habit of giving money to those struggling to break into his fickle industry. The interviewer pushes him and he declines. He pushes again; again, Raft declines. The interviewer jokingly lets slip that the recipient in question went on to become the biggest name in television. Raft smiles. Still he won’t name her. Raft is, the interviewer says, too much of a gentleman. The interviewer takes another approach. How about all the famous women he’d dated? Would he name them? Raft smiles. “You can name them,” he says.
  
  Other men of his era — James Cagney, Spencer Tracy, Humphrey Bogart, Cary Grant, Gary Cooper — entered the annals of cool. But the much-less-famous Raft embodied it. They played tough; he was tough. They played gentlemen; Raft was one. “I respect women,” Raft once noted in another interview. “In one movie I was asked to hit Marlene Dietrich. I said I didn’t want to. That’s not something I would ever do in real life. And, of course, they said, ‘Well, you must’. Marlene said, ‘You have to hit me’. And I said no. So [filming was held up] for a couple of days. And I finally did hit her.” Years after the event, Raft was still not happy with it.
  
  He had separated from his first wife a few years into their marriage, but supported her until her death some 50 years later. It was worth noting that he was the only man on the chat show who stood up when a woman came onto the stage. Yet gentlemanliness, apparently, got you only so far. Why, compared to his peers, is Raft so little known? “Well, I was a pretty quick study — but then I didn’t have too many lines,” he said. Raft made self-effacement an art form: he never saw himself on screen and, he claimed, never had any desire to. “I always played the guy with the gun, or something like that. I did 105 pictures and I was killed 85 times. How unlucky can you go, right? I did pretty well with the girls. But in the pictures, always got killed. I worked with so many Academy Award winners. They always won the award, not me. I was nominated once. I ran fourth.”
  
  Raft, it sometimes seemed, made other men’s careers. Poor professional choices — at least in hindsight — were an issue: mistrust of novice directors, a belief in his own agent’s press releases and a reluctance to play un-redeeming anti-heroes all influenced his decisions. He turned down the lead in High Sierra, creating an opening that would help Bogart start his climb out of the doldrums. He turned down the lead in The Maltese Falcon for good reasons, but all the same he passed on what is widely considered the best detective movie of all time. Bogart took that part, too.

  
  George Raft outside the Wilshire Boulevard Temple in Los Angeles, circa 1940. Photograph by Getty Images.
  
  Raft and his wife, Grace Mulrooney, at the opening of the Moulin Rouge in Los Angeles, 1957. Photograph by Getty Images.
  
  Chatting with actresses Zoe Gail and Zsa Zsa Gabor at a farewell party he hosted before leaving England for Italy and the U.S., 1952. Photograph by Getty Images.

  
  Studio head Jack Warner even considered Raft for the lead in Casablanca. The part went to Bogart, making him a legend. Warner soon after annulled Raft’s contract. Raft’s last movie, released in 1980? The Man with Bogart’s Face. Raft, by the by, had once saved Bogart’s life, when he managed to bring to a stop a runaway truck they were both in for a scene.
  
  Of course, for all that Raft was the outsider, uneasy about his abilities, he did O.K. He was still appreciated as a dapper man around town: he popularised what became a signature, the wearing of a white tie with a black shirt, as well as several other trends of the era, like black pinstripe suits and long roll-collars. He also made a number of what are considered to be authentic, seminal movies: Scarface (1932); Each Dawn I Die (1939); They Drive By Night (1940); Nocturne (1946); and, as a supporting actor, Some Like It Hot (1959). Most of his movies were box office successes. In 1933 he was reported to be Hollywood’s highest paid star. He got his hands wet in cement outside Grauman’s Chinese Theatre as early as 1940.
  
  But by the post-war years his fledgling super-stardom was all but sidelined, with Raft reduced to working as a goodwill ambassador to a Las Vegas hotel, lending his name to a discount chain that went bust, running a casino in Havana until Castro took power, or riffing on his screen persona by playing a prison inmate in Alka-Seltzer commercials. “I turn up, deliver a line, and it’s a big hit,” he once said. “I think the one-liner [commercials] are great because you’re in and out. I have no idea what the commercial is about.”
  
  Still, Raft often expressed his amazement that he had made any kind of life in Hollywood. His was the rollercoaster experience, enough to warrant a 1961 biopic. Born into poverty in New York in 1895, and said to be nearly illiterate for much of his adult life, making him “for years the loneliest man in Hollywood”, as he put it, Raft did whatever he could to get by. “What can a guy do with no education?” he asked. "How I got into the pictures, I just don’t know. They just picked me up. I was sitting in the Brown Derby on Vine St. [in Los Angeles] and this director walked up to me and said he’d like to put me in a movie."
  
  The work was satisfactory — by Raft’s own assessment, he was never an incredible actor. Indeed, in pursuing the movies he left behind a life as a successful vaudevillian, a self-described “song and dance man”. It’s a fact that makes for an uneasy chapter of his legacy. Ever the menacing tough guy on screen — “the only way the public would accept me”, he claimed — Raft’s believability was underscored by supposed connections to the criminal underworld and his love of low-life lingo (when once accused of winning $18,500 in a crooked dice game, Raft complained that he’d “never played with loaded ivories in my life”).

  
  With Sophia Loren, circa 1960s. Photograph by Rex Features.
  
  Showing off his dancing with actor Ray Danton, who portrayed Raft in The George Raft Story, 1961. Photograph by Alamy.

  All the same, he got caught up in tax evasion, was questioned about the gangland hit that killed his childhood friend ‘Bugsy’ Siegel in 1947, testified in 1966 before a federal grand jury investigating Mafia financial transactions — he never commented on his testimony — and the following year was banned from England as an ‘undesirable’ for his supposed unsavoury connections.
  
  Sometimes Raft’s knowledge of the underworld just slipped out. He once told the director Frank Tuttle that he couldn’t shoot a scene in which his character held up a post office. “Why not?” Tuttle asked. Raft went on to explain that that was “a federal rap” and that “no gunman in his right mind fools around with Uncle Sam”. The scene was re-written to take place in a tourist bureau.
  
  Yet contrary to the machismo, real or imagined, Raft really could dance, a product of one of his more successful employments, as a nightclub dancer (often in Mafia-owned joints). He moved fluidly, effortlessly — Cagney compared him with Fred Astaire on this score — even if, of course, Raft always claimed he was “never a good dancer. I was more of a stylist”. Just check out scenes in Take a Look at Her Now (1929) or Bolero (1934) or Broadway (1942). It’s hard not to conclude that his career took a wrong turn down a figurative and — given his C.V.’s preponderance towards gangster flicks — literal dark alley.
  
  That romantic-hero typecasting never happened, of course; at least not on screen. If Raft’s movie choices were sometimes poor, his taste in women was excellent. Married only once, Raft’s affairs included those with Dietrich, Betty Grable, Virginia Pine, Carole Lombard, Norma Shearer and Mae West. Indeed, it was said that he ended up in Hollywood because he was on the run from a “crazy man who wanted me to marry his wife”. Inevitably, his name would be cited as a correspondent in divorce suits by countless angry husbands.
  
  But this was all part of the performance of Raft’s life story. His work, and a lack of commitments, gave him decades of high living and handouts for strangers, such that when Raft died, of emphysema, there was next to nothing of his $10 million earnings left. “I wish I knew where it went,” he said. Most likely, he knew very well where his money went. Pre-figuring footballer George Best’s famous line, on another occasion Raft made the hedonistic calculation: “Part of the loot went for gambling, part for horses, and part for women,” he said. “The rest I spent foolishly.”

  
  George Raft (1901–1980)
  https://www.imdb.com/name/nm0706368/?ref_=nv_sr_srsg_0
  Actor | Soundtrack
  
  Filmography

  Actor (86 credits)
  
  1980 The Man with Bogart's Face - Petey Cane
  
  1977 Sextette - George Raft
  1972 Hammersmith Is Out - Guido Scartucci
  1972 Deadhead Miles - George Raft
  1971 The Chicago Teddy Bears (TV Series) - The Rivalry (1971)
  1971 Rowan & Martin's Laugh-In (TV Series) - Guest Performer
  - Episode #4.26 (1971) ... Guest Performer (uncredited)
  
  1968 Skidoo - The Skipper
  1967 Five Golden Dragons - Dragon #2
  1967 Casino Royale - George Raft
  1967 Batman (TV Series) - Citizen in Bank
  - Black Widow Strikes Again (1967) ... Citizen in Bank (uncredited)
  1966 The Upper Hand - Charles Binnaggio
  1964 The Patsy - George Raft
  1964 For Those Who Think Young - Detective (uncredited)
  1964 The Ed Sullivan Show (TV Series) - Tango Dancer
  - Episode #17.22 (1964) ... Tango Dancer
  1962 Two Guys Abroad - Nightclub co-owner
  1961 The Ladies Man - George Raft
  1960 Ocean's 11 - Jack Strager
  
  1955-1960 The Red Skelton Hour (TV Series) - Mike McCluskey / Ace Williams - Gangster / Big Jack - Speakeasy Operator / ...
  - Cauliflower and the Syndicate (1960) ... Mike McCluskey
  - Reporter Clem (1957) ... Ace Williams - Gangster
  - Episode #5.4 (1955) ... Big Jack - Speakeasy Operator
  - The Smog Czar (1955) ... Muggsy Lasagna - Gangster
  1959 Jet Over the Atlantic - Stafford
  1959 Some Like It Hot - Spats Colombo
  1956 Around the World in 80 Days - Barbary Coast Saloon Bouncer
  1955 A Bullet for Joey - Joe Victor aka Steiner
  1954 Black Widow - Detective Lt. C.A. Bruce
  1954 Rogue Cop - Dan Beaumonte
  1953 I'm the Law (TV Series) - Police Lt. George Kirby
  - The Waterfront Story (1953) ... Police Lt. George Kirby
  - Train to Auburn (1953) ... Police Lt. George Kirby
  - The Button Story (1953) ... Police Lt. George Kirby
  - Falling Star (1953) ... Police Lt. George Kirby
  - Sob Sister (1953) ... Police Lt. George Kirby
  1953 The Man from Cairo - Mike Canelli
  1952 I'll Get You - Steve Rossi
  1952 Loan Shark - Joe Gargen
  1951 Lucky Nick Cain - Nick Cain
  1950 We Will All Go to Paris -George Raft
  
  1949 A Dangerous Profession - Vince Kane
  1949 Red Light - John Torno
  1949 Johnny Allegro - Johnny Allegro
  1949 Outpost in Morocco - Capt. Paul Gerard
  1948 Race Street - Daniel J. 'Dan' Gannin
  1947 Christmas Eve - Mario Torio
  1947 Intrigue - Brad Dunham
  1946 Nocturne - Police Lt. Joe Warne
  1946 Mr. Ace - Eddie Ace
  1946 Whistle Stop - Kenny Veech
  1945 Johnny Angel - Johnny Angel
  1945 Nob Hill - Tony Angelo
  1944 Follow the Boys - Tony West
  1943 Background to Danger - Joe Barton
  1943 Stage Door Canteen - George Raft
  1942 Broadway - George Raft
  1941 Manpower - Johnny Marshall
  1940 They Drive by Night - Joe Fabrini
  1940 The House Across the Bay - Steve Larwitt
  
  1939 Invisible Stripes - Cliff Taylor
  1939 I Stole a Million - Joe Lourik
  1939 Each Dawn I Die - 'Hood' Stacey
  1939 The Lady's from Kentucky - Marty Black
  1938 Spawn of the North - Tyler Dawson
  1938 You and Me - Joe Dennis
  1937 Souls at Sea - Powdah
  1936 Yours for the Asking - Johnny Lamb
  1936 It Had to Happen - Enrico Scaffa
  1935 She Couldn't Take It - Joseph 'Spot' Ricardi
  1935 Every Night at Eight - 'Tops' Cardona
  1935 The Glass Key - Ed Beaumont
  1935 Stolen Harmony - Ray Angelo, alias Ray Ferraro
  1935 Rumba - Joe Martin
  1934 Limehouse Blues - Harry Young
  1934 The Trumpet Blows - Manuel Montes
  1934 Bolero - Raoul De Baere
  1934 All of Me - Honey Rogers
  1933 The Bowery - Steve Brodie
  1933 Midnight Club - Nick Mason
  1933 Pick-up - Harry Glynn
  1932 Under-Cover Man - Nick Darrow
  1932 If I Had a Million - Eddie Jackson
  1932 Night After Night - Joe Anton
  1932 Madame Racketeer - Jack Houston
  1932 Love Is a Racket - Sneaky (scenes deleted)
  1932 Night World - Ed Powell
  1932 Scarface - Guino Rinaldo
  1932 Dancers in the Dark - Louie Brooks
  1932 Taxi - William Kenny - Dance Contestant (uncredited)
  1931 Palmy Days - Joe - Yolando's Henchman
  1931 Hush Money - Maxie
  1931 Goldie - Pickpocket (uncredited)
  1931 Quick Millions - Jimmy Kirk
  
  1929 Side Street - Georgie Ames - the Dancer (uncredited)
  1929 Gold Diggers of Broadway - Dancer (uncredited)
  1929 Queen of the Night Clubs - Gigola

  
  
  

  [/quote]

  
  1941: Martine Beswick is born--Port Antonio, Jamaica.
  
  1964: The Los Angeles Times reports on Kevin McClory's deal with Eon on the Thunderball production.
  
  1984: A View to a Kill films OO7 and and Pola Ivanova in that hot tub.
  
  2008: Smirnoff readies product tie-ins with the new Bond film.

  

  Smirnoff shaken not stirred by new James Bond film
  – https://www.moodiedavittreport.com/smirnoff-shaken-not-stirred-by-new-james-bond-film-260908/26/09/08
  by Mary Jane Pittilla
  Source: ©The Moodie Report 26 September 2008

  
  “This powerful campaign emphasises
  the premiumisation potential across
  our vodka portfolio in the year ahead,”
  says Diageo GTME Marketing
  Director Nick Robinson

  UK. Diageo-owned Smirnoff Vodka has announced its official partnership with the world’s most famous secret agent in the next James Bond film, Quantum of Solace, which is set for global release in November. The partnership will see James Bond-inspired initiatives from Smirnoff in markets worldwide.
  
  The promotional campaign begins in October with the Travel Retail Smirnoff Black limited-edition cocktail shaker at the heart of the campaign. The stainless steel cocktail shaker encases a 70cl bottle of Smirnoff Black vodka.
  
  Diageo GTME Marketing Director Nick Robinson said the campaign would provide “exceptional support” to the Smirnoff brand and enhance the in-store experience: “James Bond and Quantum of Solace provide the ideal opportunity to reach our key target market and enhance perceptions of the brand. This powerful campaign emphasises the premiumisation potential across our vodka portfolio in the year ahead.”
  
  The global marketing campaign will include a broadcast advertising campaign, on- and off-premise promotions, a public relations campaign and digital campaign linked to the Smirnoff website (www.smirnoff.com).
  
  “Almost half a century since the debut of the “˜shaken not stirred’ vodka martini, Smirnoff and James Bond are still the perfect match: two bold, iconic brands that epitomise originality and authenticity,” said Diageo Global Senior Vice-President Philip Gladman. “This renewed partnership gives vodka drinkers around the world a taste of the Bond lifestyle, from cocktails to prestigious VIP premieres.”
  
  Produced by Michael G Wilson and Barbara Broccoli for EON Productions and distributed by Sony Pictures Entertainment, Quantum of Solace follows the last Bond film, Casino Royale, in which Smirnoff was also an official partner. The partnership marks almost 50 years of collaboration between the Smirnoff brand and the 007 franchise.
  
  The brand made its original appearance alongside Bond in Dr No, the first James Bond movie, which premiered in 1962. Sean Connery’s request for a “martini, shaken not stirred” made with Smirnoff vodka helped change how people made 007’s favourite cocktail-from using traditional gin to making it vodka-based.
  
  Inspired by Quantum of Solace, The Quantum of Solace and The Black Martini are the newest Smirnoff cocktails.

  Smirnoff Black recipes –
  007 Black Martini

  https://www.thejamesbonddossier.com/content/drink/smirnoff-black-recipes-007-black-martini.htm
  

  Smirnoff Black recipes –
  Quantum of Solace

  https://www.thejamesbonddossier.com/content/drink/smirnoff-black-recipes-quantum-of-solace.htm
  

  
  https://www.dailymotion.com/video/x79fpw
  
  https://www.dailymotion.com/video/x7urb8
  
  

  
  2013: Jonathan Cape publishes William Boyd's Bond novel Solo.

  
  

  IT'S 1969, AND, HAVING JUST
  celebrated his forty-fifth birthday, James
  Bond -- British special agent 007 -- is sum-
  moned to headquarters to receive an un-
  usual assignment. Zanzarim, a troubled West
  African nation, is being ravaged by a bitter
  civil war, and M directs Bond to quash the
  rebels threatening the established regime.
  
  Bond's arrival in Africa marks the start
  of a feverish mission to discover the forces
  behind this brutal war -- and he soon realizes
  the situation is far from straightforward.
  Piece by piece, Bond uncovers the real cause
  of the violence in Zanzarim, revealing a
  twisting conspiracy that extends further
  than he ever imagined.
  
  Moving from rebel battlefields in West
  Africa to the closed doors of intelligence
  office in London and Washington, this novel
  is at once a gripping thriller, a tensely plotted
  story full of memorable characters and
  breathtaking twists, and a masterful study
  of power and how it is wielded -- a brilliant
  addition to the James Bond canon.

  WILLIAM BOYD
  is also the author of A Good Man in Africa,
  winner of the Whitbread Award and the
  Somerset Maugham Award; An Ice-Cream
  War, winner of the John Llewellyn Rhys
  Prize and shortlisted for the Booker Prize;
  Brazzaville Beach, winner of the James Tait
  Black Memorial Prize; Restless, winner of the
  Costa Novel of the Year; Ordinary Thunder-
  storms; and Waiting for Sunrise; among other
  books. He lives in London.
  

  WWW.IANFLEMING.COM

  
  
  

  2014: Jerry Alan dies at age 75--Tampa, Florida.
  (Born 13 January 1939.)

  

  James Bond Stuntman Jerry
  Alan Dies

  See the complete article here:
  

  https://www.contactmusic.com/james-bond/news/james-bond-stuntman-jerry-alan-dies_4461178

  By WENN in Movies / TV / Theatre on 14 November 2014
  
  Follow James Bond

  James Bond stuntman Jerry Alan has lost his battle with throat and mouth cancer at the age of 75.

  
  Alan passed away on 26 September (14).

  He served as a stunt co-ordinator and stuntman in Hollywood for more than four decades, and is best known for his work on three Bond movies, Diamonds Are Forever, The Man With The Golden Gun and Casino Royale.

  He also took his talents to the small screen, working on programmes such as Gunsmoke, Bonanza and The Dukes of Hazzard.
  
  A U.S. Navy and Army veteran, Alan was also a founding member of the Florida Motion Picture and Television Association.

  

  Jerry Alan (1939–2014)

  Stunts | Actor | Special Effects
  https://www.imdb.com/name/nm0015926/?ref_=nv_sr_srsg_4
  

  

  2016: Dynamite Entertainment reveals artist Robert Hack's cover for Hammerhead #1, exclusive to CBLDF (Comic Book Legal Defense Fund) Retailer Membership. One per store distribution, instantly rare.

  
  
  
  

  
  
• QBranch Always have an escape plan. Mine is watching James Bond films.

  September 2020 Posts: 14,569

  RichardTheBruce wrote: »

  1984: A View to a Kill films OO7 and and Pola Ivanova in that hot tub.

  A Tchaikovsky-ticklin' bubble bath.
  
  
• RichardTheBruce I'm motivated by my Duty.

  September 2020 edited September 2020 Posts: 13,787

  September 27
  
  1903: Leonard Barra is born--West Virginia.
  (He dies 22 November 1980 at age 77--West Hollywood, California.)

  

  Leonard Barr

  https://en.wikipedia.org/wiki/Leonard_Barr

  
  Barr in Diamonds Are Forever, 1971

  Birth name Leonard Barra
  Born September 27, 1903, West Virginia, U.S.
  Died November 22, 1980 (aged 77), Burbank, California, U.S.
  Medium Stand-up, television, film
  Years active 1970–1980
  Genres One-liners
  Relative(s) Dean Martin (nephew)
  Notable works and roles Diamonds Are Forever

  Leonard Barr (born Leonard Barra; September 27, 1903 – November 22, 1980) was an American stand-up comic, actor, and dancer.
  
  Barr appeared several times with Dean Martin and Jerry Lewis when they hosted the Colgate Comedy Hour. He had a brief role in The Sting, appropriately as a burlesque comic. That is also the way his character is listed in the credits—as an anonymous comedian. However, in the wings of the stage just before the comic's entrance, he has a brief conversation with Johnny Hooker (Robert Redford), who addresses him as "Leonard".

  He is perhaps best remembered internationally for his appearance in the 1971 James Bond film Diamonds Are Forever in which he played Shady Tree, a stand-up comedian and smuggler in Las Vegas who was assassinated by henchmen Mr. Wint and Mr. Kidd. He also appeared in The Odd Couple usually in the non-dialogue New York street scenes in the first season or 5 episodes later in 1975 with dialogue and, albeit unnamed, on an episode of M*A*S*H as a USO comedian. He also made numerous guest appearances on The Tonight Show Starring Johnny Carson. Cameron Crowe briefly depicted Barr as a foul-mouthed real-life character in Almost Famous, his semi-autobiographical film of 2000.

  Personal life
  He was the uncle of Dean Martin (being the brother of Dean Martin's mother Angela).
  
  Death
  The 77-year-old Leonard Barr suffered a stroke on October 28, 1980, in his hotel room in West Hollywood and died on November 22, 1980, in a hospital in Burbank, California.

  
  Leonard Barr (1903–1980)
  Actor | Soundtrack
  https://www.imdb.com/name/nm0056536/?ref_=nmbio_bio_nm
  
  Filmography

  Actor (14 credits)
  
  1981 Under the Rainbow - Pops
  1980 Tenspeed and Brown Shoe (TV Series) - Comic
  - Pilot: Part 1 (1980) ... Comic
  
  1979 Skatetown, U.S.A. - 1977-1978 Szysznyk (TV Series)
  Leonard Kriegler
  - Youth of the Year (1978) ... Leonard Kriegler
  - Norton's Head Trip (1978) ... Leonard Kriegler
  - Hell on Wheels (1978) ... Leonard Kriegler
  - A Star Is Burned (1978) ... Leonard Kriegler
  - You Stomped on My Heart (1978) ... Leonard Kriegler
  1978 Battered (TV Movie) - Prof. Jeremiah Hayden
  1977 Record City - Sickly Man
  1977 Billy: Portrait of a Street Kid (TV Movie) - Hospital Roommate
  1976 The Tony Randall Show (TV Series) - Bellhop
  - Case: His Honor vs. Her Honor (1976) ... Bellhop
  1975 Little House on the Prairie (TV Series) - Proprietor
  - To See the World (1975) ... Proprietor
  1970-1975 The Odd Couple (TV Series) - Walter / Stickman / Mayor / ...
  - Old Flames Never Die (1975) ... Walter
  - The Hollywood Story (1974) ... Stickman / Mayor
  - To Bowl or Not to Bowl (1974) ... Arnold
  - Lovers Don't Make House Calls (1971) ... Panhandler (uncredited)
  - Oscar's Ulcer (1970) ... Old Playful Boxer on the Street (uncredited)
  1973 The Sting - Burlesque House Comedian
  1972 Evil Roy Slade (TV Movie) - Crippled Man
  1971 Diamonds Are Forever - Shady Tree
  1970 Love, American Style (TV Series) - Passing Buck (segment "Love and the Longest Night")
  - Love and the Big Date/Love and the Longest Night (1970) ... Passing Buck (segment "Love and the Longest Night")
  
  Soundtrack (2 credits)
  
  1967 The Dean Martin Show (TV Series) (performer - 1 episode)
  - Episode #2.25 (1967) ... (performer: "Crazy Rhythm" - uncredited)
  1959 Gangster Story (music: "The Itch for Scratch")

  
  

  
  1979: Agente 007, Moonraker: operazione spazio (Agent 007, Moonraker: Operation Space) released in Italy.

  
  
  
  

  
  1982: Never Say Never Again filming begins on the French Riviera.

  
  

  1982: Octopussy films Gobinda attacking Bond and Vijay.
  1985: 007 – Alvo em Movimento (007 - Moving Target) released in Portugal.

  http://007pt.blogspot.com/2012/

  

  
  2015: The Telegraph prints an article "Meet the real Q: the unsung heroes of Bond" giving detail to Peter Fleming, James Bond, Robert Brownjohn, Dame Victoire Evelyn Patricia Bennett, and Geoffrey Boothroyd.

  

  Meet the real Q: the unsung heroes of Bond

  See the complete article here:
  

  https://www.telegraph.co.uk/film/james-bond-spectre/unsung-heroes-real-life/

  Telegraph Film 27 September 2015
  Who outshone Ian Fleming, put the gold into Goldfinger and gave James his name?

  1. Peter Fleming, adventurer
  Ian's older brother: explorer, travel writer, and creator of a blueprint Bond. By Robert Ryan
  
  The alligator lurking beneath the surface of Brazil's Araguaya river was certainly an impressive beast, the largest the English explorers had seen. Because it was dark, though, none of the party in the canoe could be certain of its exact length. After a number of wild guesses, they decided to settle the matter with a tape measure. From their dugout they fired three .375 rounds into the animal's skull and dragged it onto the bank.
  
  The explorers then went to bed. At some point in the night the 'gator revived and lunged at its tormentors. One of the Englishmen, who would later retell this story in the book that would make him famous, rolled out of bed, grabbed a revolver and helped pump six more bullets into the alligator's skull.
  
  It is just as well Peter Fleming lived to tell the tale, and tell it so well. For had this cocky young man succumbed to the perils of the Brazilian jungle, James Bond might well have been stillborn.

  
  Peter Fleming, brother of James Bond creator Ian, was a successful travel writer

  
  There was a time when Peter was more famous than Ian could hope to be, both as a writer and as a man who had married one of the most admired actresses of stage and screen.
  
  Peter not only wrote the blueprint for the Bond books, but also godfathered 007's debut in Casino Royale and named one of the series' most memorable characters. Yet, by the mid-1950s Ian had eclipsed his achievements, to the point today where Peter receives only walk-on parts in his brother's biography. This is a shame, because along the way he wrote some of the finest, and funniest, travel books ever produced.
  
  In some ways, though, Peter helped create his brother. Born into the Fleming banking family in 1907, he set a high intellectual standard as he blazed through Eton and glided smoothly towards Oxford. Ian, a year younger, seemed to have decided that, rather than compete academically with his brilliant and clubbable brother, he would find another outlet. This he did by excelling in athletics and by cultivating an air of disdain and a dilettante lifestyle.
  
  While Ian was struggling as a stockbroker, Peter – then aged 24 and working as assistant literary editor at The Spectator – came upon the small ad that would catapult him to fame. The notice, in the Times classifieds, read: 'Exploring and sporting expedition, under experienced guidance, leaving England June, to explore rivers Central Brazil, if possible ascertain fate Colonel Fawcett; abundance game, big and small; exceptional fishing; Room Two More Guns.'
  
  Shooting was Peter's greatest passion; solving the mystery of Colonel Fawcett, who had disappeared in the jungle in 1925 while searching for a fabled lost city, would be the icing on the cake. Although the expedition failed, the resulting book, Brazilian Adventure, made Peter's name. Written in a surprisingly modern tone, it details how its members split into opposing camps, who ended up racing each other back down the Amazon. The first to make the cable station at the coast would get the chance to put out its own version of the story. Fleming won and gained a career as a travel writer.
  Percy Fawcett, who disappeared in the Amazon in mysterious circumstances in 1925
  
  Brazilian Adventure shows its imperial age in its superior attitude to the natives, and in the way Peter resolves certain situations. When one of his companions is about to thump the drunken river pilot, he intervenes: 'You don't hit your butler, do you?'
  
  Just before leaving for Brazil in May 1932, Peter had fallen in love with an aspiring actress, Celia Johnson. Kate Grimond, her daughter and biographer, characterised him as 'handsome and romantic' but also 'a little ham-fisted in company'. He was also restless and, as Ian later described him, 'a law unto himself'. His relationship with Celia survived the separation and further trips abroad, which would provide material for books such as One's Own Company and News from Tartary.
  
  By the time war came Peter was married to Celia, with an estate in Oxfordshire and a son, Nicholas. His brother's wartime career in intelligence has been painstakingly picked over, but Peter was a spook, too. Initially, he created lairs in Kent for resistance units in case of invasion and wrote a book called The Flying Visit, a farcical vision of Hitler crash landing in Britain. After adventures in Norway, Egypt and Greece, he found himself in Delhi in 1942, working for Military Intelligence (Deception). Like Ian, his job was to dream up schemes to fox the enemy. One of his ruses was the planting of a case apparently belonging to Wavell, abandoned during the retreat from Burma, and indicating to the Japanese that India was more strongly defended than it actually was.
  
  Peter returned home in 1945, in time for the premiere of his wife's only iconic film, Brief Encounter. Shortly after the birth of his second daughter, Lucy, in 1947, he fell from his horse and suffered a crushed pelvis. There would be no more travel books set in far-flung places. The waning of Peter had begun – and the waxing of Ian Fleming.
  
  But it was Peter who got in first with an espionage novel. The Sixth Column was written the year before Casino Royale and appeared in 1952. It features an author who writes about a secret agent called Colonel Hackforth. He appears in 'thrillers with violent, and to say the least of it, curious events ... which had far-reaching international implications'. If only Peter had written the books-within-the-book for, with the addition of a little sex and sadism, this could be a blueprint for Bond. The novel is dedicated to Ian so it is ironic that once the Hackforth-ish 007 appeared, he blew Peter's literary career out of the water.
  
  Jonathan Cape, the publisher, was ambivalent about Casino Royale. According to Andrew Lycett, Ian's biographer, he described it as 'not up to scratch' and said: '[He's] got to do much better if he is to get anywhere near Peter's standard.' But Peter, one of Cape's best-selling authors, gently persuaded him to take it. He also donated the name of a character: in an early draft of Casino Royale, M's secretary was called Miss Pettaval; Peter suggested 'Moneypenny'. And he helped out by checking the manuscripts, with such fastidiousness that Ian called him 'Dr Nitpick'.
  
  There was, however, a second literary wind for Peter. His work on the resistance networks meant he was well placed to write a book about Nazi plans for the conquest of England. Invasion 1940 was a bestseller and he subsequently wrote other historical works, but for the most part he contented himself with estate management, journalism and hunting. He was out seeking grouse when Ian died on 12 August, 1964.
  
  Seven years later, at the age of 64, he suffered a heart attack while shooting in Scotland. The rest of the party decided that he had died happy and carried on up the beats to complete their day's sport. It's exactly what this forgotten Fleming would have wanted.

  2. The original James Bond
  How James Bond – the handsome, charming, highly intelligent ornithologist – gave Fleming's spy his name. By Horatia Harrod
  

  
  James Bond, ornithologist, whose name was taken by Ian Fleming for his super-spy
  Credit: David R. Contosta

  
  In the mid-1960s, a middle-aged Philadelphian ornithologist and his wife began to be plagued by anonymous phone calls from teenage girls.
  
  The man they were calling had the misfortune to be called James Bond, but unlike many others whose lives had been made a misery through an accident of naming, this one had the distinction of being the "real" James Bond. As Fleming explained to Rogue magazine in 1961, "There really is a James Bond, but he's an American ornithologist, not a secret agent. I'd read a book of his b][i]Birds of the West Indies[/i][/b and when I was casting around for a natural-sounding name for my hero, I recalled the book and lifted the author's name outright."
  
  In many aspects of his life – his good looks, upper-class background, Cambridge education, rejection of a dull career in investment banking – Bond was not unlike his literary double.

  
  James Bond's Birds of the West Indies

  
  In 1961, his wife, Mary, went into action, writing Fleming a letter which ended: "I tell my J.B. he could sue you for defamation of character but he regards the whole thing as a joke."
  
  Fleming wrote back to explain himself: "I was determined that my secret agent should be as anonymous a personality as possible; even his name should be the very reverse of the kind of Peregrine Carruthers who one meets in this type of fiction ... [Bond's] name – brief, unromantic and yet very masculine – was just what I needed."
  
  In 1966 Mary published a book, How 007 Got his Name. And she came up with a good line for the anonymous callers: "Yes," she would say, "James is here. But this is Pussy Galore and he's busy now."

  3. Robert Brownjohn, designer
  The debonair, drug-addicted designer who created iconic Bond title sequences. By Sam Delaney
  

  
  Robert Brownjohn (centre) working with Margaret Nolan on the 'Goldfinger' title sequence
  Credit: Mafalda Spencer

  
  The Bond producers Cubby Broccoli and Harry Saltzman first met Robert Brownjohn in a Soho screening theatre in 1963. They had invited him to pitch ideas for the title sequence for From Russia with Love. Brownjohn produced a collection of 35mm slides from his pocket and loaded them into a carousel. Dimming the lights, he took off his shirt and began to dance, allowing the projected images to glance and shimmer across his booze-inflated torso. 'It'll be just like this!' he announced to the stunned movie-makers. 'Except we'll use a pretty girl!'
  
  This bizarre spectacle set an enduring template for the James Bond aesthetic. It might not have looked sexy at the time, but Broccoli and Saltzman had enough imagination to commission the idea for a modest £850. Brownjohn hired a studio, some camera equipment and a belly dancer.
  
  Initial efforts to project the names of the film's cast and crew over the gyrating dancer's body proved unsuccessful. The letter forms were unreadable and, eventually, she fled after being asked to lift her skirt. Brownjohn replaced her with a snake dancer called Julie Mendes and managed to find a way of focusing the credits more clearly onto her naked flesh. A separate model was hired to gaze into the camera with '007' projected onto her face. Like much of Brownjohn's work, the finished sequence was bizarre, sexually charged and thoroughly innovative.
  
  Brownjohn had arrived in London in 1960, having made a name for himself as a graphic designer in New York. His heroin use had spiralled out of control and he'd heard that Britain offered free treatment and prescriptions to registered addicts. 'I met him off the boat train,' said Alan Fletcher, the London designer. 'He'd tried to go cold turkey on the way over and it had been a rough journey. He looked like s---.'
  
  Despite having no previous experience in advertising, Brownjohn was hired as creative director of J. Walter Thompson's London office. 'He liked a drink in the afternoon, often to deal with the hangover from the night before,' said Fletcher. 'But he got paid vast sums of money compared with the rest of us because he was so smart and entertaining. Agencies were just happy to have him around, wheeling him out for clients once in a while.'
  
  'He instilled an excitement in everyone around him,' says film director Adrian Lyne, who worked under Brownjohn at Thompson's. 'He had been a junkie and was friends with Miles Davis. I was infatuated with this man. He was immensely talented.' He defied the stereotype of the unassuming designer hunched day and night over his desk, becoming a central figure in the King's Road scene of the 1960s: Michael Caine, Terence Stamp and David Bailey would attend the parties thrown by his production company.
  
  When Goldfinger went into production in 1964, Brownjohn demanded that his budget for the title sequences be increased to £5,000. 'That's how much it cost,' said his animation assistant Trevor Bond. 'You never made a profit [with Brownjohn]. He always used all the budget and went over the top.'
  
  For Goldfinger, he decided to project imagery as well as words onto the body of the model Margaret Nolan, whom he painted gold from head to toe. As Nolan struck seductive poses, a miniature Sean Connery was seen crawling along her thighs, and a golf ball disappeared between her breasts. Explosions, car chases and bullets shimmered across Nolan's contours as Shirley Bassey belted out the seminal theme tune. It was the first title sequence to require clearance from a film censor; the following year, it won the prestigious gold pencil at the Design and Art Direction awards.
  
  Broccoli and Saltzman offered to set up Brownjohn in his own independent production company to make all their future titles. When he turned them down, the relationship soured. He died in 1970, aged 44, having never worked on another Bond movie. But his title sequences set the tone for the entire Bond series. More, he showed young British designers that creative endeavour could be reconciled with an almost Bond-like lifestyle. (Words by Sam Delaney)

  4. Moneypenny's double
  How Dame Victoire Evelyn Patricia Bennett outshone her literary twin. By Horatia Harrod

  
  Lois Maxwell's Moneypenny (left) was partly based on Dame Victoire Evelyn Patricia Bennett (right)
  Credit: PIERLUIGI / Rex Features; Christine Boyd

  
  The relationship between truth and fiction is rarely straightforward, but Bond enthusiasts are always eager to read Fleming's books as autobiography. Was Admiral John Godfrey the real M? Or Claude Dansey? Or Maxwell Knight?
  
  And what of Miss Moneypenny, Bond's loyal, lovelorn secretary? One of the main contenders as inspiration for the role was Dame Victoire Evelyn Patricia Bennett – "Dame Paddy", as she liked to be known – who worked as Fleming's secretary in Room 39, a secret part of the Admiralty Building, during the Second World War.
  
  Speaking months before her death in December 2009, at home in South Kensington, she claimed to have been nonplussed by the Bond association. For one thing, she was never in love with Fleming: "Things were so different then, " she said. "Now you look at a man and you're supposed to go to bed with him. It wasn't so in our world; it was an innocent world in that sense. " However, just to be safe she "always kept him at arm's length".
  
  As a 19-year-old working in Naval Intelligence, she was a resourceful, quick young woman caught up in "the agony and ecstasy" of the war. It was Dame Paddy who wrote fake love letters to be placed in the jacket of "The Man Who Never Was" – the corpse commandeered by British Intelligence and washed up on a Spanish shore as part of a ruse to mislead the Germans about Allied war plans.
  
  No wonder she couldn't see the comparison: the moony Moneypenny hardly does justice to the daring Dame Paddy.

  5. Geoffrey Boothroyd, the real Q
  The gun expert who banned Bond from carrying a 'lady's gun'. By Horatia Harrod

  
  Geoffrey Boothroyd pictured with James Bond creator Ian Fleming

  
  For Geoffrey Boothroyd, at the time an engineering analyst, but later the world's leading authority on shotguns and author of the seminal 1961 work, Gun Collecting, it was an impropriety akin to putting Bond in a cocktail dress, or making his signature drink a Cosmopolitan.
  
  'Dear Mr Fleming,' he wrote after reading Casino Royale, 'I wish to point out that a man in James Bond's position would never consider using a .25 Beretta. It's really a lady's gun – and not a very nice lady at that! Dare I suggest that Bond should be armed with a .38 or a nine millimetre – let's say a German Walther PPK? That's far more appropriate.'
  

  
  The Walther PPK used by Sean Connery in From Russia with Love, 1963
  Credit: John Taylor

  
  This was the beginning of a correspondence that would turn Boothroyd, a portly Glaswegian, into James Bond's armourer, 'Major Boothroyd' – 'the greatest small-arms expert in the world', as he's described in Dr No.
  
  And Major Boothroyd would later become known as Q, the gadgets expert played with such delightful exasperation by Desmond Llewelyn in 17 Bond films. Boothroyd also gave invaluable service as weapons adviser on From Russia With Love, explaining the best way to blow up a helicopter.
  

  
  Ian Fleming's letter of thanks to Geoffrey Boothroyd

  
  He then returned to his vast library of black-and-white negatives of guns being manufactured, loaded, fired and admired, his column at Shooting Times and his study of Scottish pistols, safe in the knowledge that he had spared Fleming's – and Bond's – blushes.

  Time left to wait until Spectre's UK release date:
  00 : 00 : 00 : 00
  Days Hrs Mins Secs

  2017: Hugh Hefner dies at age 91--Holmby Hills, Los Angeles, California.
  (Born 9 April 1926--Chicago, Illinois.)

  

  Review of The Playboy and James Bond: 007, Ian
  Fleming and Playboy Magazine (2018), by Claire
  Hines

  https://jamesbondstudies.ac.uk/articles/abstract/10.24877/jbs.48/
  Author: Kevin McCarron

  Abstract
  A Review of The Playboy and James Bond: 007, Ian Fleming, and Playboy Magazine (2018), by Claire Hines.

  McCarron, K. (2019). Review of The Playboy and James Bond: 007, Ian Fleming and Playboy Magazine (2018), by Claire Hines. International Journal of James Bond Studies, 2(1). DOI: http://doi.org/10.24877/jbs.48
  PDF https://jamesbondstudies.ac.uk/articles/10.24877/jbs.48/galley/31/download/

  The Playboy and James Bond:
  007, Ian Fleming and Playboy
  Magazine, by Claire Hines
  (Manchester University Press, 2018, pp. 209)

  Toward the end of her book, Claire Hines quotes from Playboy magazine upon the release of Skyfall in 2012: “Fifty years of Bond films forever changed the definition of the modern man, and Playboy has been with 007 every step of the way – publishing Ian Fleming, photographing the Bond girls and celebrating the lavish lifestyle” (193-194). Hines does an impressive, very meticulous job of tracing these steps: from 1953 to 2017. Like other commentators on Bond she notes that Casino Royale was published in 1953, the same year that Hugh Hefner launched Playboy. Hines is more interested in the films than in the novels, but she writes well on generic precedent in Fleming’s novels and suggests Bond is a less clubbable and far less amiable character than those of Dornford Yates and “Sapper”, in particular. She also notes that Playboy had its roots in Esquire magazine but took advantage of (and, indeed, helped to create) a more complicit zeitgeist in order to emphasise female sexuality far more than its predecessor had been able, or willing, to do. Playboy also benefited from an America affluent as never before and in need of sophisticated guidance in how to spend that money. Hines writes detailed and illuminating chapters on such issues as “the literary Bond”, “the consumer Bond”, and “Bond women” and is always tightly focused on the relationship between the Bond novels and films and the ideology and the marketing strategies of Playboy. She is, on the whole, more interested in economics than in politics, but then so are Bond and Playboy.
  
  The magazine devoted a lot of time to Bond, in all his manifestations, and was the first American publication to print one of Fleming’s stories, “The Hildebrand Rarity”, in March 1960. The book is full of interesting insights into just how the Bond phenomenon and Playboy are connected; although it was only really ever on the surface and almost entirely in terms of male consumerism. Although Playboy was never quite as superficial and shallow as its numerous detractors have claimed over the decades (Hines notes the numerous, celebrated literary figures who published work and submitted to interviews in the magazine), Playboy did use Bond to sell: luggage, vodka, watches, gadgets, male grooming, especially razors and after shave, clothes, even leisure and holidays; although Bond himself in the novels or in the films is rarely described as being on holiday or even enjoying a weekend break, and never an uninterrupted one. Playboy was particularly interested in using Bond to promote the luxury car market. The value of Bond is summed up very well in a comment made by an Aston Martin executive in 1965, following the release of Goldfinger: “the publicity value of the Bond DB5 has been greater than the amassed value of all the racing the company has done from the beginning” (90). Playboy sold to men who could afford expensive cars and watches and clothes (or certainly aspired to) because they had no domestic responsibilities. Playboy was, overall, hostile to marriage and Bond’s bachelor status was inseparable from his appeal for such readers; he satisfied the perennial male desire to enjoy sexual pleasure without any emotional entanglement. The inseparable commodifcation of women suited the ethos of the magazine and there is an interesting intertextual photograph of George Lazenby holding up the February 1969 Playboy centrefold from the film On Her Majesty’s Secret Service (1969). There is considerable irony in the image as in this film, of course, the committed bachelor does actually marry, albeit only for a few idyllic hours.
  
  Hines quotes effectively throughout from established Bond scholars such as James Chapman and Jeremy Black, Bond screenwriter Richard Maibaum, and from a range of cultural commentators such as Barbara Ehrenreich and Umberto Eco, as well as from Playboy historian Bill Osgerby. There are, of course, differences between Bond and the implied reader of Playboy. Although cartoons were a vert important part of the magazine’s appeal Hines has little to say about them; sensibly, as Bond is virtually devoid of humour. Playboy actively encouraged men to cook, if only on the grounds that it made seducing women easier, but Bond has very little interest in actually cooking; he is almost entirely a consumer of excellent food and wine. Hines notes that while Playboy was initially sympathetic to the hippie movement of the late 1960s, endorsing its rejection of bourgeois morality, it eventually joined Bond in its dismissal, even contempt, for long-haired radicals. The perceived dirtiness of the hippies and, just as importantly, their aversion to work rendered them unacceptable to the dedicated, well groomed, always-showering Bond, as well as to the clean, solvent, hard-working Playboy reader.
  
