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Depends really: do you think the people who get paid to produce these for a living don’t care about them? I think they do. And if they do, why aren’t we allowed to care? To appreciate then if we like?
I doubt you’ll be able to answer.
Apologies; just saw this.
I dunno: I like the simple, clever ones. Goldfinger (the best); For Your Eyes Only; Living Daylights... Spectre didn’t quite have the wit of those, but it was eye-catching and simple and striking. I wouldn’t object to a similar one.
As I've said, in my opinion it's not necessarily a "bad" poster but it doesn't stand out and is fairly bland for the most part. Will be curious to see what the other poster(s) can manage. The SP ones didn't interest me at all but damn, if Craig didn't look great and classic in that turtleneck poster.
I don't know. FYEO and TLD has some variation of this, although in painted form.
They're not as good as the simple, photographic versions if you ask me.
It's received wisdom that 'the painted posters were the best', but here are three occasions that prove that wrong, if you ask me.
TLD and FYEO are obviously variants on the same idea, but it's a good one! :)
As for the GF poster, the one you posted here @mtm, is no doubt one of my favourite Bond posters - alongside the one where they've used the same idea, only superimposing the image of Connery and Blackman on Margaret Nolan's body (as opposed to just the hand):
(Well done, Robert Brownjohn!)
I've also seen a version of the same GF poster(s) which is just the typography without any imagery. If anyone knows where I can get one of those, please let me know!
_______
On the topic of painted posters vs. minimalistic (but often eye-catching) imagery, it's very much a draw for me. I don't prefer one over the other. It's all about how it's presented, and if there are elements I like. The NTTD teaser poster is lacking that attention grabbing element for me, but it does leave me curious as to which direction they're taking with the rest of the posters for the film (and other promotional content).
Yes indeed; it's an either/or for me and I just happened to find the 'hand' one quicker! :)
They're both superb and I'd say possibly the best Bond poster so far. Brownjohn was probably the best designer to work on Bond (I enjoy Binder but I think the Goldfinger titles top any of his).
Just as a side thought, does the original photo of Connery and Blackman projected onto the figure exist out in the open? I don't think I recall seeing it anywhere in its original form.
I agree, it's quite possibly the best Bond poster(s) yet, and Brownjohn is indeed one of the best designers that have worked on Bond - if not the best. I really like what he did with the FRWL title sequence too (which of course is a variant of the same idea), but the imagery in GF makes it more striking. That's why those two posters work so well too.
Re. that photo, I don't think I've seen the original either!
Binder was busy on another film commitment. I believe the gunbarrel was originially not included in the film (the film would simply open with the SPECTRE training scene), bear in mind that back then the UA logo wasn't placed in front of the film, but they added it to make sure people knew the film had started.
The UA logo? That's interesting; I've not heard that before.
As far as I know, the films from Dr No to Thunderball had no logo at all, they started with the gunbarrel.
I think the same applied for other UA films. In my A Shot In The Dark DVD there's no UA logo. Same with the print they screened in Argentina back in 2004 for the 40th.
I feel a bit sad when the Blu Rays open with the modern MGM lion or whatever. Half of the excitement of watching GoldenEye for the first time was that UA logo with the stars sort of floating around and the really quite nice jingle which fades away to darkness.
Luckily, they have restored the original 1994 logo to the 4K Apple transfer. It's preceded by the 2012 MGM logo, though. (camera zooming out of Leo's eye)
Have they restored the original logos for all the 4K Apple transfers?
Ah cool!
Yes I think Peter Hunt was actually the one responsible for bringing back the gun barrel as he shuffled around the scene order in the editing room.
I guess that makes sense: thanks! Interesting to learn who actually started that tradition.
the sleeve on Bond's tuxedo appears to feature a turn-back cuff!
TURN-BACK CUFFS ON THE TUX!!
When was the last time we saw a shawl-collar tuxedo with turn-back cuffs? Could it have been... DR. NO??
Worrying when the fans turn out better teaser posters than the makers....