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Die Hard WAV is my favourite film in the series, I must admit. I understand that some people are slightly disappointed with the story of the film, but it's got many fantastic moments and delicious performances from Jackson, Irons, Willis and more.
Wow, first time to watch this classic!!
Superb thriller, Poitier and Steiger are fantastic leads. Dripping with atmosphere and dread, really well crafted movie! Great theme song too!
My abiding memory of seeing this in the cinema, was a very packed and kid noisy afternoon showing! An irate Father let out an unmerciful shout "SHUT UP!" which they did, for several seconds!! Needless to say, he and his family left! The crowd did quieten down when the lights went down. As for the film, which I have just watched on bluray, it was a fantasy epic from 'the Muppet Show' Crew, Jim Henson and Frank Oz helming, the old story of good triumphing over evil. You can't fault the production, impressive sets and the puppets are beautifully designed, the evil Skegsis ( who look like relatives of Gonzo the great) are quite scary for young children ( of the time!!) As are their enforcers , giant beetle like creatures , who made a memorable appearance on a Russell Harty show Special, bursting through a set and scaring the living bejesus out of some front row kids in the audience! The problem with the film is that it's a little boring, nothing of huge interest keeps your attention, save for the visuals! Their next foray into fantasy movies was 'Labyrinth' which improved on this by having real people in it too, namely the lovely Jennifer Connelly, and David Bowie playing a Goblin King!!
Ah, the joys of a packed Saturday afternoon cinema! I remember watching Star Trek The Motion Picture (Not a good film for those with no attention span) I remember a group of kids playing tag up and down the aisles..! :))
I too saw The Dark Crystal at thankfully a quiet weekday showing. It looked great, but boy was it boring! I think the film was limited as to what it could do with puppets. I seem to remember they cheated a couple of times with the boy and girl Elf characters by using actual actors. Haven't seen it since then.
Yes, you're right there mate! Quite obvious human doubles doing stuff it was impossible to do with the puppets!
Have to say when Bond ruled the Summer months , I always went on a Sunday afternoon!, When Brossas and Craig movies came in Winter months, I started going in Evenings!! No idea why!
All right, it isn't The Winter Soldier, but it was an entertaining movie, even if it relies too much on continuity (two characters we haven't seen for seventeen years make an appearance, including the main bad guy). But there were things I liked, and one thing that bugged me a little (nothing from the main plot, mind, just something related to my country). But all of that should be better discussed on the appropriate thread, I think).
THE LIVING DAYLIGHTS (Bond, of course) – since Dalton had received a fair amount of social media love during a recent TCM broadcast of THE LION IN WINTER, I decided to start things off with a film that always manages to be in the lower portion of my top ten – but never rises further. Subjectively, its impact is diluted by having twin (“so-so”) villains rather than a single super bad-guy IMO. But, as always, with each viewing, I’m reminded of just how much of a breath of fresh air Dalton was back in the summer of 1987. If (or when) Bond #7 is cast, EON could certainly do worse than hire someone with the same earnest attributes that Dalton brought to the role. And of course there is Kara …
:x
Film Noir: John Huston’s THE ASPHALT JUNGLE is perhaps the granddaddy of all heist movies. And while all of the performances are top-notch (Sterling Hayden, Jean Hagen, Louis Calhern, two-time 007 hood Marc Lawerence and in a small but critical role, Marilyn Monroe, for me Sam Jeffe’s “Doc” is the show stopper. His quote that “One way or another, we all work for our vice” pretty much sums of the movie’s perspective. A classic, that I really need to do a proper write-up on for the Film Noir thread, I just post this scene that always leaves me in stiches …
The Beatles (yep) – given our recent postings about YELLOW SUBMARINE, I decided to go with that one. This is an absolute favorite of mind and has been since I first saw it back in the early 1970s. The animation style by Heinz Edelmann is superb, but note – unlike many modern films - he changes it up on occasion to keeps things fresh. For example, the “Lucy In The Sky With Diamonds” segment doesn’t look like anything else in the film but it is one that I can watch over and over again.
Godzilla (a must) – originally, I was going to pop 2001’s Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack (GMK) into the old blu-ray player, but at the last minute I went with the much lighter tone of 1967’s KING KONG ESCAPES – which, while certainly not a “G” film was also Toho production. A totally bonkers plot – which was typical of everyone’s monster flicks by this time – it is still a ton of fun and we do get to see “Kissy” (Mie Hama) all dressed up to the nines as the villainess “Madame Piranha.” Apparently, she is supposed to be the representative of some foreign country (unnamed) that is financing Dr. Who’s plan to extract the deadly element “X” at the North Pole. And when a robot version of Kong fails to dig up the substance, he decides to kidnap the real thing! Note, although I only have the dubbed version, I have seen the sub-titled version – and it makes for a better but still comical experience.
I should do this again soon as the real world is so depressing at the moment.
"I'm Tony Montana,...from Cooba!"
Brian De Palmas bloody remake of the notorious gangster, here a crazed drug smuggler, brought down by becoming addicted to his own product! I never caught this in cinema, but remember an enthused co worker ( young chap!) raving about it, particularly the infamous chainsaw sequence! Scripted by Oliver Stone ( who De Palma had to get removed from set, as he was trying to influence the actors!) and with a strong cast, Pacino gobbling up the scenery with a frenzied performance, Steven Bauer, and Michelle Pfeiffer, Robert Loggia and Paul Shenar giving solid support! De Palma reels in his rather flashy camera set pieces for pretty much straightforward storytelling! He saves it all for the ludicrous, if exciting, bloody finale ("Say hello to my leetle friend!") , which his old mate Steven Spielberg gave a dig out with! To be honest, I prefer the other team up of Pacino and Director, 'Carlitos Way', more enjoyable for me, but even that hasn't got a scene of Al sitting in front of a mountain of cocaine ( actually baby laxative!!) with a huge blob of it on the end of his nose!!
Excellent film, though I notice some wannabe tough guys read it the wrong way and see Montana as some sort of role model :))
Much like Stone's Wall Street, where there are people who consider Gordon Gekko as some sort of hero... a shame.
In any case, concerning Scarface I'd like to mention Giorgio Moroder's score, which I love.
This one's in my top 5 De Palma's, it may crack the top 3 at some point, though top 2 will be difficult...
Yes, Moroders score is a highlight! There is a question I have you may be able to answer @GoldenGun . In the opening scene when Montana is being grilled by the police, the main guys voice is dubbed by the very distinguishable voice of Charles Durning! Any idea why?
I honestly don't know, but I did a Google search on it and came across this:
Which makes me guess that something may have gone wrong with the original audio perhaps...
Ah, thanks for that! It is a bit disconcerting, as Durning has such a distinct voice, bit off putting!
I tried to watch it once, and gave up on it! Director Michael Mann went on to greater things!
Yeah - when I watched his debut, Thief (1981), it instantly became one of my all-time favorite movies. The only other one I’ve seen besides that and The Keep was The Last of the Mohicans; I’m marathoning his filmography now and will report back eventually with a ranking + details probably.