  What Hines cannot reconcile (and nobody could) is the unbridgeable distance between the pleasure-loving, aspirational readers of Playboy and Bond’s ruthlessness and occasional cruelty. The “lavish lifestyle” that Playboy admires so much in Bond’s life, and sells to its readers, is predicated on an ideological position unimaginable to the readers of the magazine. Bond’s occasional hedonism is that of a man who can expect to be killed any day in the service of his country. Carpe diem is an acceptable motto for Bond; less so for aspirational consumers in the most affluent nation on earth. Not only is Bond a killer, but he always works tirelessly, skillfully, and resourcefully for something far greater than himself. His relationship with M and with England is impressively uncomplicated; Bond is a patriot and a puritan. Ultimately, though, both Bond and Playboy’s readers do share a respect for hard work and, crucially, for enjoying the fruits of that labour. In this sense, Bond has a great deal more in common with Americans than he does with the British, and his enormous appeal there has as much to do with this mutual work ethic as it does with the girls, the gadgets, and the guns.

  

  

  
  James Bond Origin: A Train to Catch
  https://www.playboy.com/read/james-bond-origin-a-train-to-catch
  
  Dec 5, 2018

  [It's the British operative as
  you've never seen him in this
  exclusive-to-Playboy pre-007
  adventure
  
  Written by Jeff Parker, Illustrations Bob Q

  James Bond has enlivened PLAYBOY's pages for nearly 60 years, beginning with the March 1960 publication of The Hildebrand Rarity, Ian Fleming's short story about the dashing 007's adventures. Before his fiction appeared in the magazine, Fleming dropped by the Playboy Building in Chicago, where he displayed a curiosity about real-life local villains, asking the editors, "I don't suppose you could introduce me to any of the Mafia chaps?" Fleming's famous hero, of course, is a secret agent of the British government. But how did Bond become the daring operative we know and love? For one chapter of his pre-007 backstory, we turn to this exclusive installment of James Bond Origin from the creative team at Dynamite Comics.

  
  
  
  
  
  
  

  

  
  
• RichardTheBruce I'm motivated by my Duty.

  September 2020 Posts: 13,787

  September 28th
  
  1959: Producer Kevin McClory cables partner Ivar Bryce on the successful meeting of writer Jack Whittingham with Ian Fleming on the Thunderball film project.

  

  The Battle for Bond, Robert Sellers, 2007.
  Chapter 6 - Enter Jack Whittingham

  Quickly Whittingham was introduced to Fleming and it was a huge success. The
  two got on so well that McClory cabled Bryce with the positive news on 28
  September: "Excellent meeting Ian and Whittingham. Ian would like
  Whittingham start work immediately. Meeting his agent Monday. Regards
  Kevin." It looked like an exhaustive search for the perfect screenwriter for the
  Bond story was finally at an end.

  
  1961: A second draft of the Dr. No screenplay loses the monkey.

  

  1964: Desde Rusia con amor released in Spain. (Catalan title Des de Russia amb Amor.)

  ]
  
  
  
  
  

  1966: The Los Angeles Times reports on filming difficulties with presenting Japanese amas (divers), filming Connery in public, and and incident damaging 14th Century Himeji Castle.
  
  1994: Harry Saltzman dies at age 78--Paris, France.
  (Born 27 October 1915--Sherbrooke, Quebec, Canada.)

  

  Obituaries
  Harry Saltzman, 78, Bond-Film Producer

  https://www.nytimes.com/1994/09/29/obituaries/harry-saltzman-78-bond-film-producer.html
  SEPT. 29, 1994

  Harry Saltzman, who with Albert R. Broccoli produced early James Bond films like "Dr. No" and "Goldfinger," died yesterday at the American Hospital in Neuilly-sur-Seine, a Paris suburb. He was 78 and lived in a village near Versailles.

  The cause was a heart attack, said his wife, Adriana.
  
  He was born on Oct. 27, 1915, in New Brunswick, Canada, and was brought to the United States as an infant. He entered the film business in the mid-1940's and made his name in Britain with hard-hitting social dramas, including "Look Back in Anger" in 1958 and "Saturday Night and Sunday Morning" in 1960.

  Mr. Saltzman and Mr. Broccoli rounded up the screen rights to practically all of Ian Fleming's James Bond novels and began the film series in the early 1960's. The two struck it rich with the highly profitable movies, most of which starred Sean Connery as Agent 007. Their Bond films included "From Russia With Love," "Thunderball," "Diamonds Are Forever" and "The Man With the Golden Gun." The partnership ended in the mid-1970's.

  Among Mr. Saltzman's other productions were "The Entertainer," "The Ipcress File," "Funeral in Berlin" and "The Battle of Britain."
  
  In addition to his wife, he is survived by a son, Steven, of Paris; two daughters, Hilary, of Pacific Palisades, Calif., and Merry, of Marina del Rey, Calif., and a sister, Mina Reizes of Reseda, Calif.
  
  September 29, 1994, Page 00012 The New York Times Archives

  
  Harry Saltzman (1915–1994)
  
  Filmography

  Producer (28 credits)
  
  1988 Time of the Gypsies (co-producer)
  1980 Nijinsky (executive producer)
  
  1974 The Man with the Golden Gun (producer)
  1973 Live and Let Die (producer)
  1971 Diamonds Are Forever (producer)
  1970 Nijinsky: Unfinished Project (producer)
  1970 Toomorrow (producer)
  
  1969 On Her Majesty's Secret Service (producer)
  1969 Battle of Britain (producer)
  1969 Play Dirty (producer)
  1967 Billion Dollar Brain (producer)
  1967 You Only Live Twice (producer)
  1967 Welcome to Japan, Mr. Bond (TV Movie) (executive producer)
  1967 Shock Troops (presents)
  1966 Funeral in Berlin (executive producer)
  1965 Chimes at Midnight (producer)
  1965 Thunderball (executive producer - uncredited)
  1965 A Man Named John (producer)
  1965 The Ipcress File (producer)
  1964 Goldfinger (producer)
  1963 From Russia with Love (producer)
  1963 Call Me Bwana (executive producer)
  1962 Dr. No (producer)
  1960 Saturday Night and Sunday Morning (executive producer)
  1960 The Entertainer (producer)
  1959 Look Back in Anger (producer)
  1956 The Iron Petticoat (produced in association with)
  1955 Captain Gallant of the Foreign Legion (TV Series) (producer)
  
  Production manager (1 credit)
  
  1950 Robert Montgomery Presents (TV Series) (production supervisor - 9 episodes)
  - The Citadel (1950) ... (production supervisor)
  - The Champion (1950) ... (production supervisor)
  - Rebecca (1950) ... (production supervisor)
  - Pitfall (1950) ... (production supervisor)
  - The Phantom Lady (1950) ... (production supervisor)
  
  Writer (1 credit)
  
  1956 The Iron Petticoat (story - uncredited)

  
  
  

  
  2008: "Another Way to Die" enters the UK Singles Chart at twenty-six, later peaking at number nine.

  

  
  2012: Christie’s of London for its 50th anniversary charity begins an online auction of EON's Bond memorabilia that runs through 8 October. Includes donations from cast and crew.

  
  https://www.christies.com/SaleLanding/index.aspx?intsaleid=24129&lid=1&saletitle=
  

  

  2012: Promotional materials for the documentary Everything or Nothing: The Untold Story of 007 become available, anticipating its 5 October premiere on EPIX.

  [/center]
  
  
  
  [/center]

  2018: Daily Celebrity Crossword. James Bond enemy who has metal hands. Two words.

  
  James Bond enemy who has metal hands: 2 wds.
  https://dailycelebritycrossword.com/james-bond-enemy-who-has-metal-hands-2-wds.html/
  
  ANSWER:

  DRNO

  2019: Omega plans a wristwatch tie-in to No Time to Die. Production: 7007.

  
  Omega's latest $6,500 Bond tribute watch is full of
  surprises
  https://www.esquireme.com/content/39391-omegas-latest-6500-bond-tribute-watch-is-full-of-surprises
  Celebrating the 50th birthday of one of the classic 007 films
  
  26 September 2019
  Josh Corder
  
  With the release of ‘No Time to Die’ looming, Omega and 007 have once again come together to bring Bond fans a collectable timepiece.
  
  Perhaps to the dismay of Ian Flemming, the creator of James Bond who always had the spy wear a Rolex, 007 and Omega have been best buds for almost 25 years now. Starting with GoldenEye in 1995, Bond has since used an Omega to stay sharp, tell time, and occasionally get himself out of torture situations. While the newest watch may not be able to help with that last one, it will certainly have you looking sharp.
  
  1969 is a year Omega will bring up at dinner parties (and press releases) till the end of time. It’s the year that its Speedmaster became the first watch on the moon, and since this year is the 50th anniversary of that achievement, Omega has been celebrating in a big way with numerous special editions.
  
  If however the Speedmaster isn’t your thing, or just you want to add another collection to your watch winder, turn your attention to the Seamaster collection. Namely, the new Bond-ified Seamaster Diver 300m. Similarly, this watch is also celebrating a 50th birthday, this time with the 1969 007 film ‘On Her Majesty’s Secret Service’.
  
  The 42mm steel diver features a black ceramic dial and bezel, the dial itself uses the iconic spiral-brushed gun barrel design and 9mm bullet head at the centre, as seen in the intro of Bond films. This is far from the only Bond tribute however.
  
  The indexes and hands are made from yellow gold, with the 12 o’clock index sporting the Bond family coat-of-arms. Turn your attention to the 6 o’clock, the integrated date window hides a surprise. On the seventh of every month, the font of the date window swaps to the same as used in 007. The side of the case has a small engraved plate showing which watch in the limited series you’ve got your hands on. The watch has been limited to 7,007 pieces.
  
  Switch the lights off and the Superluminova on the dial reveals one final surprise; the 10 o’clock index has a hidden ‘50’ within it in reference to 50 years since the cinematic debut of ‘On Her Majesty’s Service’.
  
  Beyond its romantic tributes, the Seamaster is a no-nonsense diver, it has 300m of water resistance, a uni-direction bezel and Omega’s co-axial escapement movement, reducing friction and increasing accuracy of the watch’s inner workings.
  
  President and CEO of Omega, Raynald Aeschlimann, described the new Seamaster as: “A fitting tribute to a classic Bond film and one of cinema’s most iconic characters. This extraordinary watch is elegant, full of surprises and sure to be extremely popular with collectors and fans of the character, due to its many Bond-related features.”
  
  Faithful to its purpose as a divers’ watch, the piece comes on a rubber strap or adjustable metal strap. For US $6,500, the timepiece comes in a black box with gun barrel patterns and bullet head buttons.
  

  
  
• RichardTheBruce I'm motivated by my Duty.

  September 2020 Posts: 13,787

  September 29th
  
  1931: Kerstin Anita Marianne Ekberg is born--Malmö Municipality, Skåne län, Sweden.
  (She dies 11 January 2015 at age 83--Rocca di Papa, Italy.)

  

  Anita Ekberg - obituary

  https://www.telegraph.co.uk/news/obituaries/11338898/Anita-Ekberg-obituary.html
  Anita Ekberg was a Swedish actress who found fame cavorting in Rome’s Trevi Fountain for Fellini’s La Dolce Vita
  
  Anita Ekberg in Back from Eternity (1956) Photo: Allstar Picture Library
  8:35PM GMT 11 Jan 2015
  
  Anita Ekberg, who has died aged 83, was the statuesque former Miss Sweden who became a global film sensation after cavorting in Rome’s Trevi Fountain for Federico Fellini’s La Dolce Vita (1960). Although demure and innocent by today’s standards, the scene caused a scandal and made the 29-year-old Swede a household name.
  
  Some gossip columnists sniffily nicknamed her “The Iceberg” due to her Scandinavian roots, yet her dramatic décolletage, glowering good looks and vivacious delivery proved an enticing and popular combination with cinema audiences of the Sixties.
  
  Director Frank Tashlin, who directed her in the 1956 comedy Hollywood or Bust – the pun was intended – claimed that Anita Ekberg’s appeal lay in “the immaturity of the American male: this breast fetish. There’s nothing more hysterical to me than big-breasted women, like walking, leaning towers.”
  
  Anita Ekberg was indeed a teetering tower. She was 5ft 7in tall and possessed a considerable bust, of which she once said: “It’s not cellular obesity, it’s womanliness.” Yet in the same year that Tashlin had typecast her, Ekberg showed that she could really act, if given the opportunity, when she played Hélène Kuragin, the unfaithful wife of Pierre Bezukhov (Henry Fonda) in King Vidor’s epic War and Peace. However, she was fully aware that her allure was centred on her physicality. “I have a mirror,” she said in the late Sixties, “I would be a hypocrite if I said I didn’t know I am beautiful.”
  
  Kerstin Anita Marianne Ekberg was born on September 29 1931 in Malmö, Sweden, one of a large family (she had seven siblings). As a youngster she had no desire to be famous. She wanted to marry and settle down to a conventional life. A childhood pleasure was to draw and fashion clothes.
  
  Out walking one day, a talent scout spotted her and persuaded her to enter the Miss Universe contest. Winning as Miss Sweden, she gained a trip to Hollywood. A screen test did not bring much work and she returned home disheartened. However, she was determined to make good as an actress and began saving for a return trip.
  
  Her break came when Bob Hope chose her to accompany him on a Christmas tour of American air force bases in Greenland in 1954. Studio moguls soon heard about the roars of approval for Anita and offered her a contract. She had small uncredited roles in films such as The Mississippi Gambler, Abbott and Costello go to Mars and The Golden Blade, before winning supporting parts in Artists and Models (1955) and Blood Alley (1955; playing a Chinese girl). Her first lead came in Back from Eternity (1956). By this time she was being touted as “Paramount’s Marilyn Monroe”.

  
  Anita Ekberg and Marcello Mastroianni in La Dolce Vita (Kobal Collection)

  
  She moved to London in the mid-Fifties but was lonely and hardly left her hotel. Having refused dozens of invitations to premieres, something impelled her to finally accept one offer. Her escort turned out to be Anthony Steel, a matinee idol alumnus of the “Rank School”. They were married in 1956.
  
  In her first British film, Zarak (1956), she met her match in Victor Mature. Playing a native dancer, with a few spangles and bangles judiciously placed, who falls in love with Mature’s hulking Zarak Khan. The film left audiences wondering who had the bigger chest. She teamed up again with Mature the following year for the thriller Interpol.
  
  At this time her marriage to Steel was rarely out of the headlines, with reports of drunken driving, rows and violent recriminations. Eventually the union completely soured and they divorced after three years.

  
  Anita Ekberg with her first husband Anthony Steel (REX)

  
  She did not have time to mourn the marriage. Her performance in Fellini’s La Dolce Vita the following year made her a star. Shot in Rome at a time when the Italian obsession with celebrity was at its height, she played the starlet Sylvia opposite Marcello Mastroianni’s philandering paparazzo journalist. The part fixed her in audience’s minds as the European blonde “sex bomb” – stylish, sensual, shallow and ephemeral.
  
  In the film’s most famous scene, she splashes with abandon in the Trevi Fountain, her black low-necked dress trailing in the frothy waters, cooing: “Marcello, come here.” In fact the scene had been shot in February and Mastroianni was doped up on vodka. “I was freezing,” she recalled. “They had to lift me out of the water because I couldn’t feel my legs any more.”

  Following the success of Fellini’s masterpiece, Anita Ekberg appeared opposite Bob Hope in Call Me Bwana and Frank Sinatra in 4 for Texas (both 1963). She was also considered for the part of Honey Ryder in Dr No but lost out to Ursula Andress. When she did appear in a Bond film, it was both unwitting and unflattering: in From Russia with Love (1963) Sean Connery shoots a spy escaping through a gigantic Call Me Bwana poster featuring Anita Ekberg’s face. “She should have kept her mouth shut,” says Bond.

  
  Anita Ekberg in the Trevi Fountain (Alamy)

  
  Anita Ekberg’s on-screen persona – a freewheeling man-eater from overseas – soon spilt over into her private life. Sinatra was one of the many leading men she was rumoured to have taken as a lover, along with Errol Flynn, Yul Brynner, Tyrone Power and Gary Cooper.
  
  She often played characters possessed of an untethered and wild spirit. As a “war lady” in The Mongols (1961) she indulged in torture and sado-masochism, striding in thigh-high boots among the slave girls cracking a bullwhip. For “The Temptation of Dr Antonio”, Fellini’s episode in the portmanteau feature Boccaccio '70 (1962), she was once again the sex object, this time as the model featured on a “Drink More Milk” billboard poster who is brought to life to trap a puritanical doctor. Thus Fellini followed Tashlin in using her abilities for erotic satire.

  In 1963 Ekberg married Rik Van Nutter (who later played Felix Leiter in Thunderball). They lived in Spain and Switzerland and in 1969 became entrepreneurs. “Rick and I have gone into the shipping business. We found a cargo ship and we’re in business with the captain,” she said (the couple also bought a Chinese junk). “Ours is a good marriage. There are so many good times in marriage, that the bad times are really unimportant. Anyway, I learnt from my parents that difficulties are there to be overcome.”

  As with all sex symbols, age diminished her currency. By the end of the Sixties she was complaining about the lack of available roles. “I should be able to get work myself on the strength of my acting. I shouldn’t have to sleep with producers to get parts. It’s depressing to see parts going to actresses who can’t act their way out of a wet paper bag but who are friendly with producers,” she observed. “My life has changed quite a bit, of course. The Ferrari’s gone – now I have a Mini Moke.”
  
  The downward spiral continued throughout the Seventies. She made films but they were more often than not B-movies with salacious titles such as The French Sex Murders (1972) and The Killer Nun (1979). Her scenes for Valley of the Dancing Widows (1975) were left on the cutting room floor. At home things also began to disintegrate: she accused Van Nutter of cheating her over a car-hire business they owned. The couple divorced in 1975.

  
  Anita Ekberg in 2010 (AFP)

  
  Two years later, her house was robbed, with the thieves stealing fur coats, jewels and silver, the fruits of her once-famous career. “My last 10 years have brought nothing but bad luck,” she stated.
  
  After a second robbery in 2011, she appealed to the Fellini Foundation for financial help. It was a sad sign of decline from the Amazonian actress who had five decades earlier threatened paparazzi with a bow and arrow.
  
  Her final years were spent living in semi-reclusion in a run-down Italian villa outside Rome, where her only companions were two great Danes.
  
  Anita Ekberg, born September 29 1931, died January 11 2015

  

  Anita Ekberg (1931–2015)

  https://www.imdb.com/name/nm0001179/?ref_=nv_sr_srsg_0
  

  
  
  

  1933: James Michael Hyde Villiers is born--London, England.
  (He dies 18 January 1998 at age 64--Arunddel, Sussex, England.)

  

  Obituary: James Villiers

  See the complete article here:
  

  https://www.independent.co.uk/news/obituaries/obituary-james-villiers-1139946.html

  Tom Vallance | Wednesday 21 January 1998 01:02
  
  James Michael Hyde Villiers, actor: born London 29 September 1933; married 1966 Patricia Donovan (marriage dissolved 1984), 1994 Lucy Jex; died Arundel, West Sussex 18 January 1998.
  
  One of the country's most distinctive character actors, with ripe articulation and a flair for displaying supercilious arrogance that put him in the Vincent Price class of screen villains, James Villiers was often cast in such roles in his early years. He was also the most English of actors, and not surprisingly his career was liberally sprinkled with the works of Shaw, Coward, Wilde and dramatists of the Restoration.
  
  His film career flourished in the Sixties when he was a particular favourite of the director Joseph Losey, while his work in the theatre spans over 40 years. On television he achieved particular success and recognition with his portrayal of Charles II (to whom he bore a strong resemblance) in the series The First Churchills.
  
  Born in London in 1933, Villiers (pronounced Villers) was proud of his aristocratic lineage (his family tree goes back to the Duke of Rockingham). He was brought up in Shropshire and later at Ormeley Lodge in Richmond, more recently the home of James Goldsmith, and educated at Wellington College. He had, however, become stage-struck as a child (his brother John recalls Villiers as a boy begging Colchester Repertory to take him on in any capacity whatever and being heartbroken when they refused) and at prep school he gained a reputation as their best actor.
  
  After training at the Royal Academy of Dramatic Art, where he formed lifelong friendships with fellow students and cricket enthusiasts Peter O'Toole and Ronald Fraser, he made his stage debut at the Summer Theatre in Frinton as William Blore in Agatha Christie's thriller Ten Little Niggers (1953), and the following year made his first West End appearance with the Shakespeare Memorial Company in Toad of Toad Hall.
  
  In 1955 he started a two-year period with the Old Vic Company, his roles including Trebonius in Julius Caesar and Bushy in Richard II. He made his Broadway debut in the latter role in 1956 during the Old Vic tour of the United States and Canada, then spent a year with the English Stage Company. In 1960 he made his film debut in Tony Richardson's The Entertainer (which also marked the screen debuts of Alan Bates and Albert Finney), and the following year made his first thriller (in a rare heroic role), The Clue of the New Pin (1961).
  
  He first worked with Losey on The Damned (1961), and for the same director played in Eve (1962) and as an officer in the finely acted pacifist piece King and Country (1964). In Roman Polanski's Repulsion (1965) he was the friend who ambiguously gives John Fraser a kiss, in Seth Holt's The Nanny (1965) Villiers and Wendy Craig were the parents of a disturbed child left in the care of Bette Davis at her most neurotic, and in George Sidney's Half a Sixpence (1968) he was the snobbish father of the society girl Kipps (Tommy Steele) hopes to marry.

  Other films included Nothing But the Best (1963), Blood from the Mummy's Tomb (1971), For Your Eyes Only (1981) and Let Him Have It (1991). His many television appearances included Pygmalion (as Professor Higgins), Lady Windermere's Fan, Fortunes of War and most recently Dance to the Music of Time. Stage successes include the thriller Write Me a Murder (1962), a superbly droll and highly acclaimed performance as Victor Prynne in John Gielgud's 1972 revival of Coward's Private Lives, starring Maggie Smith and Robert Stephens, a forceful Earl of Warwick in John Clements's 1974 production of Saint Joan, and prominent roles in such classics as Pirandello's Henry IV (with Rex Harrison), The Way of the World and The Last of Mrs Cheyney.

  A few years ago he created the role of Lord Thurlow in Nicholas Hytner's staging for the National Theatre of Alan Bennett's The Madness of George III, and most recently was featured as Mr Brownlow in the hit revival of Oliver! at the London Palladium.

  
  James Villiers (1933–1998)
  https://www.imdb.com/name/nm0898376/?ref_=fn_al_nm_1
  
  Filmography

  Actor (128 credits)
  
  2005 The Kingdom of Shadows (Short) - The Man At The Lake
  
  1998 The Tichborne Claimant - Uncle Henry
  1997 A Dance to the Music of Time (TV Mini-Series) - Buster Foxe
  - The Thirties (1997) ... Buster Foxe
  1996 The Willows in Winter (TV Movie) - Magistrate (voice)
  1996 E=mc2 - Dr. James Mallinson
  1995 The Wind in the Willows (TV Movie) - Magistrate (voice)
  1994 Uncovered - Montegrifo
  1994 The Memoirs of Sherlock Holmes (TV Mini-Series) - Lord Cantlemere
  - The Mazarin Stone (1994) ... Lord Cantlemere
  1992 Lovejoy (TV Series) - Lionel Beckwith
  - Out to Lunch (1992) ... Lionel Beckwith
  1991 The Gravy Train Goes East (TV Mini-Series) - Penhurst
  - Episode #1.4 (1991) ... Penhurst
  - Episode #1.3 (1991) ... Penhurst
  - Episode #1.2 (1991) ... Penhurst
  - Episode #1.1 (1991) ... Penhurst
  1991 Let Him Have It - Cassels
  1991 A Perfect Hero (TV Mini-Series) - Air Commodore
  - Episode #1.6 (1991) ... Air Commodore
  1991 King Ralph - Hale
  1990 House of Cards (TV Mini-Series) - Charles Collingridge
  - Episode #1.3 (1990) ... Charles Collingridge
  - Episode #1.2 (1990) ... Charles Collingridge
  - Episode #1.1 (1990) ... Charles Collingridge
  1990 Mountains of the Moon - Lord Oliphant
  
  1989 Anything More Would Be Greedy (TV Mini-Series) - Lord Fyson
  - Georgian Silver (1989) ... Lord Fyson
  - Second Term (1989) ... Lord Fyson
  - Trading Favours (1989) ... Lord Fyson
  - Enigma Variations (1989) ... Lord Fyson
  1989 Chelworth (TV Mini-Series) - Ronnie Esholt
  - A Real House (1989) ... Ronnie Esholt
  - Taking Your Profits (1989) ... Ronnie Esholt
  - Shopping Around (1989) ... Ronnie Esholt
  - A Wonderfully Wrong Thing (1989) ... Ronnie Esholt
  - Coming Home (1989) ... Ronnie Esholt
  1989 Scandal - Conservative M.P.
  1988 Hemingway (TV Mini-Series) - Perceval
  - The Old Man and the Sea (1988) ... Perceval
  - For Whom the Bell Tolls (1988) ... Perceval
  - The Snows of Kilimanjaro (1988) ... Perceval
  - Discovery of Europe (1988) ... Perceval
  1988 The Dirty Dozen (TV Series) - Lord Welbourne
  - Heavy Duty (1988) ... Lord Welbourne (as Jimmie Villiers)
  1988 Blind Justice (TV Mini-Series) - Peter Steinsson
  - The One About the Irishman (1988) ... Peter Steinsson
  1988 A Gentlemen's Club (TV Series) - Fabian
  - The New Boy (1988) ... Fabian
  1988 Room at the Bottom (TV Series) - Director General
  - The Hostage (1988) ... Director General
  1987 Fortunes of War (TV Mini-Series) - Inchcape
  - Romania: June 1940 (1987) ... Inchcape
  - Romania: January 1940 (1987) ... Inchcape
  - The Balkans: September 1939 (1987) ... Inchcape
  1987 Running Out of Luck
  1986 If Looks Could Kill: The Power of Behaviour (Video short)
  1986 Call Me Mister (TV Series) - Sir Edward
  - Humpty Dumpty (1986) ... Sir Edward
  1986 The Good Doctor Bodkin-Adams (TV Movie) - Sir Reginald Manningham-Buller
  1985 Honour, Profit & Pleasure (TV Movie) - Addison
  1984 The Irish R.M. (TV Series) - General Portius
  - A Horse! A Horse! (1984) ... General Portius
  1984 Under the Volcano - Brit
  1983 ABC Mantrap - Tony Walmsley
  1983 Rumpole of the Bailey (TV Series) - Sir Arthur Remnant
  - Rumpole and the Golden Thread (1983) ... Sir Arthur Remnant
  1983 All for Love (TV Series) - Mr. Lyng
  - Mrs. Silly (1983) ... Mr. Lyng
  1983 Jack of Diamonds (TV Series) - George Billyard
  - The Fun of the Fair (1983) ... George Billyard
  - Herr of the Dog (1983) ... George Billyard
  - Going Dutch (1983) ... George Billyard
  - A Drip in the Ocean (1983) ... George Billyard
  1982 The Scarlet Pimpernel (TV Movie) - Baron de Batz
  1982 Spooner's Patch (TV Series) - Film Producer
  - The Sting (1982) ... Film Producer
  1981 For Your Eyes Only - Tanner
  1980-1981 The Other 'Arf (TV Series) - Freddy Apthorpe
  - After the Ball (1981) ... Freddy Apthorpe
  - The Big 'E' (1981) ... Freddy Apthorpe
  - Holding the Baby (1981) ... Freddy Apthorpe
  - Moving Away (1981) ... Freddy Apthorpe
  - Separate Ways (1980) ... Freddy Apthorpe
  1981 Brendon Chase (TV Series) - Colonel Hensman
  - Run to Earth (1981) ... Colonel Hensman
  1981 BBC2 Playhouse (TV Series) - Hilary Martin
  - Unity (1981) ... Hilary Martin
  1980 The Marquise (TV Movie) - Esteban (the Duke)
  1980 Dick Turpin (TV Series) - Lord Fordingham
  - The Thief-Taker (1980) ... Lord Fordingham
  
  1979 The Music Machine - Hector Woodville (uncredited)
  1979 Saint Jack - Frogget
  1978-1979 Crown Court (TV Series) - Richard Ireland QC
  - Boys Will Be Boys: Part 1 (1979) ... Richard Ireland QC
  - Meeting Place: Part 1 (1978) ... Richard Ireland QC
  1978 The Famous Five (TV Series) - Johnson
  - Five Go to Kirren Island: Episode Two (1978) ... Johnson
  - Five Go to Kirren Island: Episode One (1978) ... Johnson
  1978 Two's Company (TV Series) - Peter Boatwright
  - The Politicians (1978) ... Peter Boatwright
  1978 Wilde Alliance (TV Series) - Roper
  - Flower Power (1978) ... Roper
  1977 Spectre (TV Movie) - Sir Geoffrey Cyon
  1977 Joseph Andrews - Mr. Booby
  1976 Seven Nights in Japan - Finn
  1975 Making Faces (TV Series) - Peter de Witt
  - December 1974: Waiting for the Monsoon (1975) ... Peter de Witt
  - April 1968: Late Sitting, Finance Bill (1975) ... Peter de Witt
  - Summer 1966: In Funland (1975) ... Peter de Witt
  1975 Whodunnit? (TV Series) - John Harley
  - Beware, Wet Paint (1975) ... John Harley
  1975 Thriller (TV Series) - Paul
  - The Double Kill (1975) ... Paul
  1974 Marty Back Together Again (TV Series) - Various Characters
  - Episode #1.4 (1974) ... Various Characters
  - Episode #1.3 (1974) ... Various Characters
  - Episode #1.2 (1974) ... Various Characters
  - Episode #1.1 (1974) ... Various Characters
  1973 Ghost in the Noonday Sun - Parsley-Freck
  1972-1973 BBC Play of the Month (TV Series) - Professor Henry Higgins / Alastair Fitzfassenden / Cecil Graham
  - Pygmalion (1973) ... Professor Henry Higgins
  - The Millionairess (1972) ... Alastair Fitzfassenden
  - Lady Windermere's Fan (1972) ... Cecil Graham
  1972 E. Nesbit (TV Movie) - 1972 The Edwardians (TV Mini-Series) - Hubert Bland
  - E. Nesbit (1972) ... Hubert Bland
  1972 The Amazing Mr. Blunden - Uncle Bertie
  1972 The Public Eye - Dinner Guest (uncredited)
  1972/I Asylum - George (segment "Lucy Comes to Stay")
  1972 The Ruling Class - Dinsdale Gurney
  1972 Mogul (TV Series) - Lord Hawdcombe
  - Whatever Became of the Year 2000? (1972) ... Lord Hawdcombe
  1971 Shirley's World (TV Series) - Morgan
  - Knightmare (1971) ... Morgan
  1971 Now Look Here (TV Series) - Jeremy
  - Episode #1.4 (1971) ... Jeremy
  1963-1971 Armchair Theatre (TV Series) - Billy / Derek / Robin Fiske / ...
  - Father's Help (1971) ... Billy
  - The Story-teller (1969) ... Derek
  - Unscheduled Stop (1968) ... Robin Fiske
  - The Living Image (1963) ... Blackie
  - Blue and White (1963)
  1971 Blood from the Mummy's Tomb - Corbeck
  1971 Masterpiece Classic (TV Series) - Charles II
  - The First Churchills: The Lion and the Unicorn (1971) ... Charles II
  - The First Churchills: Plot Counter-Plot (1971) ... Charles II
  - The First Churchills: Bridals (1971) ... Charles II
  - The First Churchills: The Chaste Nymph (1971) ... Charles II
  1970 ITV Sunday Night Theatre (TV Series) - Philipott
  - Married Alive (1970) ... Philipott
  
  1969 A Nice Girl Like Me - Freddie
  1969 Thirty-Minute Theatre (TV Series) - Oscar
  - Aggers and Torters: Back to Nature (1969) ... Oscar
  1969 The First Churchills (TV Mini-Series) - Charles II
  - Rebellion (1969) ... Charles II
  - The Lion and the Unicorn (1969) ... Charles II
  - Plot, Counter-Plot (1969) ... Charles II
  - Bridals (1969) ... Charles II
  - The Chaste Nymph (1969) ... Charles II
  1969 Counterstrike (TV Series) - Wyatt
  - The Lemming Syndrome (1969) ... Wyatt
  1969 Otley - Hendrickson
  1969 Some Girls Do - Carl Petersen
  1969 Absolute Aggers and Torters (TV Short)
  1968 The Touchables - Twyning
  1967 Half a Sixpence - Hubert
  1967 Man in a Suitcase (TV Series) - Peters
  - Dead Man's Shoes (1967) ... Peters
  1967 ITV Playhouse (TV Series) - Lord Darlington
  - Lady Windermere's Fan (1967) ... Lord Darlington
  1965-1967 Theatre 625 (TV Series) - Ian Kilbannock / John Styles / Lord Strange / ...
  - The Fantasist (1967) ... John Styles
  - Sword of Honour #3: Unconditional Surrender (1967) ... Ian Kilbannock
  - Sword of Honour #2: Officers and Gentlemen (1967) ... Ian Kilbannock
  - Sword of Honour #1: Men at Arms (1967) ... Ian Kilbannock
  - The Siege of Manchester (1965) ... Lord Strange
  1967 Stiff Upper Lip (TV Movie) - Antrobus
  1966 The Wednesday Play (TV Series) - Lt. Cmdr. Paul Williams
  - A Piece of Resistance (1966) ... Lt. Cmdr. Paul Williams
  1966 The Wrong Box - Sydney Whitcombe Sykes
  1966 The Baron (TV Series) - Roddy Harrington
  - The Persuaders (1966) ... Roddy Harrington
  1966 The Avengers (TV Series) - Simon Trent
  - Small Game for Big Hunters (1966) ... Simon Trent
  1965 The Alphabet Murders - Franklin
  1965 The Nanny - Bill Fane
  1965 You Must Be Joking! - Bill Simpson
  1965 A World of Comedy (TV Mini-Series) - Voice only - role unknown
  - The Enormous Ear (1965) ... Voice only - role unknown
  1965 Those Magnificent Men in Their Flying Machines or How I Flew from London to Paris in 25 hours 11 minutes - Yamamoto (voice, uncredited)
  1965 Repulsion - John
  1964 Daylight Robbery
  1964 Thursday Theatre (TV Series) - Clive Rodingham
  - Write Me a Murder (1964) ... Clive Rodingham
  1964 The Human Jungle (TV Series) - Paul
  - Solo Performance (1964) ... Paul
  1964 King & Country - Captain Midgley
  1964 The Indian Tales of Rudyard Kipling (TV Series) - Wander
  - A Germ Destroyer (1964) ... Wander
  1964 Nothing But the Best - Hugh
  1964 The Saint (TV Series) - Inspector Pryor
  - The High Fence (1964) ... Inspector Pryor
  1964 Father Came Too! - Benzil Bulstrode
  1964 The Plane Makers (TV Series) - Harvey 'Smiler' Graves
  - The Smiler (1964) ... Harvey 'Smiler' Graves
  1963 Comedy Playhouse (TV Series) - Jeremy Trout
  - Nicked at the Bottle (1963) ... Jeremy Trout
  1963 The Model Murder Case - David Dane
  1963 Festival (TV Series) - Willy
  - Fallen Angels (1963) ... Willy
  1963 Bomb in the High Street - Stevens
  1963 Love Story (TV Series) - Gregory
  - Snakes and Ladders (1963) ... Gregory
  1963 Murder at the Gallop - Michael Shane
  1963 ITV Television Playhouse (TV Series) - Capt. Hamilton
  - Beachhead (1963) ... Capt. Hamilton
  1963 Hancock (TV Series)
  - The Man on the Corner (1963)
  1963 Zero One (TV Series) - The sheikh
  - The Man Who Waited (1963) ... The sheikh
  1962 These Are the Damned - Captain Gregory
  1962 Eva - Alan McCormick - a screenwriter
  1962 Operation Snatch - Lt. Keen
  1962 Thirty Minute Theatre (TV Series) - Mathias
  - Dare to Be a Daniel (1962) ... Mathias
  1961 Petticoat Pirates - English Lieutenant
  1961 The Final Test (TV Movie) - Alexander Whitehead
  1961 Harpers West One (TV Series) - Lucien Harper
  - Episode #1.2 (1961) ... Lucien Harper
  1961 No Hiding Place (TV Series) - Andrew Thurbank
  - A Girl Like Xanthe (1961) ... Andrew Thurbank
  1961 Clue of the New Pin - Tab Holland
  1961 BBC Sunday-Night Play (TV Series) - Miller
  - The Wrong Side of the Park (1961) ... Miller
  1961 The Edgar Wallace Mystery Theatre (TV Series) - Tab Holland
  - Clue of the New Pin (1961) ... Tab Holland
  1960 The Strange World of Gurney Slade (TV Mini-Series) - Studio Representative
  - Episode #1.6 (1960) ... Studio Representative
  1960 No Wreath for the General (TV Series) - Peake-Harmon
  - Episode #1.6 (1960) ... Peake-Harmon
  - Episode #1.3 (1960) ... Peake-Harmon
  - Episode #1.2 (1960) ... Peake-Harmon
  - Episode #1.1 (1960) ... Peake-Harmon
  
  1958 Carry On Sergeant - Seventh Recruit
  1958 Ivanhoe (TV Series)
  - Murder at the Inn (1958)
  1954 Late Night Final (Short) - Lab Assistant (uncredited)
  
  Soundtrack (1 credit)
  
  1972 The Ruling Class (performer: "Dry Bones" - uncredited)

  

  1939: British Director of Naval Intelligence Admiral John Godfrey issues a document, later credited to his assistant Ian Fleming, that compares deception in war to the sport of fishing.

  

  James Bond came from the author's
  real-world experiences in WWII

  See the complete article here:
  

  https://www.wearethemighty.com/articles/james-bond-came-from-the-authors-real-world-experiences-in-wwii

  James Elphick | Jun. 03, 2016 12:44PM EST
  
  Ian Fleming, the creator of James Bond, served with British Naval Intelligence during World War II, and his service influenced the character and his stories.
  

  Fleming was recruited into the Royal Navy in 1939 by Rear Admiral John Godfrey, Head of Naval Intelligence. Fleming entered as a lieutenant and quickly promoted to lieutenant commander. Although initially tasked as Admiral Godfrey's assistant, Commander Fleming had greater ambitions. He is widely believed to be the author of the "Trout Memo" circulated by Godfrey that compared intelligence gathering to a fisherman casting for trout. In the memo, he independently came up the plan to use a corpse with false documents to deceive the Germans, originally conceived by another agent and later used in Operation Mincemeat.

  

  "Oh, no. We dropped our secret plans."

  
  Fleming was obsessed with collecting intelligence and came up with numerous ways to do so, some seemingly right out of spy novels. One such mission, Operation Ruthless, called for acquiring a German bomber, crashing it into the English Channel, and then having the crew attack and subdue the German ship that would come to rescue them. Mercifully, it was called off. Fleming was also the mastermind of an intelligence gathering unit known as (No. 30 Commando or 30 Assault Unit, 30 AU). Instead of traditional combat skills, members of 30 AU were trained in safe-cracking, lock-picking, and other spycraft and moved with advancing units to gain intelligence before it could be lost or destroyed.
  
  Fleming was in charge of Operation Goldeneye and involved with the T-Force. These would also influence his work. Operation Goldeneye was a scheme to monitor Spain in the event of an alliance with Germany and to conduct sabotage operations should such an agreement take place. Fleming would later name his Jamaican home where he wrote the James Bond novels "Goldeneye." It would also be the title of seventeenth James Bond movie. As for the T-Force, or Target Force, Fleming sat on the committee that selected targets, specifically German scientific and technological advancements before retreating troops destroyed them. The seizure by the T-Force of a German research center at Kiel which housed advanced rocket motors and jet engines was featured prominently in the James Bond novel Moonraker.
  

  The movie was much less grounded in reality.

  
  In the actual creation of the character James Bond, Fleming drew inspiration from himself and those around him. Fleming said the character of James Bond was an amalgamation of all the secret agent and commando types he met during the war. In particular, Bond was modeled after Fleming's brother Peter, who conducted work behind enemy lines, Patrick Dalzel-Job, who served in the 30 Assault Unit Fleming created, and Bill "Biffy" Dunderdale, who was the Paris station chief for MI6 and was known for his fancy suits and affinity for expensive cars. Fleming used his habits for many of Bond's. He was known to be a heavy drinker and smoker. Bond purchased the same specialty cigarettes Fleming smoked and even added three gold rings to the filter to denote his rank as a Commander in the Royal Navy, something Fleming also did.
  
  Bond's code number, 007, comes from a means of classifying highly secretive documents starting with the number 00. The number 007 comes from the British decryption of the Zimmerman Note, labeled 0075, that brought America into World War I. Bond received his name from a rather innocuous source, however, an ornithologist. Bond's looks are not Fleming's but rather were inspired by the actor/singer Hoagy Carmichael, with only a dash of Fleming's for good measure.
  

  Hoagy Carmichael

  
  Fleming did draw on those around him for other characters in the James Bond novels. Villains had a tendency to share a name with people Fleming disliked while other characters got their names from his friendly acquaintances. The character of M, James Bond's boss, was based on Fleming's boss Rear Admiral Godfrey. The inspiration for the single-letter moniker came from Maxwell Knight, the head of MI5, who was known to sign his memos with only his first initial, M. Also, the fictional antagonistic organization SMERSH, takes its name from a real Russian organization called SMERSH that was active from 1943-1946. In the fictional version, SMERSH was an acronym of Russian words meaning "Special Methods of Spy Detection" and was modeled after the KGB; the real SMERSH was a portmanteau in Russian meaning "Death to Spies" and was a counterintelligence organization on the Eastern Front during WWII.
  
  Cover of a 1943 SMERSH Manual Cover of a 1943 SMERSH Manual
  
  Finally, the plots for many of the Bond novels came from real-world missions carried out by the Allies. Moonraker is based on the exploits of the 30 AU in Kiel, Germany, while Thunderball has loose connections to Fleming's canceled Operation Ruthless. Fleming also ties in his fictional world to the historical one after the war and during the Cold War.
  
  Fleming's novels became very popular during his life and have remained so long after his death in 1964. His work spawned one of the most successful movie franchises in history.

  
  1986: Principal photography begins at Pinewood Studios for The Living Daylights.
  
  1990: Molly Peters and Desmond Llewelyn appear for the first James Bond 007 Fan Convention, Pinewood.
  
  2007: Lois Maxwell dies at age 80--Fremantle, Australia. (Born 14 February 1927--Kitchener, Ontario, Canada.)

  
  https://www.telegraph.co.uk/news/obituaries/1564693/Lois-Maxwell.html

  Lois Maxwell: she played Miss Moneypenny for 23 years

  

  Lois Maxwell, the Canadian actress who died on Saturday aged 80, played Miss Moneypenny in 14 James Bond films; although other younger women later took over the part, she was widely regarded as the definitive Moneypenny, M's spinsterly secretary secretly in love with 007.
  
  She was 33 when she screen-tested for Dr No (1962), the first Bond film, and was originally offered the part eventually played by Eunice Grayson, one of Bond's conquests, seen putting golf balls down the hall of his flat dressed only in his pyjama top.
  
  But Lois Maxwell did not regard her legs as her strongest point, and while Bond's creator Ian Fleming told her she had the most kissable lips in the world, one film director took a different view: "Lois, you don't smell of sin. You look as though you smell of soap."
  
