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Raising Arizona is their best film definitely, but I'd also say Millers Crossing is up there with their best work.
By the way, 'Barton Think'???
I think Millers Crossing needs a couple of viewings to get its labyrinth of a plot!
Just love the film, and the score by Carter Burwell is just gorgeous!
That is one of the better ones. The only one I didn't like, was The Legend Of The 7 Golden Vampires.
Just watched 'Captain America,Civil War......in a word :AWESOME !!!!!
No Country For Old Men is a great film. Definitely the best of their later films.
Javier Bardem is just chilling as the lunatic hitman, Anton Chigurh.
If only Silva had had the kind of menace that Bardem exudes in this film.
Leslie Howard directs and stars in this WWII reinvention of The Scarlett Pimpernel (which Howard has also played), as Horatio Smith, a professor of Archaeology who secretly rescues POWS from the Nazis. I have now seen this film a number of times, and it has gone one to become one of my favourite films.
The following monologue, I find deeply inspiring, especially from his line "May a dead man say a few words to you, General, for your enlightenment?" onwards...
That looks like a great film! I'll have to keep my eyes open for that one.
It might be available on youtube, to my knowledge, it hasn't had a dvd release (not a major one). I managed to save it to my Sky+ box, when it was on one time, then record it to DVD.
EDIT
Turns out that there is an all region DVD, but it doesn't look to have been a big release.
Two things.
1. The story is ok but not super amazing
2. Fassbender should be the next 007 to keep my interest through 2 hours of an over dramatic film yeah the man should be Bond
Also I need advice the light between oceans was my wife's choice and Monday I get to choose so mi6 Jason Bourne or sucide squad?
Bourne is a bore. SS is at least fun.
SS is fresh, zany in places and quite gripping as well. The finale lets it down but it's not half as bad as the critics make out imho. It definitely has a Ghostbusters (the original) feel at the end. I think you'll enjoy this one as long as you're not too invested in the comic interpretations and back stories.
You can't go wrong with either imho but SS is the more dynamic experience.
Can't believe anyone would pick Zodiac over Se7en!
Zodiac is a good film. Great acting and directing. But it doesn't add up to much apart from the obsessions surrounding the case. Its one of those films I probably just watch once. And coming from Fincher its all a bit ordinary.
Se7en is a bloody masterpiece!
It's one of those I can watch again and again and always spot something new.
I remember seeing it at the cinema and feeling my stomach tighten as they headed into the desert, just knowing something nasty was coming!
I've never seen an audience emerge from a cinema so shellshocked!
Along with Fight Club Fincher's best film.
Se7en is my 2nd favourite Fincher but Zodiac for me is his ultimate masterpiece and I think he's very much of the opinion himself this was his greatest challenge to date.
Se7en granted is for me the greatest serial killer film but Zodiac is much more than that and the acting and staging is a staggering achievement.
Se7en is a masterpiece as well and I saw it on original release and remember the Spacey reveal being extraordinary, you just wouldn't get away with such a thing today.
Se7en is one of those films when you are dumbstruck leaving the cinema it's so sobering, I love Somerset's Hemmingway quote before Hearts Filthy Lesson kicks in.
Zodiac though is more food for thought, all involved are on top of their game and Fincher's commitment to the task is more than admirable. If I have one niggle, it's that SOTL moment with Charles Fleischer, it feels like it's from a different film.
It's a bit hokey and the broad day light killing is far more chilling in comparrison.
Also I don't think Zodiac is supposed to have the Energy that Se7en possesses, it's not that type of film and that is what made it a flop at the BO, people went in expecting Se7en and got this epic exhausting investigative 3 hour film, I loved it and I saw it on the big screen.
It's worth catching the commentary on Zodiac with James Elroy, he loves this film and rightly so, a Fincher Elroy collaboration would be heaven.
Fincher originally envisaged The Black Dahlia as 3 hour B/W epic and Elroy himself has mourned that it never passed considering the garbage that De Palma made of one of his best novels.
Fincher Ranking
1. Zodiac
2. Se7en
3. Social Network
4. Fight Club
5. GWTDT
6. The Game
7. Alien 3 (The Assembley Cut)
8. Gone Girl
9. Panic Room
10. Benji Button
BB is the only one I didn't see at the cimema.
Every time I watch Zodiac I'm 10X more on edge than I ever am with Se7en, and I think that's to do with not only the mastery of the film itself but also in realizing that everything Fincher is depicting is based on real happenings, which I had spent many hours studying myself out of the interest of a bloody mystery that was fated never to be solved. Zodiac is scary not because of gore or violence. It's a memorable celluloid haunt because it represents horrors gone unpunished, and shows how the Zodiac killer was cemented and preserved as one of our age's most malicious modern myths, whose acts still strike terror in hearts today.
FINDING DORY
The octopus is awesome.
I love listening to him speak on film, because he's so wise to it all, where it's film stock and lenses or camera technique. His Chinatown commentary with the screenwriter Robert Towne, for example, shows just how much Fincher is a student of film. He dismantles every scene's camera work for two hours, discussing where the actors are and what they're doing in close or wide shots in the scene to tell his own story about what Polanski was trying to do with each frame he directed.
Here it is, for other Fincher fans that would like to listen to him discuss one of the greatest American films of all time: