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Comments
Bedding Grace Jones and live to tell the tale.
Br-r-r-r-r.
Not really sure what point you're trying to make here.
Yes you are of course correct that you don't make the jump away from the wall as filmed which is a bit annoying but obviously to avoid people getting shredded against the wall as they bounce back up. I'm not quite sure how Michaels avoided this and not sure if it was solely down to his body position or some trick with the rigging.
It is certainly more dangerous than the version available to the public for the reasons mentioned above. However we are discussing the best stunt not one of the best stunts and while I don't think anyone's saying it's not a very good stunt I don't think it has enough variables to go wrong to make it deserving of number one.
It's a pheneomenal sequence for sure but the fact that it's pieced together detracts from it being a great stunt (singular). I would say asking professional skydivers to do another jump to get the perfect take is hardly that onerous a request.
I don't know what you mean here - unless you need me to define the word original for you?
Another couple that haven't been mentioned that deserve a bit of credit:
1. The boat barrel roll in TWINE. Get that wrong and you would get a very nasty faceful of water which at that speed could cause serious injury.
2. The bobsleigh going over the grenade in OHMSS. The way the body gets blown off looks painfully real. If that's not a dummy then I don't know how the stuntman escaped unscathed.
3. Skiing behind the bob in FYEO is an impressive feat in itself but make a mistake and fall over and you've got a bike with spiked tyres right on top of you.
The PTS parachute fight of MR meets those criteria.
The fact that it was done by professional skydivers does not make it that less impressive. I think all the stunts mentioned before were done by professionals.
Even though I know this stunt is an assembly of various takes, it still impresses me. But moreover, I like the cinematic quality of it all: the framing of the entire stunt is very good, the 'choreography' was put together in an excellent manner and Barry Norman's score is a great addition to the sequence.
But actually, in TLD, Dalton's hanging on to the jeep rushing down the rock of Gibraltar is also very good. After the Moore-era, I was very pleasantly surprised to see the actor's face clearly visible during a stunt. Dalton not being a qualified stuntman, this could have turned out very nasty - and apparently it gave Broccoli nearly a fit when he visited the set and saw Dalton instead of a stuntman dangling by the side of that jeep. There is some footage on the extra's of TLD, where you see Dalton actually jumping of the jeep and out of the way of the oncoming jeep.
"Aaand why not."
Apparently he never actually said that.
"Thank you, I'll be here all week. Try the fish."
OHMSS
LALD
TSWLM
MR
FYEO
OP
TLD
LTK
GE
TND
TWINE
And
CR are the most stunt heavy movies in my mind. Some of the greatest stunts put to film can be found in the Bond series.
One that doesn't seem to get so much love is the other Rick Sylvester stunt. Falling off the cliff face in FYEO. Very impressive, and very dangerous to boot.
Thanks for pointing it out - I was getting tired at that point, I'm afraid, because I do know the difference between the two.
~X(
Not a lot to be honest.
Some decent fast driving (but hardly anything the Stig doesn't do) and a few high falls in the final battle.
Actually when you think about it just where is all the action in TSWLM? After the PTS there's only the Lotus chase as a standout action set piece as I have to say I don't find the big battles that engaging as I prefer Bond to be on his own rather than just one of many soldiers I don't care about.