  Accordingly - in crisp blouse and skirt - she landed the Moneypenny role, cast originally against Sean Connery in Dr No. Lois Maxwell later mused on the on-screen chemistry between the chaste Miss Moneypenny and the swashbuckling agent, licensed to kill: "Say there'd been an affair a long time before, only she knew he would have broken her heart, just as he knew it would have ruined his career in the Secret Service. So they were doomed to appreciate each other's qualities."
  
  Although she played the part for 23 years, she was on screen for less for an hour and spoke fewer than 200 words in all 14 films, her lines running an emotional gamut from "James, you're late" to "When are we going to have that dinner?" Her last Moneypenny appearance was opposite Roger Moore as Bond in A View To A Kill (1985).
  
  Never paid more than £100 a day, her first appearance in Dr No took only two days to shoot, and those in her 13 subsequent Bond films were just as modest in scale. For her first five films, Lois Maxwell wore her own clothes.
  
  "Always the same role, the smallest," she remarked ruefully in an interview for the Telegraph Magazine in 1997. The camera would find her sitting at a desk in the corner of a nondescript office, on the telephone or riffling papers. But when Bond enters, she greets him with a grin of pure joy.
  
  "It is not a beautiful face," observed Byron Rogers, who interviewed her for the Telegraph 10 years ago, "it is a wonderful face, long and funny and older than all the others… The other women in Bond films are two-dimensional, who only ever want to go to bed with him or stab him, but there is one who loves him, though she knows nothing will ever come of this.
  
  "That is the way Lois Maxwell played Moneypenny, making her the one grown-up among sexpots and psychopaths."
  
  Not everyone realised that she was Canadian. "Moneypenny," exclaimed the Prince of Wales on meeting her. "I would never have believed you're not English. I must tell the family."

  Born Lois Ruth Hooker on February 14 1927 at Kitchener, Ontario, one of four children, her early career as a child radio performer was disrupted by the outbreak of the Second World War when her father, a teacher, enlisted and sailed for England. At the age of 16 she ran away from home to join the Canadian Army Show, but failed to tell the authorities about her age, and after touring England in the back of a truck was eventually dishonourably dismissed. Just before she was due to be shipped home, she went AWOL in London.
  
  While living in a garret in Paddington, Lois won a Lady Louis Mountbatten scholarship to Rada, where she first met Roger Moore, then 17 and later to star in seven Bond films, and - crowned in a red wig - played his uncle in a student production of Henry V.
  
  At 20 she was working in the professional theatre when a talent scout spotted her and took her to Hollywood. At Warner Brothers, Lois found herself in the same intake as another promising actress named Norma Jeane Baker, with whom she was photographed for Life magazine. Both changed their name, Norma Jeane becoming Marilyn Monroe and Lois Hooker, advised that this was an infelicitous name for an starlet, changing to Lois Maxwell, a name borrowed from a gay ballet dancer friend and which was adopted by the rest of her family too.
  
  She won a Golden Globe award as best newcomer for her role in the Shirley Temple comedy That Hagen Girl (1947).
  
  Playing opposite Ronald Reagan in Bedtime For Bonzo (1951) she found the future president handsome and attractive, but became less enamoured of the studio system, and moved to Rome for five years, becoming an amateur racing driver. After a broken love affair with the brother of an Italian prince, she married a British television executive called Peter Marriott, a former commander of the Viceroy of India's household troops who, by coincidence, was screen-tested as a possible James Bond by the producer Cubby Broccoli.
  
  In addition to her career in the Bond films Lois Maxwell was a successful television actress, appearing in episodes of UFO, The Persuaders, The Baron, The Saint and Randall and Hopkirk (Deceased). She also provided the voice for Troy Tempest's love interest, Atlanta Shore, in Gerry Anderson's puppet series Stingray.
  
  In the late 1960s she starred in Adventures In Rainbow Country, a popular Canadian television series, and in 1967 appeared as Moneypenny in a television special Welcome To Japan, Mr Bond. More recently, she became a regular fixture at Bond film festivals.
  
  Her last feature film was The Fourth Angel (2001) starring Jeremy Irons and Forest Whitaker.
  
  Widowed at 46 when her husband died of a heart attack in 1973, Lois Maxwell returned to her native Canada, bought a farm and worked for a business importing crowd-control barriers. She later wrote a column for the Toronto Sun which she signed "Moneypenny" and in which, for 14 years, she expounded trenchant Right-wing opinions.
  
  Always an adventurous woman, she held a pilot's licence, regularly went on safari and in the 1980s sailed the South China Sea from Hong Kong to Singapore, armed with M16 machine guns and incendiary rockets to ward off pirates.
  
  In the 1980s she settled at Frome in Somerset, and after a successful cancer operation went to recuperate at her son's home at Freemantle, near Perth, western Australia. At the time of her death, she was working on her autobiography, to be called Born A Hooker.
  
  Lois Maxwell is survived by her daughter and son.

  
  Lois Maxwell (I) (1927–2007)
  https://www.imdb.com/name/nm0561755/?ref_=nv_sr_1?ref_=nv_sr_1
  
  Filmography

  Actress (88 credits)
  
  2001 The Fourth Angel - Olivia
  
  1998 Hard to Forget (TV Movie) - Helen Applewhite
  
  1989 Lady in the Corner (TV Movie) - Mary Smith
  1988 Martha, Ruth & Edie - Edie Carmichael
  1988 Rescue Me (TV Movie) - Phyllis
  1987 Alfred Hitchcock Presents (TV Series) - Ms. Golden
  - If the Shoe Fits (1987) ... Ms. Golden
  1985 Eternal Evil - Monica Duval
  1985 A View to a Kill - Miss Moneypenny
  1985 The Edison Twins (TV Series) - Charlotte Gateau
  - Let Them Eat Cake (1985) ... Charlotte Gateau
  1984 Peep (TV Movie) - Mrs. Powell
  1983 Octopussy - Miss Moneypenny
  1981 For Your Eyes Only - Miss Moneypenny
  1980 Mr. Patman - Director
  
  1979 Lost and Found - English Woman
  1979 Moonraker - Miss Moneypenny
  1977 The Spy Who Loved Me - Miss Moneypenny
  1977 Age of Innocence - Mrs. Hogarth
  1975 From Hong Kong with Love - Miss Moneypenny
  1974 The Man with the Golden Gun - Moneypenny
  1973 Live and Let Die - Moneypenny
  1972/I Endless Night - Cora
  1971 The Persuaders! (TV Series) - Louise Cornell
  - Someone Waiting (1971) ... Louise Cornell
  1971 Diamonds Are Forever - Moneypenny
  1970-1971 UFO (TV Series) - Miss Holland
  - The Man Who Came Back (1971) ... Miss Holland
  - The Cat with Ten Lives (1970) ... Miss Holland
  1969-1970 Adventures in Rainbow Country (TV Series) - Nancy Williams
  - The Tower (1970) ... Nancy Williams
  - The Skydiver (1969) ... Nancy Williams
  - The Return of Eli Rocque (1969) ... Nancy Williams
  - Night Caller (1969) ... Nancy Williams
  - The Muskies Are Losing Their Teeth (1969) ... Nancy Williams
  1970 The Adventurers - Woman at Fashion Show (uncredited)
  1970 Department S (TV Series) - Mary Burnham
  - The Ghost of Mary Burnham (1970) ... Mary Burnham
  
  1969 On Her Majesty's Secret Service - Moneypenny
  1969 My Partner the Ghost (TV Series) - Kim Wentworth
  - For the Girl Who Has Everything (1969) ... Kim Wentworth
  1967 You Only Live Twice - Miss Moneypenny
  1967 Welcome to Japan, Mr. Bond (TV Movie) - Miss Moneypenny
  1967 Operation Kid Brother - Max
  1966-1967 The Saint (TV Series) - Beth Parish / Helen
  - Simon and Delilah (1967) ... Beth Parish
  - Interlude in Venice (1966) ... Helen
  1966 Rome, Sweet Home (TV Movie)
  1966 Gideon C.I.D. (TV Series) - Felisa Henderson
  - The Millionaire's Daughter (1966) ... Felisa Henderson
  1966 The Baron (TV Series) - Charlotte Russell
  - Something for a Rainy Day (1966) ... Charlotte Russell
  1965 Thunderball - Moneypenny
  1964-1965 Stingray (TV Series) - Lieutenant Atlanta Shore / Milly Carson / Marinville Tracking Station / ...
  - Aquanaut of the Year (1965) ... Lieutenant Atlanta Shore (voice)
  - Marineville Traitor (1965) ... Lieutenant Atlanta Shore (voice)
  - Hostages of the Deep (1965) ... Lieutenant Atlanta Shore / Milly Carson (voice)
  - The Golden Sea (1965) ... Lieutenant Atlanta Shore (voice)
  - The Master Plan (1965) ... Lieutenant Atlanta Shore (voice)
  1965 The Ambassadors (TV Movie) - Sarah Pocock
  1964 Goldfinger - Moneypenny
  1964 Ghost Squad (TV Series) - Elizabeth Creasey
  - Party for Murder (1964) ... Elizabeth Creasey
  1964 The Avengers (TV Series) - Sister Johnson
  - The Little Wonders (1964) ... Sister Johnson
  1963 From Russia with Love - Miss Moneypenny
  1963 The Haunting - Grace Markway
  1957-1963 ITV Play of the Week (TV Series) - Helen Hunter / Genevieve Lang / Miss Baumer
  - The Touch of a Dead Hand (1963) ... Helen Hunter
  - Skyline for Two (1959) ... Genevieve Lang
  - Heaven and Earth (1957) ... Miss Baumer
  1963 Come Fly with Me - Gwen Sandley
  1962 Zero One (TV Series) - Miss. Smith
  - The Marriage Broker (1962) ... Miss. Smith
  1962 Dr. No - Miss Moneypenny
  1962 Lolita - Nurse Mary Lore
  1961 The Unstoppable Man - Helen Kennedy
  1961 No Hiding Place (TV Series) - Margot
  - Nina and the Night People (1961) ... Margot
  1961 One Step Beyond (TV Series)- Esther Hollis
  - The Room Upstairs (1961) ... Esther Hollis
  1960 Danger Man (TV Series) - Sandi Lewis
  - Position of Trust (1960) ... Sandi Lewis
  1960 Rendezvous (TV Series) - Mother
  - The Dodo (1960) ... Mother
  
  1959 Face of Fire - Ethel Winter
  1958 Television Playwright (TV Series) - Ruth Ann Wicker
  - The Transmogrification of Chester Brown (1958) ... Ruth Ann Wicker
  1957 O.S.S. (TV Series) - Virginia
  - Operation Orange Blossom (1957) ... Virginia
  1957 Sailor of Fortune (TV Series) - Judith
  - Port Jeopardy (1957) ... Judith
  1957 Kill Me Tomorrow - Jill Brook
  1957 Time Without Pity - Vickie Harker
  1956 BBC Sunday-Night Theatre (TV Series) - Cass Edgerton
  - The Reclining Figure (1956) ... Cass Edgerton
  1956 Rheingold Theatre (TV Series) - Tracy Carmichael / Ann / Cynthia
  - One Can't Help Feeling Sorry (1956) ... Tracy Carmichael
  - Someone Outside (1956) ... Ann
  - A Fast Buck (1956) ... Cynthia
  1956 High Terrace - Stephanie Blake
  1956 Aggie (TV Series) - Barbara
  - Monk's Prior (1956) ... Barbara
  1956 Satellite in the Sky - Kim Hamilton
  1956 The Petrified Forest (TV Movie) - Gabby Maple
  1956 Passport to Treason - Diane Boyd
  1955 Torpedo Zone - Lt. Lily Donald
  1953 Aida - Amneris
  1953 Man in Hiding - Thelma Speight / Tasman
  1952 Orient Express (TV Series) - Lynn Walker
  - Blue Camellia (1952) ... Lynn Walker
  1952 Twilight Women - Christine
  1952 Scotland Yard Inspector - Margaret 'Peggy' Maybrick
  1952 Ha da venì... don Calogero - Maestrina
  1952 The Woman's Angle - Enid Mansell
  1952 Love and Poison - Queen Christina
  1952 Viva il cinema!
  1951 Lebbra bianca - Erika
  1950 Tomorrow Is Too Late - Signorina Anna, teacher
  
  1949 Kazan - Louise Maitlin
  1949 The Crime Doctor's Diary - Jane Darrin
  1948 The Decision of Christopher Blake - Miss McIntyre (uncredited)
  1948 The Dark Past - Ruth Collins
  1948 The Big Punch - Karen Long
  1948 Corridor of Mirrors - Lois
  1947 That Hagen Girl - Julia Kane
  1946 Springtime - Penelope Cobb (uncredited)
  1946 A Matter of Life and Death - Actress (uncredited)

  
  Lois Hooker in the Life Magazine photo, upper left. Norma Jean, front and center.
  
  

  2008: Via Youtube, Scouting for Girls release the fifth song from their first album, "I Wish I Was James Bond."

  
  007, Britain's finest secret agent, licensed to kill
  Mixing business with girls and thrills
  I've seen you walk the screen, it's you that I adore
  Since I was a boy I wanted to be like Roger Moore…

  

  
  
• RichardTheBruce I'm motivated by my Duty.

  September 2020 edited October 2020 Posts: 13,787

  September 30th
  
  1921: Deborah Jane Trimmer (Deborah Kerr CBE) is born--Helensburgh, Scotland.
  (She dies 16 October 2007--Botesdale, England.)

  

  Deborah Kerr

  See the complete article here:
  

  https://www.theguardian.com/news/2007/oct/19/guardianobituaries.obituaries1

  Graceful and versatile British star whose work across four decades made her a Hollywood icon
  Brian Baxter | Thu 18 Oct 2007
  
  Many Hollywood stars of the wartime generation ended their careers in cameo roles or cult movies, even schlock horror or, worst of all, television soaps. But Deborah Kerr, who has died of Parkinson's disease aged 86, escaped that. Her health would not allow such a route, but it seems unlikely that such an innately graceful and consummately professional actor would have chosen it. The theatre at Chichester perhaps, but not movie Grand Guignol.
  
  She worked steadily, averaging one film a year, with directors of stature, and often opposite chums such as David Niven, Robert Mitchum and Cary Grant. The result was a career that sailed on rather majestically, like an elegant ocean liner, only occasionally hitting a squall or rough passage. There was little to interest gossip columnists or to shock the public and, at least on the surface, she seemed rather serene in the midst of such a frantic profession.
  
  It is impossible not to admire the performances and the performer herself. She achieved fame when barely 20, in a star-laden version of Major Barbara (1941), followed rapidly by four further movies, and for 45 years remained at or near the pinnacle of her profession. Within a period of 12 years, she received six Oscar nominations but did not receive the statuette until 1994, when an honorary Academy award was given for her lifetime's work.
  
  By the late 1980s, in poor health, she had effectively retired from acting, gravitating from her home in Switzerland to Spain with her second husband, the writer Peter Viertel (whose screen credits include The African Queen). Much later still, she was to return to England. Her rare public appearances reminded us of her great popularity in such contrasted roles as the governess in The King and I (1956) and the adulterous wife in From Here to Eternity (1953). She was greatly admired by her fellow actors and always brought a touch of class to the most mundane of roles.
  
  Kerr was born in Helensburgh, Scotland, the daughter of a first world war officer, and educated at Northumberland House, in the Bristol suburb of Clifton. She dabbled in acting during her teens, including radio work for the BBC West Region in Bristol, and in amateur theatricals. She moved to London to study at the Sadler's Wells ballet school, making her debut in Prometheus in 1939. That year too saw her in a small role in Much Ado About Nothing at the Regent's Park open air theatre, and from 1939 to 1940 she worked with the Oxford Repertory. An abortive screen debut as a cigarette girl in Contraband (1940), ended on the editing-room floor. But the directors Michael Powell and Emeric Pressburger were soon to remedy that unkind cut.
  
  Kerr's break came when the ebullient Gabriel Pascal, who had the confidence of George Bernard Shaw, cast her in Major Barbara, in which she gave a touching performance as Jenny Hill. Under contract to Pascal, she was given the lead in 1941 in Love on the Dole and rapidly followed this excellent movie with Penn of Pennsylvania and then a plum role as Robert Newton's downtrodden daughter in the melodramatic Hatter's Castle - where she encountered her first husband, fighter pilot Tony Bartley, who was involved in the nearby filming of The First of the Few. All this in that same year, followed by The Day Will Dawn (1942), opposite Ralph Richardson.
  
  In a piece of casting that Martin Scorsese has justly described as audacious, Powell and Pressburger gave the then 21-year-old the triple roles of driver, governess and wife/nurse, the women who appear throughout Blimp's story in their monumental The Life and Death of Colonel Blimp (1943). The film did not receive official approval or the critical acclaim now accorded it, and Kerr's film career paused as she toured and then went into the West End in Heartbreak House. She also worked for the forces' entertainment organisation Ensa throughout Europe, and again met Bartley. They married in 1945.
  
  That year she returned to the screen, opposite Robert Donat in Perfect Strangers, where they play - delightfully - a couple transformed and humanised by their wartime experiences. She moved on to an interesting role in I See a Dark Stranger (1946) as an Irish girl who, through hatred of the English, spies for the Germans. Her love for a British officer (Trevor Howard) reforms her. Her only other screen work that year was in a short in aid of the Cinema and Television Benevolent Fund. The best was yet to come.
  
  In 1947, Kerr was reunited with Powell and Pressburger for a heady masterwork, Black Narcissus. She played the pivotal role of Sister Clodagh, an insecure nun in charge of a Catholic missionary school (Pinewood stood in - remarkably - for the Himalayas). Jealousy, passion, frustration and death become the order of the day in this timeless work. A blend of repression, gentleness and inner turmoil was to feature in many later, often inferior, films but this remains a benchmark in her career.
  
  Meanwhile, Pascal had sold her contract to MGM and Kerr found herself in a postwar drama, The Hucksters (1947), opposite Clark Gable and Ava Gardner. A modestly successful Hollywood debut was soon followed by If Winter Comes (1947). She was subsequently directed by one of the studio's top names, George Cukor, in a rather stodgy version of Robert Morley's stage success, Edward My Son (1948). Despite fine credits and the presence of the screen's greatest actor, Spencer Tracy, the film fails to ignite.
  
  The studio began to use Kerr as decorative contract fodder opposite sturdy leading men and costume became the order of the day in such movies as King Solomon's Mines (1950), Quo Vadis (1951) and The Prisoner of Zenda (1952). She had the small role of Portia in Julius Caesar, but this movie - the best-ever screen treatment of Shakespeare - is remembered for Marlon Brando and John Gielgud, and not the refined Miss Kerr. The MGM period ended dismally with Young Bess (1953).
  
  That year was, however, to prove a highlight, if not a turning point in her fortunes. She extricated herself from the MGM straitjacket and landed the controversial role opposite Burt Lancaster in Fred Zinneman's From Here to Eternity. Cast against her seemingly fragile type, she was formidable as the sexually rapacious officer's wife who has an affair with an NCO, played by Lancaster, at the time of Pearl Harbor in 1941. Today, the famous beach scene - indeed the whole adaptation of James Jones's brutal novel - seems somewhat tame. Not so in the early 1950s.
  
  Adultery was a theme of a rather greater book, Graham Greene's The End of the Affair (1954), which brought Kerr back to England. An underrated film, it suffers from a miscast, rather lightweight Van Johnson as the writer, but she and a fine British cast save the day.
  
  An attempt was made to revamp Eternity, with William Holden replacing Lancaster, in The Proud and the Profane (1956) before she went on to her biggest popular success: a lacklustre version of The King and I. Kerr and Yul Brynner redeemed Walter Lang's rather staid direction and thanks to dubbing from Marni Nixon on the difficult passages and high notes, Kerr sang, danced and acted herself into a third Oscar nomination, and a box office smash.
  
  In 1957 she was reunited with friend Cary Grant in the romantic drama, An Affair to Remember and donned her nun's habit in the popular Heaven Knows, Mr Allison for a favourite director, John Huston. This virtual two-hander reworks Huston's great success, The African Queen, with Robert Mitchum as the reprobate marine who meets his match in the seemingly demure nun. Together they tackle the Japanese just as missionary Katharine Hepburn and drunk Humphrey Bogart had scuppered the Germans in the earlier movie.
  
  There were better parts and higher salaries than in the MGM days and Kerr moved on to Bonjour Tristesse (1957) and another spinster role in the botched version of Terence Rattigan's Separate Tables (1958). Only her old friend David Niven emerged with modest credit from this fiasco. Three duff movies followed before Zinnemann gave her a wonderfully rich part - opposite Robert Mitchum - in The Sundowners (1960). It proved one of the director's most relaxed and commercially successful films.
  
  Kerr joined Mitchum and Grant again in a conventional reworking of the stage hit, The Grass is Greener (1960), followed by an altogether less happy experience. At best The Naked Edge (1961) was a routine thriller, made painful by Gary Cooper, already ill with cancer, in his last role and the last year of his life.
  
  The highlight of this British period came the same year when she again played a governess - this time in Jack Clayton's version of Henry James's The Turn of the Screw. Transformed into a handsome CinemaScope film as The Innocents, it showed that Kerr was as good as the material allowed and often better. Her role as the haunted and taunted governess gave perfect rein to her upright demeanour and hidden depths.
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  After a dull version of The Chalk Garden (1963), she was rescued by John Huston and cast as the poet spinster in the steamy The Night of the Iguana (1964). After this she sank without trace in a Frank Sinatra vehicle, Marriage on the Rocks (1965), and then made a trio of films opposite Niven, her Swiss-based neighbour.
  
  They failed to salvage the thriller Eye of the Devil (1966), but had some fun working with Huston again on the chaotic James Bond spoof, Casino Royale (1967). This was followed by a dated comedy, Prudence and the Pill (1968).

  Two big movies in 1969 offered Kerr dull parts - with Burt Lancaster in the sky drama The Gypsy Moths and Kirk Douglas in The Arrangement. They proved only that she was still in demand opposite heavyweight actors. But the films, one lugubrious, the second overwrought, were not to her taste and she effectively retired from Hollywood.
  
  A handful of made-for-television films kept her occupied - Witness for the Prosecution (1982), Reunion at Fairborough (1985) and Hold the Dawn (1986) among them.
  
  Her greatest stage success had been in the once controversial Tea and Sympathy, in a role as a schoolteacher who seduces a pupil who believes himself to be gay. She filmed it in 1956, but the screen version was even milkier than the Broadway success. Her other stage successes included Separate Tables, Candida and The Last of Mrs Cheyney, among many others.
  
  But it is as a screen actor that Kerr will be best remembered, since she had the beauty, the reserve and the inner quality that the camera loves. By a happy chance, her farewell to the big screen utilised those attributes.
  
  In The Assam Garden (1985) Kerr played an isolated middle-class widow who befriends an Indian woman (Madhur Jaffrey) from a nearby council estate. A modest two-hander, it gave her an intriguing, somewhat unglamorous role that perfectly suited her subtle technique and quiet dignity.
  
  Visiting her on location in the Forest of Dean, I was touched by her commitment to the film and her determination to complete what was proving to be an extremely demanding role. She clearly missed her home comforts and had been greatly pleased by the film's attentive publicist - who brought her caviar from his London trips.
  
  The location, charming though it was, and the budget were a far cry from her Hollywood heyday, but the film turned out to be a success and she ended her screen career on a personal high note. She received a spontaneous ovation at the 1994 Oscar ceremony and few actors can so richly have deserved the award.
  
  In 1998 she was made a CBE, but said that she felt too frail to travel to London to receive it personally. In 45 films, in as many years, she seldom, if ever, gave a weak performance and certainly never gave a less than professional one.
  
  Her marriage to Tony Bartley ended in divorce in 1959. He died in 2001. She married Viertel in 1960. He survives her, as do two daughters from her first marriage and three grandsons.
  
  · Deborah Jane Kerr (Deborah Kerr Viertel), actor, born September 30 1921; died October 16 2007

  

  Deborah Kerr

  (I) (1921–2007)
  Actress | Soundtrack
  https://www.imdb.com/name/nm0000039/?ref_=fn_al_nm_1
  

  
  The King and I
  
  Agent Mimi (Alias Lady Fiona). Casino Royale
  
  
  

  
  1952: Dennis Muldowney is executed for the murder of Polish Countess Krystyna Skarbek, aka Christine Granville. She was active in espionage during World War II, an acquaintance of Ian Fleming, and possibly the model for his character Vesper Lynd.

  
  https://eotd.wordpress.com/2008/09/30/30-september-1952-dennis-muldowney /
  30 September 1952 – Dennis Muldowney
  
  James Bond creator, Ian Fleming was inspired by the exotic Polish victim slain by today’s deadly desperado’s date with death.
  
  Dennis Muldowney was executed on this day in 1952 for the murder of a Cold-War countess.
  
  Marine steward, Muldowney was jailed and sentenced to death for killing Polish Countess Krystyna Skarbek, aka Christine Granville, who was known for her forays into espionage.
  
  The infamous World War II spy was a key player, passing secrets to the Brits while serving in Germany, Hungary and France. After the war, she came across Ian Fleming and they embarked on a year-long affair.
  
  That’s why she is said to have been the basis for Fleming’s character Vesper Lynd in his first James Bond novel, ‘Casino Royale’, written in 1953 and played by Eva Green in the consequent Bond movie of the same name, as well as Ursula Andress in the spoof version of 1967.
  
  Muldowney was similarly drawn to her and eventually became obsessed, which drove him to stab the 44-year-old to death on 15 June 1952.
  
  He was hanged for his crime at Pentonville prison, aged 41.

  
  
  
  

  
  1963: Arms expert Geoffrey Boothroyd writes his last letter to Ian Fleming. (The first was 31 May 1956.)
  1964: Monica Bellucci is born--Città di Castello, Umbria, Italy.
  1966: You Only Live Twice films Q in the field instructing Bond on Little Nellie.

  [img][/img]
  

  
  1976: Paul Dehn dies at age 63. (Born 5 November 1912--Manchester, England.)

  

  Tinker Tailor Soldier Schreiber
  The Unsung Achievement of Screenwriter Paul Dehn
  By David Kipen

  https://www.vqronline.org/articles/tinker-tailor-soldier-schreiber
  ISSUE: Winter 2013

  There are too many clues …
  —Hercule Poirot, Murder on the Orient Express, screenplay by Paul Dehn

  Born a hundred years ago this past November 5, the late poet and critic Paul Dehn won an Oscar, served as a spy in World War II and, notwithstanding his long and loving cohabitation with another man, helped create the epitome of twentieth-century hetero-sexual virility—yet today, even Google all but asks, “Paul who?”
  
  How could this be? What tastemakers did he offend? Did he throw a drink in Edmund Wilson’s face? Make a pass at Susan Sontag? Hardly. His only crime was to excel at the art that dare not speak its name: Paul Dehn was a screenwriter.

  In addition to the definitive James Bond picture (Goldfinger), Dehn adapted the works of John le Carré (The Spy Who Came in from the Cold, The Deadly Affair), Agatha Christie (Murder on the Orient Express), and Shakespeare (The Taming of the Shrew). He had a hand in the scripts of all four initial Planet of the Apes sequels and won the Oscar for his very first screenplay, the widely influential Cold War suspense film Seven Days to Noon.

  Dehn (pronounced “Dane”) resurrected or reinvented at least three genres given up for dead at the time: the British mystery, the Shakespeare adaptation, and the spy film. He understood a thing or two about espionage, having taught and then practiced it with distinction during World War II. Yet the hundredth anniversary of Dehn’s birth has passed without the merest hiccup of notice.
  
  I mean to lay out some of the reasons that make Paul Dehn worth remembering not just on his centenary by film critics, but by anybody fascinated with who’s responsible for their favorite movies. Dehn’s scripts suggest an intelligent, witty, morally engaged, cohesive sensibility. Even in his adaptations, he gravitated toward thematically idiosyncratic material. For example, his pictures often begin with the arrival of a threatening letter and fear of exposure (Seven Days to Noon, Murder on the Orient Express, The Deadly Affair)—surely fraught territory for a man acquainted with both deep-cover operations and the menace of British anti-sodomy laws.
  
  Dehn wasn’t the best screenwriter who ever lived. He wrote too few originals, and too often in collaboration, to claim anything of the kind. Nor was he the best author ever to approach film as an art form. That would be Graham Greene, or perhaps Harold Pinter, the only screenwriter ever to win the Nobel Prize. (Pinter wrote as many film and television scripts as he did stage plays.) No, Dehn was merely a very good screenwriter. His work carried a creative signature that withstood even the most overbearing director’s attempts to flatten it.
  
  Our Man in Hollywood
  Only one peacetime photograph of Paul Dehn survives. It shows him reclining in a dark leather chair with a book open on his lap. Behind him, level with his balding head, a rank of mostly hardcover books stands mustered for inspection. A writer works here. Close to Dehn’s left hand, atop the desk back of him, sits his only visible concession to modernity: a small British portable tv circa 1970, maybe six inches across, its screen convex with latent entertainment. Legs casually crossed and bent, Dehn looks up from his book and over at us. We’ve surprised him with our camera, but not unpleasantly so. He looks to be in his fifties, his eyeglasses seemingly borrowed from David Hockney, with round lenses and dark frames. His ears must have been prominent even before the hair started to go.
  
  What gets you is the smile. It’s not broad. Every third or fourth glance at him, it’s not there at all. Even when you see it, the smile has more curves than it should, like a sine wave. Dehn essentially resembles a taller, leaner Charlie Brown—already middle-aged and made good, but still a bit nervous.
  
  Military historian Raleigh Trevelyan’s brief but warm evocation of Dehn for the Oxford Dictionary of National Biography helps capture something of the spirit of the man: “He delighted everyone with his entertaining manner and piano playing, and could put on a ‘good nightclub act’. He is also recorded as having been a ‘serious thinker’, with a warm and romantic nature, not to mention an outstanding instructor. In America it was said that listening to him was more exciting than reading a spy novel.”

  Harold Pinter once described his own screenplay for a half-decent spy film, The Quiller Memorandum, as “between two stools: One, the Bond films and the other, The Spy Who Came in from the Cold.” In the photograph, Dehn inclines decidedly toward the Smiley end of the spectrum, yet the scripts written at this desk put both George Smiley and James Bond on the screen.
  
  The excellence of Dehn’s spy films derives partly from his wartime experiences as both a desk jockey, like George Smiley, and a field agent, like Bond. Or not like Bond—since how often does Bond do any actual spying?—but at least in the same line. Dehn spent the majority of his war service at the improbable Camp X, a disused estate in Canada commandeered for the training of British spies in what was then called “black warfare,” now “black ops.”

  Many walks of life are known for the exhaustiveness of their archival documentation: statesmen, for example, or Nazis. But Englishmen and screenwriters, especially at midcentury, each tended toward self-effacement. Spies and homosexuals were, by definition, outlaws, and likely even less inclined to careless diary-keeping. So the trail for Dehn—and a generation of other gifted screenwriters—is cold and getting colder.

  Researching the lives and careers of directors is much easier. Directors get interviewed vastly more often than screenwriters do. They also appear to live considerably longer. It’s uncanny just how many of Dehn’s variously talented directors are still alive, forty or fifty years after their work together. The men who shot Goldfinger (1964), Beneath the Planet of the Apes (1970), Fragment of Fear (1970),and The Taming of the Shrew (1967)—Guy Hamilton, Ted Post, Richard Sarafian, and Franco Zeffirelli—may well live to attend their own centennial retrospectives.
  
  Dehn, meanwhile, and all the writers ever credited alongside him, are dead. An actuary and a screenwriter’s analyst might have an interesting conversation about that.
  
  Tinker Tailor Soldier Screenwriter

  Goldfinger: I prefer to call it an atomic device. It’s small, but particularly dirty.
  —Goldfinger, screenplay by Paul Dehn and Richard Maibaum

  Death and radioactivity are abstractions. Corpses and running sores are not.
  —Paul Dehn, film review

  How did Paul Dehn become the preeminent screenwriter of the Cold War? Like most information about screenwriters, the answer might as well be top secret. There exists no biographical dictionary of screenwriters. The number of good biographies of screenwriters can probably be counted on the fingers of one hand. The late Bruce Cook’s dramatic three-act life of Dalton Trumbo, written with his subject’s dying cooperation, stands apart for its quality. A couple of volumes of different scriptwriters’ letters have survived into print as well, with Trumbo’s Additional Dialogue among the best correspondence ever written by an American.
  
  Screenwriter memoirs are just as scarce. Dehn’s fellow Bond scripter Tom Mankiewicz’s recent, addictive My Life as a Mankiewicz (2012) is an object lesson in the thoroughly untapped potential of the genre. After all, successful screenwriters can actually write. They also tend to meet interesting people, and travel in circles that many readers actively wonder about. Their careers split the difference between Horatio Alger and Dr. Faustus. What film buff wouldn’t want to read about that?
  
  If there were a biographical dictionary of screenwriters, Paul Dehn’s entry might begin like this:

  1912–1939: Born Manchester, of German Jewish descent, Nov. 5, 1912. Educated at Oxford. Fond of men. Contemporary of notorious Russian moles Philby, Burgess, Maclean. Upon graduation, down to London. Encouraged by godfather, drama critic James Agate, contributes numerous humorous film reviews to newspapers up one side of Fleet Street and down the other. Also writes poetry, lyrics, and libretti.

  So far, unspectacular. Dehn’s reviews amuse, but his proficient, highly formal poetry canters confidently toward critical oblivion. Had he kept on in this vein, he might have become a kind of road-show Ivor Novello, forever marooned in the 1930s as the world grew past him.
  
  Then came the war. Redacted for national security—and by the strictest of all censors, an ungrateful posterity—his sketchy wartime biographical listing might continue as follows:

  1939–1945: Joins Special Operations Executive (S.O.E.) early in the war. Stationed in Canada alongside Ian Fleming and Christopher Lee. Learns tradecraft, drills spies in same. Cowrites S.O.E. spy training manual. Dispatched on missions in continental Europe and Scandinavia. In 1944 meets composer James Bernard, begins lifelong domestic and creative partnership.

  Without at least a research trip to the Imperial War Museum in London, we’ll have to content ourselves with Dehn’s slender, self-deprecating version of his wartime experiences: “I was an instructor to a band of thugs called the S.O.E.,” he recalled to Chris Knight and Peter Nicholson in what may be his only surviving interview, “and I instructed them in various things on darkened estates, so I got a pretty good view of what counterespionage was like.” Dehn then nudges the conversation on to the next question. As with World War I, not the least of its sequel’s aftereffects was a reticence bordering on aphasia.
  
  But, as we learn from an interview with John le Carré that accompanies the 2008 DVD reissue of The Spy Who Came in from the Cold, there is more to be said on the subject of Dehn’s wartime service. “Paul actually had been in our Special Operations Executive during the war, and he had been, among other things, a professional assassin,” le Carré remembers. “It was a gruesome fact. Paul was a very gentle guy, lovely to work with.” He adds, “Great credit to Paul Dehn, the screenwriter, who, as I mentioned, had had pretty startling experience of the spook world.” This information speaks to the discernible—even preeminent—signature of the screenwriter. Quite literally, you can read him like a book.

  1946–1950: Demobbed, returns to London, resumes versatile writing career, begins moonlighting as screenwriter.

  Like Truffaut or Goddard in their magazine days, exalting the role of the director shortly before assuming it, Dehn’s film reviews from this era display a rare sensitivity to the contributions of the screenwriter. “One has waited with impatience for a script-writer of discernment,” he characteristically wrote, “to adapt James Thurber’s piteously funny parable about the fantasies of Walter Mitty.” For Dehn as well, the piteously funny was something of a critical stock in trade. Of Esther Williams, he cracked, “Only on dry land is she truly out of her depth.”
  
  Dehn had written amateur theatricals as a student and film reviews ever since, but never a movie. If his prior interview is to be believed, he got into screenwriting for a reason as unusual as it is laudable: Dehn hoped it might make him a better critic. “I started writing manuscripts,” he told his interlocutors in 1972, “because I found it so hard to allocate praise and blame justly in a composite work of art like a film.” Imagine the decades of damage undone, in other arts as well as film, if defections like Dehn’s over the firewall between critics and practitioners were not so rare, and usually so irreversible.
  
  So here begins one of the great runs in the annals of Anglo-American popular filmmaking. Dehn’s first script was not a spy story, but only a spy could have done it justice. No manuscript survives of Dehn and his partner Bernard’s screen treatment for Seven Days to Noon, the placidly terrifying Cold War thriller that won the 1952 Academy Award for best story. Absent any records, we can only speculate that more of the work fell to Dehn, who made his living at his typewriter, than to Bernard, who never received another writing credit—though the latter did go on to score almost all the Hammer horror films. The barest outline of Seven Days to Noon itself would read as follows:

  Principled government scientist Willingdon absconds from secret facility carrying suitcase-sized nuclear explosive. Writes to Prime Minister threatening to detonate bomb in London unless nuclear weapons research suspended. Londoners evacuated to countryside. Sappers sweep deserted city for Willingdon, confront him in ruined church as bomb timer ticks down to final seconds.

  What this précis leaves out are Dehn’s grace notes: a lapdog nosing around a satchel containing enough potential blast force to obliterate London, the paranoia of a fugitive whose face suddenly stares back at him from every hoarding and newsagent he sees. Already present in embryo are the signature Dehn themes: the plot set in motion by a letter, the overhanging shadow of nuclear annihilation, and the moral complexity of even the noblest motives.
  
  Dehn had trained men to lie and kill and, if necessary, die for queen and country. Impatient with teaching, he went on missions himself, took lives according to le Carré, and risked his own. Finally, with England all but free, he’d seen her allies slaughter one-fifth of a million people over four days in August of 1945. Is it any wonder that Seven Days to Noon and several of Dehn’s later films end with a lone man crouched over an atom bomb and time running out? Alone or with colleagues, from source material or from scratch, Dehn would write several of the most sophisticated, intelligent entertainments about the Cold War and its arsenal ever made. Perhaps 1952 struck some as a touch on the early side to be writing antinuclear films, but his style and polish conspired to help the strong medicine go down.
  
  If Seven Days to Noon and later Goldfinger hardly resulted in immediate nuclear disarmament, they nevertheless gave a shape to our nightmares. Dehn did not have it in him to do more than that. He was no diplomat. He’d seen enough of that breed at university, and too many would soon betray either their ideals or their country. Instead, Dehn did what he could with what he had. He did his bit.

  1951–1958: Fresh off his Oscar for Seven Days to Noon, newly sensitized to the screenwriter’s role, Dehn takes up reviewing again. Also writes well-received short films, including one about the Glyndebourne Opera. Returns to features in 1958 with script for Orders to Kill, French Resistance-set suspense film about American pilot recruited by British to kill possible Parisian double agent. Target appears kindly, gentle, harmless. Friendship develops between oblivious victim and his conflicted assassin.

  If a little centenary attention to Paul Dehn accomplishes nothing else, may it at least rescue Orders to Kill—which deservingly won the 1958 British Academy of Film and Television Arts (BAFTA) award for best screenplay—from the memory hole that’s swallowed altogether too many fine midcentury British genre pictures. Sending filmgoers back to familiar movies with fresh eyes is a mitzvah, of course. Even more satisfying is to spotlight rarities like this that no one has looked at carefully in years. So it is with this slow-starting, screw-turning, ultimately quite moving thriller, directed by Anthony Asquith, the man to whom Dehn’s 1956 oddments collection For Love and Money is dedicated.
  
  Aside from the sheer excellence of its craftsmanship, Orders to Kill rehearses themes that haunted Dehn his entire career. In Seven Days to Noon, he’s already introduced one idea that will preoccupy him from first film to last: the slaughter of innocents. In that film, Willingdon threatens to incinerate all of London, young and old, the blameless with the guilty. By the end, the potential toll of the suitcase bomb has shrunk to a few military men—and Willingdon himself. For Willingdon is the last innocent—a meek, mild man constitutionally unable to hear out the violent bluster of a stranger in a pub, yet prepared to destroy an entire city to save the world from science gone mad. His ambivalence becomes our own: We want London saved, but do we want him dead? We sympathize with his mission even as we deplore his methods. When the bomb is ultimately defused, we share his disappointment as much as his pursuers’ relief. A moment later, Willingdon’s death outside the church comes as a martyrdom.
  
  Similarly, the suspected double agent in Orders to Kill earns our sympathy long before his innocence is finally proven. Like Willingdon, he’s a milquetoast, an easy mark for stray kittens and lost souls—even the one who will ultimately kill him. His cat, and the floozy’s dog in Seven Days to Noon who sniffs at Willingdon’s mysterious parcel, echo and reinforce their masters’ guilelessness. War kills the complicit and the pure alike, as Dehn must have learned in his war work. To judge by his later scripts, no amount of writing about it would ever put this guilt fully to bed.

  1959–1964: Maintains steady work as film critic. Writes Quake, Quake, Quake in 1961, a miscellany of familiar comic verse, all rewritten to incorporate Sputnik-era subject matter and antinuclear politics. Sample stanza: “Hey diddle diddle, / The physicists fiddle, / The Bleep jumped over the moon. / The little dog laughed to see such fun / And died the following June.” Gives up reviewing in 1963 to become full-time screenwriter. Adapts Ian Fleming’s James Bond novel Goldfinger in 1964. Story concerns master criminal’s plot to irradiate America’s gold supply and increase value of own holdings. Goldfinger thwarted when Bond penetrates Fort Knox depository and helps defuse warhead with seconds remaining.

  Goldfinger is the most famous script Dehn ever worked on, and success never wants for paternity claims. His cowriter Richard Maibaum, who later became for James Bond what Dehn would become for the Apes films—the go-to writer and sheepish keeper of the franchise flame—claimed authorship of Goldfinger’s first and last drafts, with Dehn coming on in between. Film is “a composite work of art,” as Dehn the critic knew long before he ever set his tab stops at screenplay width. If we risk praising Dehn for any of Maibaum’s work, it’s no greater risk than too many film critics court every day by crediting a director with just about everything.
  
  The scene in Goldfinger we can most confidently ascribe to Dehn is, of course, the climax he pioneered a decade earlier in Seven Days to Noon. Even if Maibaum had written it, consciously or not he pinched the idea from Dehn. It may be hard nowadays to conceive of the climactic bomb-defusal countdown as one man’s invention, rather than part of our archetypal collective unconscious. But Dehn got there first in Seven Days to Noon, when the Cold War was young, and in Goldfinger he may just have done it best.
  
  At least two moments distinguish the Goldfinger countdown from all the rest. First, it may be the first scene in the Bond series in which 007 is overmatched. He’s arm-deep in the bomb’s guts—and he doesn’t know what he’s doing. Whether contemporary audiences realized it or not, the subtext here is most assuredly the fear of firepower that even 007 can’t save us from. As Connery plays it, Bond is on the verge of yanking a wire at random and hoping for the best—when a trusty nuclear scientist mercifully intervenes and neutralizes the bomb in seconds. “What kept you?” Bond asks. Even today, after half a century of hollow promises and unsecured plutonium, what’s keeping our deliverer now?

  1965–1969: Dehn adapts The Spy Who Came in from the Cold, The Deadly Affair (AKA Call for the Dead), from novels by John le Carré. Also two agreeably overproduced international coproductions, The Taming of the Shrew and The Night of the Generals.

  After Goldfinger, it took Dehn’s two le Carré adaptations to make the screen safe for espionage without lasers or martinis. As Dehn admits, “I am one of those writers who like darting about from one type of film to another. And when I’d collaborated on Goldfinger, I wanted to do a truthful spy story instead of a fantastic one, which is why I did The Spy Who Came in from the Cold and The Deadly Affair.”

  Le Carré himself deserves the laurels for Richard Burton’s great self-loathing monologues against idealism—Marxist and otherwise—in The Spy Who Came in from The Cold. But Dehn’s deft streamlining and word-pictures, filtered through Oswald Morris’s cinematography and Martin Ritt’s direction, help make those speeches play.
  
  There’s more to a script than dialogue, or Dehn’s later script for The Taming of the Shrew wouldn’t have required even a bad writer’s screenwriting services, let alone a great one’s. As Dehn himself said, “It isn’t just a question, as so many people think it is, of writing the dialogue. Some writers, myself included, go into great detail, and they have a strange physical sense, and they see that film on the wall and write down what they see.”
  
  Dehn also warrants credit for a mental image that sticks with a viewer, long after those soliloquies have left behind no residue but a willingness to hear Burton speak them again and again. I’m referring to all those small mounted animal heads in the courtroom at the final East German show trial, peering down at defense and prosecution alike. The long tribunal twists to its surprising end, unforgettably, under the specter of this profligate sacrifice of life.
  
  Animals meant the world to Dehn. He kept cats and watched birds, and composed the rhyming text for Cat’s Whiskers, an entire book of feline photography. As he once wrote, “My hobby is birdwatching: partly because sunlight and fresh air are more than normally vital to a film-critic who spends three weeks of the year’s daylight in the almost total darkness of a cinema.”
  
  If only film retrospectives would recapitulate a writer’s career every so often, recurrent Dehn subthemes—like this identification of animals with vulnerability—would unfailingly shine out. One can’t look back over Dehn’s career without noting a virtual arkful of innocuous fauna. The inquisitive dog in Seven Days to Noon, the contraband cat in Orders to Kill, Goldfinger’s stud horse—“Certainly better bred than the owner,” Bond muses—all testify to his benign preference for animal company over the human kind. Dehn later breathed fresh life into the Planet of the Apes films by focusing not on the humans, but on the chimpanzees.

  1970–1973: Writes or cowrites four Apes sequels in as many years. A true rarity: the non-horror studio film series in which every picture’s ending is bleak.

  The Apes sequels differ from their precursors in Dehn’s filmography chiefly by not being very good. Centenary or no centenary, nobody gets away with a speech like “You’re the beast in us that we have to whip into submission. You’re the savage that we need to shackle in chains.” That’s from his script for Conquest of the Planet of the Apes. If screenwriters are the true authors of their films (a case I tried to make in The Schreiber Theory [2006]), then they write the bad ones along with the good.
  
  Yet even a good screenwriter’s creatively unsuccessful films are interesting in the context of a career, and Dehn’s Apes scripts are nothing if not interesting. Beneath the Planet of the Apes may be a meddled-with, muddled, mediocre movie, but it’s saved by one great visual idea—a realistic portrait of New York as a sunless, corroded, post-apocalyptic hell, overrun by mutants—and a wryly remorseless ending. For the classic Dehn threat of wholesale slaughter, it’s hard to top Beneath the Planet of the Apes, in which a “cobalt bomb” carries off the entire world. The final title card breaks the news to us with sadistic understatement, especially for any viewers unlucky enough to be impressionable children at the time: “In one of the countless billions of galaxies in the universe lies a medium-sized star, and one of its satellites, a green and insignificant planet, is now dead.”
  
  Dehn originally fought this finale, which Charlton Heston pumped for in order to kill off the series for good, but ultimately Dehn submitted to it in high style. He was rightly anticipating the quandary he would face if Twentieth Century Fox commissioned another sequel after all—a dilemma he wound up solving, in Escape from the Planet of the Apes, through a characteristically ingenious time-travel kludge.

  1974: Adapts Agatha’s Christie’s Murder on the Orient Express, to great acclaim. Story finds detective Hercule Poirot aboard snowbound train, with sleeping car full of likely suspects in murder of industrialist implicated in Lindbergh-like kidnapping. Christie pronounces it best film from her work to date.

  Dehn began his career with the Oscar for Seven Days to Noon, and rounded it off with a nomination for Murder on the Orient Express. (Already ill with cancer, he lost to The Godfather, Part II.) Murder stands among his best work, not least for its use of humor and dramatic tension to distract from the original’s simultaneous predictability and outlandishness. How Dehn keeps viewers guessing as to which of the twelve other passengers has given the murder victim twelve stab wounds—why, whatever could that mean?—is itself a mystery.
  
  Save The Taming of the Shrew, Dehn never wrote a script that did not begin or end in death. His own came at sixty-three, likely the result of a lifelong cigarette habit. In the work of a writer as war-scarred as Dehn, death is rarely solitary. In Seven Days to Noon, he imperiled an entire city; in Goldfinger, half of Kentucky. In The Night of the Generals, Peter O’Toole orders the massacre of the surviving population of the Warsaw Ghetto. The “holy fallout” in Beneath the Planet of the Apes takes the whole planet with it. Meanwhile, Dehn’s own death, in 1976, met with scarcely more commemoration than his centenary this year.
  
  So who really misses Paul Dehn after a hundred years? Besides John le Carré, that is, and Dehn’s niece, the poet Jehane Markham, who remembers him “as a dear friend as well as top notch uncle”? Perhaps no one.
  
  There’s just one hitch. By end of next year, the same centennial odometer will turn over on the screenwriters of High Noon, Midnight Cowboy, The Defiant Ones, Salt of the Earth, and On the Waterfront—four blacklistees and one informer, all heroically gifted, each tragically either silenced, compromised, or redeemed. Will their fascinating careers share the Dehn curse of asterisked obscurity?
  
  It’s up to us. Think of a dead screenwriter’s reputation like an early silver nitrate print of a classic movie. It degrades, over time, into dust. But once touched with sunlight, it might yet flare into incandescence—and send all our prized assumptions about film authorship up in smoke. 

  
  Paul Dehn (I) (1912–1976)
  https://www.imdb.com/name/nm0214989/?ref_=nv_sr_1?ref_=nv_sr_1
  
  Filmography

  Writer (20 credits)
  
  1974 Murder on the Orient Express (screenplay by)
  1973 Battle for the Planet of the Apes (story)
  1972 Conquest of the Planet of the Apes (written by)
  1971 Escape from the Planet of the Apes (written by)
  1970 Fragment of Fear (screenplay)
  1970 Beneath the Planet of the Apes (screenplay) / (story)
  1970 Music on 2 (TV Series) (libretto - 1 episode)
  - The Bear (1970) ... (libretto)
  
  1968 Beryl Reid Says Good Evening (TV Series) (additional material - 1 episode)
  - Episode #1.3 (1968) ... (additional material)
  1967 Before the Fringe (TV Series) (1 episode)
  - Episode #2.1 (1967)
  1967 The Taming of the Shrew (screen play by)
  1967 The Night of the Generals (adapted for the screen by) / (additional dialogue)
  1967 The Deadly Affair (screenplay)
  1965 The Spy Who Came In from the Cold (screenplay)
  1964 Goldfinger (screenplay)
  1960 A Place for Gold (Documentary short) (commentary writer)
  1960 ITV Play of the Week (TV Series) (adaptation - 1 episode)
  - A Woman of No Importance (1960) ... (adaptation)
  
  1958 Orders to Kill (screenplay)
  1956 On Such a Night (Short) (screenplay)
  1951 Waters of Time (Documentary short)
  1950 Seven Days to Noon (original story)
  
  Music department (2 credits)
  
  1955 I Am a Camera (English lyric by)
  1952 Moulin Rouge (lyrics adaptd by)
  
  Producer (1 credit)
  
  1970 Fragment of Fear (associate producer)
  
  Soundtrack (1 credit)
  
  1961 The Innocents ("O Willow Waly")

  
  
  

  
  1989: 007 消されたライセンス (Kesa reta raisensu, Licence Expired) released in Japan.

  
  
  
  
  
  
  
  

  
  2008: "Another Way to Die" released as a single in the US.

  US 7" vinyl, Third Man Records
  
  45 rpm
  
  
  

  
  2013: William Boyd's Bond novel Solo begins a 10-episode run on Books at Bedtime. BBC Radio 4. Read by Paterson Joseph, adapted by Libby Spurrier.

  

  
  
• RichardTheBruce I'm motivated by my Duty.

  October 2020 Posts: 13,787

  October 1st
  
  1903: Richard Loo is born--Maui, Hawaii.
  (He dies 30 November 1983 at age 80--Los Angeles, California.)

  

  RICHARD LOO,
  ACTOR 5 DECADES

  See the complete article here:
  

  https://www.nytimes.com/1983/11/22/obituaries/richard-loo-actor-5-decades.html

  Nov. 22, 1983
  
  Richard Loo, a Chinese-American actor best known for his many portrayals of Japanese villains in World War II movies, died in Los Angeles on Sunday night at the age of 80.
  
  Mr. Loo, who was born in Maui, Hawaii, appeared in nearly 150 films over the course of almost 50 years in the movie business. ''He was known as the man who died to make a living,'' said his daughter Beverly Jane Loo.
  
  ''He was always either stabbing himself or committing hara-kiri or kamikaze,'' she said. ''He always played the big honcho who was really going to make life tough for the Americans, the really nasty Japanese general or colonel who ended up killing himself as a point of honor because he never got the best of the Americans.''
  
  Among Mr. Loo's movies were ''The Purple Heart,'' ''God Is My Co-pilot,'' ''Story of Dr. Wessell,'' ''Keys of the Kingdom,'' ''The Good Earth,'' ''The Bitter Tea of General Yen,'' and ''Back to Bataan.''
  
  In later years, he frequently appeared on television, and was featured in the ''Kung Fu'' television series. He was also the subject of impersonation by others; during his own television heyday, Dick Cavett was fond of doing Richard Loo imitations, particularly a scene from ''Purple Heart'' in which Mr. Loo, as a Japanese general, interrogated American fliers shot down in a raid over Tokyo.
  
  According to Miss Loo, Mr. Loo did not mind the typecasting that dominated his career. ''He felt very patriotic about being in those movies,'' she said.

  Mr. Loo's last film was a 1974 James Bond movie called ''The Man With the Golden Gun,'' in which he played a Chinese capitalist who financed the villain.

  He is survived by his wife, Hope; two daughters, Beverly Jane, the head of Beverly Jane Loo Associates, a New York book publishing company, and Angela Levy of Los Angeles, and one grandchild. His former wife, Bessie Loo, served as his agent and maintains her own talent agency, Bessie S. Loo Associates, in Los Angeles.

  
  Richard Loo (I) (1903–1983)
  https://www.imdb.com/name/nm0519618/?ref_=nv_sr_1?ref_=nv_sr_1
  
  Filmography

  Actor (172 credits)
  
  1981 The Incredible Hulk (TV Series) -Kam Chong
  - East Winds (1981) ... Kam Chong
  
  1977 The Hardy Boys/Nancy Drew Mysteries (TV Series) - Chen Lee
  - The Secret of the Jade Kwan Yin (1977) ... Chen Lee
  1977 Police Story (TV Series) - Eddie Lee
  - The Blue Fog (1977) ... Eddie Lee
  1976 The Quest (TV Series) - Dr. Li Po
  - Welcome to America, Jade Snow (1976) ... Dr. Li Po
  1976 Collision Course: Truman vs. MacArthur (TV Movie) - Chiang-Kai-Shek
  1974 The Man with the Golden Gun - Hai Fat
  1972-1974 Kung Fu (TV Series) - Master Sun / Ho Fai, The Weapons Master / Wu Chang / ...
  - Besieged: Cannon at the Gates (1974) ... Master Sun
  - The Devil's Champion (1974) ... Ho Fai, The Weapons Master
  - Arrogant Dragon (1974) ... Wu Chang
  - The Tong (1973) ... Chen
  - Blood Brother (1973) ... Master Sun
  1974 Owen Marshall, Counselor at Law (TV Series) - Tanaka
  - The Attacker (1974) ... Tanaka
  1973 McCloud (TV Series) - Y.S. Chen
  - The Solid Gold Swingers (1973) ... Y.S. Chen (uncredited)
  1973 Ironside (TV Series) - Lin Chu Tai
  - In the Forests of the Night (1973) ... Lin Chu Tai
  1972 The Delphi Bureau (TV Series) - Shen Si
  - The Deadly Little Errand (1972) ... Shen Si
  1972 The Sixth Sense (TV Series) - Matsuo
  - With This Ring, I Thee Kill! (1972) ... Matsuo
  1971 Chandler - Leo
  1971 One More Train to Rob - Mr. Chang
  1970 Which Way to the Front? - Japanese Naval Officer (uncredited)
  1970 One More Time (uncredited)
  1968-1970 It Takes a Thief (TV Series) - Wong / Dr. Langpoor / Clown
  - Project "X" (1970) ... Wong
  - Payoff in the Piazza (1969) ... Dr. Langpoor
  - A Case of Red Turnips (1968) ... Clown
  1970 Bewitched (TV Series) - Mr. Tanaka
  - Samantha's Better Halves (1970) ... Mr. Tanaka
  
  1969 Here Come the Brides (TV Series) - Chi Pei
  - Marriage, Chinese Style (1969) ... Chi Pei
  1969 Marcus Welby, M.D. (TV Series) - Kenji Yamashita
  - A Matter of Humanities (1969) ... Kenji Yamashita
  1968 Hawaii Five-O (TV Series) - Wong Tou
  - Twenty-Four Karat Kill (1968) ... Wong Tou
  1967 My Three Sons (TV Series) - Mr. Chang
  - Weekend in Paradise (1967) ... Mr. Chang
  1967 Family Affair (TV Series) - Mr. Chen
  - The Mother Tongue (1967) ... Mr. Chen
  1966 The Sand Pebbles - Major Chin
  1966 The Man from U.N.C.L.E. (TV Series) - Dr. Yahama
  - The Indian Affairs Affair (1966) ... Dr. Yahama
  1966 I Dream of Jeannie (TV Series) - Wong
  - Jeannie and the Kidnap Caper (1966) ... Wong
  1966 The Wild Wild West (TV Series) - Wang Chung
  - The Night the Dragon Screamed (1966) ... Wang Chung
  1966 The Wackiest Ship in the Army (TV Series) - Admiral Osuma
  - The Lamb Who Hunted Wolves: Part 2 (1966) ... Admiral Osuma
  - The Lamb Who Hunted Wolves: Part 1 (1966) ... Admiral Osuma
  1965 Burke's Law (TV Series) - Grass Slipper
  - Deadlier Than the Male (1965) ... Grass Slipper
  1965 Voyage to the Bottom of the Sea (TV Series) - Li Tung
  - Time Bomb (1965) ... Li Tung
  1965 Honey West (TV Series) - Tog - Chinese Fine Arts Thief
  - The Owl and the Eye (1965) ... Tog - Chinese Fine Arts Thief
  1965 I Spy (TV Series) - Mr. Tsung
  - So Long, Patrick Henry (1965) ... Mr. Tsung
  1963 Perry Mason (TV Series) - Mr. Eng
  - The Case of the Floating Stones (1963) ... Mr. Eng
  1963 Wagon Train (TV Series) - Liu Yang
  - The Widow O'Rourke Story (1963) ... Liu Yang
  1963 The Outer Limits (TV Series) - Li-Chin Sung
  - The Hundred Days of the Dragon (1963) ... Li-Chin Sung
  1963 The Dakotas (TV Series) - George Yang
  - The Chooser of the Slain (1963) ... George Yang
  1963 Hawaiian Eye (TV Series) - C.K. Yang
  - Two Too Many (1963) ... C.K. Yang
  1962 The Red Uncle (Short)
  1962 A Girl Named Tamiko - Otani
  1962 Diamond Head - Yamagata (uncredited)
  1962 Sam Benedict (TV Series) - Andrew Ling
  - So Various, So Beautiful (1962) ... Andrew Ling
  1962 Confessions of an Opium Eater - George Wah
  1962 The Beachcomber (TV Series) - Ah Wei
  - Charlie Six Kids (1962) ... Ah Wei
  1961 Espionage: Far East
  1961 Bonanza (TV Series) - General Mu Tsung
  - Day of the Dragon (1961) ... General Mu Tsung
  1961 7 Women from Hell - Sgt. Takahashi
  1961 Follow the Sun (TV Series) - District Attorney
  - The Woman Who Never Was (1961) ... District Attorney
  1961 Maverick (TV Series) - Lee Hong Chang
  - The Golden Fleecing (1961) ... Lee Hong Chang
  1960-1961 Hong Kong (TV Series) - Chung / Low
  - Suitable for Framing (1961) ... Chung
  - The Jade Empress (1960) ... Low
  
  1959 The Scavengers
  1958 Hong Kong Affair - Li Noon
  1958 The Quiet American - Mr. Heng
  1958 Tombstone Territory (TV Series) - Quong Key
  - Tong War (1958) ... Quong Key
  1957 Battle Hymn - Gen. Kim (scenes deleted)
  1956 Around the World in 80 Days - Hong Kong Saloon Manager (uncredited)
  1955-1956 TV Reader's Digest (TV Series) - Lew Gar Mun / Officer
  - The Smuggler (1956) ... Lew Gar Mun
  - The Brainwashing of John Hayes (1955) ... Officer
  1954-1956 Cavalcade of America (TV Series) - Ho Chung
  - Diplomatic Outpost (1956) ... Ho Chung
  - Ordeal in Burma (1954)
  1956 Four Star Playhouse (TV Series) - Jo-Kai
  - Wall of Bamboo (1956) ... Jo-Kai
  1956 The Man Called X (TV Series) -
  - Assassination (1956)
  1956 The Conqueror - Captain of Wang's Guard
  1956 Crossroads (TV Series) - Colonel
  - Calvary in China (1956) ... Colonel
  1956 Navy Log (TV Series) - General Hashimoto
  - Dr. Van (1956) ... General Hashimoto
  1955 Love Is a Many-Splendored Thing - Robert Hung
  1955 House of Bamboo - Inspector Kito's Voice (voice, uncredited)
  1955 Soldier of Fortune - Gen. Po Lin
  1954 The Bamboo Prison - Commandant Hsai Tung
  1954 My Little Margie (TV Series) - Mr. Tang
  - San Francisco Story (1954) ... Mr. Tang
  1954 December Bride (TV Series)
  - The Chinese Dinner (1954)
  1954 The Shanghai Story - Junior Officer
  1954 Living It Up - Dr. Lee
  1954 Hell and High Water - Hakada Fujimori
  1953 China Venture -0 Chang Sung
  1953 Fireside Theatre (TV Series) - Major Chang
  - The Traitor (1953) ... Major Chang
  - I Cover Korea (1953)
  1953 Summer Theatre (TV Series)
  - Foo Young (1953)
  1953 Mr. & Mrs. North (TV Series) - John Wing
  - Jade Dragon (1953) ... John Wing
  1953 Destination Gobi - Commanding Officer, Japanese POW Camp (uncredited)
  1953 Target Hong Kong - Fu Chao
  1952 5 Fingers - Japanese Ambassador (uncredited)
  1951 I Was an American Spy - Col. Masamato
  1951 Operation Pacific - Japanese Fighter Pilot (uncredited)
  1951 Chinatown Chump (Short) - Chinese Counterfeiter
  1951 The Steel Helmet - Sgt. Tanaka
  
  1949 Malaya - Colonel Genichi Tomura
  1949 The Clay Pigeon - Ken Tokoyama - aka The Weasel
  1949 State Department: File 649 - Marshal Yun Usu
  1948 Rogues' Regiment - Kao Pang
  1948 The Golden Eye - Undetermined Secondary Role (scenes deleted)
  1948 The Cobra Strikes - Hyder Ali
  1948 Half Past Midnight - Lee Gow
  1948 To the Ends of the Earth - Commissioner Lu (uncredited)
  1948 Women in the Night - Col. Noyama
  1947 Beyond Our Own - James Wong
  1947 Web of Danger - Wing
  1947 Seven Were Saved - Colonel Yamura
  1947 The Beginning or the End - Japanese Officer (uncredited)
  1946 Tokyo Rose - Colonel Suzuki
  1945 Prison Ship - Capt. Osikawa
  1945 First Yank Into Tokyo - Col. Hideko Okanura
  1945 Back to Bataan - Maj. Hasko
  1945 China's Little Devils - Colonel Huraji
  1945 China Sky - Col. Yasuda
  1945 God Is My Co-Pilot - Tokyo Joe
  1945 Betrayal from the East - Lt. Cmdr. Miyazaki, alias Tani
  1944 The Keys of the Kingdom - Lt. Shon
  1944 The Story of Dr. Wassell - Chinese Doctor on Train (uncredited)
  1944 The Purple Heart - General Ito Mitsubi
  1943 Rookies in Burma - Colonel Matsuda (uncredited)
  1943 Jack London - Japanese Ambassador (uncredited)
  1943 So Proudly We Hail! - Japanese Radio Announcer (voice, uncredited)
  1943 Destroyer - Japanese Submarine Commander (uncredited)
  1943 Behind the Rising Sun - Japanese Officer Dispensing Opium (uncredited)
  1943 Yanks Ahoy - Japanese Submarine Officer (uncredited)
  1943 China - Lin Yun
  1943 The Falcon Strikes Back - Jerry
  1943 The Amazing Mrs. Holliday - General Chan (uncredited)
  1943 Flight for Freedom - Mr. Yokahata (uncredited)
  1943 City Without Men - Japanese Spy (uncredited)
  1942 Star Spangled Rhythm - Emperor Hirohito - 'Sweater, Sarong & Peekaboo Bang' Number (uncredited)
  1942 Road to Morocco - Chinese Announcer (uncredited)
  1942 Flying Tigers - Dr. Tsing (uncredited)
  1942 Manila Calling - Filipino (uncredited)
  1942 Across the Pacific - First Officer Miyuma
  1942 Wake Island - Mr. Saburo Kurusu (uncredited)
  1942 Little Tokyo, U.S.A. - Oshima
  1942 Bombs Over Burma - Japanese Colonel
  1942 Submarine Raider - Chauffeur Suji (uncredited)
  1942 Remember Pearl Harbor - Mandolin-Playing Japanese Radioman (uncredited)
  1942 A Yank on the Burma Road - Commandant (uncredited)
  1941 Secret of the Wastelands - Quan
  1941 They Met in Bombay - Japanese Officer (uncredited)
  1941 Ellery Queen's Penthouse Mystery - Henchman (uncredited)
  1940 Doomed to Die - Tong Leader
  1940 The Fatal Hour - Jeweler
  
  1939 Barricade - Colonel Commander of Rescue Party (uncredited)
  1939 Daughter of the Tong - Wong - Hotel Clerk
  1939 Island of Lost Men - Gen. Ahn Ling
  1939 Lady of the Tropics - Delaroch's Chauffeur (uncredited)
  1939 Miracles for Sale - Chinese Soldier in Demo (uncredited)
  1939 Mr. Wong in Chinatown - Tong Chief
  1939 Panama Patrol - Tommy Young
  1939 Torchy Blane in Chinatown - Masked Chinese Hood (uncredited)
  1939 North of Shanghai - Jed's Pilot
  1938 Shadows Over Shanghai - Fong
  1938 Too Hot to Handle - Charlie (uncredited)
  1938 Blondes at Work - Sam Wong (uncredited)
  1937 Thank You, Mr. Moto - Cop at Shooting Site (uncredited)
  1937 West of Shanghai - Mr. Cheng
  1937 That Certain Woman - Elevator Operator (uncredited)
  1937 Outlaws of the Orient - The General (uncredited)
  1937 The Singing Marine - Shanghai Hotel Official (uncredited)
  1937 The Soldier and the Lady - Tartar (uncredited)
  1937 China Passage - Lia Sen's Husband (voice, uncredited)
  1937 Lost Horizon - Shanghai Airport Official (uncredited)
  1937 The Good Earth - Chinese Farmer (uncredited)
  1936 After the Thin Man - Lichee Club Headwaiter (uncredited)
  1936 Stowaway - Chinese Merchant (uncredited)
  1936 Mad Holiday - Li Yat (uncredited)
  1936/II Shadow of Chinatown - Chinese Man on Street (uncredited)
  1936/I Shadow of Chinatown - Loo, Chinese Man on Street [Chs. 5-7] (uncredited)
  1936 Roaming Lady - Chinese Seaman (uncredited)
  1935 China Seas - Chinese Inspector at Gangplank (uncredited)
  1935 Captured in Chinatown - Ling Hatchet Man (uncredited)
  1935 Shadows of the Orient - Yung Yow - Chinese Henchman (uncredited)
  1935 Stranded - Chinese Groom (uncredited)
  1934 The Mysterious Mr. Wong - Bystander Outside Store (uncredited)
  1934 Limehouse Blues - Customer at Harry Young's (uncredited)
  1934 The Painted Veil - Chinese Peasant (uncredited)
  1934 Student Tour - Geisha's Customer (uncredited)
  1934 Now and Forever - Hotel Clerk (uncredited)
  1932 The Bitter Tea of General Yen - Capt. Li
  1932 The Secrets of Wu Sin - Charlie San
  1932 War Correspondent - Bandit (uncredited)

  
  Sergeant Tanaka in Sam Fuller's The Steel Helmet
  

  https://m.media-amazon.com/images/M/MV5BZmM0NTJhM2EtNzVlZC00YTU3LTkzMjQtNzM3M2IwYjBhZTE3XkEyXkFqcGdeQXVyNjc3NDgwNzU@._V1_.jpg[/img]

  
  1959: Ian Fleming sends nephews Christopher, David, and Valentine Fleming ‎£100 for their 21st birthdays (late for David and Valentine). With conditions.

  "Until now I had not got enough money to get people presents
  that were really presents, but now I send each of you ‎£100 on one
  condition--that at least ‎£75 must be spent within a month on one
  single object, or two or three objects, which you would really
  like to have."

  1959: Kinematograph Weekly announces pre-production on the film project James Bond of the Secret Service, with Ian Fleming writing an original script for producer Kevin McClory. Filming planned to start February 1960.
  1959: Ian Fleming writes to Ivar Bryce about Jack Whittingham.

  

  The Battle for Bond, Robert Sellers, 2007.
  Chapter 8 - Enter Jack Whittingham

  Fleming wrote to Bryce on 1 October in
  glowing praise of the new writer: "Whittingham, whom I think I told you I
  greatly liked, is fiddling about most creatively with the story."

  
  1960: James Bond comic strip Dr. No ends its run in The Daily Express. (Started 23 May 1960. 584-697)
  John McLusky, artist. Peter O'Donnell , writer.

  
  
  
  
  
  
  
  Swedish Semic https://www.mi6-hq.com/sections/comics/semic_1973.php3?s=comics&id=01777

  Döden På Jamaica
  (Death At Jamaica- Dr No)
  

  
  Danish 1965 https://www.bond-o-rama.dk/en/jb007dk-no-4-1964/

  James Bond Agent 007 no. 4: “Dr. No” (1965)
  "Doktor No"
  
  
  

  1963: This month the New York Herald Tribune prints "Agent 007 in New York".

  https://james-bond-literary.fandom.com/wiki/007_in_New_York

  

  1964: Dr. No re-released in the UK.
  1965: From Russia With Love released in Belgium.
  1965: This month Marvel Comics introduces the character Desmond Boothroyd, S.H.I.E.L.D. Armorer.

  
  
  https://marvel.fandom.com/wiki/Desmond_Boothroyd_(Earth-616)
  
  
  Strange Tales Volume 1, #137
  
  
  

  
  1976: Moonraker films Richard Kiel as Jaws.
  
  1982: NBC-TV premieres detective show Remington Steele, starring Pierce Brosnan and Stephanie Zimbalist.

  
  

  
  
  
  

  1987: The Living Daylights released in Belgium.
  
  1992: This month Marvel comics releases James Bond Jr #10 "Friends Like These", featuring Dr. Derange.

  
  James Bond Jr #10 "Friends Like These"
  https://comicvine.gamespot.com/james-bond-jr-10-friends-like-these/4000-36306/user-reviews/

  

  1993: Original release month for the cancelled Dark Horse comic James Bond 007: A Silent Armageddon #4.
  John M. Burn, artist. Simon Jowett, writer.
  https://www.mi6-hq.com/sections/comics/asa.php3

  
  

  A Silent
  Armageddon -
  Unreleased Issue
  Synopses and
  Artwork

  https://www.comicsroyale.com/goldeneyetopps-comics#/a-silent-armageddon/

  Simon Jowett’s Bond story was never completed which is a shame because it’s an interesting tale with beautiful painted artwork by John M. Burns, but delays in said artwork meant that readers were left with a cliffhanger and a story was lost to the ether.
  
  According to Jowett, issue #3 was completed, artwork and all, and submitted but never saw publication. If you have information or access to this comic then we Bond fans would love to see it so feel free to contact me!
  
  In this gallery you’ll find issue synopses for the unfinished arc and cover artwork tests by the very talented Burns. And although issue #3 is still a mystery, thanks to friend of the site Colin Brown we have pencils and layouts for the unpublished issue #4!
  
  For more Bond action by Jowett, you can track down the thankfully completed two-issue series James Bond 007: Shattered Helix, featuring art by David Jackson and David Lloyd. For more fine artwork by John Burns, check out the John M. Burns Art Facebook page!
  https://www.facebook.com/groups/578915125862920/

  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  

  
  2012: Adele is confirmed as the singer of the title song "Skyfall".
  2015: Sony's Made for Bond advertisement with Moneypenny and the Xperia Z5 premieres in the UK.

  
  

  
  
  
  
  

  
  2020: Video of the title theme "No Time To Die" sung by Billie Eilish released.
  
  
  
• RichardTheBruce I'm motivated by my Duty.

  October 2020 edited October 2020 Posts: 13,787

  October 2nd
  
  1926: Tom Pevsner is born--Dresden, Germany.
  (He dies 18 August 2014 at age 80--Fife, Scotland.)

  

  Tom Pevsner

  See the complete article here:
  

  https://en.wikipedia.org/wiki/Tom_Pevsner

  Born Thomas C. Pevsner, 2 October 1926, Dresden, Germany
  Died 18 August 2014 (aged 87), Fife, Scotland, United Kingdom
  Nationality British
  Alma mater University of Cambridge
  Occupation Assistant film director and producer
  Years active 1953–95
  Parent(s) Sir Nikolaus Pevsner, Lola Pevsner

  Tom Pevsner (2 October 1926 – 18 August 2014) was a British assistant film director and producer whose career spanned more than four decades.
  
  He was the second of three children born to Sir Nikolaus Pevsner, an architectural historian of Russian-Jewish origin. The family emigrated from Germany in 1933 to escape the Nazi regime.
  
  He served in the British Army from 1944 to 1948 before studying modern languages at the University of Cambridge, where he was a member of the St John's College Film Society. He was editor of The Cambridge Review; after graduating he went to work at the Film Finance Corporation.

  Tom Pevsner's s notable credits include assistant director on The Ladykillers (1955) The Longest Day (1962) and The Private Life of Sherlock Holmes (1970) and as producer for Dracula. He worked as associate, then executive producer on every James Bond film from For Your Eyes Only to GoldenEye. His contribution to the Bond series is acknowledged in the later Bond film Spectre, when Q states that he is staying at a hotel named Pevsner.

  He died in 2014 aged 87. He was included in the In Memoriam tribute during the broadcast of the 87th Academy Awards on 22 February 2015.

  
  Tom Pevsner (1926–2014)
  https://www.imdb.com/name/nm0678932/?ref_=nv_sr_1?ref_=nv_sr_1
  
  Filmography

  Second Unit Director or Assistant Director (27 credits)
  
  1970 The Private Life of Sherlock Holmes (assistant director)
  
  1969 Sinful Davey (assistant director)
  1967 The Day the Fish Came Out (assistant director)
  1967 The Night of the Generals (assistant director)
  1964 Topkapi (assistant director)
  1963 Ladies Who Do (assistant director)
  1962 The Longest Day (assistant director)
  1962 The Counterfeit Traitor (assistant director)
  1961 One, Two, Three (assistant director)
  1961 The Devil's Daffodil (assistant director)
  1960 Saturday Night and Sunday Morning (assistant director)
  1960 The City of the Dead (assistant director)
  1960 The Savage Innocents (assistant director)
  
  1959 Portrait of a Sinner (assistant director)
  1959 The Scapegoat (assistant director)
  1958 Indiscreet (assistant director)
  1958 Gideon of Scotland Yard (assistant director)
  1957 All at Sea (assistant director)
  1957 The Shiralee (assistant director)
  1957 Decision Against Time (assistant director)
  1956 Who Done It ? (assistant director)
  1955 The Ladykillers (assistant director)
  1955 The Night My Number Came Up (assistant director)
  1954 The Divided Heart (second assistant director - uncredited)
  1954 High and Dry (third assistant director - uncredited)
  1953 The Square Ring (third assistant director - uncredited)
  1953 The Cruel Sea (third assistant director - uncredited)
  
  Producer (10 credits)
  
  1995 GoldenEye (executive producer)
  1989 Licence to Kill (associate producer)
  1987 The Living Daylights (associate producer)
  1985 A View to a Kill (associate producer - as Thomas Pevsner)
  1983 Octopussy (associate producer - as Thomas Pevsner)
  1981 For Your Eyes Only (associate producer)
  
  1979 Dracula (associate producer)
  1977 Julia (associate producer)
  1973 Love and Pain and the Whole Damn Thing (associate producer - as Thomas Pevsner)
  1965 A High Wind in Jamaica (associate producer)
  Hide Hide Production manager (4 credits)
  1975 The Wind and the Lion (production supervisor)
  1974 The Spikes Gang (production supervisor)
  1971 'Doc' (production manager)
  
  1969 If It's Tuesday, This Must Be Belgium (supervising production manager)
  
  Director (1 credit)
  
  1962 Finden sie, daß Constanze sich richtig verhält?
  

  

  
  1962: Dr. No previewed to the British press at the London Pavilion.
  1967: Com 007 Só Se Vive Duas Vezes (With 007 Only If You Live Twice) released in Brazil.

  
  

  
  1984: A View to a Kill films OO7 and Stacey sneaking into Zorin’s mine.
  
  2008 Puffin releases Charlie Higson's Young Bond novel Silverfin as a graphic novel.
  Kev Walker, artist. Charlie Higson, writer.

  Released in the US by Disney Hyperion 2010. Awarded the 2011 Will Eisner Comic Industry Award.
  

  
  https://ebabble.net/silverfin-graphic-novel/
  

  
  
  
  
  
  

  
  2012: Bérénice Marlohe promotes BOND 24 in Russia.
  2012: Adele's Bond title theme is leaked online.
  2017: Scientific Games showcases casino slot machines representing Casino Royale, Goldfinger and Diamonds are Forever at the Global Gaming Expo ("G2E"), Sands Expo, Las Vegas. With the rights to all existing and future Bond films.

  
  
  
  
  Casino Royale
  
  Goldfinger
  
  Diamonds Are Forever
  

  2020: The release of No Time To Die moves to April 2021.
  
  
• RichardTheBruce I'm motivated by my Duty.

  October 2020 edited October 2020 Posts: 13,787

  October 3rd
  
  1960: Bond comic strip Goldfinger begins its run in The Daily Express.
  (Ends 1 April 1961. 698-849) John McClusky, artist. Henry Gammidge, writer.

  https://www.mi6-hq.com/sections/comics/gf.php3
  
  
  
  
  
  
  
  Swedish Semic Comic 1989 https://www.mi6-hq.com/sections/comics/semic_1989.php3

  Goldfinger
  (Part 1) | (Part 2)
  
  

  
  Danish 1965 http://www.bond-o-rama.dk/en/jb007-dk2-goldfinger-1965/

  James Bond Agent 007 no. 2: “Contra Goldfinger” (Interpresse 1965)
  
  
  
  

  1968: Bond comic strip The Spy Who Loved Me ends its run in The Daily Express.
  (Started 18 December 1967. 603-815) Yaroslav Horak, artist. Jim Lawrence , writer.

  https://www.mi6-hq.com/sections/articles/comic_tswlm_review.php3
  
  
  
  
  
  
  
  Swedish Semic Comic 1967 https://www.mi6-hq.com/sections/comics/semic_1977.php3

  Operation Spökflyg | Bäddat För Bond... Skräcknatten
  (The Spy Who Loved Me - Part 1) | (The Spy Who Loved Me - Part 2)
  

  
  Danish 1969 http://www.bond-o-rama.dk/en/jb007dk-no-18-1969/

  James Bond Agent 007 no. 18: “The Spy Who Loved Me, pt. I” (1969)
  "Operation spøgelsesfly ..."
  [Operation Ghost Plane)
  
  

  
  Danish 1970 http://www.bond-o-rama.dk/en/tag/the-spy-who-loved-me/

  James Bond Agent 007 no. 20: “The Spy Who Loved Me, pt. II” (1970)
  
  
  
  
  

  1968: EON announce model George Lazenby to replace Sean Connery in the Bond role.

  

  
  1977: La espía que me amó (The Spy Who Loves Me) released in Spain.
  Catalan L'espia que em va estimar (The Spy That Loved Me).

  
  
  
  

  
  1982: Octopussy films OO7 chased by elephants
  1985: 007 En la mira de los asesinos (007 at the Sight of the Murderers) released in Peru.

  
  
  
  

  1987: 007 Marcado para a Morte (007 Marked for Death) released in Brazil.

  https://www.jamesbondbrasil.com/2017/06/tldl-30/
  

  
  1992: Sheila Johnston and Joel Silver speculate on the stalled James Bond franchise.

  

  FILM / James Bond, for screen and
  country: Sheila Johnston talks to current
  action king Joel Silver about Bond's
  prospects

  See the complete article here:
  

  https://www.independent.co.uk/arts-entertainment/film-james-bond-for-screen-and-country-sheila-johnston-talks-to-current-action-king-joel-silver-1555168.html

  SHEILA JOHNSTON | Saturday 3 October 1992 00:02
  
  Thirty years after James Bond's screen debut, his reputation has been severely shaken, not stirred. He hasn't been activated for three years, has suffered a serious identity crisis, and is being challenged at the box-office by an American arriviste by the name of Ryan, Jack Ryan.
  
  THE celebrations surrounding Dr No's 30th birthday (the film opened on 5 October 1962) have been clouded by one regrettable absence: Bond himself. The latest 007-movie, which ought to have appeared in the summer of 1991 with its usual biennial regularity, failed to show, and any future productions have vanished in a snowstorm of litigation. Cubby Broccoli, the movies' 83-year-old producer, is suing MGM-Pathe, the distributors, and has announced his decision to sell Danjaq, the company that owns the rights to the Fleming novels.
  
  One reason for all this is the poor performance of the last two Bonds, in which Roger Moore was replaced by Timothy Dalton. The Living Daylights grossed only dollars 55m in the US; the follow-up, Licence to Kill, dipped as low as dollars 16.6m there. The theories of what went wrong fall into two camps: those which feel that the character himself is hopelessly outmoded, and those which maintain that there is life in the old dog yet and that it's the films which have lost their way.
  
  This, emphatically, is the view of Joel Silver, who is in a position to know, being the most successful producer of action movies of recent years (his credits include the Beverly Hills Cops, the Lethal Weapons and the Die Hards). 'I love being in the sequel business,' he says. 'Audiences know what to expect and want to see it, but it's also a challenge; you have to bring something new to each movie. Early on the series-makers were very conscious of the Bond concept: Thunderball was quite a different film from Goldfinger. Towards the end, the films were almost ordinary.'
  
  Silver also believes that the movies erred fatally in ceasing to take themselves seriously: he recalls that his own worst disaster was also his most (late-) Bondian--Hudson Hawk, which featured a wise-cracking hero, an incredible plot and caricatured villains. 'When you make everything a farce, it becomes like toffee.' he says. 'The key to the action genre is that you have to believe everything that's happening could happen. The early Bonds were fantastical, but they did feel reality- based. And, although they had a lot of whimsy, they didn't make fun of themselves either. The late films began to be parodies, like Naked Gun 2 1/2 .'
  
  007 is not altogether dead: US kids have been watching one James Bond Jnr [sic] - Bond's skateboarding teenage nephew, who stars (alongside teen versions of Felix Leiter and Q) in an animated show syndicated to more than 100 American television stations. There are no signs of a live-action comeback, however. Plans were announced last year for a 26-part TV series featuring a less violent, non-smoking, celibate - in short, barely recognisable--Bond, but Broccoli has resisted them stoutly.
  
  At Cannes last May, rumours were flying around that Silver himself hoped to acquire the rights: the producer, it was said, had spoken to Mel Gibson and to Richard Donner, the director of the Lethal Weapons, and had convinced them to commit to three Bond movies. Casting Gibson as the quintessential English hero is not as wild as it sounds: Bond has been played in the past by an American (Barry Nelson - the very first 007, in an hour-long TV drama in the Fifties), a Scot (Sean Connery), an Australian (George Lazenby) and a Welshman (Timothy Dalton).
  
  More importantly, Gibson is a world-famous name. 'Putting in him alone would fresh up the genre,' Silver says. 'He has the same good looks and the same boldness as Connery. And casting an international star would make the film an international vehicle.' That, perhaps, was Broccoli's mistake in casting Dalton, believing that he could - as he had before with Connery - turn a highly respected, but relatively unknown actor into a big box-office draw. 'You can't build a star like you could in the old days. You're better served having a well-known personality; that's the way I would do it.' But Silver's plans have so far come to nought.
  
  Meanwhile, the crypto-Bonds continue: Harrison Ford has taken Patriot Games to dollars 83m at the American box-office so far, and has just signed to play the central character, Jack Ryan, in four more films adapted from Tom Clancy's novels - a contract rumoured to bring him a cool dollars 50m. And, of course, there are Silver's own new breeds of hero.
  
  But Silver is scornful of the idea that these will ever take Bond's place in the popular consciousness, or that he himself, having failed to secure the franchise, might one day field a thinly-disguised 007 clone. 'Some of the reviews of the Die Hards referred to them as blue-collar Bonds. But Bond is an icon. He's part of our communal lives and will go through generations. He's magic! He's not just a man who's a spy - he's James Bond! That's what I think is so valuable and that's why I think he should not be lost.'

  The Living Daylights, 6.30pm, tonight, ITV; Thirty Years of James Bond, 9.30pm, tonight ITV

  1992: ITV from London airs The Living Daylights plus a 50 minute special 30 Years of James Bond.

  

  
  2008: "Another Way to Die" premieres on BBC's Channel 4.
  
  2016: Dynamite Entertainment announces a Felix Leiter comic for January 2017 release.
  Aaron Campbell, artist. James Robinson, writer.
  2018: Dynamite Entertainment releases James Bond Origin #2.
  Bob Q, artist. Jeff Parker, writer.

  

  JAMES BOND ORIGIN #2

  https://dynamite.com/htmlfiles/viewProduct.html?PRO=C72513027244702011
  Cover A: John Cassaday
  Cover B: David Mack
  Cover C: Kev Walker
  Cover D: Ibrahim Moustafa
  Cover E: Bob Q
  Writer: Jeff Parker
  Art: Bob Q
  Genre: Action/Adventure
  Publication Date: October 2018
  Page Count: 32 Pages
  ON SALE DATE: 10/3/2018

  The epic account of James Bond's exploits during World War II continues! After barely surviving the Clydebank Blitz, James is determined to enter the Royal Marines, despite being two years too young. He'll need to rely on a family friend to help him through, where he'll begin training alongside the best and brightest that the United Kingdom has to offer. But his military training becomes dangerous, when it's discovered there's a German mole in their midst.
  
  By superstar JEFF PARKER (Suicide Squad, Fantastic Four) and BOB Q (The Lone Ranger)!

  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  

  
  
• RichardTheBruce I'm motivated by my Duty.

  October 2020 edited August 2021 Posts: 13,787

  October 4th
  
  1883: The Orient Express begins service.

  

  Tea & Madeleine | November 11, 2017
  Orient Express

  
  
  
  An Icon of Art Deco Design
  
  The inaugural Orient Express service launched on 4 October 1883. During its time, the train carried passengers including Tolstoy, Trotsky, Marlene Dietrich, Lawrence of Arabia and the spy Mata Hari. To the present day, movies about the service have starred Sean Connery (The Spy Who Loved Me From Russia With Love, 1963), Kenneth Branagh, Penelope Cruz, Johnny Depp and Judi Dench (Murder on the Orient Express, 2017), among others. And let’s not forget its crucial role in Bram Stoker’s Dracula.
  
  The Venice Simplon-Orient Express is the most storied set of carriages in the world. It promises to take you not just across Europe, but to transport you back in time. With its polished wood, sumptuous upholstery and antique fixtures, the train epitomises the glamour and elegance of the Golden Age of travel.
  
  The carefully restored 1920s cabins are rich with craftsmanship. Plush sofas provide the perfect spot to watch the scenery unfold. At night, climb the upholstered ladder to your upper berth or cosy up under crisp sheets on the bottom bunk. Art Deco interiors and Lalique glassware conjure the romance and glamour of the Roaring Twenties.
  
