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The new additions are great; Hayley Atwell is wonderful and Pom Klementieff really leaves an impression here. Always nice to see Shea Whigham as well. The regulars, unfortunately, are short changed in comparison. I'm hoping a lot of my feelings are a simple case of "Part One" syndrome and it will all fit nicely into place after the next film, but I am somehow both thrilled by the intense action and thoroughly underwhelmed by a lot of the other stuff.
There is one particular choice the movie makes that bothered me quite a bit as it felt quite aimless in its build up and yet left a big shadow for me.
Balfe's score is a major step down from his previous work also, I felt. I really liked his score for the last film so if you were someone who didn't like it (or were even indifferent to it), I can only imagine how this will land with you.
To add some balance, we should discuss Cruises acting in addition to the stunts. Easy to take for granted but he really gets the tone right, IMHO from the dark to the light. Something that many actors struggle with.
My apologies. Opened yesterday! A Sunday. Strange.
Spectre opened here in the UK on a Monday, it was 7pm to coincide with the premiere in London (I think).
I can imagine that being the thinking behind it.
I hope you enjoy it.
Been aching to talk about some of the spoilers
For once, it seems, I know absolutely zero spoilers going into this and I couldn't be happier about that. Looking forward to chatting with you and some others here about it once I'm out! I'll probably rush home to share my thoughts, get a review up on Letterboxd, and discuss it here.
I think spoiler tags will be sufficient.
I’d hope we’re all adult enough not to knowingly post spoilers.
- Hunt, after doing the bike jump, parachutes into the side of the train and takes out goons who are about to shoot Grace. That was a bit of a "oh come on" moment.
- The plotting was a bit all over the place, it felt in places like it was being written as it was filmed.
Otherwise I definitely give it 4.5/5.
The whole third act is immense.
Besting Fallout and crossing $800M globally sounds quite likely with such an opening.
For comparison, Fallout did $153m opening weekend worldwide in 2017, though I think that was a Fri-Sun take only, making a comparison a little trickier.
Fallout had a 5.2x multiplier from opening weekend ($791m total). If DRP1 follows, it places it at $1.3bn.
In any case, an excellent start for the film.
Difficult to say, it worked well in the film but need to give it a good listen. There is plenty of MI theme in it.
Oh, thanks. Plenty of MI theme works for me.
No, not for me.
Oh, does it lack melody or something?
I would say yes, if anyone need the score for the film, PM me
Hmmmmm. It seems the score is divisive.