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SF beats DAF 25-7
Round 132:
DAF vs CR
and
CR vs SF
CR in both cases. :)
CR beats DAF
CR beats SF
The story of our modship, @Benny. ;-)
SF
SF (but extremely close)
and
CR
easiest one yet!
I think this film is the perfect modern Bond, remaining loyal to the Fleming source material but giving it a modern take. This is something leading up to the release of CR that I would've never thought possible, particularly following films like DAD. This is a layered Bond film done in the vain of the early Bond films where the narrative drives the arch of the characters within it. Craig's portrayal of Bond remains his best here, playing a OO agent in the beginning of his career superbly. The relationship between Vesper and Bond is fleshed out and believable. David Arnold's score (because he had to withhold from using the Bond theme) is his best in the series. The moment where Bond puts on a tuxedo for the first time in this film and you hear Arnold's score, that's such a Fleming moment as you empathise with Bond in this second. I know whenever I'm going to an event that requires a tuxedo, I think of that exact scene.
The locations and action sequences are brilliant. The cinematography is luscious and vibrant. Unlike in Skyfall where M becomes Bond's surrogate mother figure, in Casino Royale she is unquestionably Bond's boss as it should be. I'd say it's probably my favourite title sequence in the entire franchise. Chris Cornell's song is an absolute classic and I remember setting it as my ringtone at the time of this films release. You see Bond bleed for the first time since Licence To Kill. The scene where he's washing the blood of his hands and face after facing off with Obanno and he is starring in the mirror and there's no soundtrack to accompany that moment. That to me is a definitive Bond moment. In this moment it's so clear that Bond is questioning whether he wants this life, without saying a word. Pure Fleming and unfortunately something that I feel would be lost in future Craig instalments. This is the best Bond film since The Living Daylights and it's a true return to form after the Brosnan era.
There's a lot to love.
I always thought the scene where Bond is drinking the 6 martinis on the plane with Mathis was very Fleming, and the scene in SP where Bond and Madeleine are waiting, and the rolls royce comes out of the desert was like something Fleming would have wrote!
Sure, although I always felt the latter scene was a poor attempt to recapture some of the flavour of 60's Bond films, personally. It felt like it was a bit contrived and put there for no real reason other than nostalgia, IMO.
CR
CR (but close: CR has dropped to No.3 (behind OHMSS and FRWL), and SF has popped up to No.4... and I will be seeing SF in concert in a couple of weeks and I did wonder if this film could switch spots with CR?...Either way, two great films.)
CR (really love SF and it has some of the best moments of the series amongst it although CR is no. 2 on my rankings and SF no. 4 so it has to be this way)
CR twice, of course.
Great posts @Octopussy . Didn't the Brozza bleed at least once? Bleeding lips?
DAF just because I enjoy watching it more
CR for the same reason
CR
Love the other 2 though
and
CR
Although my vote went differently it's nice to see someone prevent a shutout.
CR over SF less easily, but still definite.
CR over DAF
By a hair over SF and quite a bit over DAF. I appreciate all three for what they are though.
I thought he had a bleeding lip too, I think in Goldeneye, but it was never as a brutal as Craig's wounds.