  The luxurious dining car, where scenes for Murder on the Orient Express and other movies were filmed, is now in the OSE museum of Thessalonica. The local authorities plan to refit the train to make it available for tourist use around the Balkans in the near future.
  
  Classic routes on the Venice Simplon-Orient-Express take in such fabled European cities as London, Paris, Venice, Berlin, Prague, Vienna and Budapest. But this experience really is all about the journey. As you glide through lush, rolling countryside and majestic mountains, you’re encouraged to savour every moment.
  
  The glamour and rich history of the Orient Express has frequently lent itself to the plot of books such as Travels with my Aunt by Graham Greene written in 1969, From Russia with Love by Ian Fleming written in 1956 and of course Murder on the Orient Express by Agatha Christie written in 1934.

  

  
  1953: Baruh Djaki Karyo (aka Tcheky Karyo) is born--Istanbul, Turkey.
  1956: Christoph Waltz is born--Vienna, Austria.
  1957: The Soviet Union launches Sputnik, first artificial satellite to orbit Earth.
  
  1962: Roger Moore first appears as Leslie Charteris' The Saint in the UK television series of the same name. Episode 1 "The Talented Husband" starred Shirley Eaton.

  
  

  

  1965: The Daily Express serializes Ian Fleming's short story "Octopussy".

  https://illustrated007.blogspot.com/2012/06/daily-express-illustrations-by-robb.html
  
  
  

  1966: You Only Live Twice films the assassination of Aki.
  1967: Agente 007 - Si vive solo due volte released in Italy.

  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  

  
  1971: Hoyte Van Hoytema is born--Horgen, Switzerland.
  
  1984: Rachel McDowall is born--Whiston, Merseyside, England.
  
  1990: Nora Noel Jill Bennett dies at age 58--Kensington, London, England.
  (Born 24 December 1931--Penang, Malaysia.)

  

  Jill Bennett (British actress)

  See the complete article here:
  

  https://en.wikipedia.org/wiki/Jill_Bennett_(British_actress)

  
  Jill Bennett in trailer for The Charge of the Light Brigade (1968)

  Born Nora Noel Jill Bennett, 24 December 1931, Penang, Straits Settlements
  Died 4 October 1990 (aged 58), London, England, United Kingdom
  Cause of death Suicide
  Years active 1951–1990
  Spouse(s) Willis Hall (m. 1962–1965), John Osborne (m. 1968–1978)

  Nora Noel Jill Bennett (24 December 1931 – 4 October 1990) was an English actress, and the fourth wife of playwright John Osborne.
  
  Early life
  She was born in Penang, the Straits Settlements, to British parents, educated at Prior's Field School, an independent girls boarding school in Godalming, and trained at RADA. She made her stage début in the 1949 season at the Shakespeare Memorial Theatre in Stratford upon Avon, and her film début in The Long Dark Hall (1951) with Rex Harrison.
  
  Career

  Bennett made many appearances in British films including Lust for Life (1956), The Criminal (1960), The Nanny (1965), The Skull (1965), Inadmissible Evidence (1968), The Charge of the Light Brigade (1968), Julius Caesar (1970), I Want What I Want (1972), Mister Quilp (1975), Full Circle (1977) and Britannia Hospital (1982). She also appeared in the Bond film For Your Eyes Only (1981), Lady Jane (1986) and Hawks (1988). Her final film performance was in The Sheltering Sky (1990).

  She made forays into television, such as roles in Play for Today (Country, 1981), with Wendy Hiller, and as the colourful Lady Grace Fanner in John Mortimer's adaptation of his own novel, Paradise Postponed (1985). Among several roles, Osborne wrote the character of Annie in his play The Hotel in Amsterdam (1968) for her. But Bennett's busy schedule prevented her from playing the role until it was screened on television in 1971.[1]
  
  She co-starred with Rachel Roberts in the Alan Bennett television play The Old Crowd (1979), directed by Lindsay Anderson.
  
  Personal life
  She was the live-in companion of actor Godfrey Tearle in the late 1940s and early 1950s. She was married to screenwriter Willis Hall and later to John Osborne. She and Osborne divorced acrimoniously in 1978. She had no children.
  
  Death
  She died by suicide in October 1990, aged 58, having long suffered from depression and the brutalising effects of her marriage to Osborne (according to Osborne's biographer). She did this by taking an overdose of Quinalbarbitone. Osborne, who was subject during her life to a restraining order regarding written comments about her, immediately wrote a vituperative chapter about her to be added to the second volume of his autobiography. The chapter, in which he rejoiced at her death, caused great controversy.
  
  In 1992, Bennett's ashes, along with those of her friend, the actress Rachel Roberts (who also died by suicide, in 1980), were scattered by their friend Lindsay Anderson on the waters of the River Thames in London. Anderson, with several of the two actresses' professional colleagues and friends, took a boat trip down the Thames, and the ashes were scattered while musician Alan Price sang the song "Is That All There Is?" The event was included in Anderson's autobiographical BBC documentary Is That All There Is? (1992).

  
  Jill Bennett (I) (1931–1990)
  https://www.imdb.com/name/nm0071824/
  
  Filmography

  Actress (62 credits)
  
  1990 The Sheltering Sky - Mrs Lyle
  
  1989 A Day in Summer (TV Movie) - Miss Prosser
  1988 Hawks - Vivian Bancroft
  1987 Worlds Beyond (TV Series) - Elizabeth Berrington
  - The Barrington Case (1987) ... Elizabeth Berrington
  1986 Paradise Postponed (TV Mini-Series) - Lady Grace Fanner
  - The Simcox Inheritance (1986) ... Lady Grace Fanner
  - Faith Unfaithful (1986) ... Lady Grace Fanner
  - The Gods of the Copy Book Headings (1986) ... Lady Grace Fanner
  - Enigma Variations (1986) ... Lady Grace Fanner
  - And a Happy New Year to You, Too! (1986) ... Lady Grace Fanner
  1986 Lady Jane - Mrs. Ellen
  1985 Time for Murder (TV Series) - Sonia Barrington
  - The Murders at Lynch Cross (1985) ... Sonia Barrington
  1984 Poor Little Rich Girls (TV Series) - Daisy Troop
  - The Gentlemen Caller: Part 2 (1984) ... Daisy Troop
  - The Gentleman Caller (1984) ... Daisy Troop
  - Tit for Tat (1984) ... Daisy Troop
  - The Oriental Chest (1984) ... Daisy Troop
  - Lonely as a Crowd (1984) ... Daisy Troop
  1983 The Aerodrome (TV Movie) - Eustasia
  1982 Britannia Hospital - Dr. MacMillan: Medicos
  1981 Play for Today (TV Series) - Alice Carlion
  - Country (1981) ... Alice Carlion
  1981 For Your Eyes Only - Jacoba Brink
  1980 Orient-Express (TV Mini-Series) - Jane
  - Jane (1980) ... Jane
  
  1979 The Old Crowd (TV Movie) - Stella
  1977 The Haunting of Julia - Lily Lofting
  1976 Almost a Vision (TV Movie) - Isobel
  1976 Murder (TV Series) - Lola
  - Hello Lola (1976) ... Lola
  1975 Mr. Quilp - Sally Brass
  1975 Aquarius (TV Series documentary) - Maria
  - The Three Marias (1975) ... Maria
  1974 Late Night Drama (TV Series) - Jill
  - Ms or Jill and Jack (1974) ... Jill
  1974 Intent to Murder (TV Movie) - Janet Preston
  1972 I Want What I Want - Margaret Stevenson
  1971 ITV Sunday Night Theatre (TV Series)
  - The Hotel in Amsterdam (1971)
  1971 Speaking of Murder (TV Movie) - Annabelle Logan
  1970 Julius Caesar - Calpurnia
  1969 Rembrandt (TV Movie) - Geertje
  1968 Half Hour Story (TV Series) - Penelope
  - Its Only Us (1968) ... Penelope
  1968 Inadmissible Evidence - Liz
  1968 The Charge of the Light Brigade - Mrs. Duberly
  1968 BBC Play of the Month (TV Series) - Anna
  - The Parachute (1968) ... Anna
  1966 Thirty-Minute Theatre (TV Series) - Mary Hass
  - Brainscrew (1966) ... Mary Hass
  1966 ABC Stage 67 (TV Series) - Frida Holmeier
  - Dare I Weep, Dare I Mourn? (1966) ... Frida Holmeier
  1965 The Nanny - Aunt Pen
  1965 The Skull - Jane Maitland
  1956-1965 ITV Play of the Week (TV Series) - Masha / Marjorie Wilton / Gilda / ...
  - We Thought You'd Like to Be Caesar (1965) ... Marjorie Wilton
  - A Choice of Coward #4: Design for Living (1964) ... Gilda
  - A Midsummer Night's Dream (1964) ... Helena
  - Three Sisters (1963) ... Masha
  - The Rainmaker (1963) ... Lizzie
  1964 First Night (TV Series) - Libby Beeston
  - How Many Angels (1964) ... Libby Beeston
  1964 Espionage (TV Series) - Mistress Patience Wright
  - The Frantick Rebel (1964) ... Mistress Patience Wright
  1963 Maupassant (TV Series)
  - Foolish Wives (1963)
  1962-1963 BBC Sunday-Night Play (TV Series) - Hilary / Victoria Thomson
  - The Sponge Room (1963) ... Hilary
  - Storm in a Teacup (1962) ... Victoria Thomson
  1960-1962 Somerset Maugham Hour (TV Series) - Annette
  - The Book Bag (1962)
  - The Unconquered (1960) ... Annette
  1962 The Cheaters (TV Series) - Ferba Martinez
  - Time to Kill (1962) ... Ferba Martinez
  1960 The Concrete Jungle - Maggie
  1956-1960 Armchair Theatre (TV Series) - Stella / Lily / Agnes Madinier / ...
  - Thunder on the Snowy (1960) ... Stella
  - Hand in Glove (1959) ... Lily
  - The Web of Lace (1958) ... Agnes Madinier
  - Ring Out the Old (1956) ... Isa
  1960 Return to the Sea (TV Movie) - Penelope Belford
  1960 ITV Television Playhouse (TV Series) - Rena
  - Other People's Houses (1960) ... Rena
  
  1959 A Glimpse of the Sea (TV Movie) - Penelope Belford
  1954-1959 BBC Sunday-Night Theatre (TV Series) - Anne-Marie / Catherine Sloper / Barbara Shearer / ...
  - Figure of Fun (1959) ... Anne-Marie
  - The Heiress (1958) ... Catherine Sloper
  - Statue of David (1958) ... Barbara Shearer
  - Do It Yourself (1957) ... Grette Brinson
  - Night Was Our Friend (1955) ... Sally Raynor
  1959 Saturday Playhouse (TV Series) - Trilby O'Ferrall
  - Trilby (1959) ... Trilby O'Ferrall
  1957 Do It Yourself (TV Series) - Assistant
  1957 Villette (TV Mini-Series) - Lucy Snowe
  - Episode #1.6 (1957) ... Lucy Snowe
  - Episode #1.5 (1957) ... Lucy Snowe
  - Episode #1.4 (1957) ... Lucy Snowe
  - Episode #1.3 (1957) ... Lucy Snowe
  - Episode #1.2 (1957) ... Lucy Snowe
  1957 Peace and Quiet (TV Movie) - Josephine Elliott
  1956 Lust for Life - Willemien
  1956 The Extra Day - Susan
  1956 The Anatomist (TV Movie) - Mary Belle
  1955 Murder Anonymous (Short) - Mrs. Sheldon
  1954 Corsican Holiday (Short) - The Girl (voice)
  1954 Aunt Clara - Julie Mason
  1954 Hell Below Zero - Gerda Petersen
  1953 The Pleasure Garden (Short) - Miss Kellerman
  1953 The Nine Days' Wonder (TV Movie) - Miss Smith
  1952 Moulin Rouge - Sarah
  1951 The Long Dark Hall - First Murdered Girl
  
  Writer (1 credit)
  
  1984 Poor Little Rich Girls (TV Series) (idea - 8 episodes)
  - The Gentlemen Caller: Part 2 (1984) ... (idea)
  - The Gentleman Caller (1984) ... (idea)
  - Tit for Tat (1984) ... (idea)
  - The Oriental Chest (1984) ... (idea)
  - Lonely as a Crowd (1984) ... (idea)

  
  

  1999: The Radioactive label releases the single for the Garbage title song "The World Is Not Enough" a week early, following an unauthorized leak on Los Angeles airwaves. B side "Ice Bandits".

  
  
  

  
  2012: Media reports reveal the casting of Ben Whishaw as Q.

  

  Ben Whishaw to update James Bond

  See the complete article here:
  
  https://www.belfasttelegraph.co.uk/entertainment/film-tv/news/ben-whishaw-to-update-james-bond-28876896.html[/center]

  
  Ben Whishaw stars as Q in the new Bond film
  October 4 2012 11:12 AM
  
  James Bond producers have revealed they cast Ben Whishaw as 007's gadget guru Q in a bid to update the franchise - but they hope he plays the role into his old age.
  
  The 31-year-old British actor - who stars in BBC One drama The Hour - will make his debut as Q opposite Daniel Craig in new film Skyfall later this month.
  
  Producer Michael G Wilson said: "The decision was made to make him a younger man, as would be the case these days. Let's hope he goes on as long as Desmond Llewelyn did."
  
  The Welsh actor played Q in 16 Bond films until he died aged 85 in 1999. Q has not appeared in the last two films.
  
  The film franchise - which celebrates its 50th anniversary this year - began when Albert R 'Cubby' Broccoli secured the rights to Ian Fleming's novels, which he later passed on to his children.
  
  His youngest daughter Barbara Broccoli said: "Cubby used to say, 'This is the goose that laid the golden egg, keep it safe.'
  
  "One of the things he said was we're temporary people making permanent decisions. When you have a franchise, and you're invested in it as emotionally as we are, you make decisions based on the health of the franchise going forward."
  
  PA

  2012: Vintage Publishing release the 6 remaining Fleming Bond novels in paperback.

  

  
  
• RichardTheBruce I'm motivated by my Duty.

  October 2020 edited October 2020 Posts: 13,787

  October 5th: Global James Bond Day

  

  1919: Donald Pleasence is born--Worksop, Nottinghamshire, England.
  (He dies 2 February 1995 at age 75--Saint-Paul de-Vence, Alps-Maritimes, France.)

  

  Donald Pleasence OBE

  https://en.wikipedia.org/wiki/Donald_Pleasence

  
  Pleasence in London, 1973.
  Portrait by Allan Warren

  Born Donald Henry Pleasence, 5 October 1919, Worksop, Nottinghamshire, England
  Died 2 February 1995 (aged 75), Saint-Paul-de-Vence, Alpes-Maritimes, France
  Nationality British
  Education Ecclesfield School
  Occupation Actor, singer, narrator
  Years active 1946–1995
  Spouse(s) Miriam Raymond (m. 1941–1958), Josephine Crombie (m. 1959–1970), Meira Shore (m. 1970–1988), Linda J. Kentwood (m. 1988)
  Children 5, including Angela Pleasence

  Donald Henry Pleasence OBE (/ˈplɛzəns/); 5 October 1919 – 2 February 1995) was an

  English character actor. His best known film roles include psychiatrist Dr. Samuel Loomis in Halloween (1978) and four of its sequels, the villain Ernst Stavro Blofeld in the James Bond film You Only Live Twice (1967), RAF Flight Lieutenant Colin Blythe in The Great Escape (1963), SEN 5241 in THX 1138 (1971), Clarence "Doc" Tydon in Wake in Fright (1971), and the President of the United States in Escape from New York (1981).

  Early life
  Pleasence was born in Worksop, Nottinghamshire, England, the son of Alice (née Armitage) and Thomas Stanley Pleasence, a railway stationmaster. He was brought up as a strict Methodist in the small village of Grimoldby, Lincolnshire. He received his formal education at Crosby Junior School, Scunthorpe and Ecclesfield Grammar School, in Sheffield, South Yorkshire. After working as the Clerk-in-Charge at Swinton railway station in South Yorkshire, he decided that he wanted to be a professional actor, taking up a placement with the Jersey Repertory Company in 1939.
  
  Second World War
  In December 1939, Pleasence initially refused conscription into the British Armed Forces, registering as a conscientious objector, but changed his stance in autumn 1940, after the attacks upon London by the Luftwaffe, and volunteered with the Royal Air Force. He served as aircraft wireless-operator with No. 166 Squadron in Bomber Command, with which he flew almost sixty raids against the Axis over occupied Europe. On 31 August 1944, Lancaster NE112, in which he was a crew member, was shot down during an attack upon Agenville, and he was captured and imprisoned in the German prisoner-of-war camp Stalag Luft I, where he was treated well reciprocally (like the British treated captured Luftwaffe pilots) in similar prisoner-of-war camps. Here, Pleasence produced and acted in many plays for the entertainment of his fellow captives.
  
  After the war and his release, he was discharged from the R.A.F. in 1946.
  
  Acting career
  Returning to acting after the war, Pleasence resumed working in repertory theatre companies in Birmingham and Bristol. In the 1950s, Pleasence's stage work included performing as Willie Mossop in a 1952 production of Hobson's Choice at the Arts Theatre, London and as Dauphin in Jean Anouilh's The Lark (1956). In 1960, Pleasence gained excellent notices as the tramp in Harold Pinter's The Caretaker at the Arts Theatre, a role he would again play in a 1990 revival. Other stage work in the 1960s included Anouilh's Poor Bitos (1963-64) and Robert Shaw's The Man in the Glass Booth (1967), for which he won the London Variety Award for Stage Actor of the Year in 1968. Pleasence's later stage work included performing in a double bill of Pinter plays, The Basement and Tea Party, at the Duchess Theatre in 1970.
  
  Television
  Pleasence made his television debut in I Want to Be a Doctor (1946). He received positive critical attention for his role as Syme in the BBC version of Nineteen Eighty-Four (1954) from the novel by George Orwell. The adaptation was by Nigel Kneale and featured Peter Cushing in the lead role of Winston Smith.
  
  Pleasence played Prince John in several episodes of the ITV series The Adventures of Robin Hood (1956–1958). He appeared twice with Patrick McGoohan in the British spy series, Danger Man, in episodes "Position of Trust" (1960) and "Find and Return" (1961). Pleasence's first appearance in America was in an episode of The Twilight Zone, playing an aging teacher at a boys' school in the episode "The Changing of the Guard" (1962). In 1963, he appeared in an episode of The Outer Limits entitled "The Man With the Power". In 1966, he also guest starred in an episode of The Fugitive entitled "With Strings Attached"
  
  In 1973, Pleasence played a sympathetic murderer in an episode of Columbo entitled "Any Old Port in a Storm". Also that year, he played a supporting role in David Winters' musical television adaptation of Dr. Jekyll and Mr. Hyde.
  
  He also portrayed a murderer captured by Mrs. Columbo in "Murder Is a Parlor Game" (1979). In 1978, he played a scout, Sam Purchas in an adaptation of James A. Michener's Centennial. Pleasence starred as the Reverend Septimus Harding in the BBC's TV series The Barchester Chronicles (1982). In this series, his daughter Angela Pleasence played his onscreen daughter Susan.
  
  He hosted the 1981 Halloween episode of Saturday Night Live with music guest Fear.
  
  In 1986, Pleasence joined Ronald Lacey and Polly Jo Pleasence for the television thriller Into the Darkness.
  
  Film

  
  Donald Pleasence in the trailer for
  the film Eye of the Devil (1966).

  
  Pleasence made his big-screen debut with The Beachcomber (1954). Some notable early roles include Parsons in 1984 (1956), and minor roles opposite Alec Guinness in Barnacle Bill (1957) and Dirk Bogarde in The Wind Cannot Read (1958). In Tony Richardson's film of Look Back in Anger (1959), he plays a vindictive market inspector opposite Richard Burton. In the same year, Pleasence starred in the horror films Circus of Horrors directed by Sidney Hayers, playing the role of Vanet, the owner of a circus, and The Flesh and the Fiends as the real-life murderer William Hare, alongside Peter Cushing, George Rose and Billie Whitelaw.

  Endowed with a bald head, a penetrating stare, and an intense voice, usually quiet but capable of a piercing scream, he specialised in portraying insane, fanatical, or evil characters, including the title role in Dr Crippen (1962), the double agent Dr Michaels in the science-fiction film Fantastic Voyage (1966), the white trader who sells guns to the Cheyenne Indians in the revisionist western Soldier Blue (1970), the mad Doctor in the Bud Spencer–Terence Hill film Watch Out, We're Mad! (1974), Nazi leader Heinrich Himmler in The Eagle Has Landed (1976), and the Bond arch-villain Ernst Stavro Blofeld in You Only Live Twice (1967), the first film in which Blofeld's face is clearly seen. His interpretation of the character has become predominant in popular culture considering the popularity of the comic villain, Dr. Evil in the successful Austin Powers film series, which primarily parodies it. In the crime drama Hell is a City (1960), shot in Manchester, he starred opposite Stanley Baker, whilst he was memorably cast in the horror comedy What a Carve Up! (1961) as the “horrible-looking zombie” solicitor opposite Shirley Eaton, Sid James, Kenneth Connor and Dennis Price.

  He appeared as the mild-mannered and good-natured POW forger Colin Blythe in the film The Great Escape (1963), who discovers that he is slowly going blind, but nonetheless participates in the mass break-out, only to be shot down by German soldiers because he is unable to see them. In The Night of the Generals (1967), he played another uncharacteristically sympathetic role, this time as an old-school German general involved in a plot to kill Adolf Hitler. In 1971, he returned to the realm of the deranged, delivering a tour de force performance in the role of an alcoholic Australian doctor in Ted Kotcheff's nightmarish outback drama Wake in Fright.
  
  Pleasence played Lucifer in the religious epic The Greatest Story Ever Told (1965). His character taking on many dark, shadowy human disguises throughout the film was unprecedented in breathing life into the Luke 4:13 phrase "... he left Him until an opportune time ..." He was one of many stars who were given cameos throughout the film.
  
  He also acted in Roman Polanski's Cul-de-sac (1966), in which he portrayed the love-sodden husband of a much younger French wife (Françoise Dorléac). He ventured successfully into American cowboy territory, playing a sadistic self-styled preacher who goes after stoic Charlton Heston in the Western Will Penny (1968).
  
  He portrayed SEN 5241 in THX 1138 (1971), opposite Robert Duvall which was the directorial debut of George Lucas. A few years later, he portrayed antagonist Lucas Deranian, in Walt Disney's Escape to Witch Mountain (1975) and, in Telefon (1977), Nicolai Dalchimsky, the Russian seeking to start a war between the United States and the Soviet Union.
  
  Pleasence appeared as Dr. Samuel Loomis in John Carpenter's horror film Halloween (1978). The film was a major success and was considered the highest grossing independent film of its time, earning accolades as a classic of the horror genre. He also played the teacher, Kantorek in All Quiet on the Western Front (1979), Dr. Kobras in The Pumaman (1980) and the held-hostage President of the United States in Escape from New York (1981). The rather sinister accent which Pleasence employed in this and other films may be credited to the elocution lessons he had as a child. He reprised his Dr. Sam Loomis role in Halloween II (1981), Halloween 4: The Return of Michael Myers (1988), Halloween 5: The Revenge of Michael Myers (1989) and Halloween: The Curse of Michael Myers (1995).
  
  Pleasence admired Sir Laurence Olivier,[15] with whom he worked on-stage in the 1950s, and later on the film version of Dracula (1979). Two years earlier, Pleasence did an amusingly broad impersonation of Olivier in the guise of a horror-film actor called "Valentine De'ath" in the film The Uncanny (1977). According to the film critic Kim Newman on a DVD commentary for Halloween II, the reason for Pleasence's lengthy filmography was that he never turned down any role that was offered.
  
  Spoken records and voice-overs
  During the early 1960s, Pleasence recorded several children's-story records on the Atlas Record label. These were marketed as the Talespinners series in the United Kingdom. They were also released in the United States as Tale Spinners for Children by United Artists. The stories included Don Quixote and the Brave Little Tailor.
  
  Pleasence provided the voice-over for the British public information film, The Spirit of Dark and Lonely Water (1973). The film, intended to warn children of the dangers of playing near water, attained notoriety for allegedly giving children nightmares.
  
  Books
  Pleasence was the author of the children's book Scouse the Mouse (1977) (London: New English Library), which was animated by Canadian animator/film director Gerald Potterton (a friend of the actor, who directed him in the Canadian film The Rainbow Boys (1973), retitled The Rainbow Gang for VHS release in the United States) and also adapted into a children's recording (Polydor Records, 1977) with Ringo Starr voicing the book's title character, Scouse the Mouse.
  
  In his book British Film Character Actors (1982), Terence Pettigrew describes Pleasence as "a potent combination of eyes and voice. The eyes are mournful but they can also be sinister or seedy or just plain nutty. He has the kind of piercing stare which lifts enamel off saucepans."
  
  Awards
  Pleasence was nominated four times for the Tony Award for best performance by a leading actor in a Broadway play: in 1962 for Harold Pinter's The Caretaker, in 1965 for Jean Anouilh's Poor Bitos, in 1969 for Robert Shaw's The Man in the Glass Booth, and in 1972 for Simon Gray's Wise Child.
  
  Pleasence was appointed an Officer of the Most Excellent Order of the British Empire for his services to the acting profession by Queen Elizabeth II in 1994.
  
  Personal life
  Pleasence married four times and had five daughters from his first three marriages. He had Angela and Jean with Miriam Raymond (m. 1941–1958); Lucy and Polly with Josephine Martin Crombie (m. 1959–1970); and Miranda with Meira Shore (m. 1970–1988). His last marriage was to Linda Kentwood (m. 1988–1995; his death)
  
  Death
  On 2 February 1995, Pleasence died at age 75 in Saint-Paul-de-Vence, France, from complications of heart failure following heart valve replacement surgery. His body was cremated.
  
  Legacy
  The 1995 film Halloween: The Curse of Michael Myers was dedicated to Donald Pleasence. The 1998 film Halloween H20: 20 Years Later also features a dedication to Pleasence in the end credits, with sound-alike voice actor Tom Kane providing a voice-over for Loomis in the film. In the 2018 film, Halloween, sound-alike comedian Colin Mahan voiced Loomis.

  Dr. Evil, the character played by Mike Myers in the Austin Powers comedy films (1997–2002), and Doctor Claw from Inspector Gadget are parodies of Pleasence's performance as Blofeld in You Only Live Twice.

  Donald Pleasence (1919–1995)
  Actor | Writer | Soundtrack
  https://www.imdb.com/name/nm0000587/?ref_=nv_sr_1?ref_=nv_sr_1
  
  

  
  
  

  
  1930: John Pearson is born--Epsom, Surrey, England.
  
  1946: Victor Monroe Armstrong is born--Farnham Common, Buckinghamshire, England.
  
  1961: Kinematograph Weekly announced the Dr No film production will begin.
  (Broccoli and Saltzman don't yet have an actor for the Bond role.)

  1962: Dr. No premieres at the London Palladium.

  
  
  
  
  
  
  

  
  1973: Com 007 Viva e Deixe Morrer (With 007 Live and Let Die) released in Brazil.

  
  Video covers
  
  
  

  1976: The Spy Who Loved me films Wet Nellie emerging onto the beach at Capricccioli, Sardinia, Italy.
  1977: La espía que me amó released in Venezuela.

  
  
  
  
  
  
  Christopher Wood Novelization
  
  Later Gaming
  
  
  Soundtrack
  

  
  1983: Octopussy released in France.

  
  
  

  1983: Newly discovered asteroid is named in honor of Ian Fleming: 9007 James Bond.

  

  9007 James Bond Asteroid

  See the complete article here:
  

  https://www.universeguide.com/asteroid/9007jamesbond

  James Bond is an asteroid, a large rock that orbits the Sun mainly between the orbits of Mars and Jupiter. They tend to be an irregular shaped but Ceres asteroid is known to be spherical in shape but because it doesn't clear its path round the Sun, it is only a dwarf planet.
  
  James Bond was discovered on Oct 5 1983 by Anton Mrkos. Its orbit takes 3.89 years to travel round the Sun.
  
  The absolute magnitude of the object is 13.9 which is the brightness of the object. A higher absolute magnitude means that the object is faint whereas a very low number means it is very bright.
  
  The Aphelion of the object is 2.84994 A.U. which is the point in the orbit that is furthest from the object that it is orbit. At this point, it will then return back to the orbit target. The Perihelion of the object is 2.09805 A.U. which is the point in the orbit that is closest to the object that it is orbit around.
  
  The Semi-Major Axis of the orbit is 2.47399, which is the furthest point from the centre to the edge of an elliptical point.
  
  The orbital inclination, the angle at which James Bond orbits in relation to the orbital plane is 5.859 degrees. The orbital eccentricity is 0.15196, it is the degree at which James Bond orbits close to a circular (0) orbit as opposed to an elliptical (1) orbit.
  
  Agent James Bond, 007, not 9007
  The asteroid is named after the world's most famous and popular M.I.6. secret agent, James Bond. It was chosen to honour the spy after the ID of the asteroid ended in 007, the agent's code number. It was not sponsored by EON Productions or M.G.M., the distributors.

  James Bond Facts

  Type - Asteroid
  Date of Discovery Oct 5 1983
  Discoverer Anton Mrkos
  Orbital Period 3.89
  Absolute Magnitude 13.9
  Aphelion (Furthest) 2.84994 A.U.
  Perihelion (Nearest) 2.09805 A.U.
  Semi-Major Axis 2.47399
  Orbital Inclination 5.859
  Orbital Eccentricity 0.15196

  
  
  

  1986: Two weeks of filming in Vienna begin for The Living Daylights.
  
  2011: MI6 Community members notice Sony domain names indicating the title of BOND 23 is Skyfall.
  2012: Documentary "Everything or Nothing: The Untold Story of 007" releases in limited UK theaters, US television
  Directed by Steven Riley; co-written by Riley and Peter Ettudgui.

  
  
  
  

  2012: XL/Columbia release the Adele title song "Skyfall" single, part of a 50 year celebration of Bond films. Clear Channel air the song for 24 hours on the hour, 180 radio stations. Within a day it racks up 10 million audience impressions and ranked in the top 50 of Nielsen Broadcast Data Systems Radio Songs chart.

  Skyfall by Adele
  
  
  
  
  
  
  
  Adele - Skyfall (Theatre Of Delays Remix)
  

  2014: Geoffrey Lamont Holder dies at age 84--New York City, New York.
  (Born 1 August 1930--Port of Spain, Trinidad.)

  

  Geoffrey Holder, Dancer, Actor,
  Painter and More, Dies at 84

  See the complete article here:
  

  https://www.nytimes.com/2014/10/07/arts/geoffrey-holder-dancer-choreographer-and-man-of-flair-dies-at-84.html

  Geoffrey Holder, Dancer, Actor, Painter and More, Dies at 84
  By Jennifer Dunning and William McDonald | Oct. 6, 2014

  
  Mr. Holder, the multitalented artist, and ebullient performer died Sunday at 84.
  Credit Erin Combs/Toronto Star, via Getty Images

  
  Geoffrey Holder, the dancer, choreographer, actor, composer, designer and painter who used his manifold talents to infuse the arts with the flavor of his native West Indies and to put a singular stamp on the American cultural scene, not least with his outsize personality, died on Sunday in Manhattan. He was 84.
  
  Charles M. Mirotznik, a spokesman for the family, said the cause was complications of pneumonia.
  
  Few cultural figures of the last half of the 20th century were as multifaceted as Mr. Holder, and few had a public presence as unmistakable as his, with his gleaming pate atop a 6-foot-6 frame, full-bodied laugh and bassoon of a voice laced with the lilting cadences of the Caribbean.
  
  Mr. Holder directed a dance troupe from his native Trinidad and Tobago, danced on Broadway and at the Metropolitan Opera and won Tony Awards in 1975 for direction of a musical and costume design for “The Wiz,” a rollicking, all-black version of “The Wizard of Oz.” His choreography was in the repertory of the Alvin Ailey American Dance Theater and the Dance Theater of Harlem. He acted onstage and in films and was an accomplished painter, photographer and sculptor whose works have been shown in galleries and museums. He published a cookbook.
  
  Mr. Holder acknowledged that he achieved his widest celebrity as the jolly, white-suited television pitchman for 7Up in the 1970s and ’80s, when in a run of commercials, always in tropical settings, he happily endorsed the soft drink as an “absolutely maaarvelous” alternative to Coca-Cola — or “the Uncola,” as the ads put it.
  
  Long afterward, white suit or no, he would stop pedestrian traffic and draw stares at restaurants. He even good-naturedly alluded to the TV spots in accepting his Tony for directing, using their signature line “Just try making something like that out of a cola nut.”
  
  Geoffrey Lamont Holder was born into a middle-class family on Aug. 1, 1930, in Port of Spain, Trinidad and Tobago, the youngest of five children of Louise de Frense and Arthur Holder, who had immigrated from Barbados. Geoffrey attended Queen’s Royal College, an elite secondary school in Trinidad. There he struggled with a stammer that plagued him into early adulthood.
  
  “At school, when I got up to read, the teacher would say, ‘Next,’ because the boys would laugh,” he said in an oral history interview.
  
  Growing up, Mr. Holder came under the wing of his talented older brother, Arthur Aldwyn Holder, known to everyone by his childhood nickname, Boscoe. Boscoe Holder taught Geoffrey painting and dancing and recruited him to join a small, folkloric dance troupe he had formed, the Holder Dancing Company. Boscoe was 16; Geoffrey, 7.
  
  Geoffrey Holder’s career mirrored that of his brother in many ways. Boscoe Holder, too, went on to become a celebrated dancer, choreographer, musician, painter and designer, and he, too, left Trinidad, in the late 1940s, for England, where he performed on television and onstage.
  
  His brother’s departure put Geoffrey Holder in charge of the dance company, as its director and lead performer, and he took it to New York City in 1954, invited by the choreographer Agnes de Mille, who had seen the troupe perform two years before in St. Thomas, in the Virgin Islands. She arranged an audition for the impresario Sol Hurok. To pay for the troupe’s passage, Mr. Holder, already an established young painter, sold 20 of his paintings.
  
  After dropping his bags at an uncle’s apartment in Brooklyn, he fell in love with the city.
  
  “It was a period when all the girls looked like Janet Leigh and Elizabeth Taylor, with crinoline petticoats and starched hair,” he told The New York Times in 1985. “The songs of that period were the themes from ‘The Moulin Rouge’ and ‘Limelight,’ and it was so marvelous to hear the music in the streets and see the stylish ladies tripping down Fifth Avenue. Gorgeous black women, Irish women — all of them lovely and all of them going somewhere.”
  
  Mr. Holder had the good fortune to arrive in New York at a time of relative popularity for all-black Broadway productions as well as black dance, both modern and folk. Calypso music was also gaining a foothold, thanks largely to Harry Belafonte.
  

  
  Mr. Holder at the opening of the Broadway musical “The Lion King” in 1997 accompanied by his wife, the dancer Carmen de Lavallade. He made his own Broadway debut in 1954.
  Credit Nancy Siesel/The New York Times

  
  For a while Mr. Holder taught classes at the Katherine Dunham School, and he was a principal dancer for the Metropolitan Opera Ballet from 1956 to 1958. He continued to dance and direct the Holder dance company until 1960, when it disbanded. In the meantime, at a dance recital, he caught the attention of the producer Arnold Saint-Subber, who was putting together a show with a Caribbean theme.
  
  Thus did Mr. Holder make his Broadway debut on Dec. 30, 1954, as a featured dancer in “House of Flowers,” a haunting, perfumed evocation of West Indian bordello life, with music by Harold Arlen and a book by Truman Capote, based on his novella of the same name. Directed by Peter Brook at the Alvin Theater, it starred Diahann Carroll and Pearl Bailey, and among its dancers was a ravishingly pretty young woman named Carmen de Lavallade. She and Mr. Holder married in 1955, had a son, Léo, and sometimes shared the stage. Both wife and son survive him. Boscoe Holder died in 2007.

  One character Mr. Holder played in the musical was the top-hatted Baron Samedi, the guardian of the cemetery and the spirit of death, sex and resurrection in Haitian Voodoo culture. Mr. Holder relished Samedi: he played him again in the 1973 James Bond film, “Live and Let Die” (the first of the Bond franchise to star Roger Moore), and featured him in his choreography — in his “Banda” dance from the musical “House of Flowers,” and in “Banda,” a further exploration of folk themes that had its premiere in 1982.
  
  His Voodoo villain in “Live and Let Die” was of a piece with much of his sporadic film career: with his striking looks and West Indian-inflected voice, producers tended to cast Mr. Holder in roles deemed exotic. In “Doctor Dolittle” (1967), he was a giant native who ruled a floating island as William Shakespeare (the 10th). In Woody Allen’s “Everything You Always Wanted to Know About Sex * but Were Afraid to Ask” (1972), he played a sorcerer. In “Annie” (1982), he was the Indian servant Punjab. (An exception was the 1992 romantic comedy “Boomerang,” in which he played a randy director of commercials working for Eddie Murphy’s playboy advertising executive.)

  Mr. Holder was multitasking before the term gained currency. In 1957, he landed a notable acting role playing the hapless servant Lucky in an all-black Broadway revival of Samuel Beckett’s “Waiting for Godot,” directed by Herbert Berghof. The show, just seven months after the play’s original Broadway production, closed after only six performances because of a union dispute, but the role, with its rambling, signature 700-word monologue, lifted Mr. Holder’s acting career.
  
  That same year, he choreographed and danced in a revival of the George and Ira Gershwin musical “Rosalie” in Central Park. And he received a Guggenheim fellowship in painting.
  
  Painting was a constant for him. Whether life was hectic or jobs were scarce, he could usually be found in the SoHo loft he shared with Ms. de Lavallade, absorbed in work that drew on folk tales and often delivered biting social commentary. On canvases throughout the studio, sensuous nudes jostled for space with elegantly dressed women, ghostly swimmers nestled beside black Virgin Marys, bulky strippers seemed to burst out of their skins, and mysterious figures peered out of tropical forests.
  
  His work was shown at the Corcoran Gallery in Washington and at the Guggenheim Museum in New York. And then there was his photography, and his sculpture.
  
  His visual creativity extended to costume designs, “The Wiz” being just one showcase. Another was John Taras’s 1982 production of “The Firebird” for the Dance Theater of Harlem, in which the Russian fairy tale was relocated to a tropical forest. Mr. Holder designed both the sets and the costumes, one of which was a blend of 30 or 40 colors. He earned another Tony nomination for best costume design for the 1978 Broadway musical “Timbuktu!,” an all-black show based on the musical “Kismet.” He also directed and choreographed “Timbuktu!”
  
  Mr. Holder’s dance designs were equally bold. Reviewing a 1999 revival of “Banda” by the Dance Theater of Harlem, Anna Kisselgoff wrote in The Times, “Mr. Holder is a terrific showman, and his mix of Afro-Caribbean rituals, modern dance and even ballet’s pirouettes is potent and dazzling.”
  
  Other Holder dance classics were “Prodigal Prince” (1971), a dreamlike re-creation of the life and work of Hector Hyppolite, the Haitian folk painter, for which he also composed the musical score; and “Dougla” (1974), an evocation of a mixed-race Caribbean wedding. (Dougla refers to people who are of African and Indian descent.)
  
  In 1959, he published a book on Caribbean folklore, Black Gods, Green Islands, written with Tom Harshman and illustrated by Mr. Holder; in 1973, he produced Geoffrey Holder’s Caribbean Cookbook. He himself was the subject of books and documentaries, including “Carmen & Geoffrey” (2009), by Linda Atkinson and Nick Doob.
  
  Mr. Holder said his artistic life was governed by a simple credo, shaped by his own experience as a West Indian child who had yet to see the world.

  “I create for that innocent little boy in the balcony who has come to the theater for the first time,” he told Dance magazine in 2010. “He wants to see magic, so I want to give him magic. He sees things that his father couldn’t see.”

  
  Correction: Oct. 6, 2014
  An earlier version of this obituary misstated Mr. Holder’s age. He was 84, not 83. (His date of birth was correctly given as Aug. 1, 1930.) It also misstated his middle name. It was Lamont, not Richard.
  Correction: Oct. 6, 2014
  
  An earlier version of a picture caption with this obituary misstated Mr. Holder's surname as Holden.
  Correction: Oct. 14, 2014
  
  An obituary last Tuesday about the dancer, choreographer and actor Geoffrey Holder misstated his tenure as a principal dancer for the Metropolitan Opera Ballet. It was from 1956 to 1958, not 1955 and 1956. The obituary also misstated the number of siblings Mr. Holder had. He was the youngest of five children, not “one of four children.”
  A version of this article appears in print on Oct. 7, 2014, Section A, Page 19 of the New York edition with the headline: Geoffrey Holder, Multitalented Artist, Dies at 84. Order Reprints | Today’s Paper | Subscribe

  
  Geoffrey Holder
  https://www.imdb.com/name/nm0390305/
  
  Filmography

  Actor (31 credits)
  
  2008 Butterfield (Short) - Mr. Emory
  2008 The Little Wizard: Guardian of the Magic Crystals - Narrator
  2005 Charlie and the Chocolate Factory - Narrator (voice)
  2005 Charlie and the Chocolate Factory (Video Game) - The Narrator (voice)
  2002-2003 Cyberchase (TV Series) - Master Pi
  - Double Trouble (2003) ... Master Pi (voice)
  - Problem Solving in Shangri-La (2002) ... Master Pi (voice)
  1997-2002 Bear in the Big Blue House (TV Series) - Ray the Sun
  - Welcome to Woodland Valley: Part 2 (2002) ... Ray the Sun (voice)
  - Welcome to Woodland Valley: Part 1 (2002) ... Ray the Sun (voice)
  - Read My Book (1999) ... Ray the Sun (voice)
  - Let's Get Interactive (1999) ... Ray the Sun (voice)
  - I've Got Your Number (1999) ... Ray the Sun (voice)
  (Total 41 episodes)
  2002 Bear in the Big Blue House LIVE! - Surprise Party (Video) - Ray (voice)
  
  1999 Goosed - Dr. Bowman
  1998 Chance or Coincidence - Owner of Soutine's Bar
  1995 Hell: A Cyberpunk Thriller (Video Game) - Jean St. Mouchoir (voice)
  1992 Boomerang - Nelson
  1987 Where Confucius Meets the New Wave - Narrator
  1987 Ghost of a Chance (TV Movie) - Johnson
  1986 John Grin's Christmas (TV Movie) - Ghost of Christmas Future
  1983 Great Performances (TV Series) - Cheshire Cat
  - Alice in Wonderland (1983) ... Cheshire Cat
  1982 Annie - Punjab
  1980 ABC Weekend Specials (TV Series) - Jupiter
  - The Gold Bug (1980) ... Jupiter
  
  1976 Swashbuckler - Cudjo
  1975 The Noah - Friday
  1973 Live and Let Die - Baron Samedi
  1973 The Man Without a Country (TV Movie) - Slave on ship
  1972 Everything You Always Wanted to Know About Sex * But Were Afraid to Ask - Sorcerer
  1970 It Takes a Thief (TV Series) - Paul Trion
  - Nice Girls Marry Stockbrokers (1970) ... Paul Trion
  
  1968 Krakatoa: East of Java - Sailor
  1967-1968 Tarzan (TV Series) - Mayko / Zwengi
  - A Gun for Jai (1968) ... Mayko
  - The Pride of the Lioness (1967) ... Zwengi
  1967 Doctor Dolittle - William Shakespeare X
  1967 Androcles and the Lion (TV Movie) - Lion
  
  1959 Porgy and Bess - Dancer (uncredited)
  1958 The DuPont Show of the Month (TV Series) - Genie
  - Cole Porter's 'Aladdin' (1958) ... Genie
  1957 Carib Gold - Voodoo Dancer (as Geoffery Holder)
  1957 The United States Steel Hour (TV Series) - Calypso Singer
  - The Bottle Imp (1957) ... Calypso Singer
  

  Tempo
  
  
  
  Sisters
  
  Dancing Man
  
  Girl With Guitar
  
  
  
  

  2018: Aston Martin celebrates Global James Bond Day times seven.

  https://www.motor1.com/news/268490/aston-martin-james-bond-day/
  
  
  
  

  2019: EON releases a No Time To Die teaser poster, from Greg Williams.

