It looks like you're new here. If you want to get involved, click one of these buttons!
^ Back to Top
The MI6 Community is unofficial and in no way associated or linked with EON Productions, MGM, Sony Pictures, Activision or Ian Fleming Publications. Any views expressed on this website are of the individual members and do not necessarily reflect those of the Community owners. Any video or images displayed in topics on MI6 Community are embedded by users from third party sites and as such MI6 Community and its owners take no responsibility for this material.
James Bond News • James Bond Articles • James Bond Magazine
Comments
Thank you for the info @Perdogg!
In her memory, I sipped a martini and remembered the good days.
But you are very wise, you know.
1965 was a Very Good Year.
The Americans Invented the Mustang.
Named for that blasted Air Force P-51.
But let's drink anyway.
Cheers.
They decided to make Thunderball into a movie, and later on McClory caused more trouble, and due to several legal battles, EON who had purchased all the rights to Fleming novels (except for CR which was sold previously) could no longer use Blofeld and Spectre in their movies. This legal battle lasted a long time, and eventually EON decided to kill Blofeld in a Bond movie without actually naming or really showing the character. This was done in the pre-title sequence (PTS) of FYEO as you may recall, the helicopter was controlled by a bald man with a cat...
McClory owned rights to Spectre and Blofeld but could only produce movies based on the story he owned: Thunderball. He remade thunderball in 1983 as NSNA with Connery. He tried to make the story in the 90s as well, named Warhead but it never happened.
Now I forget the details, but EON now own all rights to Bond, they acquired CR in exchange from some Spiderman rights MGM or UA had with Sony who had acquired CR previously. I think they also have all TB/McClory material as well?
For more on this check
http://en.wikipedia.org/wiki/Thunderball_(novel)
and
http://www.mi6-hq.com/sections/movies/tb_production.php3?t=tb&s=tb
I liked it, I wasn't really blown away by it but I found it an enjoyable read. The problem I had with it was really that I didn't really feel like I got a big insight into 'Fleming's Bond'. So much of is made of Fleming's more dark, humourless tone to the Bond character but in TB he seems to take a back seat to the grandiose story Fleming has dreamed up. Bond is less of a character with an arc as opposed to cypher who's sole aim is to move the plot forward. In fact the plot is very grand and big, and I actually think is more akin to the scale of the Lewis Gilbert Bond film opposed to the gritty Dalton or Craig portrayals.
However, it is enjoyable as the story is so original and perfectly audacious. The novel is the perfect marriage of glamour, thrills and danger. Furthermore, it moves so quickly so you don't really get enough time to pick any holes in the thing. Fleming's great skill is to make the whole thing seem very feasible. I think the real highlight of the book is the introduction of SPECTRE, I loved the chapters where we spent time with them and the charming and deadly Blofeld. I liked how they are made up of some of the biggest movers of their day and how all their records are clean. I also think its interesting because the events of TB are their last ditch efforts before Blofeld winds down the company. This makes me even more excited to read Fleming's follow-up as it looks like Blofeld will be in a real state after the events of this novel. Another aspect of SPECTRE I like is how they deal with both the US, British and Russian Governments supplying and stealing secrets, in fact the SPECTRE of the book are rather different from the SPECTRE of the films and if anything are more akin to Quantum. An organisation lurking in the shadows.
Other highlights include the great working relationship between Bond and Leiter. I think the film of TB definitely exceeds its source material as not only is the large scale of the book fully realised but in some cases actually made grander. Also, the addition of Fiona Volpe was a good decision (she steals the movie). So all in all, a good enjoyable pacey thriller.
It goes off a bit latterly though, like Fleming didn't know how to finish it quite. Having Bond and Leiter bicker over the correct way of serving drinks and food in restaurants while on a mission seems a bit lame!
The intro of Spectre is masterly writing, and a shame stuff like this didn't get enlarged upon in the remake NSNA. In a way, Spectre gave Fleming a second wind in his writing, much needed, and so the book was important to the film series, because Spectre got used in a lot films that didn't feature it in the novel: Dr No, FRWL, DAF... In this sense the odious McClory sort of had a point, not sure if Spectre as portrayed was really Fleming's idea.
Ironically, Bond's young man appeal to Domino compared to the 50ish Largo got reversed in NSNA, where Connery was the older man. I think some of the submarine stuff of the finale in the book, including Bond gal as hostage, got used in TSWLM to put the kaiwash (sp?) on McClory's hoped for remake.