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But is it oscar worthy? Well if YOLT, OHMSS, MR and CR arent then no it isnt.
Top 10! I don't know about that, which of Barry's 10 would you replace it with?
Well on my 11th place i have Goldfinger.
Add TLD to the list (my favourite Bond score) and I completely agree.
But I think LALD has a better score than SF and LTK stands a good chance too, so I'm not sure about it being the best non Barry/Arnold score.
Well, it's not competing against them, is it, but against the other scores nominated this year. I haven't heard any of the competition it has, so I can't say how it compares to the other nominees, all I know is I like it a lot myself.
This, except since AVTAK.
Newman's score is pretty brilliant. I appreciate it immensely.
With an oscar nomination in his pocket I would hope that EON recognises that there are folks out there that can easily top DA's recent work and should be considered.
If it wins an Oscar I would be happy for the franchise and terribly sad for the lack of acknowledgement of John Barry his work on the franchise. He should have won an oscar for any of his 007 soundtracks especially OHMSS.
Good for the franchise but I don't think his score deserves it and I think it's sad that Barry never got an Oscar nomination but Newmans (imo) bland, flat, generic and underwhelming score did.
There are some nice cues and the odd track is pretty good but overall I was disappointed by the SF soundtrack.
I don't think being a member on this site helped either. Everybody was banging on about how crap Arnold was and how great Newman would be but I don't think Newmans score is better than any of Arnolds except DAD.
I find it still amusing, that people were going like "whooo, finally Arnold is out, now we will get a decent soundtrack", and now, they say, they like Newman's work, but were more impressed by Arnold's two previous scores... ;) :-h
I think Arnolds best score was QOS. TWINE or TND a close second, and I liked CRs too.
I don't understand why Arnold gets bashed so much on here.
I agree that Newman got nominated because he's Newman, the whole family are Academy darlings. Craig and Mendes not getting nominated is a joke, but then that's usually the Academy for you.
I have no problem with either Arnold or Newman doing the next soundtrack, as I've said before. I can understand people being down on Arnold's action tracks, but feel he improved that aspect quite a bit in QOS. That and TND are excellent, and very Bondian sounding. He definitely gets more abuse than he should, and Serra not nearly enough :)
That was a huge disappointment when I saw SF on opening night. I always complained that except for CR, Arnold never used one or two main themes to base a whole soundtrack on (especially the title song) the way that Barry did. And then Newman did the same thing - or didn't do it - AND the music didn't have the cliche Bond sound.
But when I saw SF the second time I appreciated the music much more. I still wouldn't put it as a great Bond OST, but it fits with the film and doesn't overwhelm it. It also has some very interesting and very unusual cues that I liked. I certainly would complain if Newman came back again, it would be interesting to see if he modifies his approach.
Oscars aren't guarantees of quality. I am not aiming that at Newman though. I rather like the score.
I didn't say there wasn't a reason. I said the reason was that it was composed by Thomas Newman :P
Ok to be fair, this is an appreciation thread and I've said all the good things I have to say about the score, so I'll leave you lot to it.