  
  
  

  
  2020: Margaret Nolan dies at age 76.
  (Born 29 October1943--Hampstead, London.)

  

  Margaret Nolan dead: Iconic Goldfinger Bond girl has died aged 76

  See the complete article here:
  

  https://www.mirror.co.uk/3am/celebrity-news/breaking-margaret-nolan-dead-iconic-22829278

  Film director Edgar Wright has tweeted his sadness at the passing of Margaret Nolan, who starred in Goldfinger as well as Beatles movies and Carry On films
  By James Brinsford Overnight Showbiz/TV Reporter | 12 OCT 2020
  

  
  James Bond girl Margaret Nolan has died aged 76.

  
  She starred in 1964 film Goldfinger and was in the iconic credits of the movie and helped publicise the film, dancing in a gold bikini while painted head to toe in gold.
  
  Though she will always be associated with this image, Margaret did not play the role on screen as Shirley Eaton played the gold-painted Bond girl in the film.
  
  Film director Edgar Wright shared the news of her passing on Twitter in a lengthy tribute to the actress, who also starred in the Beatles' Hard Day's Night movie and a series of Carry On films.
  
  The 46-year-old filmmaker tweeted: "It's my sad duty to report that actress and artist, the magnificent Margaret Nolan has passed away.
  
  "She was the middle of Venn diagram of everything cool in the 60's; having appeared with the Beatles, been beyond iconic in Bond and been part of the Carry On cast too."
  

  
  Margaret Nolan will always be remembered for her part in Goldfinger

  
  Edgar continued: "She was the gold painted model in the iconic Goldfinger title sequence and poster (she also played Dink in the movie), she appeared in the classic A Hard Day's Night, Carry On Girls, No Sex Please We're British & many others, frequently sending up her own glamourpuss image."
  
  The film director continued to list some of the famous projects that Margaret was involved in.
  
  He added: "She also appeared in five Spike Milligan Q series, Steptoe & Son, The Likely Lads, Morecambe & Wise and The Sweeney.
  
  "She became deeply involved in political theatre and more recently created visual art; deconstructed her own glamour modelling in a series of photomontages."
  

  
  Margaret Nolan pictured with Bernard Bresslaw on set of Carry On at Your Convenience in 1971

  ]
  
  Edgar concluded his tribute with a personal note about working with Margaret last year.
  
  He wrote: "I worked with her last year as she plays a small role in Last Night In Soho.
  
  "She was so funny, sharp and, as you might imagine, full of the most amazing stories.
  
  "I’m so glad I got to know her. My heart goes out to her family and all that loved her. She will be much missed."
  
  Margaret's son, Oscar Deeks, confirmed that she passed away on October 5.
  
  She was born on October 29, 1943 in Somerset but grew up in London.
  
  Margaret began her career as a glamour model, going by the name Vicky Kennedy in the early ’60s, but switched back to her birth name once she began acting.
  
  Do you have a story to sell? Get in touch with us at [email protected] or call us direct 0207 29 33033.
  
  MirrorCeleb Follow @mirrorceleb

  

  Margaret Nolan (I)

  https://www.imdb.com/name/nm0634318/?ref_=nv_sr_srsg_0
  Actress
  

  https://twitter.com/edgarwright/status/1315405389479976960

  
  
  
  
  

  
  
• RichardTheBruce I'm motivated by my Duty.

  October 2020 edited October 2020 Posts: 13,787

  October 6th
  
  1941: Sir Frank Nelson writes Admiral Godfrey proposing (Fleming's) plan for better relations with the Special Operations Executive.

  

  Ian Fleming and SOE's Operation POSTMASTER: The Top Secret Story Behind 007. Brian Gordon Lett, 2012.

  Fleming had come up with his own idea for smoothing future
  relations between the Admiralty and SOE. He entered into
  discussions with Lieutenant Colonel Taylor, and with Sir
  Frank Nelson, the head of SOE (a civilian, whose name itself as
  the head of an upstart organization probably did not make
  him any more popular with the Admiralty). On 6 October
  1941, Nelson wrote to Godfrey, putting forward Fleming's
  plan for a better working relationship:

  As has been pointed out to us by Fleming, we think
  it would also be a convenience for the Admiralty if
  plans in which they were bound to have an interest,
  and which would therefore have to pass through
  their hands, could be drawn in a form and in
  language which would be familiar to and easily
  understood by them.
  
  Fleming and Taylor have been discussing this
  question, and I think that they both feel that the
  ideal solution would be the transfer to SOE of an officer
  RN, of about the rank of Commander [author's italics],
  who had worked in the Plans Division at the
  Admiralty. Our idea would be to appoint this officer
  as a member of our special planning staff which,
  under Archie Boyle, directs, supervises and checks
  al plans for our various operations.

  Ian Fleming held the rank of Commander, was heavily
  involved in intelligence planning, and Nelson's letter to
  Godfrey strongly suggests that Fleming was hoping that he
  himself might be appointed full time to SOE -- and thereby
  become one of M's secret agents like his brother Peter.
  Fleming did not get his wish. Godfrey was short of
  experienced intelligence officer, and clearly valued
  Fleming's work too highly to give him away to SOE. For the
  time being, at least, the status quo was preserved. Godfrey
  wrote back to Nelson agreeing that greater supervision was
  necessary, but declining the proposal.
  
  Fleming remained a member of Naval Intelligence under
  Rear Admiral Godfrey's command, and continued to act as
  their liaison officer. He clearly got on well with M
  and his team, and was trusted by them.

  1942: Britt-Marie Ekland is born--Stockholm, Sweden.
  
  1962: Joaquin Cosio Figueroa is born--Nayarit, Mexico.
  1967: Casino Royale released in Belgrade, Yugoslavia.
  
  1976: The Spy Who Loved Me films OO7 and XXX and Wet Nelly Bond exiting the sea onto the beach.
  
  1983: Never Say Never Again premieres in Los Angeles, California.

  
  
  

  1984: A View to a Kill via John Richardson begins fourth unit filming on the Golden Gate Bridge.
  
  2011: BOND 23 announces the casting of Bérénice Marlohe and Helen McCrory.
  
  
• RichardTheBruce I'm motivated by my Duty.

  October 2020 edited October 2020 Posts: 13,787

  October 7th
  
  1947: John Brosnan is born--Perth, Australia.
  (He dies 11 April 2005--South Harrow, Harrow, London, England.)

  

  John Brosnan
  Science-fiction writer and film critic

  See the complete article here:
  

  https://www.independent.co.uk/news/obituaries/john-brosnan-489441.html

  Saturday 16 April 2005 00:00

  John Raymond Brosnan, writer and film critic: born Perth, Western Australia 7 October 1947; died London c11 April 2005.

  The writer and film critic John Brosnan was a man of deep friendships, some of which had lasted half a century - the Australian writer John Baxter, with whom Brosnan collaborated on a novel, knew him that long - and he enjoyed a wide range of acquaintances throughout the science-fiction and film subcultures of London.

  He wrote seven books on film. The first of these was James Bond in the Cinema (1972). His interest in filmed science fiction culminated in Future Tense: the cinema of science fiction (1978). He wrote most of the film entries for The Encyclopedia of Science Fiction (1979), edited by Peter Nicholls and John Clute.

  As a writer of science fiction and often comically exaggerated horror, Brosnan published at least 23 novels. His collaborations with Leroy Kettle were pseudonymous; the best known of these horror tales is probably Bedlam (1992), the film version of which (Beyond Bedlam) gave Liz Hurley her first main role. More ambitious science-fiction novels, under his own name, included the Sky Lords novels from 1988, and his last published novel, Mothership (2004). He had already completed a draft of the sequel at the time of his death.
  
  Brosnan was born in 1947 in Perth, Western Australia, and became active as an SF fan in the mid 1960s. By 1970 he had moved to London, where he settled for good. Though he was convivial from the start - my own 25-year-old memories of post-launch drinks with him at the Troy Club off the Tottenham Court Road remain warm - the story of his life is essentially one of hard work.
  
  His death was reported on 11 April. Friends had become alarmed at his absence over Easter, and gained access to his flat in South Harrow, where he was found. He had died in his sleep, possibly several days earlier. An autopsy determined that the cause of death was acute pancreatitis. This finding has scotched rumours that he had met with foul play.
  
  It was perhaps to be expected that Brosnan died alone, as he had lived alone for many years. But he was a continual and welcome presence in many lives, a friend to some and companion to many. He was a funny and surprisingly tough-minded writer.
  
  John Clute

  
  Summary Bibliography: John Brosnan
  http://www.isfdb.org/cgi-bin/ea.cgi?1755
  
  Bibliography

  Fiction Series
  
  Damned and Fancy
  1 Damned & Fancy (1995) also appeared as:
  - Translation: Verflixt und zugehext [German] (1996)
  - Translation: Anderwelt: Buch Eins [German] (2005)
  2 Have Demon, Will Travel (1996) also appeared as:
  -Translation: Hokuspokus Hexenkuß [German] (1997)
  -Translation: Anderwelt: Buch Zwei [German] (2005)
  Anderwelt [German] (2005) [O/1,2]
  
  Mothership
  1 Mothership (2004) also appeared as:
  -Serializations:
  -Translation: Supernave (Complete Novel) [Italian] (2006)
  2 Mothership Awakening (unpublished)
  
  Sky Lords
  1 The Sky Lords (1988) also appeared as:
  -Translation: I Signori dell'Aria [Italian] (1989)
  2 War of the Sky Lords (1989) also appeared as:
  -Translation: I guerrieri dell'aria [Italian] (1990)
  3 The Fall of the Sky Lords (1991) also appeared as:
  -Translation: La fine del dominio [Italian] (1991)
  
  Novels
  
  Skyship (1981)
  Slimer (1983) with Leroy Kettle also appeared as:
  -Variant: Slimer (1983) [as by Harry Adam Knight]
  -Translation: Terreur déliquescente [French] (1986) [as by Harry Adam Knight]
  The Midas Deep (1983)
  Carnosaur (1984) [only as by Harry Adam Knight]
  The Fungus (1985) with Leroy Kettle only appeared as:
  - Variant: The Fungus (1985) [as by Harry Adam Knight]
  -Translation: L'immonde invasion [French] (1988) [as by Harry Adam Knight]
  -Variant: Death Spore (1990) [as by Harry Adam Knight]
  Tendrils (1986) with Leroy Kettle only appeared as:
  -Variant: Tendrils (1986) [as by Simon Ian Childer]
  -Translation: Vrilles! [French] (1988) [as by Simon Ian Childer]
  Torched! (1986) with John Baxter only appeared as:
  -Variant: Torched! (1986) [as by James Blackstone]
  -Translation: Brasiers humains [French] (1988) [as by James Blackstone]
  Worm (1987) only appeared as:
  -Variant: Worm (1987) [as by Simon Ian Childer]
  -Variant: Worm (1988) [as by Harry Adam Knight]
  -Translation: Les parasites de la haine [French] (1988) [as by Simon Ian Childer]
  Bedlam (1992) with Leroy Kettle [only as by Harry Adam Knight]
  -Serializations:
  -Bedlam (Part 1 of ?) (1994) [as by Harry Adam Knight]
  The Opoponax Invasion (1993)
  
  Nonfiction
  
  James Bond in the Cinema (1972)
  Movie Magic: The Story of Special Effects in the Cinema (1974)
  The Horror People (1976)
  Future Tense: The Cinema of Science Fiction (1978)
  The Primal Screen: A History of Science Fiction Film (1991)
  
  Short Fiction
  
  The Bethlehem File (1972)
  Conversation on a Starship in Warpdrive (1975)
  The Junk Shop (1976) also appeared as:
  -Variant: Junk Shop (1976)
  The One and Only Tale from The White Horse (1986)
  An Eye in Paradise (1989) also appeared as:
  -Translation: Un privé au paradis [French] (1994)
  Barry McKenzie Meets Jerry Cornelius (2013)
  
  Poems
  
  The Dangers of Colour T.V. (1974) also appeared as:
  -Variant: The Dangers of Colour TV (1991) [as by Simon Ian Childer]
  Something Came Out of the Toilet (1991) [only as by Harry Adam Knight]
  
  Essays
  
  Letter (SF Commentary 7) (1969)
  Mrs. B's Wandering Boy, Part One (1970)
  Mrs. B's Wandering Boy, Part Two (1970)
  Special Effects and The Science Fiction Film (1974) also appeared as:
  -Translation: Les magiciens du trompe-l'oeil [French] (1976)
  No Nose is Good Nose (1974)
  SF on TV: Part 1 (1975)
  Star Trek: Film Review (1975)
  Raftan's Viewpoint (1975)
  SF on Television Part 2: Britain (1975)
  The Australian Science Fiction Scene (1975)
  A Look at Space 1999 (1976)
  SF TV Review: The Invisible Man (1976)
  Letter (SF Commentary 52) (1977)
  Film & TV News: A Report from John Brosnan (1978)
  Letter (Science Fiction Review #29) (1979)
  Letter (Starship, Spring 1979) (1979)
  Letter (Australian SF News, August 1979) (1979)
  The British Science Fiction Cinema (1979)
  Letter (Foundation #23) (1981)
  Letter (Izzard #5) (1983)
  Letter (Ansible 41) (1984)
  Special Effects in Science Fiction Cinema (1985)
  Letter (Ansible 45) (1986)
  Ray Harryhausen Filmography (1987) with Jeff Rovin
  The Magician's Magician (1987)
  Terror Tactics (1988)
  Introduzione dell'autore all'edizione italiana (I guerrieri dell'aria) [Italian] (1990)
  Why is Arnold Schwarzenegger Mad at Me? (1991)
  Letter (Banana Wings 9) (1998)
  Hollywood Calling (1998)
  Letter (Interzone #137) (1998)
  Letter (Interzone #141) (1999)
  Letter (Interzone #173) (2001)
  Letter (SF Commentary 77) (2001)
  Letter [2] (SF Commentary 77) (2001)
  Letter (SF Commentary 78) (2003)
  Letter (Ansible 189) (2003)
  Letter (Ansible 195) (2003)
  Letter (SF Commentary 80) (2010)
  
  Interior Art
  
  Trieste '75 Film Festival (1975)
  
  Reviews
  
  A Pictorial History of Science Fiction Films (1976) by Jeff Rovin
  
  Interviews by This Author
  
  Jack Arnold SF Film Director Extraordinaire (1974) with Jack Arnold
  Chris Priest (1974) with Christopher Priest
  Vertex Interviews Harry Harrison (1975) with Harry Harrison
  An Interview with Bob Shaw (1975) with Bob Shaw
  
  Interviews with This Author
  
  An Interview (of sorts) with Harry Adam Knight (1985) by Jo Fletcher and Stephen Jones (co-interviewed with Leroy Kettle )

  
  
  
  
  

  
  1959: Ian Fleming writes Ivar Bryce about Alfred Hitchcock and Jimmy Stewart. Then Bryce writes back.

  

  The Battle for Bond, Robert Sellers, 2007.
  Chapter 9 - Fleming's Second Bond Script

  At last the news Fleming had been waiting for arrived. Hitchcock had voiced
  interest in the Bond project. Fleming immediately wrote to Bryce on 7 October:
  "Hitchcock is in search of a vehicle, particularly for James Stewart but, whether our
  story would suit Stewart or not, he is definitely interested and want to see it."
  Stewart was a regular star for Hitchcock who'd used him already in four movies,
  notably Rear Window (1954) and Vertigo (1958). Hitchcock was then in Paris but
  due back in London in a few days with the intention of reading the script. "of
  course James Stewart is the toppest of starts," Fleming continued. "And personally
  I wouldn't at all mind him as Bond if he can slightly anglicise his accent. If we got
  him and Hitchcock we really would be off to the races. Cross all your fingers."
  
  In contrast to Fleming's bursting enthusiasm for Hitchcock, Bryce had
  blown cold to the idea. "If he did take it," Bryce immediately wrote back, "he
  would take the whole thing over, lock stock and barrel, and we should all be
  no more than 'angels' investing our money in someone else's enterprise--a
  thing I wouldn't be willing to do, myself.. Hitchcock is, of course, the greatest.
  Let us see what he suggests, but from all I can learn here it will involve the
  freezing out of our group both financially and personally. Also I shudder at
  lackadaisical Stewart portraying dynamic Bond.
  
  Bryce in his letter also made clear his preference for Fleming to continue
  to exert a governing hand over the script. "I personally think it essential for you
  to spend as much time as is humanely possible during the scriptwriting period
  on working on it yourself, probably with Whittingham as your number two."
  And that for this work Fleming should be on a fat salary from the company:
  "I've no idea what; but anything you like."

  
  1962: Dr. No's general release in the UK.

  
  
  
  
  

  1966: LIFE Magazine publishes a two-part feature on Ian Fleming's biography .

  
  

  1968: An EON press conference at the Dorchester Hotel formally introduces Lazenby to the world.

  

  Some Kind of Hero: The Remarkable Story of the James Bond Films, Ajay Chowdhury and Matthew Field, 2015.

  On 7 October 1968 the coronation of the new James Bond took place
  before the world's press at the Dorchester, where it had all begun four
  months earlier. Lazenby famously said: '"I'm really looking forward to
  being Bond, for the bread and the birds. It's not that I'm a sex maniac.
  Forget my ego. I wouldn't even care if they didn't put my name on the
  marquee."' [Director Peter] Hunt explained the choice:

  Sean Connery had 'sexual assurance'. I interviewed hundreds [of]
  wonderful actors, marvellous people on the stage but they didn't have this
  quality. They might be able to try to act it but it was not an inherent thing. It
  was quite by chance we came across George Lazenby. You do look at him
  if he walks in the street and so do the girls.

  A soon-to-be Bond Girl in two ways -- the lead in the next film and, briefly,
  Lazenby's companion -- Jill St. John concurred. 'Cubby told me when they
  were interviewing people for the first James bond, in walked Sean. And
  when he left, every secretary said, "Who is that?" And he said the only other
  time it happened again was when George Lazenby walked into the office.

  

  
  1983: Warner Brothers general release for Never Say Never Again.

  
  

  
  2011: George Baker dies at age 80--West Lavington, England.
  (Born 1 April 1931--Varna, Bulgaria.)

  

  George Baker: Actor whose career
  climaxed in his portrayal of the
  Shakespeare-quoting DCI Wexford

  https://www.independent.co.uk/news/obituaries/george-baker-actor-whose-career-climaxed-in-his-portrayal-of-the-shakespeare-quoting-dci-wexford-2368541.html
  Anthony Hayward | Tuesday 11 October 2011 00:00
  

  
  George Baker: Actor whose career climaxed in his portrayal of the Shakespeare-quoting DCI Wexford

  
  In 1987, two detectives from contemporary literature were transferred to television and their screen lives ran in parallel for 14 years.
  
  While John Thaw stepped into the opera-loving shoes of Colin Dexter's Oxford sleuth Inspector Morse, George Baker had his first outing as Ruth Rendell's Shakespeare-quoting Detective Chief Inspector Wexford in "Wolf to the Slaughter".
  
  The 6ft 4in Baker traded his crisp vowels for a regional burr in the role of the affable, fatherly figure investigating crimes in the fictional south of England market town Kingsmarkham. With his dour sidekick, Detective Inspector Mike Burden (Christopher Ravenscroft), he plodded thoughtfully through an alarmingly high number of murder cases.
  
  Reg Wexford was also a dependable husband and doting father, and Rendell revealed that the character traits were taken from her own father. She was so enamoured with Baker's portrayal that she admitted to writing The Veiled One, the first new Wexford novel published after the television adaptations began, with him in mind.
  
  Following the stand-alone first mini-series, the programmes – featuring 23 stories in all and running until 2000 – were screened as The Ruth Rendell Mysteries and, occasionally, The Ruth Rendell Mystery Movie. Location filming was done in and around the Hampshire town of Romsey, not far from Baker's own home in Wiltshire.
  
  In 1992, his second wife, the actress Sally Home, died after a three-year fight against cancer. The following year, he married Louie Ramsay – who played his screen wife, Dora, in the Wexford dramas and was a long-time friend of the couple – calling her his "soulmate" and adding: "Sally was the love of my life. With Louie, the love is quite different, but it's almost as strong." Ramsay died last March.
  
  Baker was born at the British Embassy in Varna, Bulgaria, where his father, Frank – originally from Wetherby, West Yorkshire – was the honorary British vice-consul. A literate, cultured individual who was a writer and expert wine-taster, Baker was at pains to point out that, according to diplomatic etiquette, he was born on British soil.
  
  When the Second World War broke out, he, his Irish mother Eva and four brothers and sisters moved to Yorkshire. Baker attended Lancing College, West Sussex, before joining Deal repertory company, in Kent, when he was just 15. During national service in Hong Kong he served with the 3rd Royal Tank Regiment. As a horse rider he was made regimental equitation officer but returned to Britain after contracting the intestinal disease sprue, and finished his Army service on a training range in Pembrokeshire.
  
  Baker then acted in repertory theatre across Britain before making his London début as Arthur Wells in a revival of the Frederick Lonsdale drawing-room comedy Aren't We All? (Haymarket Theatre, 1953). Many roles followed in the West End, and with the Old Vic company (1959-60) and the RSC (1975). He also directed some plays himself, including The Sleeping Prince (St Martin's Theatre, 1968) and The Lady's Not for Burning (Old Vic Theatre, 1978). As artistic director, Baker launched his own provincial touring company, Candida Plays (named after his eldest daughter), in 1966.
  
  Film casting directors spotted his matinee-idol looks early on. His first screen appearance, alongside Jack Hawkins, was in The Intruder (1953) and he followed it with a role in the Second World War drama The Dam Busters (1955). Then came star billing in another war film, A Hill in Korea (1956), and the Civil War adventure The Moonraker (1958).

  Baker's six-week affair with Brigitte Bardot while he was at Pinewood Studios filming The Woman for Joe (1955) and she was making Doctor at Sea put a strain on his marriage to the costume designer Julia Squire, which also suffered from the constant pressure of being in debt. He lived with Sally Home for 10 years before she became his second wife. His confidence was knocked by the film director Tony Richardson's description of him as the worst actor in England and another disappointment was the James Bond author Ian Fleming's assertion that Baker would make the perfect 007, before the part went to Sean Connery.
  
  However, Baker appeared in three Bond films: as a Nasa engineer in You Only Live Twice (1967), Captain Benson in The Spy Who Loved Me (1977) and Sir Hilary Bray in On Her Majesty's Secret Service (1969), in which he also dubbed the voice of George Lazenby – in that actor's one screen appearance as the secret agent – for a scene in which 007 impersonates his character.

  Television began to play a bigger part in Baker's career, with dramatic roles such as the second Number Two in The Prisoner (1967), Tiberius in I, Claudius (1976) and Detective Chief Inspector Roderick Alleyn in four feature-length adaptations of Ngaio Marsh's novels, made in New Zealand in 1977.
  
  He also had some success in sitcoms. After playing Peter Craven's boss in The Fenn Street Gang (1972), Baker was spun off into his own series, Bowler (1973), in which he was seen as a spiv and petty villain trying to exude class but failing abysmally. Later, alongside Penelope Keith in the first two series of No Job for a Lady (1990-91), he played the Conservative MP Godfrey Eagan, sparring with the newly elected Labour MP Jean Price.
  
  As a writer, Baker adapted four of the Ruth Rendell stories himself and scripted many radio dramas and the television play The Fatal Spring (1980), about the First World War poets Wilfred Owen, Siegfried Sassoon and Robert Graves, which won the United Nations Media Prize Award of Merit.
  
  In 1999, Baker underwent surgery to remove his prostate gland after being diagnosed with cancer. His autobiography, The Way to Wexford, was published three years later. He also collected together recipes from his own culinary exploits in A Cook for All Seasons (1989). In 2007, Baker was made an MBE for youth club fund-raising activities in his then home village of West Lavington, Wiltshire.
  
  George Morris Baker, actor, writer and director: born Varna, Bulgaria 1 April 1931; MBE
  
  2007; married 1950 Julia Squire (divorced 1974, died 1989; four daughters), 1974 Sally Home (died 1992; one daughter), 1993 Louie Ramsay (died 2011); died 7 October 2011.

  
  George Baker (I) (1931–2011)
  https://www.imdb.com/name/nm0048468/?ref_=nv_sr_1?ref_=nv_sr_1
  
  Filmography

  Actor (144 credits)
  
  2007 New Tricks (TV Series) - Steve Palmer
  - Ducking and Diving (2007) ... Steve Palmer
  2007 Heartbeat (TV Series)
  Maurice Dodson - - Vendetta (2007) ... Maurice Dodson
  2005 Spooks (TV Series) - Hugo Ross
  - Episode #4.8 (2005) ... Hugo Ross
  2005 Midsomer Murders (TV Series) - Charlie / Jack Magwood
  - The House in the Woods (2005) ... Charlie / Jack Magwood
  2003 Coronation Street (TV Series) - Cecil Newton 6 episodes
  - Episode #1.5635 (2003) ... Cecil Newton
  - Episode #1.5634 (2003) ... Cecil Newton
  - Episode #1.5633 (2003) ... Cecil Newton
  - Episode #1.5632 (2003) ... Cecil Newton
  - Episode #1.5631 (2003) ... Cecil Newton
  2001 Randall & Hopkirk (Deceased) (TV Series) - Berry Pomeroy
  - O Happy Isle (2001) ... Berry Pomeroy
  1987-2000 The Ruth Rendell Mysteries (TV Series) - Det. Chief Insp. Wexford / Det. Chief Insp. Reg Wexford / Chief Insp. Wexford / ... 50 episodes
  - Harm Done (2000) ... D.C.I. Wexford
  - Road Rage: Part Two (1998) ... D.C.I. Wexford
  - Road Rage: Part One (1998) ... D.C.I. Reg Wexford
  - Simisola: Part Three (1996) ... Det. Chief Insp. Reg Wexford
  - Simisola: Part Two (1996) ... Det. Chief Insp. Reg Wexford
  2000 Back to the Secret Garden - Will Weatherstaff
  
  1995 Johnny and the Dead (TV Mini-Series) - Alderman
  - Part 4 (1995) ... Alderman
  - Part 3 (1995) ... Alderman
  - Part 2 (1995) ... Alderman
  - Part 1 (1995) ... Alderman
  1995 Little Lord Fauntleroy (TV Mini-Series) - The Earl of Dorincourt 6 episodes
  - Episode #1.6 (1995) ... The Earl of Dorincourt
  - Episode #1.5 (1995) ... The Earl of Dorincourt
  - Episode #1.4 (1995) ... The Earl of Dorincourt
  - Episode #1.3 (1995) ... The Earl of Dorincourt
  - Episode #1.2 (1995) ... The Earl of Dorincourt
  1992 ITV Telethon (TV Series) - Chief Inspector Wexford
  - Telethon '92 (1992) ... Chief Inspector Wexford
  1990-1991 No Job for a Lady (TV Series) - Godfrey Eagan 12 episodes
  - No Rumour in the Truth (1991) ... Godfrey Eagan
  - Undesirable Aliens (1991) ... Godfrey Eagan
  - Poetic Justice (1991) ... Godfrey Eagan
  - White Knights (1991) ... Godfrey Eagan
  - But I Voted for You (1991) ... Godfrey Eagan
  1990 Hudson & Halls (TV Series) - Guest
  1980-1989 Minder (TV Series) - Cooper / Altman
  - Days of Fines and Closures (1989) ... Cooper
  - You Gotta Have Friends (1980) ... Altman
  1988 Journey's End (TV Movie) - The Colonel
  1988 For Queen & Country - Kilcoyne
  1988 Bergerac (TV Series) - Higgins
  - A Man of Sorrows (1988) ... Higgins
  1987 Out of Order - Chief Inspector
  1987 The Charmer (TV Mini-Series) - Harold Bennett
  - Gorse in the Middle (1987) ... Harold Bennett
  - Gorse, the Deceiver (1987) ... Harold Bennett
  1987 Miss Marple: At Bertram's Hotel (TV Movie) - Chief Inspector Fred Davy
  1986-1987 Screen Two (TV Series) - Greaves / Valentine Swift
  - Coast to Coast (1987) ... Greaves
  - Time After Time (1986) ... Valentine Swift
  1986 Lenny Henry Tonite (TV Series) - - Gronk Zillman (1986)
  1986 The Canterville Ghost (TV Movie) - Uncle Hesketh
  1986 Room at the Bottom (TV Series) - Director General
  - Winter Schedule (1986) ... Director General
  - The Siege (1986) ... Director General
  1984-1986 Robin Hood (TV Series) - Sir Richard of Leaford
  - The Power of Albion (1986) ... Sir Richard of Leaford
  - Herne's Son: Part 2 (1986) ... Sir Richard of Leaford
  - Herne's Son: Part 1 (1986) ... Sir Richard of Leaford
  - The Prophecy (1984) ... Sir Richard of Leaford
  1986 If Tomorrow Comes (TV Mini-Series) - Maximillian Pierpont
  - Episode #1.3 (1986) ... Maximillian Pierpont
  1986 Dead Head (TV Mini-Series) - Eldridge
  - The Patriot (1986) ... Eldridge
  - Anything for England (1986) ... Eldridge
  - Why Me? (1986) ... Eldridge
  1985 We'll Support You Evermore (TV Movie) - Colonel
  1985 Marjorie and Men (TV Series) - Norton Phillips
  - Be Your Age (1985) ... Norton Phillips
  1985 Bird Fancier (TV Movie) - Albert Seers
  1985 A Woman of Substance (TV Mini-Series) - Bruce McGill
  - Episode #1.3 (1985) ... Bruce McGill
  - Episode #1.2 (1985) ... Bruce McGill (credit only)
  - Episode #1.1 (1985) ... Bruce McGill
  1984 Hart to Hart (TV Series) - George Damos
  - Death Dig (1984) ... George Damos
  1984 Goodbye Mr. Chips (TV Mini-Series) - Meldrum
  - Episode #1.4 (1984) ... Meldrum
  - Episode #1.3 (1984) ... Meldrum
  - Episode #1.2 (1984) ... Meldrum
  - Episode #1.1 (1984) ... Meldrum
  1983 Spyship (TV Mini-Series) - Irving
  - Episode #1.1 (1983) ... Irving
  1983 The Secret Adversary (TV Movie) - Whittington
  1982-1983 Triangle (TV Series) - David West 52 episodes
  - Episode #3.26 (1983) ... David West
  - Episode #3.25 (1983) ... David West
  - Episode #3.24 (1983) ... David West
  - Episode #3.23 (1983) ... David West
  - Episode #3.22 (1983) ... David West
  1982 The Chinese Detective (TV Series) - Jack Balfe
  - Chorale (1982) ... Jack Balfe
  1982 Q.E.D. (TV Mini-Series) - Sir Harold Metcalfe
  - The Great Motor Race (1982) ... Sir Harold Metcalfe
  1982 Little Miss Perkins (TV Movie) - Mr. Macauley
  1981 The Gentle Touch (TV Series) - Gerald Harvey
  - The Hit (1981) ... Gerald Harvey
  1981 The Member for Chelsea (TV Series) - Mr. Chamberlain
  - Episode #1.3 (1981) ... Mr. Chamberlain
  - Episode #1.2 (1981) ... Mr. Chamberlain
  - Episode #1.1 (1981) ... Mr. Chamberlain
  1981 Goodbye Darling (TV Series) - Jonathan Cowper
  - Maude (1981) ... Jonathan Cowper
  - Anne (1981) ... Jonathan Cowper
  1981 Crown Court (TV Series)
  - The Merry Widow: Part 1 (1981)
  1981 Jackanory Playhouse (TV Series)
  Janaka
  - The Mouse, the Merchant and the Elephant (1981) ... Janaka
  1980 Doctor Who (TV Series) - Login
  - Full Circle: Part Four (1980) ... Login
  - Full Circle: Part Three (1980) ... Login
  - Full Circle: Part Two (1980) ... Login
  - Full Circle: Part One (1980) ... Login
  1980 Hopscotch - Parker Westlake
  1980 Ladykillers (TV Series) - Sir Terence O'Connor, Q.C.
  - Don't Let Them Kill Me on Wednesday (1980) ... Sir Terence O'Connor, Q.C.
  1980 Square Mile of Murder (TV Series) - Mr. Smith
  - A Kiss, a Fond Embrace - Part 2 (1980) ... Mr. Smith
  - A Kiss, a Fond Embrace - Part 1 (1980) ... Mr. Smith
  1980 ffolkes - Fletcher
  
  1979 Empire Road (TV Series) - Mr. Butterworth
  - Godfadder at Bay (1979) ... Mr. Butterworth
  1968-1979 ITV Playhouse (TV Series) - Robert Ballard / George King
  - Print Out (1979) ... Robert Ballard
  - The Bonegrinder (1968) ... George King
  1978 Died in the Wool (TV Movie) - Chief Detective Inspector Roderick Alleyn
  1978 The Thirty Nine Steps - Sir Walter Bullivant
  1977 Colour Scheme (TV Movie) - Chief Det. Insp. Alleyn
  1977 Vintage Murder (TV Movie) - Chief Det. Insp. Alleyn
  1977 Opening Night (TV Movie) - Chief Det. Insp. Alleyn
  1977 The Spy Who Loved Me - Capt. Benson
  1977 Three Piece Suite (TV Series) - Frank - This Situation / Brad Hunter (segment "Celluloid Dreams")
  - Come in, No.1/This Situation/All in the Mind (1977) ... Frank - This Situation
  - Miss/Celluloid Dreams/Mea Culpa (1977) ... Brad Hunter (segment "Celluloid Dreams")
  1976 I, Claudius (TV Mini-Series) - Tiberius 10 episodes
  - Old King Log (1976) ... Tiberius
  - Zeus, by Jove! (1976) ... Tiberius
  - Reign of Terror (1976) ... Tiberius
  - Queen of Heaven (1976) ... Tiberius
  - Some Justice (1976) ... Tiberius
  1976 Softly Softly: Task Force (TV Series) - Frank Chandler
  - Baked Beans (1976) ... Frank Chandler
  1976 Intimate Games - Professor Gottlieb
  1976 Get Some In! (TV Series) - Wing-Commander Birch
  - Flight (1976) ... Wing-Commander Birch
  1970-1976 Z Cars (TV Series) - Gerald / Calvin Flood / Gordon Glossop
  - A Preacher in Passing (1976) ... Calvin Flood
  - Friends (1974) ... Gordon Glossop
  - A Big Shadow: Part 2 (1970) ... Gerald
  - A Big Shadow: Part 1 (1970) ... Gerald
  1975 Sea Area Forties (Short) - Commentator (voice)
  1975 The Firefighters - Station Officer Harrison
  1975 Three for All - Eddie Boyes
  1975 Spy Trap (TV Series) - Colonel Jacoby
  - April Sixty-Seven (1975) ... Colonel Jacoby
  1975 Survivors (TV Series) - Arthur Wormley
  - Genesis (1975) ... Arthur Wormley
  1974 Whodunnit? (TV Series) - Det. Inspector Martin
  - The Final Chapter (1974) ... Det. Inspector Martin
  1974 Dial M for Murder (TV Series) - Martin Willis
  - Murder on Demand (1974) ... Martin Willis
  1974 Zodiac (TV Series) - Mark Braun
  - The Cool Aquarian (1974) ... Mark Braun
  1973 The Laughing Girl Murder (Short) - Chief Sopt Keegan
  1973 Bowler (TV Series) - Stanley Bowler 13 episodes
  - Without Let or Hindrance (1973) ... Stanley Bowler
  - Bowler's Analysis (1973) ... Stanley Bowler
  - The Family Tree (1973) ... Stanley Bowler
  - R.I.P. (1973) ... Stanley Bowler
  - Sweet and Sour Charity (1973) ... Stanley Bowler
  1973 Between the Wars (TV Series) - Walter Jeffries
  - Voyage in the Dark (1973) ... Walter Jeffries
  1973 A Warm December - Dr. Henry Barlow
  1973 Because of the Cats - Boersma
  1973 The Protectors (TV Series) - George Dixon
  - Your Witness (1973) ... George Dixon
  1973 Some Mothers Do 'Ave 'Em (TV Series) - Mr. Lewis
  - The Salesman's Job (1973) ... Mr. Lewis
  1972 The Fenn Street Gang (TV Series) - Mr. Bowler
  - Low Noon (1972) ... Mr. Bowler
  - The Left Hand Path (1972) ... Mr. Bowler
  - Smart Lad Wanted (1972) ... Mr. Bowler
  - The Great Frock Robbers (1972) ... Mr. Bowler
  1972 New Scotland Yard (TV Series) - John Randall
  - Two Into One Will Go (1972) ... John Randall
  1972 The Man Outside (TV Series) - Philip Lockley
  - Mandala (1972) ... Philip Lockley
  1972 The Main Chance (TV Series) - Major Donovan
  - Love's Old Sweet Song (1972) ... Major Donovan
  1971 The Persuaders! (TV Series) - Britten
  - Chain of Events (1971) ... Britten
  1971 BBC Play of the Month (TV Series) - Morell
  - Candida (1971) ... Morell
  1970 Fraud Squad (TV Series) - Bill Garland
  - Golden Island (1970) ... Bill Garland
  1970 The Goodies (TV Series) - Chief Beefeater
  - Tower of London (1970) ... Chief Beefeater
  1970 Up Pompeii! (TV Series) - Jamus Bondus
  - Secret Agents Jamus Bondus (1970) ... Jamus Bondus
  1970 The Executioner - Philip Crawford
  1970 Doomwatch (TV Series) - John Mitchell
  - Train and De-Train (1970) ... John Mitchell
  1970 Paul Temple (TV Series) - Mark
  - Games People Play (1970) ... Mark
  1970 Kate (TV Series) - Tom Prentice
  - One Good Turn (1970) ... Tom Prentice
  
  1969 On Her Majesty's Secret Service - Sir Hilary Bray
  1969 Goodbye, Mr. Chips - Lord Sutterwick
  1969 Justine - British Ambassador David Mountolive
  1968 The Sex Game (TV Series) - - Women Can Be Monsters (1968)
  1968 Harry Worth (TV Series) - Wing Commander Stebbs
  - Private Pimpernel (1968) ... Wing Commander Stebbs
  1968 Comedy Playhouse (TV Series)
  Commander Benbow (Naval Attaché)
  - Stiff Upper Lip (1968) ... Commander Benbow (Naval Attaché)
  1957-1968 Armchair Theatre (TV Series)
  Kenny Baker / Theodore Quill / Mike / ...
  - Mrs Capper's Birthday (1968) ... Kenny Baker
  - Love Life (1967) ... Theodore Quill
  - The Paraffin Season (1965) ... Mike
  - The Pillars of Midnight (1958) ... Dr. Stephen Monks
  - The Constant Stranger (1957)
  1968 Thirty-Minute Theatre (TV Series) - Ernest Whipple
  - Happiness Is E Shaped (1968) ... Ernest Whipple
  1967 The Prisoner (TV Series) - The New Number Two
  - Arrival (1967) ... The New Number Two
  1967 You Only Live Twice - NASA Engineer (uncredited)
  1967 Half Hour Story (TV Series) - Tim Johnson
  - Myself, I have Nothing Against South Ken (1967) ... Tim Johnson
  1967 Seven Deadly Virtues (TV Series) - Martin
  - Surface of Innocence (1967) ... Martin
  1967 Mister Ten Per Cent - Lord Edward
  1965-1967 The Wednesday Play (TV Series) - Jacques / Louie Summers / Rev Charles Lutwidge Dodson / ...
  - Days in the Trees (1967) ... Jacques
  - The Big Man Coughed and Died (1966) ... Louie Summers
  - Alice (1965) ... Rev Charles Lutwidge Dodson
  - The Navigators (1965) ... Vera
  1966 The Baron (TV Series) - Frank Ashton
  - So Dark the Night (1966) ... Frank Ashton
  1966 ITV Sunday Night Drama (TV Series) - Patrick
  - Four Triumphant: St Patrick (1966) ... Patrick
  1966 Theatre 625 (TV Series) - Matthew Hobhouse / Edward Jackson
  - Up and Down (1966) ... Matthew Hobhouse
  - The Queen and Jackson (1966) ... Edward Jackson
  1966 The Master (TV Series short) - Squadron-Leader Frinton
  - Death by Misadventure (1966) ... Squadron-Leader Frinton
  - World of Disbelief (1966) ... Squadron-Leader Frinton
  - The Squadron Leader (1966) ... Squadron-Leader Frinton
  - Behind the Antlers (1966) ... Squadron-Leader Frinton
  - Totty McTurk (1966) ... Squadron-Leader Frinton
  1965 Londoners (TV Series) - Bruce
  - Common Ground (1965) ... Bruce
  1965 Undermind (TV Series) - Thallon
  - End Signal (1965) ... Thallon
  1965 Drama 61-67 (TV Series)
  - Drama '65: A Question of Disposal (1965)
  1965 The Sullavan Brothers (TV Series) - Edward Drayton
  - Insufficient Evidence (1965) ... Edward Drayton
  1965 Curse of the Fly - Martin Delambre
  1965 Gideon C.I.D. (TV Series) - Bailey
  - The Great Plane Robbery (1965) ... Bailey
  1964 Curtain of Fear (TV Series) - Stewart Caxton 6 episodes
  - The Regan Solution (1964) ... Stewart Caxton
  - The Shand Solution (1964) ... Stewart Caxton
  - The Linton Compact (1964) ... Stewart Caxton
  - The Tannikov Dilemma (1964) ... Stewart Caxton
  - The Liebert Question (1964) ... Stewart Caxton
  1964 Thursday Theatre (TV Series) - Geoffrey Harrison
  - Any Other Business (1964) ... Geoffrey Harrison
  1964 Rupert of Hentzau (TV Series) - Rudolf Rassendyll / King Rudolf V 6 episodes
  - The Decision of Fate (1964) ... Rudolf Rassendyll
  - A Perilous Reunion (1964) ... Rudolf Rassendyll
  - The Wheel of Chance (1964) ... Rudolf Rassendyll / King Rudolf V
  - Audience with the King (1964) ... Rudolf Rassendyll / King Rudolf V
  - Return to Zenda (1964) ... Rudolf Rassendyll / King Rudolf V
  1964 The Finest Hours (Documentary) - Lord Randolph (voice)
  1964 The Full Man (TV Series documentary) - MacBeth
  - Tragedy (1964) ... MacBeth
  1963 Sword of Lancelot - Sir Gawaine
  1963 It Happened Like This (TV Series) - Miles Standish
  - The Hidden Witness (1963) ... Miles Standish
  1962 Zero One (TV Series) - Cargan
  - Glidepath (1962) ... Cargan
  1961 Maigret (TV Series) - Dominic Père
  - The Simple Case (1961) ... Dominic Père
  1957-1961 ITV Play of the Week (TV Series) - Giorgio / Docker Starkie / Biff Loman / ...
  - Faraway Music (1961) ... Giorgio
  - The Square Ring (1959) ... Docker Starkie
  - Death of a Salesman (1957) ... Biff Loman
  - The Guinea Pig (1957) ... Nigel Lorraine
  1961 ITV Television Playhouse (TV Series) - Louis Cornudet
  - Boule de Suif (1961) ... Louis Cornudet
  1961 The Dickie Henderson Show (TV Series)
  - The Exchange Visit (1961)
  1961 Probation Officer (TV Series) - Bill Walker
  - Episode #2.31 (1961) ... Bill Walker
  
  1959 Nick of the River (TV Series) - Det. Insp. D.H.C. 'Nick' Nixon
  - Episode #1.9 (1959) ... Det. Insp. D.H.C. 'Nick' Nixon
  - Episode #1.8 (1959) ... Det. Insp. D.H.C. 'Nick' Nixon
  - The Mystery of Cabin 5 (1959) ... Det. Insp. D.H.C. 'Nick' Nixon
  - Episode #1.6 (1959) ... Det. Insp. D.H.C. 'Nick' Nixon
  - Episode #1.5 (1959) ... Det. Insp. D.H.C. 'Nick' Nixon
  Show all 9 episodes
  1958 Tread Softly Stranger - Johnny Mansell
  1958 The Moonraker - The Moonraker
  1958 The Truth About Melandrinos (TV Series) - David Westbrook
  1958 Doomsday for Dyson (TV Movie) - Goltsev
  1957 No Time for Tears - Dr. Nigel Barnes
  1957 Dangerous Youth - Padre
  1957 BBC Sunday-Night Theatre (TV Series) - Percy French
  - The Last Troubadour (1957) ... Percy French
  1956 Hell in Korea - The National Servicemen: Lt. Butler / Lt Butler
  1956 Adventure Theater (TV Series) - - The Wilful Widow (1956)
  1956 The Extra Day - Steven Marlow
  1956 The Gentle Touch - Jim
  1955 The Woman for Joe - 'Joe Harrop'
  1955 The Dam Busters - Flight Lieutenant D. J. H. Maltby, D.S.O., D.F.C.
  1955 PT Raiders - Bill Randall
  1953 The Intruder - Adjutant
  
  Writer (3 credits)
  
  1991-1998 The Ruth Rendell Mysteries (TV Series) (adaptation - 5 episodes)
  - Road Rage: Part Two (1998) ... (adaptation)
  - Road Rage: Part One (1998) ... (adaptation)
  - The Strawberry Tree: Part 1 (1995) ... (adaptation)
  - The Mouse in the Corner: Part One (1992) ... (adaptation)
  - From Doon with Death: Part One (1991) ... (adaptation)
  1982 Imaginary Friends (TV Movie) (adaptation)
  1980 BBC2 Playhouse (TV Series) (screenplay - 1 episode)
  - Fatal Spring (1980) ... (screenplay)
  
  Miscellaneous Crew (1 credit)
  1992 The Ruth Rendell Mysteries (TV Series) (production associate - 3 episodes)
  - Kissing the Gunner's Daughter: Part One (1992) ... (production associate)
  - The Mouse in the Corner: Part One (1992) ... (production associate)
  - The Speaker of Mandarin: Part One (1992) ... (production associate)
  
  Soundtrack (1 credit)
  
  1987 Miss Marple: At Bertram's Hotel (TV Movie) (performer: "Three Little Maids from School Are We" (1885), "A Policeman's Lot Is Not A Happy One" (1887) - uncredited)

  
  
  
  
  

  2012: The "Skyfall" single charts at #4 in the UK 48 hours after release, later peaking at #2.

