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He has a oscar for best screenplay for Pulp fiction.
Forrest Gump over Pulp Fiction, Shawshank redemption and Quiz Show. I like Gump but no way did it deserve Best picture over those three classics.
Crash over Brokeback Moutain
Crash getting Best Picture over Munich still makes my blood boil.
Newman didn't win an Oscar he was nominated. IMO the nominations wasn't even deserved.
I don't bother getting angry at the Oscars anymore. At the end of the day its just an award ceremony that rarely gets it right and plays everything so safe.
Have a look at how many best actor Oscars have gone to actors playing someone with a disability or a mental defect over the years. It's ridiculous!
As the wise Kirk Lazarus once said, "You never go full retard!"
I don't remember seeing this thread before.
So, a couple of comments also on early comments in this thread...
Clearly everyone didn't.
I hated it too.
Never has won for anything else, either - 13 nominations, though. But he should have won for American Beauty.
The Artist.
Tommy Lee Jones winning for Fugitive over Pete Postlewaithe in the name of the father, di caprio in what's eating Gilbert grape and fiennes in Schindler's list.
Even worse - Hanks winning for Philadelphia over day-Lewis in the name of the father, Neeson in Schindler's list and one of my favourite performances ever - Anthony Hopkins in The Remains of the day. Then again David Thewlis in Naked should have at least been nominated.
And yes, Hopkins, DDL and Neeson were better than Hanks, and Fiennes, Postlethwaite and DiCaprio were better than Tommy Lee Jones. I wasn't following the race at the time, so I don't know if those winners were expected or surprises, but I didn't agree then and still don't now.
I love "Writing's On the Wall" and I'm happy when Bond wins anything, but I absolutely agree with this.
Okay so Nothing Like the Sun was not nominated. It was not even made as a movie! But it deserved to be made far more than SIL, which is basically a rather mediocre romcom with Shakespeare in it.
The same applies to the BAFTA and the French equivalent or even the Dutch Gouden Kalf, they generally celebrate their own stuff, with the exception of the price voted by the audience. And that is just the matter of which movie has the largest fanbase willing to vote.
So enjoy the show and expect the votes to be different than the stuff you like.
Pacino should have one for any of: GF 1&2, SERPICO, DOG DAY AFTERNOON.
Likewise, I don’t think Denzel should have won for TRAINING DAY.
LA Confidential should have won best picture over Titanic.
Historically complete bollocks. Anti-English propaganda of the worst kind.
Monty Python and the Holy Grail has more credibility.
Come to think of it, Shakespeare in Love was a rather mundane romcom and had nothing remotely Shakespearean about it. Elizabeth should have won and wiped the floor.
Harvey Weinstein probably paid the Oscars off to let him win.
Lee Marvin does a good comedic turn in Cat Ballou - but Steiger is astonishingly good in The Pawnbroker - even better than his actual Oscar winning performance In The Heat of The Night a few years later.
Driving Miss Daisy over either Crimes and Misdemeanours or the, ironically, not even nominated Do The Right Thing.
Not just Dances With Wolves and Costner winning over Goodfellas and Scorsese but it winning best editing over Thelma Schoonmaker. The editing of Goodfellas is breathtaking, trend setting and still influential to this day.
Jack Lemmon not even getting nominated for Glengarry Glen Ross.
Roberto Benigni winning over Edward Norton in American History X.
A Beautiful Mind over anything but especially Mulholland Drive.
No nomination for Jake Gyllenhal in Nightcrawler.
Crash winning over Brokeback Mountain.