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Comments
It was in DAD. in TWINE he made sex with the MI6 Doctor. (well I guess she's the MI-6 doctor, yes)
But i agree, that scene was bad. Should get retired..
However, I'm gonna go against the opinions of some of the people here and say that the scene in DAD was actually a good one. And I say that because it fits the tone of the film. After the ludicrous, anything goes, last hour of that movie, the whole thing seems just a tad plausible. In fact, when I saw it in theatres, I actually thought it was really happening before the gag was revealed. And I didn't mind it so much simply because of all that 40th anniversary stuff. In fact, being that it was Brosnan's swan song, and essentially, the end of the first timeline, I say why not?
I don't love DAD, but I agree with you. And I'll take it a step further. If the end of the movie--and of that timeline--had been Bond ending up with Moneypenny in reality, I would have been okay with that.
lets make things fresh
To be honest, I'm not a fan of the Moneypenny and Bond banter in the Craig Era, it's not interesting, nor do I feel the sweetness between the two of them, it's like they're trying too hard to be sexy and hot, but it's not there.
Whereas in the classic films, rewatching those Bond and Moneypenny scenes makes me giggle and I feel it, there's a certain sweetness and chemistry in their banter that makes you feel for the flirting, there's this romantic excitement, something that I couldn't feel in the Craig Era, I'm sure there's at least a chemistry between Craig and Harris, but the sweetness just isn't there.
So, I wish they bring back that romantic sweetness between Bond and Moneypenny, maybe have Bond ask her for a date, then something bad happened? I've read a scenario like that in Dynamite comics, in Reflections Of Death where Bond and Moneypenny had a night bonding together but it leads to her kidnapping.
What you guys think?
I don't remember who, but someone suggested that Moneypenny could be older than Bond for once, thus changing the dynamic. If Eon goes for a younger Bond (early 30s), it would definitively be an interesting and maybe the best direction to take, in my opinion.
Lois Maxwell was great and will forever be the epitome of Moneypenny, but unless we get back to filming Bond as period pieces from the 50s and 60s (which I might even like), there should be no room for depicting her as a sort of spinster continually yearning to have a date with James. It was justified that Lois' tenure ended along with that of Roger Moore, who was the same age. It's lovely in real life if sexagenarians crave each other (I'm in my mid-sixties, so I know... oh, wait, my wife is still in her fifties for a few months, but still!), but I can see why this is not the relationship the movie-going crowd is likely to be crazy about.
I think that Samantha Bond was a step forward in that regard (in spite of the VR mess in DAD, which was sort of funny but detrimental to the character). And Naomie Harris also was a fresh start, whatever one thinks of her trying to be a field agent in the beginning.
That being said, and apologies to the great actors and other creative minds during the Craig era, the entire series should start from scratch with new actors, screenwriters and directors, and while it should keep Fleming's characters in principle, their relationship may (and ought to) be quite a different one from that of the 1960s/1970s' movies, and even more so from the novels.
@echo:
Do you mean to say she should become his love interest and get killed in that capacity, or just either of the two?
When they did that whole post-death scene in M's office in NTTD, I thought about the OHMSS scene where she's crying. You really felt for Moneypenny then. And here's a scene after he died and you feel nothing for her, because her character, and their relationship had changed. To have her crying then would have made her look weak I suppose. It's not the way you portray women these days.
Moneypenny in the field, with a gun, that's the deal now.
A little of both would be ideal.