  
  

  2014: Dynamite Entertainment receives its licence to James Bond material.
  2015: Daniel Craig jokingly tells Time Out "I'd rather break this glass and slash my wrists" than do another Bond film. And that if he did, it "would only be for the money."

  
  

  Daniel Craig interview: ‘My advice to
  the next James Bond? Don’t be shit!’
  

  See the complete article here:
  

  https://www.timeout.com/london/film/daniel-craig-interview-my-advice-to-the-next-james-bond-dont-be-shit

  As Daniel Craig bursts back onto our screens as 007, he talks to Time Out about staying in
  shape, Sam Mendes and ‘Spectre’
  By Dave Calhoun Posted: Wednesday October 7 2015
  

  
  Photograph: Paul Stuart. Styling: Gareth Scourfield

  
  
• RichardTheBruce I'm motivated by my Duty.

  October 2020 Posts: 13,787

  October 8th
  
  1963: From Russia with Love press screening at the Leicester Square Odeon, London.

  

  1965: A five-day serialization of Octopussy finishes in The Daily Express.

  https://illustrated007.blogspot.com/2012/06/daily-express-illustrations-by-robb.html
  
  

  1965: The Daily Telegraph reports "James Bond as Villain in Soviet Novel.”
  
  1972: Roger Moore travels to New Orleans, Louisiana.

  
  

  
  1981: For Your Eyes Only released in Colombia.
  1983: Author Steven Jay Rubin hosts the 007 Master Trivia Marathon near Los Angeles.
  
  2011: Duntrune Castle's owners confirm the filmmakers pursued it as a possible location for the final action sequence at the Bond family estate.

  
  
  

  2012: Christie's of London hosts an online charity auction celebrating the 50th anniversary of the Bond movie franchise, ending this date after 11 days.
  2013: HarperCollins publishes William Boyd's Bond novel Solo in the US.

  IT'S 1969, AND, HAVING JUST
  celebrated his forty-fifth birthday, James
  Bond -- British special agent 007 -- is sum-
  moned to headquarters to receive an un-
  usual assignment. Zanzarim, a troubled West
  African nation, is being ravaged by a bitter
  civil war, and M directs Bond to quash the
  rebels threatening the established regime.
  
  Bond's arrival in Africa marks the start
  of a feverish mission to discover the forces
  behind this brutal war -- and he soon realizes
  the situation is far from straightforward.
  Piece by piece, Bond uncovers the real cause
  of the violence in Zanzarim, revealing a
  twisting conspiracy that extends further
  than he ever imagined.
  
  Moving from rebel battlefields in West
  Africa to the closed doors of intelligence
  office in London and Washington, this novel
  is at once a gripping thriller, a tensely plotted
  story full of memorable characters and
  breathtaking twists, and a masterful study
  of power and how it is wielded -- a brilliant
  addition to the James Bond canon.

  WILLIAM BOYD
  is also the author of A Good Man in Africa,
  winner of the Whitbread Award and the
  Somerset Maugham Award; An Ice-Cream
  War, winner of the John Llewellyn Rhys
  Prize and shortlisted for the Booker Prize;
  Brazzaville Beach, winner of the James Tait
  Black Memorial Prize; Restless, winner of the
  Costa Novel of the Year; Ordinary Thunder-
  storms; and Waiting for Sunrise; among other
  books. He lives in London.
  

  WWW.IANFLEMING.COM

  
  
  

  2015: Title song "Writing's on the Wall" reaches #1 on the UK charts, first ever for a James Bond film.

  
  

  2015: Bloomsbury Publishing PLC releases The Man with the Golden Typewriter.

  
  
  
  

  2016: Daniel Craig on the Bond role: "As far as I'm concerned, I've got the best job in the world.
  I'll keep doing it as long as I still get a kick out of it."

  

  Is Daniel Craig not quitting as Bond after all?
  "I've got the best job in the world"​

  Maybe hold off on those Hiddleston/Elba bets for now.

  See the complete article here:
  

  http://www.digitalspy.com/movies/james-bond-007/news/a810428/daniel-craig-not-quitting-bond-best-job-in-the-world/

  By Sam Warner | 08/10/2016
  
  Sony Pictures
  
  Will he? Won't he? It's the question that has plagued Bond fans for the better part of the year - or at least since Spectre was released.
  
  And it looks like Daniel Craig is still happy to keep us all guessing, as despite previously saying he would rather "slash his wrists" than play the role of James Bond again, now it seems Daniel is still up for returning again after all.
  
  "They say that shit sticks, and that definitely stuck," he said at the New Yorker Festival last night (October 8) when recalling that particular statement, Vulture reports.
  
  "It was the day after filming [stopped on Spectre]," he explained. "I'd been away from home for a year."
  
  Craig also added that the physical strains of the role coupled with the filming schedule taking him a great distance away from his family had all taken its toll on him - but not enough to completely dampen his spirits about playing 007.
  
  "Boo-hoo," he added. "It's a good gig. I enjoy it."
  
  He continued: "As far as I'm concerned, I've got the best job in the world. I'll keep doing it as long as I still get a kick out of it."
  
  So, he's staying then? At the very least, it looks like Craig doesn't want to NOT be Bond, adding later on that "if [he] were to stop doing it, [he'd] miss it terribly".
  
  Randy Holmes / ABCGetty Images
  
  Of course, after his original controversial comments, speculation hit fever drive over who could potentially replace the star as 007 should he not return.
  
  Tom Hiddleston and Idris Elba have been seen by many as the frontrunners - Game of Thrones' Rose Leslie is firmly on Team Idris, for one - although maybe those bets are off for the moment, going by Craig's latest comments.
  
  He is, after all, still "absolutely" the producers' first choice to play Bond despite his return still being up in the air.
  
  "I know [producers Barbara Broccoli and Michael G Wilson] are hoping for him to come back," executive producer Callum McDougall revealed earlier this year, though he still didn't know if Craig had signed on or not.
  
  So, the role is still his if he wants it (and the rumoured $150 million that goes with it), so let's remind ourselves of what makes Craig so good as Bond by re-watching the Spectre trailer:
  
  

  
  
• RichardTheBruce I'm motivated by my Duty.

  October 2020 Posts: 13,787

  October 9th
  
  1902: Frederick Archibald (Freddie) Young is born--London, England.
  (He dies 1 December 1998 at age 96--London, England.)

  

  Gentleman Genius
  All Time Greats / Freddie Young OBE, BSC, ASC

  See the complete article here:
  

  https://britishcinematographer.co.uk/freddie-young-obe-bsc-asc/

  Frederick Archibald Young was born on 9 October 1902 in London. He entered the film industry in 1917 at Lime Grove Studios, West London.
  
  At that time it was run by Gaumont and had a glass exterior to allow light for shooting. Later it was re-built. It became Gaumont British in 1922. Young said the glasshouse was good in theory but in practice wasn’t so good. If it was a foggy day the studio became a pea souper. If it was cloudy, lights would be required to provide exposure, but if the sun came out the studio would be filled with sunlight and the shot would be ruined.
  
  Young started in the laboratory and eventually moved into cameras, remaining with the studio for ten years. In those days he operated the Debrie Parvo camera. He worked with a cameraman called Arthur Brown. Later, Bill Shenton worked there and despite only having one eye he was considered to be a very good cameraman. Eventually the studio became the home to BBC Television. Housing now stands on the site. One of the films he worked on after leaving Gaumont was Hitchcock’s Blackmail (1929) photographed by Jack Cox and made at British International Pictures (BIP). Young was asked to shoot a montage for the silent version.
  
  For several years he worked at British and Dominions at Elstree for producer and director Herbert Wilcox. Cinematographer Oswald Morris said: “He was a powerful cinematographer. He treated filmmaking rather like being in the army. There was strict discipline. At the height of his career his crew had to call him Mr Young.”
  
  Sir Sydney Samuelson says: “The first technical marvel for which he was responsible, and which held me in awe of his genius, was as far back as 1938 on Sixty Glorious Years. I remember two technical aspects quite clearly. One sequence was an early example of British Technicolor three-strip. There was a remarkable ballroom scene, which was achieved by means of an early matte shot. Called something like the ‘Shufton process’. There was a glorious wide-angle shot of an elegant ballroom. Freddie once told me that as clever as Shufton was, the most stunning effect was actually brought about by him, pricking holes in the top part of the back of the matte then shining through each chandelier painted on its front. Amazing!”
  
  During WW2 Young was in the Army Kinematograph Service with Freddie Francis. Francis said: “He always insisted on being called Mr Young or sir. After the war Freddie was Freddie to everyone.”
  
  Young was the first President of the BSC 1949-1952. He was President again from 1957-1960. He was also a member of the ASC and Fellow of the Royal Photographic Society (FRPS).
  
  Following the war Young became head of cameras at MGM Elstree. “I suppose it was the finest studio in the country. It had a beautiful lot and was beautifully equipped,” remarked Young.
  
  Renowned director Nicolas Roeg, who worked with Young at MGM and later photographed the second unit on Lawrence of Arabia, said Freddie was a terrific guy to work with.
  
  In 1959, faced with a pay cut due to production cuts Young decided to leave the company. The day after leaving he realised that it was the first time he’d been out of work since 1917. In 1960 he was approached by producer Sam Spiegel to photograph Lawrence Of Arabia for director David Lean. Other notable directors he worked with include George Cukor, John Ford and John Huston.
  
  He first met Lean on Major Barbara (1941). Lawrence was released in 1962 and was the start of three 65mm wide screen pictures with Lean, earning Young three Oscars. Sydney Samuelson said: “Young is definitely ‘the master’ in my book of cineastes. Arguably and certainly in his era he was the best cameraman in the world. I had the pleasure of involvements with him and his crew from Lawrence Of Arabia onwards. David Lean was such a brilliant storyteller but nobody when working on one of his movies would accuse him of being easygoing. Freddie carried on for him regardless of personal and technical problems. Apart from three American Oscars Freddie won many awards including only the second Fellowship after Hitchcock from our own Academy BAFTA.”
  
  The three films he made with Lean were a challenge. “Lawrence Of Arabia took two years and was shot in Spain, Morocco and Jordan. The heat in the desert was a dry heat of 110 degrees. We had a sunshade over the camera and a wet cloth on top of the camera, which acted like refrigerator. We never saw rushes, the results were cabled from London. The famous mirage scene was shot using a 500mm lens. This was obtained from Panavision in Hollywood along with the rest of the camera equipment,” said Young.
  
  His next outing with Lean was Dr Zhivago (1965). It was filmed in the heat of Spain but was set in Russia, so a lot of faking was required. Some was shot in Finland. “We painted trees white, coloured hedge rows with white plastic and used hundreds of tons of marble dust,” said Young. “We used a blue filter for much of the film and it was my hardest technically.”
  
  His final film for Lean was Ryan’s Daughter (1971). The whole of the film is set on the west coast of Ireland. He said: “Winter came and the summer scenes hadn’t been completed, so the main unit went to South Africa, a second unit stayed behind headed by Roy Stevens. Denys Coop was in charge of the cinematography. Lean gives you an inspiration so you go out of your depth and try and do something extraordinary.”
  
  In conversation with cinematographer Robin Vidgeon’s wife Angela, Young said: “Whenever I had a candlelit scene I would go into a dark room, light a candle, sit and watch it for a while, blow it out and then take those images to set and light accordingly.”
  

  "Lawrence Of Arabia took two years and was shot in Spain, Morocco and Jordan. The heat in the desert was a dry heat of 110 degrees."
  - Freddie Young OBE, BSC, ASC

  
  In 1992 Lawrence of Arabia was re-launched and Young went to several screenings. At one screening Steven Spielberg told him it was seeing Lawrence in 1962 that made him decide a film career was for him.
  
  Later in 1992 he was invited to speak to film students at the royal college of art. In July 1994 the college honoured him by making him a doctor of art.
  
  Young said that people often asked him about his techniques. He said he had no plan or technique; he lit the scene according to what was in the script.
  
  Following Ryan’s Daughter he carried on shooting until 1983. The same year he directed Arthur’s Hallowed Ground, his only film as director and the last he worked on. After this he shot commercials until his retirement aged eighty-five. His autobiography was published by Faber and Faber in 1999 called Seventy Light Years, which can be obtained through Amazon.
  
  Finally, he said: “I worked in the industry for seventy years, photographing more than 120 films and being paid for a job I love. At the age of ninety-six I look back and think I’ve been incredibly lucky.”
  
  Freddie Young OBE passed away on 1 December 1998 age 96.

  
  Freddie Young (I) (1902–1998)
  https://www.imdb.com/name/nm0002875/
  
  Filmography

  Cinematographer (130 credits)
  
  1985 Invitation to the Wedding
  1984 Sword of the Valiant: The Legend of Sir Gawain and the Green Knight
  1981 Stainless Steel and the Star Spies (TV Movie)
  1980 Ike: The War Years (TV Movie)
  1980 Richard's Things (director of photography)
  1980 Rough Cut
  
  1979 Bloodline
  1978 Stevie (director of photography)
  1977 The Man in the Iron Mask (TV Movie) (director of photography)
  1976 The Blue Bird (director of photography)
  1975 The Executioner
  1974 Great Expectations (TV Movie) (director of photography)
  1974 The Tamarind Seed (director of photography)
  1974 Love from A to Z (TV Movie)
  1974 Luther
  1972 The Asphyx
  1971 Nicholas and Alexandra (director of photography)
  1970 Ryan's Daughter (photographed by)
  1970 The Maker and the Process (TV Short)
  1969 Battle of Britain (director of photography)
  1969 Sinful Davey (director of photography)
  1967 You Only Live Twice (director of photography)
  1967 The Deadly Affair (director of photography)
  1965 Doctor Zhivago (director of photography)
  1965 Rotten to the Core
  1965 Lord Jim (as Frederick A. Young)
  1964 The 7th Dawn (as Frederick Young, photographed by)
  1962 Lawrence of Arabia (director of photography - as F.A. Young)
  1961 Loss of Innocence (as Frederick A Young, photographed by)
  1961 Hand in Hand (director of photography - as F.A. Young)
  1961 Gorgo (director of photography - as F.A. Young)
  1960/III Macbeth (TV Movie) (as F.A. Young)
  
  1959 Solomon and Sheba (director of photography - as Fred A. Young)
  1958 The Inn of the Sixth Happiness (director of photography - as F.A. Young)
  1958 Indiscreet (director of photography - as Frederick A. Young)
  1958 Gideon of Scotland Yard (director of photography - as Frederick A. Young)
  1958 I Accuse! (director of photography)
  1957 Island in the Sun
  1957 The Little Hut (as F.A. Young)
  1957 The Barretts of Wimpole Street (as F.A. Young)
  1956 Beyond Mombasa (as Frederick A. Young)
  1956 Lust for Life (director of photography - as F.A. Young)
  1956 Invitation to the Dance (segments "Circus", "Ring Around the Rosy", as F.A. Young)
  1956 Bhowani Junction (director of photography - as F.A. Young)
  1955 Bedevilled
  1954 Betrayed (as F.A. Young)
  1953 Knights of the Round Table (director of photography - as F.A. Young)
  1953 Mogambo (director of photography - as F.A. Young)
  1953 Terror on a Train (as F.A. Young)
  1952 Ivanhoe (director of photography - as F.A. Young)
  1952 Giselle (Short)
  1951 Calling Bulldog Drummond (as F.A. Young)
  1950 Treasure Island (as F.A. Young)
  
  1949 Conspirator (as F.A. Young, photographed by)
  1949 Edward, My Son (as F.A. Young)
  1948 The Winslow Boy (director of photography)
  1948 Escape (as Frederick A. Young)
  1947 While I Live (director of photography - as F.A. Young)
  1947 So Well Remembered (director of photography - as Frederick A. Young)
  1946 Bedelia (as Frederick A. Young)
  1945 Caesar and Cleopatra (as F.A. Young, photography)
  1942 The Young Mr. Pitt (director of photography - as Frederick Young)
  1941 49th Parallel (director of photography - as Frederick Young)
  1940 Haunted Honeymoon (as F.A. Young, photography)
  1940 Suicide Legion
  1940 Blackout (as F.A. Young)
  
  1939 Nurse Edith Cavell (director of photography - as F.A. Young)
  1939 Goodbye, Mr. Chips (as F.A. Young, photographed by)
  1938 Queen of Destiny (as F.A. Young)
  1938 A Royal Divorce
  1937 Millions (uncredited)
  1937 The Rat (as F.A. Young)
  1937 Victoria the Great (as F.A. Young)
  1937 Backstage
  1937 The Frog (as F.A. Young)
  1937 Girl in the Street (as F.A. Young)
  1936 The Show Goes On (as F.A. Young)
  1936 This'll Make You Whistle
  1936 Two's Company
  1936 Fame
  1936 When Knights Were Bold (as F.A. Young)
  1935 Come Out of the Pantry
  1935 Peg of Old Drury (as F.A. Young, photography)
  1935 Escape Me Never (uncredited)
  1934 The King of Paris
  1934 Nell Gwyn (as F.A. Young)
  1934 Girls Please!
  1934 Runaway Queen
  1933 It's a King (as F.A. Young)
  1933 Just My Luck
  1933 Night of the Garter
  1933 Up for the Derby
  1933 A Cuckoo in the Nest (uncredited)
  1933 Trouble
  1933 That's a Good Girl
  1933 Summer Lightning
  1933 Yes, Mr. Brown
  1933 Bitter Sweet (as F.A. Young)
  1933 The Little Damozel
  1933 The King's Cup
  1932 Leap Year
  1932 The Love Contract
  1932 Thark
  1932 The Mayor's Nest
  1932 Magic Night
  1932 A Night Like This
  1932 The Blue Danube
  1931 Up for the Cup
  1931 Mischief
  1931 Venetian Nights (as F.A. Young)
  1931 The Chance of a Night Time
  1931 Tilly of Bloomsbury
  1931 The Speckled Band (as F.A. Young)
  1931 The Sport of Kings (as Fred Young)
  1930 Tons of Money
  1930 Plunder
  1930 A Warm Corner (as Fred Young)
  1930 Canaries Sometimes Sing
  1930 On Approval
  1930 Die Somme: Das Grab der Millionen (as Frederick Young)
  1930 The Loves of Robert Burns (uncredited)
  1930 The W Plan
  1930 One Embarrassing Night (uncredited)
  
  1929 White Cargo
  1929 A Peep Behind the Scenes
  1929 The Bondman
  1928 Blue Bottles (Short) (as F.A. Young)
  1928 Day-Dreams (Short)
  1928 The Tonic (Short)
  1928 Victory
  
  Camera and Electrical Department (8 credits)
  
  1979 Ike: The War Years (TV Mini-Series) (cinematographer - 2 episodes)
  - Part II (1979) ... (cinematographer: UK)
  - Part I (1979) ... (cinematographer: UK)
  
  1959 The Wreck of the Mary Deare (additional photographer - as F.A. Young)
  1956 Van Gogh: Darkness Into Light (Documentary short) (cinematographer: scenes from "Lust for Life (1956)
  1954 The Last Time I Saw Paris (location camera - uncredited)
  
  1927 The Somme (second camera operator)
  1927 The Flag Lieutenant (second camera operator)
  1922 Rob Roy (assistant camera)
  
  1919 The First Men in the Moon (film development technician)
  
  Director (1 credit)
  
  1984 Arthur's Hallowed Ground (TV Movie)

  
  

  
  1959: The Spectator publishes Ian Fleming's article "If I Were Prime Minister".

  

  If I were prime minister, by Ian Fleming

  https://blogs.spectator.co.uk/2015/05/if-i-were-prime-minister-by-ian-fleming/
  Ian Fleming | 14 May 2015
  
  This article was first published in The Spectator on 9 October, 1959.
  
  I am a totally non-political animal. I prefer the name of the Liberal Party to the name of any other and I vote Conservative rather than Labour, mainly because the Conservatives have bigger bottoms and I believe that big bottoms make for better government than scrawny ones. I only once attended a debate in the House of Commons. It was, I think, towards the end of 1938 when we were unattractively trying to cajole Mussolini away from Hitler. I found the hollowness and futility of the speeches degrading and infantile and the well-fed, deep-throated ‘hear, hears’ for each mendacious platitude verging on the obscene. If this is politics, I reflected, I would much rather not see it happening and I swore never to re-enter the Chamber. I never have.
  
  My own particular hero is Sir Alan Herbert, an independent-minded though admittedly think-shanked man, who swimming alone, stayed out of the muddy red and blue stream and more or less single-handed changed a section of our law for the benefit of the common man. And of course I have the affectionate reverence for Sir Winston Churchill that most of us share. But in general I regard politicians as a race apart and if the Bottle Imp were to offer me high office I would accept, and that with reluctance, nothing less than the Premiership.
  
  On taking office, I would concentrate on small things.
  
  The big things — the H-bomb, the conquest of outer space, the colour problem— these are too vast and confused for one man’s brain; I would leave them to my ministers and to the wave of common sense, which, it seems to me, by a process of osmosis between peoples rather than between politicians, is taking a rapid and healthy control of the world.
  
  My first ‘Action This Day,’ through my Minister of Transport, would be simple but significant: on the road signs displaying a diamond-studded black banana with the word ‘CURVE’ underneath, I would have the word ‘CURVE’ removed. By this and other small tokens, I would proclaim that the English people are no longer babies and that, after all these years of universal education, I propose to deal with the citizens as if they were in fact universally educated. All my education would start with this assumption.
  
  Next, I would try and stop people being ashamed of themselves. In the United Kingdom we have a basically nonconformist conscience and the fact that taxation, controls and certain features of the welfare state have turned the majority of us into petty criminals, liars and work-dodgers is, I am sure, having a very bad effect of the psyche of the kingdom. Tax-dodging in all its forms would have my attention and I would proceed to reduce income tax, surtax and death duties by the maximum amount possible in exchange for abolishing all expense accounts and other forms of fiscal chicanery. Motor-cars, whether Rolls-Royces or Fords, owned by a company, would have the name of that company displayed in half-inch letters in a prominent position so that if a company’s car was seen disgorging a load of mink and cigar smoke in theatreland in the evening, any of the company’s shareholders who happened to be a witness could, if he wanted, ask the company to justify the use of a company vehicle. But the real deterrent would be snobbery. I think everyone would gain morally by this legislation and no real harm would be done to anyone. To begin with, of course, the restaurants would suffer from the absence of the expense-account aristocracy who have ridiculously inflated the price of meals all over the world, while at the same time deflating the quality of the food. I would hope that the really good restaurants would survive, but that the hosts of bogus eating places with Algerian ‘Infuriator’ (otherwise known as ‘Instant’ Burgundy), described as Beaujolais selling at 15s. for half a carafe, would disappear.
  
  Having looked after the moral fibre of the ‘Haves,’ I would next direct my attention to the work-shy ‘Have-nots,’ being convinced that the man who is not returning good work for good money is basically ashamed of himself. In consultation with the trade unions, I would devise a scheme of benevolent Stakhanovism. There would be a minimum wage in every industry, but rapidly mounting merit bonuses for real work in either quantity or quality. This would not abolish tea breaks or the games of whist but make them unpopular with the wives. I would also request the trade unions to re-examine the whole question of overtime. Having obtained an eight-hour day and a five-day week, it seems to me wrong that workers should use two extra days and many extra hours earning overtime double money when they should be enjoying the leisure and repose they have fought to obtain.
  
  And while on the subject of leisure, I would certainly consider appointing a Minister of Leisure, with a small staff, to make every effort to enhance the pleasure people get from their increasing spare time.
  
  Having observed at close quarters the great waste of money on paint and canvases in one of our art schools, I am not convinced that the welfare ‘artist,’ copying as he usually does, one or another, or very often several, of the modern theories of painting, is worth encouraging any farther. Instead, therefore, of spending larger sums on the arts, I would spend them on the crafts. I would encourage the fine metal workers, enamellers, binders, printers, woodworkers, etc., in a most lavish fashion and attempt to arrest at once the decline of the craftsman, even down to the lowly thatcher.
  
  To give the craftsman, the designer and, of course, the artist an outlet for his capabilities, I would take the Rolls-Royce motor-car as an example and persuade all manufacturers that, let us say, 5 per cent of output should consist of an absolutely top-grade, luxury product in which price is an entirely secondary consideration. Every firm would then be producing, perhaps only in small quantities, the Rolls-Royce of its particular line of manufacture — real grain whisky and gin, quintessentially distilled, ice-cream made with real strawberries and real cream, lavatory paper as luxurious as a peach skin, scissors that actually cut your nails, and so on through the list of all our products. By this means I would make quality goods available to those here and abroad who like these things and can afford them and I would hope to educate the admass to eschew the shoddy. Coincidentally, in the world’s markets, ‘British made’ would go back to the place where it used to belong.
  
  Next I should proceed to a complete reform of our sex and gambling laws and endeavour to cleanse the country of the hypocrisy with which we so unattractively clothe our vices. To deal only with my most far-reaching proposal, I would consult with my Minister of Leisure about the possibility of turning the Isle of Wight into one vast pleasuredome (cf. Fr. Baisodrome) which would be a mixture of Monte Carlo, Las Vegas, pre-war Paris and Macao. Here there would be casinos (they are building one on Gibraltar and they have one in Nassau; why not one on the Isle of Wight?) and the most luxurious maisons de tolérance in the world. Bingo, poker, faro, fan-tan, craps— even whist drives with money prizes! This would be a world where the frustrated citizen of every class could give full rein to those basic instincts for sex and gambling which have been crushed through the ages. At last our cliff-girt libido would have an outlet and the sleazy strip-tease joints, rump-sprung street-walkers and backroom card games would be out of business forever. Since it is impossible to suppress the weaknesses of mankind, I would at least put an honest face on the problem and do something to release the homme moyen sensuel, or femme for the matter of that, from some of their burden of shame and sin.
  
  After dealing with the spiritual comfort of the electorate, I would proceed to his physical state, and my first step would be the abatement of noise, carbon-monoxide gas and exasperation caused by the traffic problem in our big towns. I would solve these with the help of Mr Francis Bacon’s recently invented, much-publicized battery. Our present internal-combustion engine is a ridiculous steam-age contraption which turns only a modest proportion of fuel into energy and spews the rest out in the form of petrol vapour of a more or less solid consistency. When there is no wind, this lies in a dense layer in our streets and we breathe it in day and night. It then rises into the upper atmosphere, where I am told, it forms a kind of envelope round the world which has the effect of interfering with the beneficial rays of the sun. Whether that is so or not, the petrol engine is obviously a noxious and noisy machine, and I would gradually abolish and replace it by some form of electric motor. This would take some time, but I would hope that, within three years of assuming office, I could have converted the whole of central London to electric transport. Very cheap, State-owned garages would be built at the point of entry into London of our main roads and drives would there transfer into electric buses or the Underground and later into cheap, state-run electric taxis. There would be quiet, no smell and no parking problems. Gradually I would extend this system to our other great towns and in due course the problem would be solved for the whole country.
  
  In an attempt to make government more honest, I would face up to the fact that my Exchequer battens fatly on the vices and follies of the electorate and I would have HM Stationery Office publish quarterly a periodical entitled Hazard. Hazard would give, without comment, the very latest information obtainable anywhere in the world on the ill-effects of smoking too much, drinking too much and consuming white bread, TT tested milk, refined sugar, foods too long frozen, etc. Hazard would also give the correct odds for football pools and Premium Bonds and, from time to time, publish the annual accounts of the bookmaking firms throughout the country. Road accident figures would be given in detail, and in cases where mechanical failure (those shattering windscreens, for instance) attributable to faulty manufacture was involved, the name of the manufacturer would be published. There would, as I say, be no editorial comment in the magazine, but I should be able to face with a clear conscience the fact, from the Exchequer’s point of view, the most valuable citizen is the man who drinks or smokes himself to death.
  
  There are other various small matters I would attend to, such as men’s clothing, which I regard as out-of-date, unhygienic and rather ridiculous; press reform — we have the grimiest press in the world; the matter of titles — I would greatly reinforce the Orders of Chivalry and, if a Lord or a Baron or an Earl did not behave as a lord or a baron or an earl should, he would lose his title after the third offense (as is more or less the case with service rank); rich state prizes for all inventions or innovations that were even of remote benefit to the Commonwealth; enthusiastic encouragement of emigration, but more particularly of a constant flow of peoples within the Commonwealth; a Commonwealth super-Parliament; and less fried food for the constipated masses.
  
  All these, as I have said, are small, workaday things — too small, alas, for the attention of either M. Harold Macmillan or Mr Gaitskell. So I look forward, with squared shoulders and glazed resignation, to five years of Summitry, pensions and the 11-plus.
  
  Ian Fleming Estate
  This article was first published in The Spectator on 9 October, 1959. Anthony Horowitz’s new James Bond novel will be published in September by Orion.

  
  1966: The Sunday Times of London quotes the late Ian Fleming.

  

  ''A horse is dangerous at both ends and uncomfortable in the middle.''

  
  1972: The Gleaner reports the Hanover Parish Council agrees to filming in Lucea, Lousiana. Involves closure of the new road at Johnson Town and assurances local labour will support the filming of the bus chase.
  
  1982: Octopussy films OO7 on horseback catching a plane.
  
  2008: BBC Audiobooks publishes My Word Is My Bond, read by Sir Roger Moore himself.

  

  

  
  2012: DK Books publishes Bond On Set: Filming Skyfall by Greg Williams in the UK.

  
  
  
  

  2013: Ian Fleming Publications announces the Young Bond series of books by Steve Cole.

  
  

  
  
• RichardTheBruce I'm motivated by my Duty.

  October 2020 edited October 2020 Posts: 13,787

  October 10th
  
  1945: The Royal Navy discharges Commander Ian Lancaster Fleming.
  1946: Charles Dance is born--Redditch, Worcestershire, England.
  
  1956: Fiona Fullerton is born--Kaduna, Nigeria.
  
  1963: London premiere of From Russia With Love at the Odeon Leicester Square.

  
  

  1963: The Kinematograph Weekly grudgingly admits crowds had been gathered at the theatre since mid-day and opening day records would be bettered by From Russia With Love. It was just the beginning for that type of thing and the film triggered outright spy mania through the 60s. (Later reports say Soviet premier Leonid Ilyich Brezhnev got a copy of the film from the British embassy. And screened it. At least three times.)
  1968: Comic strip The Harpies begins its run in The Daily Express. (Ends 23 June 1969. 816-1037)
  Yaroslav Horak, artist. Jim Lawrence, writer.

  
  https://spyguysandgals.com/sgLookupComicStrip.aspx?id=999
  
  
  Swedish Semic Comic 1978 Fågelkvinnorna ("Bird Woman" - The Harpies)
  https://www.mi6-hq.com/sections/comics/semic_1978.php3

  Fågelkvinnorna
  ("The Bird Women" - The Harpies)
  

  
  Swedish Semic Comic 1989
  https://www.mi6-hq.com/sections/comics/semic_1989.php3?s=comics&id=02358

  Fågelkvinnorna
  ("The Bird Women" - The Harpies -
  Part 1 | Part 2)
  
  
  

  
  Danish 1970 https://www.bond-o-rama.dk/en/jb007dk-no-19-1970/

  James Bond Agent 007 no. 19: “The Harpies” (1970)
  "Fuglekvinderne" [The Bird Women]
  
  

  
  1979: Moonraker released in France.

  
  
  Novelization.
  

  
  1985: Orson Welles dies at age --Los Angeles, California.
  (Born 6 May 1915--Kenosha, Wisconsin.)

  

  A Cocktail Recipe For
  Disaster: Peter Sellers And
  Orson Welles On The
  Making Of Casino Royale

  https://sabotagetimes.com/tv-film/a-cocktail-recipe-for-disaster-peter-sellers-and-orson-welles-on-the-making-of-casino-royale
  Take one deluded producer, two huge egos, four directors, five 007s and half-a-dozen writers. Sprinkle with cash, add jokes to taste, shake, stir - and voila! Casino Royale: a cocktail recipe for disaster
  Richard Luck | Updated on Nov 2, 2015
  
  Casino Royale must have looked an appetising prospect when it went into pre-production in 1965. The Saltzman/Broccoli Bond movies had established the playboy spy as a bankable commodity, and when producer Charles Feldman signed up comic genius Peter Sellers for his film version of Fleming's novel, he doubtless thought he had a licence to print money. Rather than breaking box-office records, however, Feldman's $12 million movie would devour its budget, fail to recoup its costs and destroy careers, including his own.
  
  But Casino Royale was cursed even before Feldman optioned it in the early '60s. CBS, who had made a US TV movie of it in 1954, passed the option on to actor-director Gregory Ratoff. He signed to make a big-screen version for Fox in 1960 - only to die before a frame was shot.
  
  As for Feldman, his problems began the day he hired Sellers - at the time one of the biggest movie stars in the world. The impact of his performances in Dr Strangelove, in addition to the commercial success of the Pink Panther movies, elevated Sellers to a position of rare power for a comic actor. Feldman knew from experience that Sellers was a draw - the actor had helped make a hit of the producer's giddy comedy What's New Pussycat? - so he agreed to pay the former Goon a then-unheard-of $1m to play accountant and Bond imposter Evelyn Tremble.

  No sooner had he agreed terms than Sellers fell out with Feldman and began to act irrationally. He insisted that the producer hire his friend, TV director Joe McGrath, and refused to appear on set with co-star Orson Welles. Many concluded that the already eccentric Sellers had gone mad, especially after he came to blows with McGrath and then fled the set - never to return.

  The impact of his performances in Dr Strangelove, in addition to the commercial success of the Pink Panther movies, elevated Sellers to a position of rare power for a comic actor
  
  Peter Sellers' walkout seemed to spell the end of Casino Royale. But rather than capitulating, Charles Feldman reverted to his original plan and set about making a truly immense movie. Out went McGrath and original writer Wolf Mankowitz; in came a string of different directors - Val Guest, John Huston, Richard Talmadge, Robert Parrish, Ken Hughes - and a raft of screenwriters that included co-stars Woody Allen and David Niven, Hollywood legend Billy Wilder and groundbreaking novelist Terry Southern .
  
  The end result has to be one of the strangest films ever made by a Hollywood studio. The combination of Sellers' walkout and Feldman's extravagance deprived Casino Royale of anything approaching structure and transformed it into a series of unconnected sketches. Worst of all, here was a comedy almost totally devoid of laughs.
  
  It was to be Feldman's swansong: he died of stomach cancer within a year of the film's 1967 premiere. The paranoid Peter Sellers had predicted as much. "Feldman is going to die!" he once ranted, "and the reason he'll die is so he can blame me! He'll say, 'Sellers killed me!' He'll do it to spite me!"
  
  Charles Feldman (producer): I love the movies, always have. I like money too, but only because it lets me make the movies I want to make.

  Orson Welles (actor, Le Chiffre): The movies need people like Charles Feldman: rich, jolly, generous men who're happy writing cheques.

  Val Guest (director): Charlie found out that, when he bought the book, all he got was the title. Harry Saltzman and Cubby Broccoli had already used everything in the book except the baccarat game, so the whole thing had to be structured around that.
  
  Woody Allen (actor, Jimmy Bond/Dr Noah): I was offered a lot of money and a small part. My manager said, "Why not? It could become a big movie." So I went to London. I was on a good salary and expense account. But they didn't film me for six months! I stayed in London at their expense for six months! That's only one example of how utterly wasteful the project was.

  I once saw him on one phone to Peter Sellers, on a second to United Artists and on a third to the Italian government

  Bryan Forbes (first-choice director): Charlie came into my life brandishing a copy of Casino Royale. He told me he wanted to have five James Bond and would guarantee me an all-star cast. "You can write it wherever you want. Do you like the south of France?" Gifts started to arrive - silk scarves, theatre tickets. Charlie was talking Monopoly money to secure my services. Every time I expressed doubts, he sweetened the deal.
  
  Peter Sellers (actor, Evelyn Tremble): People will swim through shit if you put a few bob in it.
  
  Woody Allen: Charlie was a genius. I once saw him on one phone to Peter Sellers, on a second to United Artists and on a third to the Italian government. He was a big-time charming con man and I never trusted him for a second.
  
  Bryan Forbes: I said 'yes' to Charlie and then thought about the basic idiocies of the script. Five Bonds! That meant departing from the novel. I called one of Charlie's assistants who went into a fit on the phone. But I stuck to my guns.
  
  Wolf Mankowitz (screenwriter): Peter Sellers was a treacherous lunatic. My advice to Feldman was not in any circumstances to get involved with Sellers. But Sellers was at his peak. I told Charlie that Sellers would fuck it all up.
  
  Joseph McGrath (director): Feldman was glad to get Peter at any price. He'd put up the money for Sellers' insurance on What's New Pussycat? - after his heart attack, nobody would cover him.
  
  Wolf Mankowitz: Charlie gave Sellers a Rolls Royce on the first day of shooting as a come-on.
  
  Peter Sellers: I was offered $1 million to play Bond. I said, "You must be out of your bloody minds - what about Sean Connery?" Feldman said, "Yes, I know, but I have this book and I'm going to make it." I said, "I certainly can't play Bond!"
  
  Wolf Mankowitz: Charlie Feldman offered Peter more and more money to play 007. In the end, the fee was so large Peter would have been mad to turn it down.
  
  Peter Sellers: I wanted to play James Bond the way Tony Hancock would play him. But Ian Fleming's people would never have allowed it.
  
  Wolf Mankowitz: In the end, Peter didn't play Bond. He played Evelyn Tremble. "Who's Evelyn Tremble?" everyone asked. Nobody knew. But then we didn't know who Sellers was either.
  
  Charles Feldman: The only way to make a film with Peter is to let him direct, write and produce it as well as star in it.
  
  Wolf Mankowitz: Sellers wanted different directors; he wanted to piss around with the script. He knew nothing about anything except doing funny faces and funny voices.
  
  Joseph McGrath: Peter asked me if I'd be interested in directing a film he'd agreed to star in. I said, "I'd be delighted to." And that's where the trouble started.
  
  Wolf Mankowitz: By Casino Royale, Peter Sellers was pretty well round the bend and couldn't function properly. He'd change the order of shooting. He'd be 'unavailable' or constantly change his timing, making it hard to splice material together.
  

  Sellers was frightened of the scale of Orson - his legend, literally his weight and immensity.

  Orson Welles: Sellers wasn't terribly bright, but he came on as the great actor.

  Joseph McGrath: One of the problems that blew the film apart was that Orson and I got along really well. And Sellers got really annoyed. "I didn't think you and Orson would take sides against me." I said, "I'm not - but Orson thinks we can come up with some funny stuff." Sellers replied, "I'll only attempt to come up with funny stuff so long as he's not here." He was frightened of the scale of Orson - his legend, literally his weight and immensity.

  Wolf Mankowitz: I'll never forget the occasion Orson and I, two rather large fellows, were in the lift. The door opened and Sellers was there. Sellers wasn't talking to Orson, and he was none too keen on me either. He wouldn't go down in the lift with us - said it wasn't safe. Orson was pissed off. "What the fuck is he talking about?" "I think he means the combined weight, Orson." "What the fuck does he weigh? Skinny as a shrimp. Looks like a shrimp, come to think of it."

  Joseph McGrath: Orson didn't have the same attitude about his career as Peter did. Peter was what he did. Orson thought, I'll be here for four weeks, let's enjoy ourselves. Peter's thing was: My career is on the line.

  Wolf Mankowitz: Peter was terrified of playing with Orson and converted this into an aversion for him.

  Joseph McGrath: Orson would come onto the set at 9am prompt, sit down at the baccarat table and say, "So, Joe, where's our thin friend today?"

  Orson Welles: Sellers was very proud of how thin he was. Apparently, he'd taken a lot of pills to help shift the weight. If you listened to him talking, you'd think it was the greatest achievement of his career.

  Wolf Mankowitz: Sellers claimed Orson was surrounded by a dark aura and said it would not be healthy for him to be close to Orson. He was incredibly superstitious. He was obsessed with horoscopes, tarot cards and colours.

  Peter Sellers: Green has been a superstition of mine for a long time. And purple. Vittorio De Sica told me, "My dear Peter, purple is the colour of death." And certain shades of green. The hard, acidy green is bad. I pick up strange vibrations from it. It disturbs me.
  
  Wolf Mankowitz: Sellers was completely obsessed with royalty. He was always going on about Princess Margaret. His biggest thrill was to present people to her.

  Orson Welles: The fact that Princess Margaret was stopping by every day at my house was unknown to Sellers. One day she came to the set to have lunch with Peter, or so he claimed. He couldn't wait to tell the cast and crew who he was dining with. Then she walked past him and said, "Hello, Orson, I haven't seen you for days!" That was the real end. That's when we couldn't speak lines to each other. "Orson, I haven't seen you for days!" absolutely killed him. He went white as a sheet, because he was going to present me!

  Joseph McGrath: Peter and I had a fist fight in his caravan. He threw a punch and I hit him back. We got separated by Gerry Crampton, the stunt coordinator. "I love you both. I don't know who to thump first," Gerry said. Sellers and I started laughing and crying, but I said, "There's no point going on, because somebody's going to hit somebody again." And he did.
  
  Peter Sellers: If I find myself surrounded by stupid people, I get rid of them.
  
  Joseph McGrath: After I was fired - at Peter's request - Sellers phoned and said, "Come back! Feldman's going to give you a Rolls Royce." I said, "I don't want one." Two years later, I was in LA and Jerry Bressler, who got a credit on Casino Royale as an executive producer, pulled up in a white Coriniche. "Are you Joe McGrath?" he said. "I'm driving your Rolls Royce!"
  
  Peter Sellers: In the end, Peter did one of his celebrated walkouts.
  
  Ken Hughes (director): Peter stated that he was not prepared to complete the movie. Casino Royale came to a ghastly halt. Charles Feldman was left with a few scenes shot with Sellers but no movie. He had to consider closing down. But big money was involved and he decided to go ahead.
  
