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Comments
Agreed. Kamen's score is probably the worst. On a good day he might be better than Conti but that doesn't say much.
There is a swagger to Craig in CR that really makes it work. We haven't really seen that since.
It was indeed....like 2 balls on a swinging pendulum,im surprised his arse didn't knock her off the stairs.
As a PTS it's not as well directed or shot as that of TLD.
Think it's more lacking than any PTS except DAF or LALD. That includes weaker ones like FYEO and TMWTGG.
My controversial opinion: the PTS of FYEO and TMWTGG are both actually very good. Same with LALD. In DAF the PTS is maybe the only thing I like about the movie and the only thing I watch of the film when it is on.
I don't mind the LTK PTS either. What brings it down is the horrendous acting (especially by the female characters like Soto and Barnes).
It all just seems a bit overlong and not that exciting. Sanchez dangling in the captured plane while everybody laughs doesn't help much either.
A PTS should get you fired up for what's to come and LTK doesn't work in that way much at all. For me, the rest of the film works better.
Yes, tonally FYEO didn't stray too far from what MR had been doing. Even MR had its more serious scenes like FYEO's. I think it's simply the overarching plot of the lost ATAC being very grounded as opposed to global annihilation from outer space that leads to the perception of FYEO as a grounded film. Tonally, it's all over the map.
Methinks Murdock has soul and has a keen understanding of Bond on film.
I agree that the tone was inconsistent but overall the stories are more plausible from FYEO onwards.
Ken Adam did as much to define Bond early on as Connery did.