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Comments
To Morrow Never Dies? :P
It's a fine movie, but I'll always think it should have been Brosnan's first
Everything you said was accurate though- a fine movie with great Bond moments; just got a bit too 'Rambo' at the end
I agree totally, 007 knows Carver will send someone after him, so he prepares by drinking half a bottle of Vodka... Neat...
Only Bond...
I saw this picture for 'Mad Men' once and thought I should make one for Bond! What do you think??
excellent
I'd also like to see all the scenes with Teri Hatcher that ended up on the cutting room floor, due to a few focus groups hating her character, put back in.
You know, I'm debating getting the upcoming Blu-Rays, since I already have the most recent DVD's and I've always been satisfied with them, but let me tell you: If each Blu Ray was a Directors Cut, I'd buy them without hesitation!
Quality, maybe he was actually expecting Teri Hatcher and felt the need for a stiff one first..
Also, I love the remote control car. One of the best gadgets in the series.
I don't really believe they shot a lot with Hatcher that wasn't used. Per the original script, Paris was only in about 3 scenes which is about what she has in the final film. You can read it here:
http://www.universalexports.net/scripts/tnd.shtml
There is a longer scene involving Paris and Carver that appears on the UE extras but that's about all we know for sure about. I'm in the minority about this, but I prefer her to Wai Lin. It was refreshing to see a Brosnan-era Bond girl who was not trying to be a "female Bond".
As for TND, it's certainly the least pretentious of the Brosnan-era Bond films. It's the most "tick-the-box" entry made post-AVTAK, but it goes thru the formula slickly and nicely. Brosnan's much more at ease in the role than in GE and the film just has a more confident feel to it. David Arnold provided his first and by far his best Bond score as well. Essentially, it's YOLT/TSWLM for ADHD viewers but it works and is probably the most successful at achieving its intentions of all the Bond films made between 1995 and 2002.
Completely and utterly agree. I have been saying this for years. I don't rate Brosnan overall but this is far and away his best film. There are some nice scenes, dialogue and the film often looks stylish. Michelle Yeoh is good and I think works well with Brosnan actually. Hatcher is awful and the character should have been played by Bellucci as originally proposed.
I'm only going off reports what I read at the time of the TND's release... and HaphazardStuff's review only seemed to confirm this belief with his excellent THE BROSNAN AGE: PART 8.5.
I must add that out of all the Brosnan Bond's this is the one I prefer the most. Sure, it has some shaky moments and unfulfilled plot points, but it's the closet Brosnan got to replicating the old-school Roger Moore Bonds. With a more polished script, a replacement for Teri Hatcher and the original Surrender title song in place of the detestable Crowe number, this might have become Pierce's best entry. Bit of a shame really. Though I must admit I didn't realise there was a Director's Cut of this movie, so I might have to track down a cheap copy somewhere to see if it flows any better.
If you haven't checked out what HaphazardStuff has to say about TND it's worth a gander...
http://haphazardstuff.com/TomorrowNeverDies.html
GE has its problems but there is a bit more of a balance between action and drama. Dies just sacrifices the latter for the former (although some of the action is quite fun).
Interesting to watch. However, I remember reading an article saying they had cut Hatcher's 15 minutes down to 3 so I checked out her screen time on the VHS after I bought it. She's in the finished film for about 13 minutes. They may very well have shaved some seconds off her footage but at the very most they would probably be just slightly longer versions of the scenes we've already seen like the one I mentioned that's in the UE extras.
I agree with HaphazardStuff that the idea of a Bond girl as a past serious lover of Bond is a good one but they really didn't develop it well enough in the actual script. The idea of having brought back Natalya Feodorovna Simonova to be Mrs. Elliot Carver is intriguing but I wouldn't like the idea of sacrificing her character so she could be replaced by Wai Lin. I've read one fan say he wished the character would've been Sylvia Trench from DN and FRWL.
It's James Bond for the ADHD crowd. But if the viewer accepts TND on those terms, it works.
The score is the best non-Barry score in my opinion, and you'd have to be deaf not to hear Surrender in the music. It's all over the score!
My mistake - haven't actually watched it for some time. I guess what struck me in the cinema was hearing Surrender at the end and thinking why on earth hadn't they used it as the main title track. if you don't hear the track at the start, then the references during the film are obviously lost.
Any way, my point stands (I think) for GE, TWINE, DAD and QoS.
Yeah the usage of Crow's track has always annoyed me. It's not a terrible song, the melody is easy on the ears and the sleazy way she sings the song sort of works, but Surrender blows it away. And yes, I see your point on that, I have the complete score and listen to it quite religiously along with OHMSS and The Living Daylights, so I know it note for note at this stage!
And yeah, I understand. I think the Brosnan era is more enjoyable if you're able to look past the minor flaws TWINE has, and, well, I won't even argue for DAD, because that was very bad. I can't see anything wrong with GE though, what do you not like about it?