  Joseph McGrath: It's hard to finish a film when you lose your star.
  
  Ken Hughes: At a panic script meeting, it was decided that since they no longer had Sellers, they'd have to improvise. The writers were working like crazy trying to save the day. Feldman hired everyone in sight: Woody Allen, David Niven, John Huston. It was total chaos. Units were shooting in three studios. I was shooting at Shepperton, another unit was shooting at MGM. And none of us saw a completed script. I had to call the director at MGM to find out what he was shooting so I'd know how it dovetailed into what I was shooting.

  Orson Welles: At the end of it, Charlie Feldman hired John Huston to direct and John moved everybody to Ireland because he wanted to go fox hunting.

  Ken Hughes: The end result speaks for itself - a mish-mash that came into being because the star had walked out.
  
  Wolf Mankowitz: The film doesn't make any sense. Because of Sellers it was cut, re-cut, screwed around with a thousand different ways.
  
  Joseph McGrath: Peter told me years later, "I don't have a lot of friends, but I can trust you. Because we've been through hell together. You've actually faced me and thrown a punch at me. I know you won't put up with any shit.
  
  Peter Sellers: I am not a funny man. I don't have a strong comedy personality. But even without that, you can be successful if the material is funny.
  
  Woody Allen: I never bothered to see Casino Royale. I knew it would be horrible. The set was a madhouse. I knew then that the only way to make a film is to control it completely.
  
  Peter Sellers: The making of that film would make an interesting film in itself.

  
  Orson Welles (1915–1985)
  https://www.imdb.com/name/nm0000080/
  
  Filmography

  Actor (129 credits)
  
  2005 An Evening with Orson Welles: The Golden Honeymoon (Short) - Narrator
  
  1987 Someone to Love - Danny's Friend
  1986 The Transformers: The Movie - Unicron (voice)
  1985 Moonlighting (TV Series) - Orson Welles
  - The Dream Sequence Always Rings Twice (1985) ... Orson Welles
  1984 Where Is Parsifal? - Klingsor
  1983 Hot Money - Sheriff Paisley
  1981-1983 Magnum, P.I. (TV Series) - Robin Masters
  - The Big Blow (1983) ... Robin Masters (voice, uncredited)
  - Birdman of Budapest (1983) ... Robin Masters (voice, uncredited)
  - Double Jeopardy (1982) ... Robin Masters (voice, uncredited)
  - J. "Digger" Doyle (1981) ... Robin Masters (voice)
  1982 The Dreamers (Short) - Marcus Kleek
  1982 Wagner e Venezia (TV Short) - Richard Wagner (voice)
  1982 Slapstick of Another Kind
  Aliens' Father (voice, uncredited) -
  1982 Butterfly - Judge Rauch
  1981 The Enchanted Journey - Pippo (voice)
  1981 Tales of the Klondike (TV Mini-Series) - Narrator
  - Love of Life (1981) ... Narrator
  - The Unexpected (1981) ... Narrator
  - Scorn of Women (1981) ... Narrator
  - The Race for Number One (1981) ... Narrator
  - The One Thousand Dozen (1981) ... Narrator 7 episodes
  1981 History of the World: Part I - Narrator (voice)
  1981 The Man Who Saw Tomorrow - Narrator
  1980 The Greenstone Narrated by Orson Welles (Short) - Narrator (voice)
  1980 Shogun (TV Mini-Series) - Narrator
  - Episode #1.5 (1980) ... Narrator (voice)
  - Episode #1.4 (1980) ... Narrator (voice)
  - Episode #1.3 (1980) ... Narrator (voice)
  - Episode #1.2 (1980) ... Narrator (voice)
  - Episode #1.1 (1980) ... Narrator (voice)
  1980 Shogun (TV Movie) - Narrator (voice)
  1980 The Secret Life of Nikola Tesla - J.P. Morgan
  
  1979 The New Media Bible: Book of Genesis (Video) - Narrator
  1979 The Double McGuffin - Narrator (voice)
  1979 The Muppet Movie - Lew Lord
  1978 A Woman Called Moses (TV Series) - Narrator
  - Episode #1.2 (1978) ... Narrator (voice)
  - Episode #1.1 (1978) ... Narrator (voice)
  1978 The Biggest Battle - Narrator (voice, uncredited)
  1977 Rime of the Ancient Mariner (Short) - Narrator (voice)
  1977 Some Call It Greed - Narrator (voice)
  1977 It Happened One Christmas (TV Movie) - Henry F. Potter
  1977 Hot Tomorrows - Parklawn Mortuary (voice)
  1976 Voyage of the Damned - Jose Estedes
  1975 Rikki-Tikki-Tavi (TV Short) - Narrator / Nag / Chuchundra (voice)
  1974 Ten Little Indians - U. N. Owen / and the voice of (voice)
  1973 The Cave: a parable told by Orson Welles (Short) - Narrator
  1973 The Battle of Sutjeska - Winston Churchill
  1972 The Man Who Came to Dinner (TV Movie) - Sheridan Whiteside
  1972 Treasure Island - Long John Silver
  1972 Get to Know Your Rabbit - Mr. Delasandro
  1972 Necromancy - Mr. Cato
  1971 London (Short) - Presenter / Winston Churchill / One-Man Band / ...
  1971 Malpertuis - Cassavius
  1971 Freedom River (Short) - Narrator (voice)
  1971 Ten Days Wonder - Théo Van Horn - un multimillionnaire qui vit en despote dans sa maison
  1971 Night Gallery (TV Series) - Narrator (segment "Silent Snow, Secret Snow")
  - The Phantom Farmhouse/Silent Snow, Secret Snow (1971) ... Narrator (segment "Silent Snow, Secret Snow") (voice)
  1971 A Safe Place - The Magician
  1970 The Deep - Russ Brewer
  1970 Is It Always Right to Be Right? (Short) - Narrator (voice)
  1970 Rowan & Martin's Laugh-In (TV Series) - Guest Performer
  - Episode #4.7 (1970) ... Guest Performer
  1970/I Waterloo - Louis XVIII
  1970 The Name of the Game (TV Series) - Narrator
  - The Enemy Before Us (1970) ... Narrator
  1970 Upon This Rock (TV Movie) - Michelangelo (voice)
  1970 Catch-22 - General Dreedle
  1970 Start the Revolution Without Me - The Narrator
  1970 The Kremlin Letter - Bresnavitch
  
  1969 The Merchant of Venice (TV Short) - Shylock
  1969 To Build a Fire - Narrator (voice)
  1969 The Battle of Neretva - Senator
  1969 Twelve Plus One - Maurice Markau
  1969 Kampf um Rom II - Der Verrat - Justinian
  1969 The Southern Star - Plankett
  1969 Tepepa - Colonel Cascorro
  1968 The Last Roman - Emperor Justinian
  1968 House of Cards - Leschenhaut
  1968 Oedipus the King - Tiresias
  1968 The Immortal Story (TV Movie) - Mr. Charles Clay
  1967 I'll Never Forget What's'isname - Jonathan Lute
  1967 The Sailor from Gibraltar - Louis de Mozambique
  1967 Casino Royale - Le Chiffre
  1966 A Man for All Seasons - Cardinal Wolsey
  1966 Is Paris Burning? - Consul Raoul Nordling
  1965 La isla del tesoro (Short) - Long John Silver
  1965 Treasure Island (Short) - Long John Silver
  1965 Chimes at Midnight - Falstaff
  1965 Marco the Magnificent - Akerman, Marco's Tutor
  1964 The Finest Hours (Documentary) - Narrator (voice)
  1963 The V.I.P.s - Max Buda
  1963 Ro.Go.Pa.G. - The 'Director' (segment "La ricotta")
  1962 The Trial - Albert Hastler - The Advocate / Narrator
  1962 Lafayette - Benjamin Franklin
  1961 King of Kings - Narrator (voice, uncredited)
  1961 The Tartars - Burundai
  1960 The Battle of Austerlitz - Robert Fulton
  1960 An Arabian Night (TV Movie) - Storyteller
  1960 Crack in the Mirror - Hagolin / Lamerciere
  1960 David and Goliath - King Saul
  
  1959 High Journey (Short) - Narrator (voice)
  1959 Ferry to Hong Kong - Captain Hart
  1959 Compulsion - Jonathan Wilk
  1958 Masters of the Congo Jungle (Documentary) - Narrator, English Language Version (voice)
  1958 The Roots of Heaven - Cy Sedgewick
  1958 Colgate Theatre (TV Series) - Narrator
  - Fountain of Youth (1958) ... Narrator
  1958 The Fountain of Youth (TV Short) - Host / narrator
  1958 South Seas Adventure - Supplemental Narrator (voice)
  1958 The Vikings - Narrator (voice, uncredited)
  1958 Touch of Evil - Police Captain Hank Quinlan
  1958 The Long, Hot Summer - Will Varner
  1957/I Man in the Shadow - Virgil Renchler
  1956 I Love Lucy (TV Series) - Orson Welles
  - Lucy Meets Orson Welles (1956) ... Orson Welles
  1956 Moby Dick - Father Mapple
  1956 Ford Star Jubilee (TV Series) - Oscar Jaffe
  - Twentieth Century (1956) ... Oscar Jaffe
  1955 Moby Dick Rehearsed (TV Movie) - An Actor Manager / Father Mapple / Ahab
  1955 Confidential Report - Gregory Arkadin
  1955 Napoleon - Sir Hudson Lowe
  1955 Three Cases of Murder - Lord Mountdrago ("Lord Mountdrago" segment)
  1954 Trouble in the Glen - Sanin Cejador y Mengues
  1954 Royal Affairs in Versailles - Benjamin Franklin
  1953 Return to Glennascaul (Short) - Narrator / Orson Welles
  1953 Omnibus (TV Series) - King Lear (segment)
  - King Lear (1953) ... King Lear (segment)
  1953 L'uomo la bestia e la virtù - Captain Perella - the Beast
  1952 Trent's Last Case - Sigsbee Manderson
  1952 The Little World of Don Camillo - Narrator (voice)
  1951 Othello - Othello
  1950 The Black Rose - Bayan
  
  1949 Prince of Foxes - Cesare Borgia
  1949 The Third Man - Harry Lime
  1949 Black Magic - Joseph Balsamo aka Count Cagliostro
  1948 Macbeth - Macbeth
  1947 The Lady from Shanghai - Michael O'Hara
  1946 Duel in the Sun - Narrator (voice, uncredited)
  1946 The Stranger - Professor Charles Rankin
  1946 Tomorrow Is Forever - John Andrew MacDonald / Erik Kessler
  1944 Follow the Boys - Orson Welles
  1943 Jane Eyre - Edward Rochester
  1943 Journey Into Fear - Colonel Haki
  1942 The Magnificent Ambersons - Narrator (voice)
  1941 Citizen Kane - Kane
  1940 Swiss Family Robinson - Opening Narrator (uncredited)
  1939 The Green Goddess (Short) - Rajah / Narrator
  1938 Too Much Johnson - Keystone Kop
  1934 The Hearts of Age (Short) - Death
  1933 Twelfth Night (Short)
  
  Director (54 credits)
  
  2018 The Other Side of the Wind
  2005 An Evening with Orson Welles: The Golden Honeymoon (Short)
  1955-2000 Around the World with Orson Welles (TV Mini-Series documentary) (7 episodes)
  - The Dominici Affair (2000)
  - Madrid Bullfight (1955) ... (uncredited)
  - The Queen's Pensioners (1955) ... (uncredited)
  - St. Germain des Prés (1955) ... (uncredited)
  - The Third Man in Vienna (1955)
  2000 Moby Dick (Short)
  1993 It's All True (Documentary)
  1992 Don Quixote (original footage)
  
  1964-1986 Nella terra di Don Chisciotte (TV Series documentary) (9 episodes)
  - Feria de abril a Siviglia (1986)
  - Roma e oriente in Spagna (1964)
  - Tempo di flamenco (1964)
  - Siviglia (1964)
  - Le cantine di Jerez (1964)
  Show all 9 episodes
  1985 Orson Welles' Magic Show (TV Short)
  1984 The Spirit of Charles Lindbergh (Short)
  1982 Orson Welles' The Dreamers (Documentary short)
  1982 The Dreamers (Short)
  1981 Filming 'The Trial' (Documentary)
  
  1979 The Orson Welles Show (TV Special) (as G.O. Spelvin)
  1978 Filming 'Othello' (Documentary)
  1976 Orson Welles' F for Fake Trailer (Short)
  1973 F for Fake (Documentary)
  1972 Don Quixote
  1971 London (Short)
  1970 The Deep
  
  1969 The Merchant of Venice (TV Short)
  1969 The Southern Star (opening scenes, uncredited)
  1968 Vienna (Short)
  1968 The Immortal Story (TV Movie)
  1967 The Heroine
  1965 Treasure Island (Short)
  1965 Chimes at Midnight
  1962 The Trial
  1962 No Exit (uncredited)
  1961 Tempo (TV Series) (1 episode)
  - The Art of Bullfighting/The Death of Fiction (1961)
  1960 David and Goliath (his own scenes, uncredited)
  
  1958 Orson Welles at Large: Portrait of Gina (TV Short documentary)
  1958 Colgate Theatre (TV Series) (1 episode)
  - Fountain of Youth (1958)
  1958 The Fountain of Youth (TV Short)
  1958 Touch of Evil
  1956 Orson Welles and People (TV Special short)
  1955 Moby Dick Rehearsed (TV Movie)
  1955 Orson Welles' Sketch Book (TV Series) (6 episodes)
  - Bullfighting (1955) ... (uncredited)
  - The War of the Worlds (1955) ... (uncredited)
  - Houdini/John Barrymore/Voodoo Story/The People I Missed (1955) ... (uncredited)
  - The Police (1955) ... (uncredited)
  - Critics (1955) ... (uncredited)
  1955 Confidential Report
  1955 Three Cases of Murder (segment "Lord Mountdrago", uncredited)
  1951 Othello
  1950 The Miracle of St. Anne (Short)
  
  1949 Black Magic (uncredited)
  1948 Macbeth
  1947 The Lady from Shanghai (uncredited)
  1946 The Stranger
  1943 It's All True (Documentary)
  1943 The Story of Samba (Short)
  1943 Journey Into Fear (uncredited)
  1942 The Magnificent Ambersons
  1941 Citizen Kane
  
  1939 The Green Goddess (Short)
  1938 Too Much Johnson
  1934 The Hearts of Age (Short)
  1933 Twelfth Night (Short)
  
  Writer (61 credits)
  
  Something Else (inspired by) (filming)
  2018 The Other Side of the Wind (written by)
  2014 Citizen Vader (Short) (characters)
  2008 F for favor (Short) (writer)
  2007 The Hitchhiker (radio script - uncredited)
  2005 An Evening with Orson Welles: The Golden Honeymoon (Short)
  2002 The Magnificent Ambersons (TV Movie) (1942 screenplay)
  Around the World with Orson Welles (TV Mini-Series documentary) (1 episode, 1955) (writer - 5 episodes, 1955 - 2000) (script - 1 episode, 1955)
  - The Dominici Affair (2000) ... (writer)
  - Madrid Bullfight (1955) ... (script - uncredited)
  - The Queen's Pensioners (1955) ... (writer - uncredited)
  - St. Germain des Prés (1955) ... (uncredited)
  - The Third Man in Vienna (1955) ... (writer) 7 episodes
  2000 Moby Dick (Short) (play)
  
  1999 The Big Brass Ring (earlier screenplay)
  1998 The Way to Santiago (Short) (writer)
  1997 The Big Brass Ring (Documentary short)
  1997 The Hearts of Age (Short) (concept)
  1992 Don Quixote (uncredited)
  
  1985 Orson Welles' Magic Show (TV Short)
  1984 The Spirit of Charles Lindbergh (Short)
  1982 Orson Welles' The Dreamers (Documentary short) (written by)
  1982 The Dreamers (Short) (screenplay)
  1978 Filming 'Othello' (Documentary) (writer)
  1976 Orson Welles' F for Fake Trailer (Short)
  1976 NBC: The First Fifty Years (TV Movie documentary)
  1973 F for Fake (Documentary) (writer)
  1972 Don Quixote (written by)
  1972 Treasure Island (adapted for the screen by - as O. W. Jeeves)
  1971 London (Short)
  1970 The Deep
  
  1969 The Merchant of Venice (TV Short)
  1968 Vienna (Short) (writer)
  1968 The Immortal Story (TV Movie)
  1967 The Heroine (written by)
  1966 The Bible: In the Beginning... (uncredited)
  1965 La isla del tesoro (Short)
  1965 Treasure Island (Short)
  1965 Chimes at Midnight
  1962 The Trial (written by)
  1961 Tempo (TV Series) (written by - 1 episode)
  - The Art of Bullfighting/The Death of Fiction (1961) ... (written by)
  
  1958 Orson Welles at Large: Portrait of Gina (TV Short documentary)
  1958 Colgate Theatre (TV Series) (teleplay - 1 episode)
  - Fountain of Youth (1958) ... (teleplay)
  1958 The Fountain of Youth (TV Short)
  1958 Touch of Evil (screenplay)
  1956 Orson Welles and People (TV Special short)
  1955 Moby Dick Rehearsed (TV Movie)
  1955 Orson Welles' Sketch Book (TV Series) (6 episodes)
  - Bullfighting (1955) ... (uncredited)
  - The War of the Worlds (1955) ... (uncredited)
  - Houdini/John Barrymore/Voodoo Story/The People I Missed (1955) ... (uncredited)
  - The Police (1955) ... (uncredited)
  - Critics (1955) ... (uncredited)
  Show all 6 episodes
  1955 Confidential Report (screenplay) / (story)
  1951 Othello (uncredited)
  1950 The Miracle of St. Anne (Short)
  
  1949 Portrait of a Killer (uncredited)
  1949 The Third Man (uncredited)
  1948 Macbeth (adaptation - uncredited)
  1947 The Lady from Shanghai (screenplay)
  1947 Monsieur Verdoux (based on an idea by)
  1946 The Stranger (uncredited)
  1943 It's All True (Documentary) (screenplay)
  1943 The Story of Samba (Short)
  1943 Journey Into Fear (uncredited)
  1942 The Magnificent Ambersons (script writer)
  1941 Citizen Kane (original screen play)
  
  1939 The Green Goddess (Short) (adaptation)
  1938 Too Much Johnson (writer)
  1934 The Hearts of Age (Short)
  1933 Twelfth Night (Short) (writer: voice-over)
  
  Producer (25 credits)
  
  2005 An Evening with Orson Welles: The Golden Honeymoon (Short) (producer)
  
  1964-1986 Nella terra di Don Chisciotte (TV Series documentary) (producer - 9 episodes)
  - Feria de abril a Siviglia (1986) ... (producer)
  - Roma e oriente in Spagna (1964) ... (producer)
  - Tempo di flamenco (1964) ... (producer)
  - Siviglia (1964) ... (producer)
  - Le cantine di Jerez (1964) ... (producer)
  Show all 9 episodes
  1985 Orson Welles' Magic Show (TV Short) (producer)
  1982 Orson Welles' The Dreamers (Documentary short) (producer)
  1982 The Dreamers (Short) (producer)
  1981 Filming 'The Trial' (Documentary) (producer)
  
  1976 Orson Welles' F for Fake Trailer (Short) (producer)
  1972 Don Quixote (producer)
  1970 The Deep (producer)
  1969 The Merchant of Venice (TV Short) (producer)
  1968 Vienna (Short) (producer)
  
  1958 Colgate Theatre (TV Series) (producer - 1 episode)
  - Fountain of Youth (1958) ... (producer)
  1958 The Fountain of Youth (TV Short) (producer)
  1956 Orson Welles and People (TV Special short) (producer)
  1955 Confidential Report (producer)
  1951 Othello (producer - uncredited)
  
  1948 Macbeth (producer - uncredited)
  1947 The Lady from Shanghai (producer)
  1943 The Story of Samba (Short) (producer)
  1943 Jane Eyre (associate producer - uncredited)
  1943 Journey Into Fear (producer - uncredited)
  1942 The Magnificent Ambersons (producer - uncredited)
  1941 Citizen Kane (production)
  
  1939 The Green Goddess (Short) (producer)
  1938 Too Much Johnson (producer)
  
  Editor (8 credits)
  
  2018 The Other Side of the Wind
  
  1964-1986 Nella terra di Don Chisciotte (TV Series documentary) (9 episodes)
  - Feria de abril a Siviglia (1986)
  - Roma e oriente in Spagna (1964)
  - Tempo di flamenco (1964)
  - Siviglia (1964)
  - Le cantine di Jerez (1964) 9 episodes
  
  1973 F for Fake (Documentary) (uncredited)
  1972 Don Quixote
  
  1967 The Heroine
  1962 The Trial (uncredited)
  1955 Confidential Report (uncredited)
  1938 Too Much Johnson

  
  
  
  
  
  

  1988: Licence to Kill films Professor Joe Butcher.
  
  2002: Planned release date for the "Die Another Day " single.

  

  News Roundup: Oct. 9

  http://www.hollywood.com/general/news-roundup-oct-9-57205166/

  Warner Bros. Records confirms that “Die Another Day,” Madonna‘s new single and the title song for MGM’s forthcoming James Bond film, will be in stores on October 22. The song was to officially debut Oct. 10 but was leaked to radio stations last week. Launch.com reports that Madonna and members of her camp were beside themselves when the song–which they claim wasn’t even finished–aired on a pop station in New York City.

  2005: John Murray publishes Secret Servant--The Moneypenny Diaries by Kate Westbrook (Samantha Weinberg) in the UK.

  
  
  

  2009: Michael Omara publishes Roger Moore's My Word is My Bond: The Autobiography.

  One of the most recognizable big-screen stars
  of the past half-century, Sir Roger Moore
  played the role of James Bond longer than any other
  actor. Beginning with the classic Live and Let Die,
  running through Moonraker and A View to a Kill,
  Moore brought his finely honed wit and wry charm
  to one of Hollywood's most beloved and long-lasting
  characters. Still, James Bond was only one in a
  lifetime of roles stretching back to Hollywood's
  studio era, and encompassing stardom in theater
  and television on both sides of the Atlantic. From
  The Saint to Maverick, Warner Brothers to MGM,
  Hollywood to London to extreme locations the
  world over, Roger Moore's story is one of the last of
  the classic Hollywood lives as yet untold.
  
  Until now. From the dying days of the studio
  system and the birth of television, to the quips of
  Noël Coward and David Niven, to the bedroom
  scenes and outtakes from the Bond movies, Moore
  has seen and heard it all. Nothing is left out --
  especially the naughty bits. The "special effects" by
  which James Bond unzipped a dress with a magnet;
  the spectacular risks in The Spy Who Loved Me's
  opening scene; and Moore's preparation for facing
  down villains (he would imagine they all have
  halitosis): the stories in My Word is My Bond
  are priceless.
  
  Throughout his career, Moore hobnobbed with
  the glamorous and powerful, counting Elizabeth
  Taylor, Jane Seymour, and Cary Grant among his
  contemporaries and friends. Included are stories
  if a foul-mouthed Milton Berle, a surly Richard
  Burton, and a kindhearted Richard Kiel, infamous
  as Bond enemy Jaws.
  
  As much as it is Moore's own exceptional
  story, My Word is My Bond is a treasure trove of
  Hollywood history.

  MY WORD IS MY BOND
  "Guy (Hamilton) wanted to toughen up my Bond a little. I think
  it's most evident in the scenes I had with Maud Adams, where I
  twisted her arm and threatened -- rather coldly -- to break it unless
  she told me what I wanted to know. That sort of characterisation
  didn't sit easy with me, but Guy was keen to make my Bond a
  little more ruthless, like Fleming's. I suggested my Bond would
  have charmed the information out of her by bedding her first.
  My Bond was a lover and a giggler."

  
  

  
  
• Thunderfinger Das Boot Hill

  October 2020 Posts: 45,489

  Richard, the Swedish translation is also "The Bird Women".
• RichardTheBruce I'm motivated by my Duty.

  October 2020 Posts: 13,787

  October 11th
  
  1935: Harold Dan Meaden is born--Bournemouth, England.
  (He dies 28 November 2011--Blackheath, London, England.)

  

  Dan Meaden (1935–2011)

  Actor | Director | Writer
  https://www.imdb.com/name/nm0574987/?ref_=ttfc_fc_cl_t27
  

  
  

  
  1963: From Russia With Love general release in the UK.

  
  
  
  
  
  
  

  1968: LIFE magazine identifies finalists for the Bond role as Hans DeVries, Robert Campbell, John Richardson, Anthony Rogers and George Lazenby.

  
  

  
  1976: The Spy Who Loved Me films Cairo, Luxor, and the pyramids in Egypt.
  1979: 007: Misión espacial released in Mexico.

  
  
  

  
  2006: The Casino Royale soundtrack is completed this day, for a November release.
  2007: Roger Moore receives the 2,350th star on the Hollywood Walk of Fame, Los Angeles, California.

  
  
  
  
  
  
  
  

  
  2011: Javier Bardem confirms his casting in BOND 23.
  2012: A multimedia exhibition BOND by GQ opens to the public to celebrate 50 years of Bond films.
  Solyanka State Gallery, Moscow, Russia.

  
  multimedia exhibition

  BOND by GQ

  http://www.mymarka.ru/en/project/3
  11 October 2012 – 20 November 2012
  Solyanka State Gallery
  
  We created this exhibition with a two-fold purpose: the 50th anniversary of the release on screen of the first film about the adventures of the most suave spy of all time, as well as the forthcoming premiere on 26 October, of the 23rd Bond film, Skyfall. The name is Bond, James Bond. Retired Royal Navy Commander, and current secret agent On Her Majesty’s Service, licensed to kill, with the number 007. Here was the darkened lair of Colonel-General Grubozaboyshikov, head of SMERSH (you can read about him in that most well-known of all Fleming’s books, From Russia with Love); this was a Soviet bunker straight out of the Cuban Missile Crisis and the Cold War. In the Chocolate space there are spy accessories spanning the whole Bond legend. In the Made for Gentlemen corner the viewer found the attributes of this quintessential gentleman: three suits by Brioni which appeared in the Bond films; hats, shoes and a golden gun. And, of course, the girls: one whole wall of the gallery was given over to the girls who won Bond’s heart; on the other, vintage portraits of all the 007 stars; glossy photos taken by the legendary photographer Terry O'Neill, who has dedicated half a century of his life to Bondiana. The museum was showing the first screening of a documentary about the filming of the last part of Quantum of Solace. In addition, BOND by GQ was showing a unique collection of the titles to twenty-two of the Bond films.
  
  Artists: Terry O’Neill, Katya Bochavar, Ivan Razumov,
  
  Curators: Katya Bochavar, Nina Tsirkun, Alexander Pumpyanskiy, Natalia Chechel, Dmitriy Sukhodolskiy, Oksana Smirnova, Leonid Gavriliuk, Elena Kaimanova
  
  October 10, 2012
  Solyanka State Gallery | | Opening exhibition
  
  
  
  Soviet officer of Cold War
  Era
  
  Original exhibits of the
  State Polytechnic Museum
  40s, 50s
  
  Terry O'Neill, photographer
  The Exhibition Opening
  
  0dd Job Hat «Goldfinger»,
  1964
  
  White bikini worn by Honey
  Rider — Ursula Andress
  «Dr. No», 1962
  
  The Golden Gun "The man
  with a Golden gun” [sic], 1974
  
  Faberge egg “Octopussy”,
  1983
  
  In the Chocolate space
  there was one whole wall
  of the gallery is given over
  to the girls who won
  Bond’s heart
  
  Vintage portraits of all the
  007 stars and them
  girlfriends
  Photographer Terry O'Neil
  
  Made for Gentlemen corner
  
  The gallery walls was
  covered by Ivan Razumov's
  graffiti
  
  Fyodor Pavlov-Andreevich,
  Solyanka State Gallery
  director
  The Exhibition Opening
  October 10, 2012
  
  Michael Idov
  GQ magazine Editor-in-
  Chief
  The Exhibition Opening
  October 10, 2012
  
  Caroline Munro, actress
  The Exhibition Opening
  October 10, 2012
  
  A unique collection of the
  titles to twenty-two of the
  Bond films
  
  First editions of Fleming's
  detective novels
  

  
  
• RichardTheBruce I'm motivated by my Duty.

  October 2020 Posts: 13,787

  Thanks to @Thunderfinger, @BondOnThisDay, and others for their corrections to items, very appreciated.
  
  5 October is updated for Ms. Nolan's passing.
  
  
• RichardTheBruce I'm motivated by my Duty.

  October 2020 edited October 2020 Posts: 13,787

  October 12th
  
  1942: Daliah Lavi is born--Shavei Tzion, Israel.
  (She dies 3 May 2017--Asheville, North Carolina.)

  

  Daliah Lavi obituary

  Glamorous film actor who made her name in spy spoofs of the
  1960s

  https://www.theguardian.com/film/2017/may/09/daliah-lavi-obituary
  Ronald Bergan | Tue 9 May 2017 07.57 EDT
  
  
  In the 1970s Daliah Lavi left the silver screen behind and started a new career as a singer. She was particularly popular in Germany. Photograph: Alamy
  
  With the huge success of the James Bond film franchise, starting with Dr No in 1962, a plethora of spin-offs appeared throughout the 1960s. They followed the original recipe of exotic locales, an evil genius who wishes to take over the world, a laidback, oversexed super spy hero and a bevy of (mostly treacherous) beautiful women. Among the actors portraying the last of these was Daliah Lavi, who has died aged 74.
  
  Almost all Lavi’s film career took place in that swinging decade during which she was most likely to be seen in miniskirt and kinky boots, or displaying her underwear. The multilingual Lavi (born in the British Mandate of Palestine) had already made several French, German, Italian and Hollywood films before she starred as a sexy double agent opposite Dean Martin in The Silencers (1966), the first of the “bosoms and bullets” Matt Helm series.

  Continuing in the light-hearted parodic tone was The Spy With a Cold Nose (1966) – the title refers to a bulldog with a microphone implant – in which Lavi as a Russian princess slips into the bed of a British counterintelligence agent (Lionel Jeffries), something he has long dreamed of. Lavi, with her tongue firmly in her cheek, was one of the plethora of 007s in Casino Royale (1967) and, her dark hair in a high beehive, was an alluring and mysterious woman who runs a gambling house in London in the cold war thriller Nobody Runs Forever (1968). The run of spy spoofs ended with Some Girls Do (1969), in which she was a villain, opposing and attracting “Bulldog” Drummond (Richard Johnson).[/img]

  
  Daliah Lavi with Dean Martin in The Silencers, 1966. Photograph: Alamy
  
  She was born Daliah Lewinbuk in the village of Shavi Zion in what was to become Israel. Her Jewish parents, Reuben and Ruth, were Russian and German respectively. When Daliah was 10 years old, she met the Hollywood star Kirk Douglas, who was making The Juggler near the Lewinbuks’ village.
  
  Discovering that she wanted to become a ballet dancer, Douglas arranged for her to get a scholarship to study ballet in Stockholm. However, after three yearsshe was advised to give up dancing because of low blood pressure. It was then that she switched her ambitions to acting, making her first screen appearance while still a teenager in Arne Mattsson’s The People of Hemso (1955), a Swedish production based on the August Strindberg novel.
  
  
  Daliah Lavi in The Spy With a Cold Nose, 1966. Photograph: Alamy
  
  On her return to Israel, Lavi worked as a model and starred as a femme fatale in Blazing Sand (1960), a trashy “matzo western”, in which she does an exotic dance in a nightclub, a foretaste of her later roles in campy spy movies. Then moving to Paris, and changing her surname to Lavi, which means lioness in Hebrew, she won the part of Cunégonde in Candide (1960), an update to the second world war of Voltaire’s satirical novel.
  
  She had an uncharacteristic part in Violent Summer (Un Soir Sur La Plage, 1961) as a girl found murdered on the beach after a fleeting sexual encounter. For her role as the beautiful Italian woman causing friction between a washed-up movie star (Douglas) and a temperamental newcomer (George Hamilton) in Vincente Minnelli’s Two Weeks in Another Town (1962) – shot in Italy – Lavi won a Golden Globes award as the most promising female newcomer. One of her rare straight dramatic roles was as a young woman who brings comfort to the complex eponymous hero (Peter O’Toole) in Lord Jim (1965), Richard Brooks’s sluggish epic based on Joseph Conrad’s novel, and shot in Cambodia and Malaysia.
  
  
  Daliah Lavi and Peter O’Toole in Lord Jim, 1965. Photograph: Alamy
  
  But she had made only a slight impression in the films that preceded the spy spoofs, the exception being The Whip and the Body (1963), a gothic horror film directed by Mario Bava, the father of the Italian giallo genre. One of the fetish set pieces takes place on a beach when the cruel aristocrat (Christopher Lee) horsewhips his brother’s bride (Lavi), before they engage in sado-masochistic love play.
  
  
  Daliah Lavi performing one of her biggest German hits
  
  After a turn as a furious Mexican woman scorned by an outlaw (Yul Brynner) in the mediocre western Catlow (1971), Lavi deserted the silver screen and began a whole new career as a singer. The Israeli actor Topol had persuaded Lavi to make recordings of Hebrew songs for the BBC in 1969. She soon became one of the most popular singers in Germany, her biggest hits being Oh Wann Kommst Du? (Oh, when will you come?) and Willst Du Mit Mir Gehen? (Do you want to go with me?).
  
  She is survived by her fourth husband, the businessman Charles Gans, and their three sons and daughter.
  
  • Daliah Lavi (Daliah Lewinbuk), actor and singer, born 12 October 1942; died 3 May 2017

  
  Daliah Lavi (1942–2017)
  https://www.imdb.com/name/nm0492002/
  
  Filmography

  Actress (33 credits)
  
  1997 Duell zu dritt (TV Series)
  - Manöver des letzten Augenblicks (1997)
  1991 Mrs. Harris und der Heiratsschwindler (TV Movie) - Jill Howard
  
  1975 Hallo Peter (TV Series)
  - Episode dated 28 September 1975 (1975)
  1970-1973 Die Drehscheibe (TV Series) - Singer
  - Episode dated 29 November 1973 (1973) ... Singer
  - Episode dated 25 August 1971 (1971) ... Singer
  - Episode dated 25 July 1971 (1971) ... Singer
  - Episode dated 6 June 1971 (1971) ... Singer
  - Episode dated 23 April 1971 (1971) ... Singer 7 episodes
  1972 Sez Les (TV Series)
  - Episode #5.3 (1972)
  1971 Catlow - Rosita
  1970 Schwarzer Peter (TV Series) - Singer
  - Episode #1.2 (1970) ... Singer
  
  1969 Some Girls Do - Helga
  1968 The High Commissioner - Maria Cholon
  1967 Those Fantastic Flying Fools - Madelaine
  1967 Casino Royale - The Detainer (007)
  1966 The Spy with a Cold Nose - Princess Natasha Romanova
  1966 The Silencers - Tina
  1965 Ten Little Indians - Ilona Bergen
  1965 Shots in 3/4 Time - Irina Badoni
  1965 La Celestina - The Girl
  1965 They're Too Much - Lolita, Charly's Step-sister
  1964 Cyrano et d'Artagnan - Marion de l'Orme (as Dalhia Lavi)
  1964 Old Shatterhand - Paloma
  1963 Das große Liebesspiel - Sekretärin
  1963 The Whip and the Body - Nevenka
  1963 The Demon - Purificata
  1962 Black-White-Red Four Poster - Germaine
  1962 Two Weeks in Another Town - Veronica (as Dahlia Lavi)
  1961 Le jeu de la vérité - Gisèle Palerse
  1961 The Return of Dr. Mabuse - Maria Sabrehm
  1961 Le puits aux trois vérités (uncredited)
  1961 No Time for Ecstasy - Nathalie Conrad
  1961 Violent Summer - Marie
  1960 Candide - Cunégonde (as Dahlia Lavi)
  1960 Blazing Sand
  
  1955 The People of Hemso - Professor's Daughter
  
  Soundtrack (6 credits)
  
  2014 Tito's Glasses (Documentary) (performer: "Willst Du mit mir geh'n")
  2010 Cindy Does Not Love Me (performer: "Willst du mit mir geh'n" (Original: "Would you follow me"))
  2002 Richtung Zukunft durch die Nacht (performer: "Oh, wann kommst du?")
  1996 Tohuwabohu (TV Series) (performer - 1 episode)
  - Beweisstück 30 (1996) ... (performer: "Oh, wann kommst du?" - uncredited)
  1973 Die Rudi Carrell Show (TV Series) (performer - 1 episode)
  - Messe (1973) ... (performer: "Wär' ich ein Buch", "Auf 'ner Messe als antik" - uncredited)
  1971 V.I.P.-Schaukel (TV Series documentary) (performer - 1 episode)
  - Episode #1.1 (1971) ... (performer: "Wer hat mein Lied so zerstört" - uncredited)
  
  Thanks (1 credit)
  
  2008 The Making of 'Casino Royale' (Video documentary) (special thanks)

  
  
  
  
  

  
  1962: Dr. No released in Ireland.

  
  

  

  1965: The Daily Gleaner in Kingston reports another author may continue to write Bond novels post-Fleming.

  

  To continue Bond series

  See the complete article here:
  

  https://newspaperarchive.com/kingston-gleaner-oct-12-1965-p-7/

  By LONDONER
  
  LONDON:
  ON the day that the very
  last lames Bond story writ-
  ten by the late Ian Fleming
  begins to appear in the Daily
  Express, there is word that a
  new author is being consider-
  ed to carry on the Bond saga.
  
  He is none other that Mr.
  Kingsley Amis, author of
  Lucky Jim, That Uncertain
  Feeling, and also more recent-
  ly of The James Bond Dos-
  sier, a detailed study of Flem-
  ing's creation.
  
  Negotiations are still in a
  relatively early stage, says
  Ian Fleming's agent,
  Peter Janson-Smith: decision
  has been made yet. The es-
  tate is a very complex busi-
  ness and there are. Lots of peo-
  pie involved."
  
  And Kingsley Amis himself
  will only say: "I was ap-
  proached three or four
  months ago but have heard
  nothing about the plan since.
  I suppose it would be a rather
  frightening thing to do. One
  would have a great sense of
  responsibility to the readers,
  but I think it would be great
  fun all the same."
  
  One intriguing aspect of
  this proposal is that the new
  Bond series should be written
  under a pseudonym! Someone
  who has heard a whisper of
  the royalties being offered
  for this work suggests that
  the best pseudonym would be
  "Lucky Jim."
  
  But I doubt if Mr. Amis
  would agree. So I offer a fiver
  for the best suggestions on a
  postcard that I receive by
  first post on Wednesday.
  
  --Express

  
  1976: The Spy Who Loved Me films OO7 chased by Jaws through the pyramids.
  1977: L'espion qui m'aimait released in France.

  
  
  
  
  
  
  
  
  
  
  
  
  
  

  
  1983: The Ian Fleming Estate supported by MGM/UA and Danjaq file an injunction to block the release of Never Say Never Again in England. (It's later rejected by the lower court plus the court of appeals.)
  
  2006: AOL Music says Chris Cornell was inspired by Tom Jones and "Thunderball".

  

  CHRIS CORNELL Inspired By TOM JONES For
  JAMES BOND Theme

  http://www.blabbermouth.net/news/chris-cornell-inspired-by-tom-jones-for-james-bond-theme/
  October 12, 2006
  
  AUDIOSLAVE frontman Chris Cornell recently told AOL Music that being asked to do the theme song for a James Bond movie is both a great honor and responsibility. "The Bond soundtrack song is different than any other movie you're going to write a song for, because it's steeped in lore," explained Cornell. "It's part of the tradition of the franchise."
  
  Cornell, who has the distinction of doing "You Know My Name", the main song from the upcoming "Casino Royale", told AOL Music he understood the significance in large part because of Paul McCartney. "If you would've told me when I was 10, the first time I heard 'Live and Let Die', being a huge BEATLES and Paul McCartney fan, that I would be doing the song for the 21st James Bond film — imagining that is a fantasy," he said.
  
  But it was another U.K. icon whom Cornell looked to for inspiration in recording "You Know My Name". He says he was thinking about Tom Jones' over-the-top singing style when someone mentioned that Jones actually did a Bond theme.
  
  "So I heard his version of the song 'Thunderball'," Cornell said. "It's kind of a funny song. The words are about a secret agent. His voice is incredible. The band sounds small and thin, and it's Tom Jones singing, so his voice sounds enormous."

  
  2012: Christie's reports the James Bond 50th anniversary combined online auction plus in-house party auction raised $2.6 million/€2,000,000 for charity.

  

  James Bond auction raises $2.6 million

  https://nation.com.pk/12-Oct-2012/james-bond-auction-raises-2-6-million
  
  LONDON (AFP) - A London sale of James Bond souvenirs to mark the secret agent’s 50th silver-screen anniversary has raised over $2.6 million (two million euros), Christie’s auction house said Wednesday.
  
  Buyers from 42 countries took part in the auction with all proceeds going to a charity.
  
  The auction took place in two stages, firstly online from September 28 to October 8, and secondly during a party at Christie’s auction house on Friday.
  
  Notable guests included actor Roger Moore, who played the famous agent on the big screen, and Judi Dench, who appears in Skyfall, the saga’s latest installment which is released on October 24. Many of the objects on offer were supplied by Eon Productions, the British company that has produced the Bond films.
  
  The highlight of the collection was the Aston Martin DBS driven by Daniel Craig, the current Bond, in the opening scene of “Quantum of Solace” (2008), during an Italian car chase.
  
  The car, estimated pre-auction at between $160,000 and $240,000, finally went under the hammer for $390,101.
  
  The titanium Omega watch worn by Craig in Skyfall sold for $250,000 euros while his Tom Ford tuxedo was snapped up for $75,000.

  

  2015: Daniel Craig visits Cyprus in his role as United Nations advocate against the use of land mines.

  
  Entertainment News
  

  UK actor Craig drops Bond killer
  role to see mines in Cyprus

  https://www.reuters.com/article/us-entertainment-craig-landmines/uk-actor-craig-drops-bond-killer-role-to-see-mines-in-cyprus-idUSKCN0S71J620151013
  October 13, 2015
  
  British actor Daniel Craig (R), a UN advocate against use of landmines and explosives, gets a briefing from Cambodian de-miners at an active minefield in Cyprus, October 12 2015.
  
  Entertainment News October 13, 2015 / 10:31 AM / 3 years ago UK actor Craig drops Bond killer role to see mines in Cyprus 2 Min Read NICOSIA (Reuters) - His James Bond character might blow things up and kill for a living, but actor Daniel Craig was in Cyprus on Tuesday to see first hand the perils of unexploded ordnance littering the ethnically-split island. British actor Daniel Craig (R), a UN advocate against use of landmines and explosives, gets a briefing from Cambodian de-miners at an active minefield in Cyprus, October 12 2015.
  

  2016: Dynamite Entertainment releases Hammerhead #1.

  

  JAMES BOND: HAMMERHEAD #1
  (OF 6)

  https://www.dynamite.com/htmlfiles/viewProduct.html?PRO=C72513025272201011
  Cover A: Francesco Francavilla
  Cover B: Robert Hack
  Cover C: Ron Salas
  Writer: Andy Diggle
  Art: Luca Casalanguida
  Genre: Action/Adventure, Media Tie-In
  Publication Date: October 2016
  Format: Comic Book | Page Count: 32 Pages | ON SALE DATE: 10/12

  Bond is assigned to hunt down and eliminate Kraken, a radical anti-capitalist who has targeted Britain's newly-upgraded nuclear arsenal. But all is not as it seems. Hidden forces are plotting to rebuild the faded glory of the once-mighty British Empire, and retake by force what was consigned to history. 007 is a cog in their deadly machine - but is he an agent of change, or an agent of the status quo? Loyalties will be broken, allegiances challenged. But in an ever-changing world, there's one man you can rely on: Bond. James Bond.

  
  
  
  
  
  
  
  
  
  
  
  
  

  
  
• Thunderfinger Das Boot Hill

  October 2020 Posts: 45,489

  Never thought about the similarities between TB and YKMN before, but they are certainly there.