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Comments
1) When Barbara talks about Sean's call to her father.
2) When it is mentioned that critics and audiences alike were utterly insane to have rejected Dalton's great Bond. I believe the words spoken are, "How do you explain something like that?"
3) When it is pointed out that Fleming's death was certainly facilitated by McClory's ridiculous manhunt.
4) And perhaps a little bit when Pierce talks about a certain difficult phone call in 2004 or 2005.
Despite being an officially sanctioned product, it is surprisingly candid about the ups and downs of the 007 franchise over the years. For example, even though Sean Connery did not want to be interviewed, his “perspective” is still represented by the use of both archival clips and David V. Picker (United Artists) on camera interviews. Connery's "voice" is clear – especially concerning his deteriorating relationship with Broccoli and Saltzman.
I think that EON is still available as a stand alone download from itunes (US).
A point well made. The documentary doesn't shy away from addressing some of the more controversial issues. Even Lazenby has satisfied himself, it seems, that it's wisest to just lay the blame on himself and his close friends rather than merely on the producers.
I think the folks at EON were smart to remove confusion and speculation in favour of a clean version of past issues that have more or less been publicly deconstructed over the past couple of decades anyway.
Only the Monty Norman - John Barry dispute remains somewhat clouded...
The Ultimate James Bond Collection includes a DVD of Everything or Nothing.
I really like the way they communicate the rapidity of Fleming's writing. With the train music in From Russia With Love playing as a typewriter hammers down short sentences over quick cuts.
Dalton is amazing in this documentary. He delivers his pointed statements with theatrical ferocity
"I can't take my seven year old to see the Bond film."
"Well it was never meant for seven year olds!"
I think they do a good job of reflecting Saltzman's contribution. His children are good interview subjects too. Especially when they're talking about the toll their mother's illness and death took on Harry. But also when Cubby and Harry met at the FYEO premiere for the first time since their falling out and it was as if 'everyone else melted away'.
I love Brosnan talking about receiving the soul crushing call about Remington Steele's renewal and when he can't remember the difference between Tomorrow Never Dies or The World is Not Enough. And giggling at arriving on set and being told 'Alright Brosnan, you're kite surfing a tsunami today. Ok!'
Such a fun doco and endlessly rewatchable.
I have not seen EON.
Of course Bond then dies on age of 56 (in year he turn 57) from 1962 - 2019 or 66/67 (1952 when Fleming start writing Bond).
Until the moment he decided to pursue his idea of "justice" far beyond the acceptable and reasonable. Fleming may have owed McClory a credit and a few royalties, but McClory spent a lifetime chasing after the keys to the kingdom. What he wanted was ridiculously out of proportion.
All of this.
Plus, it is the last we see/hear of Roger substantively on the subject of Bond.